Photography Landscape Drawings and Watercolors

"Piedmont Italy - Wine Country" is an original watercolor on Holbein watercolor paper by Craig Lueck. These petite watercolors that make up Lueck's portfolio serve as windows into th...

An attractive watercolour painting by Nick Austin, depicting four figures hiking Scafell Pike. Signed and dated to the lower right-hand corner. There is an artist's label on the reve...

Well presented in a gilt effect frame. Signed in graphite to the lower right. On wove.

A captivating watercolor painting with pen and ink details by the North American artist Martha Inman Lorch. The scene depicts a bright street view with a restaurant and figures in th...

A charming and captivating watercolour painting, depicting a landscape view with mountains in the distance. Signed and inscribed indistinctly to the lower right-hand corner. Date is ...

Art Ellis "Calico Mine, Joe's Saloon" Original Watercolor C.1980 Original watercolor on paper Dimensions 14" wide x 10" high The distressed frame measures 22" wide x 18" high The...

Jules COIGNET Paris 1798-1860 Torrent in the Alps Watercolor and brown ink wash Signed lower left 18 x 26.5 cm 29.5 x 37.5 cm framed Condition: Remarkably fresh Period frame and gl...

Albert Charles DEQUÈNE Lille 1897 - 1973 View of a steelworks in the north of France First third of the 20th century Charcoal and pastel on Signed lower left 32 x 47.5 cm 49 x 63 cm...

Watercolor painting of a Bahamian street scene possibly in Nassau. Complete with a woman carrying a bundle, a man in a cart, palm trees, house, gates and warm peaceful ambiance. Sign...

Original watercolor of Grace Bay in the Turks & Caicos signed by Freddy Cushing (1934-2013) the Newport, RI scion & dated 1/20/90 Provenance: The Ishe...

Charles Pachter’s unique version of Pop Art has confirmed his position in the canon of 20th-century Canadian art. In the artist's most cherished work take archetypes of Canadiana --...

Pencil on handmade paper

Pencil on paper

Pencil on paper

A Collection of Botanical Watercolours: Drawings of British Plants Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...

English School 20th Century By LMS to Buxton Gouache on board Image size: 6 1/4 x 9 inches (16 x 23 cm) Contemporary Frame Original artwork for a LMS poster. The London, Midland and Scottish Railway (LMS) was a British railway company that was formed in 1923 and operated until 1948. At the time it was the world's largest transport organisation, by 1938 it operated 6,870 miles of railway serving routes in England, Norther Ireland, Scotland and Wales. This painting depicts Solomon's Temple, a Victorian folly on the summit of Grin Low hill near the spa town of Buxton, in the Peak District...

Pen on paper Paper size: 10.75 x 16 inches Framed size: 22.75 x 27.75 inches Signed and inscribed lower right Provenance: Private collection, France

Watercolour on paper Paper size: 6.25 x 8.25 inches Framed size: 13.5 x 14.75 inches Signed lower right

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope School Painters, Daniel Garber was born on April 11, 1880, in North Manchester, Indiana. At the age of seventeen, he studied at the Art Academy of Cincinnati with Vincent Nowottny. Moving to Philadelphia in 1899, he first attended classes at the "Darby School," near Fort Washington; a summer school run by Academy instructors Anshutz and Breckenridge. Later that year, he enrolled at the Pennsylvania Academy of the Fine Arts. His instructors at the Academy included Thomas Anshutz, William Merritt Chase and Cecilia Beaux. There Garber met fellow artist Mary Franklin while she was posing as a model for the portrait class of Hugh Breckenridge. After a two year courtship, Garber married Mary Franklin on June 21, 1901. In May 1905, Garber was awarded the William Emlen Cresson Scholarship from the Pennsylvania Academy, which enabled him to spend two years for independent studies in England, Italy and France. He painted frequently while in Europe, creating a powerful body of colorful impressionist landscapes depicting various rural villages and farms scenes; exhibiting several of these works in the Paris Salon. Upon his return, Garber began to teach Life and Antique Drawing classes at the Philadelphia School of Design for Women in 1907. In the summer of that same year, Garber and family settled in Lumbertville, Pennsylvania, a small town just north of New Hope. Their new home would come to be known as the "Cuttalossa," named after the creek which occupied part of the land. The family would divide the year, living six months in Philadelphia at the Green Street townhouse while he taught, and the rest of the time in Lambertville. Soon Garber’s career would take off as he began to receive a multitude of prestigious awards for his masterful Pennsylvania landscapes. During the fall of 1909, he was offered a position to teach at the Pennsylvania Academy as an assistant to Thomas Anshutz. Garber became an important instructor at the Academy, where he taught for forty-one years. Daniel Garber painted masterful landscapes depicting the Pennsylvania and New Jersey countryside surrounding New Hope. Unlike his contemporary, Edward Redfield, Garber painted with a delicate technique using a thin application of paint. His paintings are filled with color and light projecting a feeling of endless depth. Although Like Redfield, Garber painted large exhibition size canvases with the intent of winning medals, and was extremely successful doing so, he was also very adept at painting small gem like paintings. He was also a fine draftsman creating a relatively large body of works on paper, mostly in charcoal, and a rare few works in pastel. Another of Garber’s many talents was etching. He created a series of approximately fifty different scenes, most of which are run in editions of fifty or less etchings per plate. Throughout his distinguished career, Daniel Garber was awarded some of the highest honors bestowed upon an American artist. Some of his accolades include the First Hallgarten Prize from the National Academy in 1909, the Bronze Medal at the International Exposition in Buenos Aires in 1910, the Walter Lippincott Prize from the Pennsylvania Academy and the Potter Gold Medal at the Art Institute of Chicago in 1911, the Second Clark Prize and the Silver Medal from the Corcoran Gallery of Art for “Wilderness” in 1912, the Gold Medal from the Panama-Pacific Exposition in San Francisco of 1915, the Second Altman Prize in1915, the Shaw prize in 1916, the First Altman Prize in 1917, the Edward Stotesbury Prize in1918, the Temple Gold Medal, in 1919, the First William A...

A Collection of Botanical Watercolours: Drawings of British Plants Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...

Art Sz: 4 3/4"H x 6 1/2"W Frame Sz: 10 5/8"H x 12 3/8"W Property from the Estate of Mary S.B. Braga Goat Fell (marked as Goatfell by the Ordnance Survey; Scottish Gaelic: Gaoda Bheinn) is the highest point on the Isle of Arran...

A Collection of Botanical Watercolours: Drawings of British Plants Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...

A Collection of Botanical Watercolours: Drawings of British Plants Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...

A Collection of Botanical Watercolours: Drawings of British Plants Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...

Paul Émile Pissarro’s pastels represent a remarkable facet of his artistic output, underscoring his distinctive voice within the broader nar...

Paul Émile Pissarro’s pastels represent a remarkable facet of his artistic output, underscoring his distinctive voice within the broader nar...

Édouard Léon Cortès (1882–1969) is celebrated for his exquisite gouache and oil paintings that capture the romantic beauty of Paris during the Belle Époque. His depictions of landmar...

This coastal scene features a woman standing on a hill looking at the ocean and a beached, broken down row boat in the grass in the foreground. Seagulls fly above the scene. By Charl...

Cassilly Adams (American 1843-1921) "Medicine Man" c. 1860s Watercolor on Paper Unsigned Provenance: Questroyal Gallery, NYC Site Size: approx. 14.5 x 8....

"Les Usines En Banlieue" 1926 Gouache 31 x 40cm/approx. 12.5 x 16.75 inches Signed and Dated Lower Right Catalogue Raisonne: Petredies, Plate AG166, Page 190-191

Rembrandt can Rijn (Attr) Ink and brawn wash. Collection stamp of A. Firmin-Didot (1790-1876) on the reverse. Another unrecognized stamp on the reverse. Ex Collection family Frank, Berlin Purchased circa 1900 in Germany. "Dans l'oeuvre-catalogue de Benesch, une petite groupe de dassins, qui sont tres proche dans leur style, ce sont les nos. 836, 839 er peut-etre 832. On trouve dans ces dessins les lignes...