Léon-François Comerre

Figure of Man - Original Drawing by Léon François Comerre - Late 19th Century

Late 19th Century

Portrait of Man is a beautiful drawing realized by a French anonymous artist active in the early 19th century. On the lower right, there are the initials “J.G.” that do not allow the...

L'Alchimista (The Alchimist, Portrait of Giorgio Morandi)  is a drawing on paper, realized around the Sixties by the great Italian artist and journalist,  Mino Maccari  (Siena, 1898 ...

Portrait of Carlo Forte is a drawing on paper, realized in the Mid-20th Century by the great Italian artist and journalist,  Mino Maccari  (Siena, 1898 - 1989). Charcoal and pencil ...

Portrait of Carlo Forte is a drawing on paper, realized in the Mid-20th Century by the great Italian artist and journalist,  Mino Maccari  (Siena, 1898 - 1989). Charcoal and pencil ...

Duce Portrait is a modern artwork realized by the artist Alberto Manetti (known also as Brivido). Pencil and charcoal on paper. Hand signed on the higher right margin. Inscription...

Man at work is a drawing in pencil and charcoal realized by the French painter Emile-Louis Minet in 1899. Hand signed and dated on the right margin. Good conditions. Louis Minet ...

John Heliker Self Portrait, 1991 Charcoal Pencil on Paper (with original Kraushaar Galleries label verso) Signed on the front bears the original KRAUSHAAR GALLERIES label on the verso on the frame Vintage metal frame included Self portrait done in charcoal pencil by distinguished American artist John Heliker. Hand signed on the front This work is framed - bears the label of the renowned KRAUSHAAR GALLERIES on the verso. Image size: 13 inches by 10 inches; Framed: 18 1/2 inches by 14 1/2 inches About John Heliker from The New York Times Obituary, 2000 (Roberta Smith) John Heliker, a painter and teacher who was a fixture of the New York art world for nearly seven decades, died on Tuesday at the Sonojee Estate, a health center in Bar Harbor, Me. He was 91 and had lived in New York during most of his career, spending summers on Cranberry Island...

Artist Unknown "Tie and Glasses" c. 1940s Charcoal and pencil on paper 13.5"x17" image 15.5"x19" paper unframed $250 Unsigned *Listed price reflects custom framing selected by seller...

Realism Portrait Drawing

Maurycy Trębacz (1861 – 1941) was one of the most popular Jewish painters in Poland in the late 19th and early 20th century. Many of his paintings were lost in the Holocaust, but a r...

John Thomas Young Gilroy (English, 1898-1985), "Untitled: Sideview of a Gentleman", Charcoal/Pencil on Paper signed and matted to original card stock, 20.75 x 12.75 (22 x 14), Early 20th Century, 1920 Colors: White, Black John Thomas Young Gilroy (30 May 1898 – 11 April 1985) was an English artist and illustrator, best known for his advertising posters for Guinness, the Irish stout. He signed many of his works, simply, "Gilroy". Born in Whitley Bay, Northumberland, England, Gilroy attended Durham University until his studies were interrupted by World War I, during which he served with the Royal Field Artillery. He resumed studying at the Royal College of Art in London, where he remained as a teacher. He taught at Camberwell College of Arts.[1] In 1925, he gained employment at S.H. Benson's advertising agency, where he created the iconic advertisement art for Guinness featuring the Zoo Keeper and animals enjoying Guinness.[2] He worked with Dorothy L. Sayers.[3] He was also an accomplished portrait painter, numbering Royalty, Politicians, Actors and many others amongst his sitters. He worked in his large studio at 10 Holland Park, London, the former home and studio of Sir Bernard Partridge. He was a long-standing and much loved member of the Garrick Club...

Georges Antoine Rochegrosse (1859-1938) A man sitted, Study for the decoration of the Salle des fêtes (Ballroom) of the Exposition Internationale, Paris 1900 Pencil and charcoal on thin yellow paper 29.5 x 20 cm In acceptable condition : Tears and creases as visible on the photographs. In a modern frame : 46 x 36.5 cm Annotations on the back of the mount (now under the modern frame) that identifiy this drawing as a preparatory study for the decoration of the Salle des fêtes (Ballroom) of the 1900 Paris Exposition Internationale. It's also indicated that Henri Bataille...