Charcoal Portrait Drawings and Watercolors

'Lucille (1940s Female Bust Fashion Rendition)' is an original drawing by Jorge Ruiz-Martinez. The artist works in a pared-down style with a nod to Art Deco fashion images while neve...

Smoking Man is an original drawing on paper, realized around the 1960s by the great Italian artist and journalist, Mino Maccari (Siena, 1898 - 1989). Charcoal and watercolor drawing...

Ritratto maschile (Male portrait) is an original drawing on paper, realized around the Seventies by the great Italian artist and journalist, Mino Maccari (Siena, 1898 - 1989). Charc...

Male bust and male head is an original black chalk drawing on greige sheet, realized at the beginning of 20th Century by the artist Georges Gôbo (Saint Francisco, 1876 - Nantes 1958)...

Man is an original pencil drawing on ivory paper realized by Flor David in the 1950s. This is an original drawing representing the profile of a Man. The artwork is depicted through ...

Male Portrait is an original pencil drawing on ivory-colored paper, realized by the French artist Paul Garin (Nice, 1898-1963) in the 1960s. Black-ink stamp on the lower right corne...

Charcoal and pastel on paper Unique work Hand-signed by the artist

Portrait is a black and white charcoal drawing realized by Serge Fontinsky (1887-1971) in 1943. Hand-signed and dated on the lower margin. The sheet is glued on passepartout (light...

Charcoal on paper Unique work Hand-signed by the artist

"Hula Study" is an energetic and unique charcoal on paper by Patsy McArthur showing a female figure dancing with a hula hoop. It is created using charcoal and pastel on pale pink Mur...

Charcoal on paper Unique work Hand-signed by the artist on the back THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly accordi...

An engaging charcoal drawing of a male figure wearing a flat cap by the listed British artist Peter Collins. Here, the artist has beautifully captured the sit...

A charming charcoal drawing by the artist Peter Collins, depicting a long-haired figure. Unsigned. Well-presented in a white on black double card mount and in a simple contemporary b...

A fine portrait by the listed British artist Peter Collins. With pastel detail. Very well presented in a contemporary black frame with double card mount. Signed and dated. On wove.

A fine portrait by the listed British artist Peter Collins. With pastel detail. Very well presented in a contemporary black frame with double card mount. Signed and dated. On wove.

Peter Collins ARCA - Signed and Framed Original 1980 Charcoal Drawing. Portrait with pastel. Presented in a card mount and metallic frame. Signed and dated. On wove. Some wear to the...

This evocative charcoal drawing portrays a man with dark, shoulder-length hair, gazing contemplatively to the right. The artist skillfully captures the intensity of the subject’s exp...

Emile WAUTERS Bruxelles 1846 - Paris 1933 Autoportrait Vers 1880-1890 Fusain sur papier fort Signé en bas à droite 24 x 17 cm feuille 39 x 33 cm cadre Petites tâches peu visibles, B...

Charcoal on paper, signed and dated (lower right), 33cm x 24cm, (66cm x 56cm framed). The work is framed behind UV glass and stepped gilded frame. Bortnyik was a painter and graphi...

In this drawing, the background is deliberately neutral to accentuate the prominence of the face. Charcoal is a "free" drawing medium known for its expressive qualities, requiring artists to work within its unique constraints. As an experienced figure work instructor at the California Art Institute, Max Turner...

Medium: Unknown Signature: Signed Lower Right Man in Tie, study by Joseph Christian Leyendecker. Contact for exact dimensions of this piece.

Charcoal on paper, signed and dated '1888' bottom right Image size: 9 x 7 1/2 inches (22.75 x 19 cm) Period frame The half-length portrait depicts the subject sat, wearing a white s...

Charcoal and grey wash on paper Image size: 14 3/4 x 13 3/4 inches (37.5 x 36 cm) Hand made gilt frame Provenance Private collection, Washington DC. C.G. Sloan & Co., Sept. 1980. T...

'1920s Flapper Fashion Rendition' is an original drawing by the American artist Jorge Ruiz-Martinez. The artist works in an art deco style, imagining graceful figures in historic cos...

"1950s French Female Fashion Rendition" is an original drawing by Jorge Ruiz-Martinez. In this drawing, the artist clearly features the strong shoulders and the nipped-in waist silho...

Charcoal on paper Unique work Hand-signed by the artist on the back THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly accordi...

Charcoal on paper Unique work Hand-signed by the artist on the back THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly accordi...

Initialed lower right: "M.L.". Estate stamp verso, lower left: Lucille Deming Lewis Collection. Inscribed verso, lower left: "LDL-803". In fine condition.

Medium: Charcoal and Wash on Board Dimensions: 30.00" x 19.00" Signature: Signed Lower Right

Published in the Saturday Evening Post dated 11-18 1922 page 107 for the "Winnie and the Copperhead” story written by Bertram Atkey Signed and dated lower left Arthur William Brown...

Suzanne Fabry Autoportrait au Petit Col Rond (Self-Portrait with a Small Round Neck), c.1925 Charcoal on paper 22 1/4 x 18 1/4 inches signed SUZANNE FABRY (lower right) Brussels-bor...

Kristalova is best known for her figurative ceramic sculptures that incorporate aspects of the human body and elements of nature. Across her oeuvre, she explores transition as a stag...

This is an outstanding charcoal drawing by Alex Katz. He is portraying "Chris", who was model for several paintings and prints. Drawings do have an important impact to Alex Katz pain...

Sean Keating (Irish 1889-1977) "Self Portrait" c. 1950s Charcoal on Paper Signed Lower Right Framed Size: approx 20 x 16 inches A noted portrait and figure painter, influenced by both Romanticism and Realism, Sean Keating was an Irish nationalist painter who executed several iconic images of the Irish Civil war era, and of the ensuing period of industrialization. One of the great exemplars of representational painting in Ireland, Keating was an intellectual artist in that he set out to depict the birth and development of the Republic of Ireland, and his pictures are deliberately idealized even heroic. However, he held very conservative views about art - verging on the academic style - and was a committed defender of traditional Irish painting, considering much modern art to be bogus. Born in Limerick, Sean Keating studied drawing at the Limerick Technical School before winning a scholarship, arranged for him by William Orpen, to study fine art painting at the Metropolitan School of Art in Dublin. In 1914 he won the Taylor Scholarship and the following year exhibited three paintings at the Royal Hibernian Academy. Over the next period of years he spent time on the Aran Islands off County Galway, and then in London. He returned to Ireland in 1916 and painted the war of independence and the subsequent civil war. Works he completed at this time include the painting: Men of the South (1921) depicting a group of IRA men about to stage a military ambush, and An Allegory (c. 1922) which features a cluster of figures representing the fractures in the young Irish state. Meantime, in 1919, Keating was appointed an assistant teacher at the Dublin Metropolitan School of Art. Then in 1921, he staged his first one-man show at The Hall, Leinster Street. In 1923, he was elected to the Royal Hibernian Academy. In a Dublin exhibition of Irish art held in 1924, Keating was awarded the gold medal for his picture Homage to Hugh Lane - now hanging in the Hugh Lane Gallery. In the late 1920s, Keating was commissioned to record the building of the hydro-electric power generator at Ardnacrusha, near Limerick. He painted a number of paintings of this scheme. Not unlike the Soviet Realism School of painting, these paintings sought to promote the construction work as an achievement of heroic proportions. Keating's works began to attract interest abroad. He exhibited at the Royal Academy in London and, in 1930, he held a one-man show at the Hackett Gallery, New York. In 1931 Keating's one-person exhibition was staged at the Victor Waddington Galleries, Dublin. In 1934 he was made professor of the National College of Art in Dublin, and Professor of Painting, three years later. His 1937 exhibition at the Victor Waddington Galleries attracted considerable interest. In 1939, he was asked to paint a wall-painting for the Irish pavilion at the New York World Fair and duly created a huge mural of fifty-four panels. He was President of the Royal Hibernian Academy from 1949 to 1962, exhibiting nearly 300 works during the period. In 1963, a retrospective exhibition was staged at the Municipal Gallery of Modern Art, which was opened by Irish President de Valera...