Charcoal Portrait Drawings and Watercolors

Dionis Baixeras i Verdaguer (1862-1943) - Docker - Charcoal drawing Drawing measurements 58x43 cm. Frame measurements 74x59 cm. Dionisio Baixeras Verdaguer (Barcelona, ​​1862-1943),...

Portrait of the Artist by the Artist Original Charcoal Drawing on Paper 1960 Excellent detailed original drawing of the artist by Eugene Hawkins (American, b. 1933). A realistic dep...

Rabbi in the synagogue at prayer wearing tallit and tefillin. Hugó Scheiber (born 29 September 1873 in Budapest – died there 7 March 1950) was a Hungarian modernist painter. Hugo Scheiber was brought from Budapest to Vienna at the age of eight where his father worked as a sign painter for the Prater Theater. At fifteen, he returned with his family to Budapest and began working during the day to help support them and attending painting classes at the School of Design in the evening, where Henrik Papp was one of his teachers. He completed his studies in 1900. His work was at first in a post-Impressionistic style but from 1910 onward showed his increasing interest in German Expressionism and Futurism. This made it of little interest to the conservative Hungarian art establishment. However, in 1915 he met the great Italian avant-gardist Filippo Tommaso Marinetti and the two painters became close friends. Marinetti invited him to join the Futurist Movement. The uniquely modernist style that he developed was, however, closer to German Expressionism than to Futurism and eventually drifted toward an international art deco manner similar to Erté's. In 1919, he and his friend Béla Kádar held an exhibition at the Hevesy Salon in Vienna. It was a great success and at last caused the Budapest Art Museum to acquire some of Scheiber's drawings. Encouraged, Scheiber came back to live in Vienna in 1920. A turning point in Scheiber's career came a year later, when Herwarth Walden, founder of Germany's leading avant-garde periodical, Der Sturm, and of the Sturm Gallery in Berlin, became interested in Scheiber's work. Scheiber moved to Berlin in 1922, and his paintings soon appeared regularly in Walden's magazine and elsewhere. Exhibitions of his work followed in London, Rome, La Paz, and New York. Scheiber's move to Germany coincided with a significant exodus of Hungarian artists to Berlin, including Laszlo Moholy-Nagy and Sandor Bortnyik. There had been a major split in ideology among the Hungarian avant-garde. The Constructivist and leader of the Hungarian avantgarde, Lajos Kassák (painted by Hugó Scheiber in 1930) believed that art should relate to all the needs of contemporary humankind. Thus he refused to compromise the purity of his style to reflect the demands of either the ruling class or socialists and communists. The other camp believed that an artist should be a figurehead for social and political change. The fall out and factions that resulted from this politicisation resulted in most of the Hungarian avant gardists leaving Vienna for Berlin. Hungarian émigrés made up one of the largest minority groups in the German capital and the influx of their painters had a significant effect on Hungarian and international art. Another turning point of Scheiber's career came in 1926, with the New York exhibition of the Société Anonyme, organized by Katherine Dreier. Scheiber and other important avant garde artists from more than twenty-three countries were represented. In 1933, Scheiber was invited by Marinetti to participate in the great meeting of the Futurists held in Rome in late April 1933, Mostra Nazionale d’Arte Futurista where he was received with great enthusiasm. Gradually, the Hungarian artists began to return home, particularly with the rise of Nazism in Germany. Kádar went back from Berlin in about 1932 and Scheiber followed in 1934. He was then at the peak of his powers and had a special flair in depicting café and cabaret life in vivid colors, sturdily abstracted forms and spontaneous brush strokes. Scheiber depicted cosmopolitan modern life using stylized shapes and expressive colors. His preferred subjects were cabaret and street scenes, jazz musicians, flappers, and a series of self-portraits (usually with a cigar). his principal media being gouache and oil. He was a member of the prestigious New Society of Artists (KUT—Képzőművészek Új Társasága)and seems to have weathered Hungary's post–World War II transition to state-communism without difficulty. He continued to be well regarded, eventually even receiving the posthumous honor of having one of his images used for a Russian Soviet postage stamp (see image above). Hugó Scheiber died in Budapest in 1950. Paintings by Hugó Scheiber form part of permanent museum collections in Budapest (Hungarian National Museum), Pecs (Jannus Pannonius Museum), Vienna, New York, Bern and elsewhere. His work has also been shown in many important exhibitions, including: "The Nell Walden Collection," Kunsthaus Zürich (1945) "Collection of the Société Anonyme," Yale University Art Gallery, New Haven, Connecticut (1950) "Hugó Scheiber: A Commemorative Exhibition," Hungarian National Museum, Budapest (1964) "Ungarische Avantgarde," Galleria del Levante, Munich (1971) "Paris-Berlin 1900-1930," Centre Georges Pompidou, Paris (1978) "L’Art en Hongrie, 1905-1920," Musée d’Art et l’Industrie, Saint-Etienne (1980) "Ungarische Avantgarde in der Weimarer Republik," Marburg (1986) "Modernizmus," Eresz & Maklary Gallery, Budapest (2006) "Hugó Scheiber & Béla Kádár," Galerie le Minotaure, Paris and Tel Aviv (2007) Hugó Scheiber's paintings continue to be regularly sold at Sotheby's, Christie's, Gillen's Arts (London), Papillon Gallery (Los Angeles) and other auction houses. He was included in the exhibition The Art Of Modern Hungary 1931 and other exhibitions along with Vilmos Novak Aba, Count Julius Batthyany, Pal Bor, Bela Buky, Denes Csanky, Istvan Csok, Bela Czobel, Peter Di Gabor, Bela Ivanyi Grunwald, Baron Ferenc Hatvany, Lipot Herman, Odon Marffy, C. Pal Molnar...

Charcoal on paper Image size: 4 1/2 x 4 1/4 inches (11.5 x 10.75 cm) Mounted with a contemporary style frame This is a somewhat haunting self-portrait by William Dring, crafted in c...

L'Alchimista (The Alchimist, Portrait of Giorgio Morandi)  is a drawing on paper, realized around the Sixties by the great Italian artist and journalist,  Mino Maccari  (Siena, 1898 ...

Portrait of Carlo Forte is a drawing on paper, realized in the Mid-20th Century by the great Italian artist and journalist,  Mino Maccari  (Siena, 1898 - 1989). Charcoal and pencil ...

Portrait of Carlo Forte is a drawing on paper, realized in the Mid-20th Century by the great Italian artist and journalist,  Mino Maccari  (Siena, 1898 - 1989). Charcoal and pencil ...

Unknown School. Second half of the mid-20th Century. Charcoal, Oil Paint & Spray Paint on Plywood Panel. Signed Indistinctly. Image size 26.8 inches x 21.7 inches ( 68cm x 55cm ). ...

Painter is a drawing realized by Alberto Ziveri in 1938. Ink and watercolor on paper. Hand-signed. In good condition.

14x11.5 image size , 22.5x17.5 backing size The New-York born artist William Gropper was a painter and cartoonist who, with caricature style, focused on social concerns, and was ac...

Portrait of a Man is an artwork realized by the french Artist Jacqueline Barbet (1902-1975), in 1944. Drawing Charcoal on paper. Hand-signed and numbered in pencil in Roman numerals...

Original drawing on archival paper, circa 1963. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...

Original drawing on archival paper, circa 1964. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...

Original drawing on archival paper, circa 1963. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...

John Heliker Self Portrait, 1991 Charcoal Pencil on Paper (with original Kraushaar Galleries label verso) Signed on the front bears the original KRAUSHAAR GALLERIES label on the verso on the frame Vintage metal frame included Self portrait done in charcoal pencil by distinguished American artist John Heliker. Hand signed on the front This work is framed - bears the label of the renowned KRAUSHAAR GALLERIES on the verso. Image size: 13 inches by 10 inches; Framed: 18 1/2 inches by 14 1/2 inches About John Heliker from The New York Times Obituary, 2000 (Roberta Smith) John Heliker, a painter and teacher who was a fixture of the New York art world for nearly seven decades, died on Tuesday at the Sonojee Estate, a health center in Bar Harbor, Me. He was 91 and had lived in New York during most of his career, spending summers on Cranberry Island...

Original drawing on archival paper, circa 1963. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...

Original drawing on archival paper, circa 1963. Paper Size: 18 x 23 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...

Erotic Scene is a drawing realized by Alberto Ziveri in 1930s Ink on paper Hand-signed. In good conditions. The artwork is represented through deft strokes masterly. Alberto Zi...

Male Nude is a drawing realized by Alberto Ziveri in 1938. Charcoal on paper. Hand-signed on the lower and dated. In good conditions The artwork is represented through deft strok...

The Nude is a drawing realized by Alberto Ziveri in 1930s. Charcoal on paper Hand-signed. In good conditions. The artwork is represented through deft strokes masterly. Alberto ...

The Nude is a drawing realized by Alberto Ziveri in the 1930s. Charcoal and watercolor on paper. Hand-signed. In good condition. The artwork is represented through deft strokes m...

The Reading Girl is a drawing realized by Alberto Ziveri in 1939 Charcoal and watercolor on paper. Hand-signed. In good condition with slight foxing. The artwork is represented ...

The Nude is a drawing realized by Alberto Ziveri in 1930s Ink on paper Hand-signed. In good conditions. The artwork is represented through deft strokes masterly. Alberto Ziveri...

The Nude is a drawing realized by Alberto Ziveri in 1930s. Charcoal on paper Hand-signed. In good conditions. The artwork is represented through deft strokes masterly. Alberto ...

The Nude is a drawing realized by Alberto Ziveri in 1930s. Charcoal on paper Hand-signed. In good conditions. The artwork is represented through deft strokes masterly. Alberto ...

Portrait is a drawing realized by Alberto Ziveri in the 1930s. Charcoal and Pastel on paper. Hand-signed. In good conditions. The artwork is represented through deft strokes mast...

Nude is a drawing realized by Alberto Ziveri in 1938. Charcoal on paper. Hand-signed and dated. In good conditions with slight foxing. The artwork is represented through deft str...

Portrait is a drawing realized by Alberto Ziveri in 1930s. Watercolor on paper. Hand-signed. In good conditions. The artwork is represented through deft strokes masterly. Albert...

Portrait is a drawing realized by Alberto Ziveri in the 1930s. Charcoal on paper. Hand-signed. In good conditions. The artwork is represented through deft strokes masterly. Albe...

Nude is a drawing realized by Alberto Ziveri in the 1930s. Watercolor and Charcoal on paper. Hand-signed. In good conditions. The artwork is represented through deft strokes mast...

Portrait is a drawing realized by Alberto Ziveri in the 1930s. Charcoal on paper. Hand-signed. In good conditions. The artwork is represented through deft strokes masterly. Albe...

Portrait is a drawing realized by Alberto Ziveri in the 1930s. Charcoal on paper. Hand-signed. In good conditions. The artwork is represented through deft strokes masterly. Albe...

Painter is a drawing realized by Alberto Ziveri in the 1930s. Charcoal on paper. Hand-signed. In good conditions with slight foxing. The artwork is represented through deft strok...

Teacher and Pupil is a drawing realized by Alberto Ziveri in 1938. Charcoal on paper. Hand-signed on the lower and dated. In good conditions The artwork is represented through de...

Mermaidt is a Charcoal Drawing realized by Mino Maccari (1924-1989) in 1980s. Hand-signed on the lower margin. Good condition on a white paper. Mino Maccari (Siena, 1924-Rome, Jun...

Susan Kiefer Odalisque Charcoal on paper Year: 1989 Size: 25x19in Signed by hand COA provided Ref.: 924802-1665 Framed charcoal drawing of a crouching faceless female figure on Indi...

Bats is a charcoal Drawing realized by Mino Maccari (1924-1989) in 1970s. Hand-signed and titled on the lower margin. Good condition on a cream colored paper. Mino Maccari (Siena,...

Portrait 1957, paper, charcoal, 36x31 cm The focus of the portrait is a woman. Charcoal, with its rich and versatile qualities, has been utilized by the artist to capture the vario...

Gardener is a charcoal Drawing realized by Mino Maccari (1924-1989) in 1970s. Hand-signed and titled on the lower margin. Good condition on a cream colored paper. Mino Maccari (Si...

Mr. Gioia is a China Ink Drawing realized by Mino Maccari (1924-1989) in 1970s. Hand-signed on the lower margin. Good condition on a white paper. Mino Maccari (Siena, 1924-Rome, J...

The Couple is a Pencil Drawing and Watercolour realized by Mino Maccari (1924-1989) in 1970s. Hand-signed and titled on the lower margin. Good condition on a white cardboard. Mino...

Portrait is an Original Charcoal Drawing realized in the late-19th century by Edouard Dufeu (1836-1900). Hand-signed by the artist on the lower right corner. Edouard Dufeu coming from a family originally from Egypt , Dufeu moved to Paris in 1860 and frequented the studio of Charles Gleyre...

Portrait is a drawing realized by Albert Fernand-Renault in the early 20th Century Charcoal on paper. Stamped signed. Good Conditions. The artwork is realized through delicate a...

Portraits is an artwork realized by Mino Maccari (1898-1989). Colored portrait on one side, figure of a woman and two heads in black on the other side. Pastel and charcoal on pape...

Working Child is a drawing on creamy color paper realized by Tibor Gertler in the mid-20th century. Charcoal drawing. Good conditions, aged margins. The artwork is uniquely depict...

Portrait of Man is a Pencil Drawing realized by Louis Georges Brillouin in 1847. Good condition on a grey paper, included a white cardboard passpartout (...

Portrait of Man is an original drawing, pencil, charcoal, watercolor on paper, realized by Albert Decaris in the mid-20th Century. Good conditions.

Portrait is an original charcoal drawing on paper, realized by an anonymous artist in the Mid-20th Century. Good conditions with some foxing. The artwork is represented through de...

The Nude and Full Moon an original Charcoal drawing on paper realized by Gabriel Ferrier (1847-1914) in the 19th Century. Stamped on the lower right. ...

Portrait is an Original Charcoal Drawing realized by Edouard Dufeu (1836-1900). Good condition included a blue cardboard Passepartout (22x 16 cm). Hand-signed by the artist on the lower. Edouard Dufeu coming from a family originally from Egypt, Dufeu moved to Paris in 1860 and frequented the studio of Charles Gleyre...

Nude On The Train is a charcoal Drawing on creamy colored paper realized in 1960 by Mino Maccari in the mid-20th century. Hand-signed on the lower in pencil. Good condition on yell...

Portrait is an Original Charcoal Drawing and Watercolour realized by Edouard Dufeu (1836-1900). Good condition included a green and cream colored cardbo...

Portrait of the young thinker is an artwork, charcoal drawing on paper, realized by the French Artist Albert Decaris. It is not signed nor dated.. The artist represents a portrait...

Figures is an original Drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934). Drawing in charcoal. Signed on the lower. Good conditions. Pierre-Georges Jeannio...

Figure of Man is an Original pencil and Charcoal Drawing realized by Léon François Comerre (1850-1916). The artwork is in good condition include...

Profile is an Original Charcoal and Watercolor Drawing realized by Edouard Dufeu (1836-1900). Good condition. Hand-signed by the artist on the lower. Edouard Dufeu coming from a family originally from Egypt, Dufeu moved to Paris in 1860 and frequented the studio of Charles Gleyre...

The Compassion is an original Drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934) in the 1890s. Drawing in Charcoal. Hand-signed on the lower. Good conditions...

The Memory of the Sea is an original Drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934) in the 1900s.. Drawing in charcoal. Hand-signed on the lower. Good co...