Félix Pissarro, known within his family as Félix II, so as not to confuse him with his beloved uncle Félix, after whom he was named, was born in September 1917 in Beynac in the Dordogne. Félix II was the grandson of Camille Pissarro and son of the well-established artist Georges Manzana and Blanche Moriset (also known as Roboa), a well-reputed pastel painter. Having grown up in such an artistic milieu, and under the artistic guidance of his parents, Félix went on to become one of the most active artists of this third generation of Pissarro painters. The contributions of each of these generations of Pissarro artists over 165 years helped to make the family one of the most preeminent families in the history of art of the 20th century.
Félix spent his formative years living in Les Andelys in Normandy but was forced to leave in 1939, when, at the outbreak of the war, Manzana decided to move his family to Casablanca in North Africa, where they stayed until 1947. Despite the foreign setting and the tumultuous period, during this time Félix often exhibited his early works alongside his parents. After the death of his mother in 1949, Félix moved briefly to Paris with his father before they returned to Les Andelys, all the while developing a close working relationship with his father. Félix was particularly close with Manzana, who would continue to be his mentor throughout his career. Indeed, even following Manzana’s death, Félix continued to execute his paintings using the artistic traditions that his father had taught him, while simultaneously developing his own individual style. This unique style is most visible in his pastel drawings and sketches that seem to reflect the haste and spontaneity of the Impressionist painters.
Nature and pastoral settings dominate Félix’s oeuvre, and he was clearly influenced by the landscape around him. In 1953, Félix married Marie-Louis Monvoisin, and together with Manzana, they moved first to Negresco in Nice, before settling into a hillside home in the idyllic town of Menton on the Côte d’Azur near the Italian border. Father and son would often paint here together. In this hillside setting, Félix frequently chose to depict the forests near his home. Both his vibrant pastels and oil paintings, as well as his charcoal sketches, convey the dappled light through the leaves in the forest and the density of the foliage. These landscapes are perhaps even reminiscent of his uncle Paulémile’s lush and verdant landscapes. In 1978, due to an illness, Félix left his hillside home and moved to a home closer to Menton, which looked onto the sea. This view of the seaside featured prominently in his works during this period. Despite Félix’s evident preference for the tranquillity of a rural lifestyle, he frequently participated in shows over the course of his career. While living in the respective places, he had shows at the Biennale in Menton and the Negresco in Nice. Furthermore, he was a long-standing exhibitor at the Trianon Gallery in Nice.
(Biography provided by Stern Pissarro Gallery)
Two Horses Under a Tree by Félix Pissarro - Etching and aquatint
By Félix Pissarro
Located in London, GB
Two Horses Under a Tree by Félix Pissarro (1874-1897) Etching and aquatint 11 x 17 cm (4 ³/₈ x 6 ³/₄ inches) Exhibition: London, Stern Pissarro Gallery, Camille Pissarro & his Desce...
Etching, Aquatint
Horse by Félix Pissarro - Wood engraving
By Félix Pissarro
Located in London, GB
Horse by Félix Pissarro (1874-1897) Wood engraving 10 x 9 cm (4 x 3 ¹/₂ inches) Artist biography: Félix Pissarro, affectionately known to his family as “Titi”, was born in Pontoise ...
Woodcut
Horse by Félix Pissarro - Etching
By Félix Pissarro
Located in London, GB
Horse by Félix Pissarro (1874-1897) Etching 8 x 10 cm (3 ¹/₈ x 4 inches) London, Stern Pissarro Gallery, Camille Pissarro & his Descendants - A Tradition of Printmaking, October 200...
Etching
Landscape with Trees by Félix Pissarro - Drawing
By Félix Pissarro
Located in London, GB
Landscape with Trees by Félix Pissarro (1874-1897) Pencil on paper 29 x 22.5 cm (11 ⅜ x 8 ¾ inches) Signed & dated lower right, 10 October 1890 Félix Pi...
Pencil, Paper
$1,295
Horse Pulling Hay Cart by Félix Pissarro - Animal etching, 19th century
By Félix Pissarro
Located in London, GB
Horse Pulling Hay Cart by Félix Pissarro (1874-1897) Etching 19.5 x 15 cm (7 ⅝ x 5 ⅞ inches) Exhibition London, Stern Pissarro Gallery, Camille Pissarro & his Descendants - A Tradit...
Etching
Leonor Fini - Cats - Original Etching
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...
Etching
$1,714
H 12.6 in W 9.45 in D 0.04 in
Wassily Kandinsky - Horse Knight - Original Etching
By Wassily Kandinsky
Located in Collonge Bellerive, Geneve, CH
Wassily Kandinsky - Horse Knight - Original Etching 32 x 24 cm 1966 From the art review XXe siècle, San Lazzaro Unsigned and unumbered as issued
Etching
$21,000
H 17 in W 22 in
Summertime - Martha's Vineyard - Sunset Golden Sky and Red Lighthouse
By Millard Sheets
Located in Miami, FL
Summertime in Martha's Vineyard is drenched in saturated yellows and reds. People in the foreground look out to the sea. Two people on horseback are masterfully rendered in a loose ...
Watercolor, Board, Pencil
$9,142
H 41.34 in W 21.66 in D 0.04 in
Salvador Dali - Corrida - Vintage Poster with Etching
By Salvador Dalí
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Corrida - Vintage Poster with Etching Etching made behind a menu in Restautant Duran as a tribute dinner to Salvador Dali and his wife Ga...
Etching
$550
H 14 in W 10 in
"Kitten Went in the Night" (A black cat playing with broom and Halloween ghost)
By Théophile Alexandre Steinlen
Located in Fairlawn, OH
"Kitten Went in the Night" (A black cat playing with broom and Halloween ghost) from Le Chat Noir Gillotage chromotype, 1898 Signed in the image lower right Cats were a symbol of fr...
Other Medium
$736Sale Price|20% Off
H 19.75 in W 25.75 in
Menton French Riviera Rooftops Seascape Pastel Pierre Neveu
By Pierre Neveu
Located in Cirencester, Gloucestershire
Title: Menton French Riviera Rooftops Seascape Pastel Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Pastel on thick paper, unframed Size (H...
Watercolor, Gouache, Pencil, Pastel
Bird Eggs - Antique egg colour woodblock print, 1875
By Alexander Lydon
Located in Melbourne, Victoria
Antique bird egg colour woodblock , 1880, from Francis Orpen Morris’, 'A Natural History of the Nests & Eggs of British Birds', 1875. The woodblocks ...
Woodcut
$818Sale Price|20% Off
H 19.75 in W 25.75 in
Provence House with Cypress Trees Pastel Pierre Neveu 1982
By Pierre Neveu
Located in Cirencester, Gloucestershire
Title: Provence House with Cypress Trees Pastel Pierre Neveu 1982 Artist: Pierre Neveu (French b.1929) Medium: Pastel on paper, unframed Size (H x W): 19.75 x 25.75 inches Signed low...
Oil Pastel, Pastel, Pencil
$150
H 10 in W 15 in
"Cormorant and Egret" Japanese Woodblock Print of Birds in Water & Nature Poem
By Kitagawa Utamaro 1
Located in Austin, TX
Artist: Kitagawa Utamaro the First (Japanese, 1753 - 1806) Publisher: Tsutaya Jūzaburō (Japanese, 1750 - 1797) Page Size: 10 x 15 in. Frame Size: 16 x 22 in. An Edo Period color woo...
Paper, Woodcut
"Les trois oiseaux en vol"
By Georges Braque
Located in Köln, DE
One of the main motifs in Georges Braques late printmaking oeuvre is the bird. By depicting the bird as itself or the flight of birds, Braque found what he called the "still life of ...
Aquatint
$559Sale Price|50% Off
H 27.56 in W 19.69 in D 0.04 in
Wings. 1975., Woodcut, 70x50 cm
By Dainis Rozkalns
Located in Riga, LV
Wings. 1975., Woodcut, 70x50 cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publications. The main directions of Rožkalns' professiona...
Paper, Woodcut
$1,400Sale Price|20% Off
H 15 in W 22 in
Horses in Landscape, Late 20th Century Watercolor by Cleveland School artist
By Joseph O'Sickey
Located in Beachwood, OH
Work sold to benefit the CLEVELAND INSTITUTE OF ART Joseph B. O’Sickey (American, 1918–2013) Horses in Landscape Watercolor and graphite on paper Signed lowe...
Watercolor, Graphite