Charcoal Portrait Drawings and Watercolors

'1920s Flapper Fashion Rendition' is an original drawing by the American artist Jorge Ruiz-Martinez. The artist works in an art deco style, imagining graceful figures in historic cos...

"1950s French Female Fashion Rendition" is an original drawing by Jorge Ruiz-Martinez. In this drawing, the artist clearly features the strong shoulders and the nipped-in waist silho...

Manfred Schwartz (American, b. Poland, 1909-1970), Portrait of a Woman, Charcoal on Paper, in front of beach seascape, with the artist's signature stamped lower right, unframed. 20" ...

"Hula Study" is an energetic and unique charcoal on paper by Patsy McArthur showing a female figure dancing with a hula hoop. It is created using charcoal and pastel on pale pink Mur...

Charcoal on paper Unique work Hand-signed by the artist on the back THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly accordi...

Charcoal on paper Unique work Hand-signed by the artist on the back THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly accordi...

French School 18th Century Portrait of a Young Man Charcoal and pastel on paper Image size: 11 x 7 inches Contemporary gilt frame

Medium: Unknown Signature: Signed Lower Right Man in Tie, study by Joseph Christian Leyendecker. Contact for exact dimensions of this piece.

This original illustration, titled "Cops at Ease in the Muster Room of a Station," accompanied the article Nineteen Thousand Cops published in the July 1939 issue of Fortune Magazine. This issue was dedicated to the city of New York and included a total of ten paintings by Riggs for this article on New York City's police department. Robert Riggs was a gay artist.

This evocative charcoal drawing portrays a man with dark, shoulder-length hair, gazing contemplatively to the right. The artist skillfully captures the intensity of the subject’s exp...

Medium: Watercolor and Charcoal on Board Signature: Unsigned Caricature by George Wachsteter (1911-2004), of Jimmy `The Schnoz` Durante, circa 1939....

Published in the Saturday Evening Post dated 11-18 1922 page 107 for the "Winnie and the Copperhead” story written by Bertram Atkey Signed and dated lower left Arthur William Brown...

Medium: Charcoal and Ink on Board Signature: Unsigned Caricature by George Wachsteter (1911-2004) of Comedian Joe E. Brown, 1938, along with preliminary sketc...

Suzanne Fabry Autoportrait au Petit Col Rond (Self-Portrait with a Small Round Neck), c.1925 Charcoal on paper 22 1/4 x 18 1/4 inches signed SUZANNE FABRY (lower right) Brussels-bor...

This is an outstanding charcoal drawing by Alex Katz. He is portraying "Chris", who was model for several paintings and prints. Drawings do have an important impact to Alex Katz pain...

Sean Keating (Irish 1889-1977) "Self Portrait" c. 1950s Charcoal on Paper Signed Lower Right Framed Size: approx 20 x 16 inches A noted portrait and figure painter, influenced by both Romanticism and Realism, Sean Keating was an Irish nationalist painter who executed several iconic images of the Irish Civil war era, and of the ensuing period of industrialization. One of the great exemplars of representational painting in Ireland, Keating was an intellectual artist in that he set out to depict the birth and development of the Republic of Ireland, and his pictures are deliberately idealized even heroic. However, he held very conservative views about art - verging on the academic style - and was a committed defender of traditional Irish painting, considering much modern art to be bogus. Born in Limerick, Sean Keating studied drawing at the Limerick Technical School before winning a scholarship, arranged for him by William Orpen, to study fine art painting at the Metropolitan School of Art in Dublin. In 1914 he won the Taylor Scholarship and the following year exhibited three paintings at the Royal Hibernian Academy. Over the next period of years he spent time on the Aran Islands off County Galway, and then in London. He returned to Ireland in 1916 and painted the war of independence and the subsequent civil war. Works he completed at this time include the painting: Men of the South (1921) depicting a group of IRA men about to stage a military ambush, and An Allegory (c. 1922) which features a cluster of figures representing the fractures in the young Irish state. Meantime, in 1919, Keating was appointed an assistant teacher at the Dublin Metropolitan School of Art. Then in 1921, he staged his first one-man show at The Hall, Leinster Street. In 1923, he was elected to the Royal Hibernian Academy. In a Dublin exhibition of Irish art held in 1924, Keating was awarded the gold medal for his picture Homage to Hugh Lane - now hanging in the Hugh Lane Gallery. In the late 1920s, Keating was commissioned to record the building of the hydro-electric power generator at Ardnacrusha, near Limerick. He painted a number of paintings of this scheme. Not unlike the Soviet Realism School of painting, these paintings sought to promote the construction work as an achievement of heroic proportions. Keating's works began to attract interest abroad. He exhibited at the Royal Academy in London and, in 1930, he held a one-man show at the Hackett Gallery, New York. In 1931 Keating's one-person exhibition was staged at the Victor Waddington Galleries, Dublin. In 1934 he was made professor of the National College of Art in Dublin, and Professor of Painting, three years later. His 1937 exhibition at the Victor Waddington Galleries attracted considerable interest. In 1939, he was asked to paint a wall-painting for the Irish pavilion at the New York World Fair and duly created a huge mural of fifty-four panels. He was President of the Royal Hibernian Academy from 1949 to 1962, exhibiting nearly 300 works during the period. In 1963, a retrospective exhibition was staged at the Municipal Gallery of Modern Art, which was opened by Irish President de Valera...