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Rembrandt van RijnFarm House in Holland 17th century
17th century
About the Item
Rembrandt can Rijn (Attr)
Ink and brawn wash.
Collection stamp of A. Firmin-Didot (1790-1876) on the reverse.
Another unrecognized stamp on the reverse.
Ex Collection family Frank, Berlin
Purchased circa 1900 in Germany.
"Dans l'oeuvre-catalogue de Benesch, une petite groupe de dassins, qui sont tres proche dans leur style, ce sont les nos. 836, 839 er peut-etre 832. On trouve dans ces dessins les lignes fines avec des accents et un lavis appliqué avec soin. Les dessins sont touts attribues a Rembrandt…."
- Creator:Rembrandt van Rijn (1606 - 1669, Dutch)
- Creation Year:17th century
- Dimensions:Height: 3.15 in (8 cm)Width: 6.11 in (15.5 cm)
- Medium:
- Movement & Style:Renaissance
- Condition:Very good condition according to its years.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU2352828243
Rembrandt van Rijn
Rembrandt was the most influential 17th Century Dutch painter. After years of early success as a portrait painter, his life was beset by financial hardship and personal tragedy. He continued to paint portraits and develop etchings. Rembrandt's portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible are regarded as his greatest creative triumphs. His self-portraits form a unique and intimate autobiography, in which the artist surveyed himself without vanity and with the utmost sincerity. Like many artists of the Dutch Golden Age, such as Jan Vermeer of Delft, Rembrandt was also an avid art collector and dealer. Rembrandt never went abroad, but he was considerably influenced by the work of the Italian masters and Netherlandish artists who had studied in Italy, like Pieter Lastman, the Utrecht Caravaggists, Flemish Baroque, and Peter Paul Rubens. Rembrandt's foremost contribution in the history of printmaking was his transformation of the etching process from a relatively new reproductive technique into a true art form, along with Jacques Callot. His reputation as the greatest etcher in the history of the medium was established in his lifetime and never questioned since. Few of his paintings left the Dutch Republic while he lived, but his prints were circulated throughout Europe, and his wider reputation was initially based on them alone.
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