Félix PissarroTwo Horses Under a Tree by Félix Pissarro - Etching and aquatint
About the Item
- Creator:Félix Pissarro (1874 - 1897, French)
- Dimensions:Height: 4.34 in (11 cm)Width: 6.7 in (17 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU261213916792
Félix Pissarro
Félix Pissarro, known within his family as Félix II, so as not to confuse him with his beloved uncle Félix, after whom he was named, was born in September 1917 in Beynac in the Dordogne. Félix II was the grandson of Camille Pissarro and son of the well-established artist Georges Manzana and Blanche Moriset (also known as Roboa), a well-reputed pastel painter. Having grown up in such an artistic milieu, and under the artistic guidance of his parents, Félix went on to become one of the most active artists of this third generation of Pissarro painters. The contributions of each of these generations of Pissarro artists over 165 years helped to make the family one of the most preeminent families in the history of art of the 20th century.
Félix spent his formative years living in Les Andelys in Normandy but was forced to leave in 1939, when, at the outbreak of the war, Manzana decided to move his family to Casablanca in North Africa, where they stayed until 1947. Despite the foreign setting and the tumultuous period, during this time Félix often exhibited his early works alongside his parents. After the death of his mother in 1949, Félix moved briefly to Paris with his father before they returned to Les Andelys, all the while developing a close working relationship with his father. Félix was particularly close with Manzana, who would continue to be his mentor throughout his career. Indeed, even following Manzana’s death, Félix continued to execute his paintings using the artistic traditions that his father had taught him, while simultaneously developing his own individual style. This unique style is most visible in his pastel drawings and sketches that seem to reflect the haste and spontaneity of the Impressionist painters.
Nature and pastoral settings dominate Félix’s oeuvre, and he was clearly influenced by the landscape around him. In 1953, Félix married Marie-Louis Monvoisin, and together with Manzana, they moved first to Negresco in Nice, before settling into a hillside home in the idyllic town of Menton on the Côte d’Azur near the Italian border. Father and son would often paint here together. In this hillside setting, Félix frequently chose to depict the forests near his home. Both his vibrant pastels and oil paintings, as well as his charcoal sketches, convey the dappled light through the leaves in the forest and the density of the foliage. These landscapes are perhaps even reminiscent of his uncle Paulémile’s lush and verdant landscapes. In 1978, due to an illness, Félix left his hillside home and moved to a home closer to Menton, which looked onto the sea. This view of the seaside featured prominently in his works during this period. Despite Félix’s evident preference for the tranquillity of a rural lifestyle, he frequently participated in shows over the course of his career. While living in the respective places, he had shows at the Biennale in Menton and the Negresco in Nice. Furthermore, he was a long-standing exhibitor at the Trianon Gallery in Nice.
(Biography provided by Stern Pissarro Gallery)
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- Horse by Félix Pissarro - EtchingBy Félix PissarroLocated in London, GBHorse by Félix Pissarro (1874-1897) Etching 8 x 10 cm (3 ¹/₈ x 4 inches) London, Stern Pissarro Gallery, Camille Pissarro & his Descendants - A Tradition of Printmaking, October 200...Category
19th Century Impressionist Animal Prints
MaterialsEtching
- Peccarys and Tiger Pranks by Orovida Pissarro - Animal etchingBy Orovida PissarroLocated in London, GB*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Peccarys and Tiger Pranks by Orovida Pissarro (1893-1968) Etching and aquatint 31.5 x 23 cm (12 ⅜ x 9 inches) Sig...Category
1920s Animal Prints
MaterialsAquatint, Etching
- La Poursuite by Orovida Pissarro - Animal etchingBy Orovida PissarroLocated in London, GBLa Poursuite by Orovida Pissarro (1893-1968) Etching with aquatint 17.2 x 12.5 cm (6 ³/₄ x 4 ⁷/₈ inches) Signed and dated lower right Orovida 1917 Inscribed lower left Final State Trial proof no. 1 Artist biography Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...Category
1910s Animal Prints
MaterialsAquatint, Etching
- Mare and Foal by Orovida Pissarro - Etching PrintBy Orovida PissarroLocated in London, GBSOLD UNFRAMED Mare and Foal by Orovida Pissarro (1893 - 1968) Etching 15.6 x 20.7 cm (6 ¹/₈ x 8 ¹/₈ inches) Artist's Biography Orovida Camille Pissarro, Lucien and Esther Pissarr...Category
20th Century Figurative Prints
MaterialsEtching
- Man & Beast by Orovida Pissarro - EtchingBy Orovida PissarroLocated in London, GB*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Man & Beast by Orovida Pissarro (1893-1968) Etching 27 x 22 cm (10 ⁵/₈ x 8 ⁵/₈ inches) Signed and dated lower right, orovida 1924 Inscribed lower left, Final state no 12/40 and titled lower centre Artist biography: Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...Category
1920s Post-Impressionist Animal Prints
MaterialsEtching
- The Hunting Prince by Orovida Pissarro - EtchingBy Orovida PissarroLocated in London, GBThe Hunting Prince by Orovida Pissarro (1893 - 1968) Etching 15 x 20 cm (5 ⅞ x 7 ⅞ inches) Signed and dated lower right Orovida 1926 Inscribed lower left Trial proof no.14 and titled lower middle Provenance: Private collection, Europe Artist biography: Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects...Category
1920s Animal Prints
MaterialsEtching
- SkullBy Arnold A. GrossmanLocated in San Francisco, CAThis artwork titled "Skull" c.1990 is an original color etching and aquatint by noted California artist Arnold A. Grossman, 1923-2016. It is hand signed in pencil by the artist. The ...Category
Late 20th Century American Impressionist Animal Prints
MaterialsAquatint
- Puerto EscondidoBy Arnold A. GrossmanLocated in San Francisco, CAThis artwork titled "Puerto Escondido" 1992 is an original color aquatint by noted California artist Arnold A. Grossman, 1923-2016. It is signed, dated, titled and numbered 1/20 in p...Category
Late 20th Century American Impressionist Animal Prints
MaterialsAquatint
- Cheveaux Tirant une Peniche (Horses pulling a Barge)Located in San Francisco, CAThis artwork "Cheveaux Tirant une Peniche (Horses pulling a Barge)" c.1920 is an original color etching with aquatint on Wove paper by French artist Ferdinand Jean Luigini, 1870-1943...Category
Early 20th Century Impressionist Figurative Prints
MaterialsEtching, Aquatint
- Minne Playing with a Cat (Minne Jouant avec un Chat)By Jacques VillonLocated in New York, NYJacques Villon (1875-1963) etching, aquatint, and drypoint, Minne Playing with a Cat (Minne Jouant avec un Chat),1907, signed in pencil and numbered (12/30)(Ginestet and Pouillon 192...Category
Early 1900s Impressionist Figurative Prints
MaterialsDrypoint, Etching, Aquatint
- Two HorsesBy Kaiko MotiLocated in San Francisco, CAThis artwork "Two Horses" 1964, is an original color aquatint on paper by noted Indian artist Kaiko Moti, 1921-1989. It is hand signed and numbered 107/120 in pencil by the artist. ...Category
Mid-20th Century Impressionist Animal Prints
MaterialsAquatint
- La Douleur d'Orphée (The Pain of Orpheus) /// French Landscape Deer Woman LadyBy Cornelius Ary RenanLocated in Saint Augustine, FLArtist: Cornelius Ary Renan (French, 1857-1900) Title: "La Douleur d'Orphée (The Pain of Orpheus)" Portfolio: Gazette des Beaux-Arts *Issued unsigned Year: 1903 Medium: Original Etc...Category
19th Century Impressionist Animal Prints
MaterialsIntaglio, Laid Paper, Etching