Cubist Drawings and Watercolor Paintings

by Paul-Louis Bolot (French 1918-2003) signed & dated 1968 original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuf...

A mid-century design for a sculpture, signed or titled Mermet bottom left corner. Presented in period metal frame. A very strong image which is almost certainly a design for a sculpture due to the three dimensional nature of the piece accentuated by the lines of the image extending beyond the subject itself showing the different planes to be worked. This extremely energetic and forceful application of the crayon and the extension of the lines is highly reminiscent of the work of the expressionist Bernard Buffet who lived and worked in Tourtour in the South of France. The angular features of the figure and the dark intense lines are particularly in line with the style of his work. Expressionism was a form of art less interested in the correct anatomical representation of the subject but more in portraying the feelings and emotions that the subject evoked. The model appears to be for a sculpture quite possibly inspired by African art as the image is reminiscent of African fetish...

Roundism – 22-09-20 Roundism Once More After an odd month doing other project it was time to do one in my roundism style again. Actually it was inevitable to do this piece in m...

Geoffrey Key. English ( b.1941 ). Horse and Rider, 1988. Watercolor & Ink On Paper. Signed & Dated Lower Left. Image size 10 inches x 6.7 inches ( 25.5cm x 17cm ). Frame size 16.1 inches x 12.6 inches ( 41cm x 32cm ). Available for sale; this original painting is by Geoffrey Key and is dated 1988. The painting is presented and supplied in a sympathetic and contrasting contemporary frame (which is shown in these photographs) to suit the subject coloration, mounted using conservation materials and behind glass. The artwork and its presentation is in very good condition. It wants for nothing and is supplied ready to hang and display. The watercolor is signed and dated lower left. Geoffrey Key is a leading figure in Northern contemporary art, widely regarded as Lancashire’s greatest living artist, noted for his realism, his expressive use of bold color and his graphic, linear style. His striking works, now much in demand, have established him as a major player of post war British figurative art. Geoffrey Key was born in Rusholme, Manchester in 1941. His mother, Marion, worked as an illustrator and encouraged him to draw and he took to this easily and with great enthusiasm. He was educated at Manchester's High School of Art, whose headmaster, Ernest Goodman, established the Salford Art Club. It is fitting that many years later, after Goodman's death, its members chose Geoffrey Key as Honorary President. In 1958 Key enrolled at the Manchester Regional College of Art, where he was tutored by the sculptor Ted Roocroft and the painter Harry Rutherford, both of whom influenced him greatly. After gaining the National Diploma of Design and the Diploma of Associateship of Manchester, the latter with distinction, Key took up a postgraduate scholarship in sculpture. His academic awards include the Heywood Medal in Fine Art and the Guthrie Bond Travelling Scholarship. Geoffrey Key’s early work included an important period of development during which he concentrated on painting and drawing a specific area of the Derbyshire landscape, the Whiteley Nab hill, south of Glossop. Key created literally hundreds of images of this one landscape and later revealed that the sole purpose of this dedicated period of study, was to build upon the firm foundation established by his academic training, whilst divesting himself of the influences he had absorbed in order to arrive at his own personal artistic language. In other words, this is where he found his own style. After graduating Key worked as a teacher at Duke Street Secondary Modern in Broughton, Salford, which later became Broughton Modern. In every spare moment though he painted and his talent was quickly recognised. As the likes of Salford Art Gallery, The Rutherston Loan Collection and North West Arts began to acquire his work he made the decision to relinquish his salary and to become a full time artist. Key was elected to membership of the Manchester Academy of Fine Arts in 1968 and was a prize winner in 1971. During this time he was also commissioned by three North West England based companies – Mather & Platt, Richard Johnson & Nephew, and Wilson’s Brewery. The Richard Johnson & Nephew pictures are now held by the Museum of Science and Industry, Manchester. In the 1980s the French company Société des Caves de Roquefort also commissioned Key’s work and further successful exhibitions were held in both the UK and abroad. In 1987 the Manchester Evening News asked Key to write an article on L. S. Lowry, who Key had known well, for a feature marking the centenary of the artist's birth. This article was accompanied by a contemporary drawing of Lowry by Key. Apart from LS Lowry, Key is arguably Lancashire’s best-known and most collected contemporary artist. Key says ‘I knew Lowry and he was a lovely...

André LHOTE (1885-1962) Roman Remains : Bridge in Provence (Le Pont du Gard), c. 1925 Original Indian ink drawing Signed in the bottom right corner On paper 16 x 26 cm at sight Pre...

CLAES-THOBOIS Albert Statue. Pastel. Signed and dated 1929. Provenance : Collection of the mistress of the artist. Born in Ixelles in 1883, Claes-Thobois studied at the Academy of Brussels under Constant Montald...

Signed lower left, 'Peter Brandes' (Danish, born 1944), dated 1969 and stamped, lower right, with the artist's chop mark. Bearing artist dedication to 'K...

André LHOTE (1885-1962) Provence: the shepherds' refuge, c. 1925 Original drawing in brown ink Signed in the bottom right corner On paper 16 x 26 cm at sight Presented in a lacquere...

Study for the Murder of Marat (Studio per l'uccisione di Marat) is the original black ink and black marker drawing on paper, realized in 1968 by Gian Paolo Berto (Andria, Italy, 1940...

double-sided c.1950's drawing by Spanish artist, Federico Castellon (1914-1971). Ink on wove paper, sheet measures 10 x 13 inches; 21.5 x 24.5 inches in wood frame. Excellent condition with no restoration or damage. Signed with artist's chop in red ink seal that he used in Asia. From a recently discovered collection of over 60 important Castellon drawings and watercolors c.1939-1950. Birth place: Almeria, SpainDeath place: New York, NYAddresses: NYC (immigrated 1921; citizen, 1943)Profession: Painter, graphic artist, sculptor, etcher, illustrator, teacher Exhibited: Weyhe Gal., 1934, 1936-40; AIC, 1935-47 (prize, 1938); AFA traveling exh., 1937; WMAA, 1938-45; PAFA, 1938-39, 1940 (prize), 1941-42; Carnegie Inst., 1942; PAFA, 1943-53; Assoc. Am. Ar., 1946 (prize), 1952 (solo); Corcoran Gal, 1947; LOC, 1949 (prize); Paris, France, 1952; Bombay, India, 1952; Gallery 10, 1961; Dintenfass Gal., N.Y., 1963; Phila. Pr. Cl., 1964 (prize); Hudson Gld. A., 1964; Great Neck, L.I., 1964; SAGA, 1964 (prize). In 1953, under the auspices of State Dept. Specialist Div., of I.E.S., he exhibited in Venezuela, Colombia, Peru, Chile, Bolivia, Uruguay, Argentina, Paraguay, with lectures in each country. Awards: F., Spanish Republic, 1934-36; fellow, Guggenheim Fnd., 1941, 1950; Nat. Inst. A. & Let. Grant, 1950. Member: NA; SAGAWork: WMAA; PAFA; MoMA; PMA; MMA; BM; AIC; NYPL; LOC; Univ. KY; San Diego Mus. FA; Newark (NJ) Pub. Lib.; Princeton Univ. (Frank Jewett Mather Coll.). Comments: A Surrealist painter whose imagery of the 1930s was greatly influenced by Dali. His full name was Federico Cristencia de Castellón y Martinez. Teacher: Columbia Univ., 1946-61; Pratt Inst., Brooklyn, 1952-61. Illustrator: Shenandoah, 1941; I Went into the Country, 1941; Bulfinch's Mythology, 1948; The Story of Marco Polo, 1954; The Man Who Changed China, 1954; The Story of J. J. Audubon, 1955; The Little Prince, 1954; The Life of Robert L. Stevenson, 1954. Reproduction of paintings on The Sumerian Civilization" for Life series "The Epic of Man," 1956; 15 paintings on "The History of Medicine" for MD magazine, 1960-61; The Story of Madame Curie...

John Bowers Nude in Barn 1940s Charcoal on Paper 19"x25", unframed Came from a portfolio owned by artist John Bowers John was awarded a Master of Fine Arts degree by the University...

Abstracted Cubist Turkey Portrait in Pastel on Paper Brightly colored abstract portrait by Michael William Eggleston (American, 20th Century). An abs...

Untitled is a drawing realized by Ossip Zadkine (1890 - 1967), in 1946. Mixed media on paper. 45.50 x 61.70 cm. Signature and year lower right. Work archived at The Zadkine Resea...

All of a Sudden, Sun! Last week on my way home from a student I came across Buitengoed Leeuwenbergh. It was late in the afternoon and surprizingly a drizzly grey day turned into a b...

Edmund D. Kinzinger was born in 1888, to an upper-middle class family in Pforzhein, Germany. In Munich he studied at the Kirr Schule and the Staatliche Akademie, and pursued graduate studies at the Academie Modern, Paris. Before serving in the German Army, Kinzinger was a master student of Adolph Holzel at the Staatcliche Akademie, Stuttgart; he returned to study under Henrich Waldschmidt after nearly five years of artillery service. Several of Kinzinger’s fellow students in Germany, such as Johannes Itten, would go on to be associated with the Bauhaus school. Coming into contact with all manner of artistic influences in Europe after World War One, Kinzinger’s work may be viewed as a “synthesis” of modernist styles. The influences of Abstract Expressionist, Cubist, and Futurist styles in Kinzinger’s work at this time are symptomatic of his contact with the likes of Hans Hofmann, Pablo Picasso, and Alexander Archipenko. Philip Van Keuren...

Liberation Day Walk This graphite pencil drawing ‘Beek - 09-05-24’ is a bit of cubism placed in atmospheric depth. Last weekend I went out to spot some sceneries with my dad. ...

Untitled Male Nude, Seated Unique Ink on Paper Drawing Hand signed by Archipenko Good condition overall. There are paper losses and tears to upper right corner, as shown. There is ...

Back from a Sore Back This graphite pencil drawing ˜Roundism “ 22-12-22 follows after ˜Neo Deco “ 10-12-22. Usually I make one drawing per week but my mind was occupied with an oil i...

Last One This Year This graphite pencil drawing ˜Roundism “ 30-12-22 is the last one of this year. After Neo Deco “ 25-12-22 I wanted to end this year in the style that brought me success the last decade. One could also argue that I just dont know where this particular style is heading for anyway. Surely I have this other thing, called ˜Neo Deco but I am not sure yet where this is going. Recently I wrote about my uncertainties with regard of serving something old as a new style. That is how it feels like, sort of. Maybe its just that I am trying to forge something out of dusty air of a bygone era. Its definitely a topic I want to delve much deeper into in 2023. For now I named all things round ˜roundism and cubistically straight things ˜neo deco. A pretty daft distinction perhaps. What do you think? Golden Ratio The motif for this actual work was derived from a reference picture taken by Walter Bird. The last one I used one of his photos for was Art Deco Nude “ 23-08-22. Even though the style of photographing is typically art deco I think his work stands out compared to many others. Not only did he use heavy doses of light and dark but also cropped nudes within the frame nicely. The result is a perfect bodyscape image. Due to the striking roundness of the breasts and tilted body position I thought drawing roundish shapes were almost unavoidable. I spotted some nice curves I extrapolated outside the female form. The ones besides her hip culminated into the golden ratio curves. A suitable ending for this year. The ending and the beginning of something entwined, as it should be. So is my search for the eternal and essential in the temporary. Graphite pencil (Faber Castell...

A New Model This graphite pencil drawing ‘Nina – 09-08-23’ marks something new. Not the style though. That more or less is my newly found neo deco. It’s all about the model. About two weeks ago somebody on replied to my last oil ‘Neo Deco – 30-07-23’. That person happened to be a model under the name ‘NinaErotique’. You know by now I’m not into sleazy, unartistic nudes. I’m here on earth to celebrate nudity forged by higher beings as the pinnacle of beauty. Not my words but communis opinio amongst artists at the turn of the 20th century. Apparently she happens to think the same way. The result is a beautiful array of tasteful pictures. Some are nudes, other are about fashion and a bit of glamour on the side. I certainly would recommend you to click that link or visit her website. Clothed She has a lovely body and appearance. However, first I was touched by a photo of her sitting wearing a sheer negligee...

Returning to Cubist Styling This graphite pencil drawing ‘Berg en Dal – 02-05-23’ is a welcome change from 9 consecutive impressionist landscapes I made. Somehow I felt attr...

Let It Rest This graphite pencil drawing ‘Solarized Roundism – 16-06-23’ I started quite some time ago. Directly after A Non AI-Driven Neo Deco Celebrity Nude...

HANS BURKHARDT "DRESSING ROOM" PASTEL, SIGNED AMERICAN, DATED 1971 24 X 16 INCHES FRAMED 35 X 27 INCHES Hans Burkhardt 1904 - 1994 Hans Burkhardt was born in Basel, Switzer...

Brightly colored abstract portrait by Michael William Eggleston (American, 20th Century). An abstracted figure is depicted as having a cat-like eye and sharp teeth, but the exact fea...

Bright and colorful modernist market scene with abstracted figures on heavy bond paper by Doris Ann Warner (American, 1925-2010). Signed "WARNER" in the lower right corner. Presented in a new double mat of light blue and antique buff...

An original pastel drawing by Benjamin Benno, American (1901 - 1980). By the early 1930s he had established a reputation as a member of the international avant-garde and exhibited ...

Homage to Picasso is an original drawing realized by Gian Paolo Berto, in 1975 Watercolored China ink drawing. Good conditions except for some shadings. Hand signed and titled on ...

Scaling up This pastel drawing Golden Lilac - 07-02-21 is based on a previous graphite pencil drawing 'Nude - 13-01-16'. Once in a while I realize I draw in graphite more often than...

What’s Next? This graphite pencil drawing ‘Beek – 26-06-24’ is a carefully combined and planned mixture of impressionism and cubism. What do you think of it? Let me put do...

A Break-Out This graphite pencil drawing ‘Gent – 08-05-23’ shows a different scenery for a change. Usually you see me wandering about in the Haaglanden area, searching for a...

Another Go in Pastel This pastel drawing ‘Berg en Dal – 19-12-23’ is an elaboration of a graphite pencil drawing from May this year. After Golden 13-12-23 I wanted to do som...

Abstracted Woman in Shadows in Pastel on Paper Brightly colored abstract drawing by Michael William Eggleston (American, 20th Century). An abstracted woman figure is depicted walkin...

Artist: Laurent Marcel Salinas, French (1913 - 2010) Title: Cubist Composition Year: circa 1945 Medium: Gouache on Board, signed Size: 29 in. x 40 in. (73.66 cm x 101.6 cm) Frame S...

Leopold Survage (1879-1968) Untitled (Woman Standing) Graphite on paper, 1933 Signed in pencil by the artist: Survage Signed with the estate stamp lower right Signed in pencil "LS" f...

Leopold Survage (French / Finnish 1879- 1968) Les danseuses Signed and dated ‘Survage / 31’ (lower right) Pencil on paper 10.1/2 x 8.5/8 in. (27 x 22.2 cm...

All Things Round? This pastel drawing Golden Night – 08-02-21 is based on a previous graphite pencil drawing Roundism 10-08-20. What I do is to browse through my collection of dra...

gouache on paper maroufflé on canvas. not framed. *Paul Rigoulet, peintre abstract français, né en 1924 à Samöens (Haute-Savoie). Il fait ses études à l'école nationale supérieure des Beaux-Arts de Paris, atelier Jean Souverbie...

JOHN SUTTON (20th Century) Still Life with Fruit Signed, inscribed and dated: 10/5/42 Watercolour, chalks and pen and ink, unframed 25 by 31.5 cm., 10 by 12 ½ in. (mount size 40 ...

"Fading Light" is pencil on paper measuring 12" tall by 9" wide. It's very sound structurally, with a figure composed against a classic pedestal (scrolls suggest a Greek Ionic column...

JOHN SUTTON (20th Century) Interior Signed, inscribed with title and dated: 12/5/42 Watercolour and chalks, unframed, in mount only 25 by 34.5 cm., 10 by 13 ½ in. (mount size 40 ...

Roundism - 20-08-20 Solarized Roundism After my drawing 'Roundism - 19-08-20' I put it as my goal to do another solarized one but a little bit less and more abstract. Drawn in my roundism style it looks essential and I did not need much but to be presented as a bodyscape. It is also inspired by my drawing 'Roundism - 08-09-16' that I like to call 'the deco one'. Eras Gone By Solarization as a visual element keeps lingering in my mind and I surely don't know why that is. I keep on thinking of eras gone by, like Art Deco, surrealism, Jugendstil and what have you not. Of course solarization and roundism are fruits from these artistic movements but then again from the past. Even though I was born and raised in an era of modern art, pre-Word War II-art is more appealing to me. I guess I am an aesthetic and therefor refute everything rude, ugly, mundane and repetitive like contemporary art has to offer these days. Whether it is television, architecture or art, it is all mediocre to be. In my eyes...

This graphite pencil drawing ‘Woman in a Red Kimono – 03-11-22’ counterparts the one I made last year cubistically. After ‘Roundism – 28-10-22’ I was out of motifs inspir...

This refined oil painting was realized by Samuel Joel "Zero" Mostel- the three time Tony Award winning American actor, comedian, and singer- who was equally talented as a painter in ...

Untitled Female Nude, Seated Unique Ink on Paper Drawing Hand signed by Archipenko Very good condition There is a companion to this work, a ink on paper unique drawing, also shown ...

A Second Tribute This graphite pencil drawing ‘Roundism (Tribute to Anita Ekberg) – 22-06-23’ is not my first homage to her. Some years ago I made a first one. People must h...

Michel Debiève was born on May 29, 1931, with his twin brother Raymond, in a popular suburb of Maubeuge (North of France). Very early, encouraged by Emile, their father, the two brot...

Artist: Beatrice Rubel (aka Betty Abbott) Title: Blue Symphony Year: circa 1948 Medium: Pastel on paper, signed verso Size: 12 in. x 18 in. (30.48 cm x 45.72 cm) Frame Size: 19.5 x 2...

Marlot – 24-09-20 Marlot Cows And now for something completely different: cows in Marlot. I wanted to change the subject for once and do a drawing similar to the horses in my drawing Laren 30-04-20. I never have been an artist drawing and painting animals frequently but I thought I give it a shot and since I am in the mood after my rediscovery of colored pencils, there you have it. Cubistic Animals I always have loved cows...

Roundism – 15-11-20 More Complex The previous drawing Roundism – 06-11-20 was set up rather elementary, contary to this one. As you may know by now I like to vary and decided...

Roundism – 06-11-20 The Next One After Roundism – 27-10-20 I thought to postpone future colored pencil drawings for a while and return to graphite pencil. I kind of like chan...

Roundism - 14-08-20 In this one I started hatching up the paper with diagonal strokes like always when the motif is very dark. I did not wanted to rub them out like I am use to bu...

On the Beach - 11-12-20 Old Vintage Photo Years ago I saved a vintage picture of a nude on the beach. Origin unknown and my best guess would be ...

Art Graf Debutant Of late I am exploring textures of fabrics like satin, silk and all other shining objects such as gold and silver. Two months ago I made the first one, depicting...

Something Different And now for something completely different: Roundism again. After ‘Art Deco Nude – 11-08-22’ it was time to unleash my Faber-Castell Pitt Graphite Matt pencils on Roundism. I delved into my stash of art deco photographs...

The Market Square is a drawing, realized in early-20th century , by the French post-impressionist painter and illustrator Lucie Caradek (1880-1936). Mixed media on paper. Hand Signe...

Hommage to the Entombment of Christ by Caravaggio – 05-12-20 Learning Material In my classes I often use ‘The Entombment of Christ’ by C...

Art-Deco-ish This graphite pencil drawing Darja Collin - 20-09-22 follows Art Deco Nude - 16-09-22. Still Deco-ish but I decided to grant her a seri...

Geesje Kwak – 12-07-21 A Portrait of Geesje A day ago I experimented with Art Graf. I was quite surprized and therefor I thought it would be nice to do a portrait of Geesje Kwak. There are only some odd 15 pictures...

This graphite pencil drawing ‘Sans Titre – 28-06-23’ depicts moviestar Veronica Lake. After Roundism (Tribute to Anita Ekberg) – 22-06-23 I thought I’d do another celebrity...

Brightly colored abstract by Michael William Eggleston (American, 20th Century). Eggleston's use of various mediums and techniques show through...