Small Mixed Media

Sunil Das - Collage Series V - 16 x 11 inches (unframed size) Collage Series, Mixed Media, Fevicryl Fire on thick Imported Paper Inclusive of shipment in ready to hang form. Sunil D...

"She's Watching" Mixed media collage, assemblage, gestural painting on masonite. Hand Signed in ink and titled verso. It does not appear to be dated. I am estimating it is from the 1980's. It has some Postmodern elements and similarities to Transavanguardia is the Italian version of Neo-expressionism. Francie Bishop Good (American, 1949-) Francie Bishop Good was raised in Allentown, Pennsylvania. She currently lives and works in South Florida and New York City. Her work has been exhibited nationally and internationally. Bishop Good is twice recipient of the South Florida Cultural Consortium Fellowship, and the State of Florida Individual Artist Fellowship. She completed her Graduate Studies at Maine Media College, Rockport, Maine, International Center of Photography, New York, New York, Master of Arts, Florida Atlantic University, Boca Raton, Florida, B.F.A. University of Colorado, Boulder, Colorado, Philadelphia College of Art, Philadelphia, Pennsylvania, William Allen High School, studies under James Musselman Her museum solo shows include the Allentown Art Museum, Allentown, PA, Museum of Art, Fort Lauderdale, FL, the Museum of Contemporary Art, Jacksonville, FL, Art and Culture Center, Hollywood, FL, and the Hilliard Museum, Lafayette, LA. Bishop Good's work has been shown at David Castillo Gallery, Mindy Solomon Gallery, Miami, FL. Griffin Museum of Photography, Bernice Steinbaum Gallery, and AMbrosino Gallery. Recent museum acquisitions include Museum of Fine Arts, Boston, MA The Wadsworth Atheneum, Hartford, CT, The Patricia & Philip Frost Art Museum at Florida International University, Miami, FL, Bass Museum of Art, Miami Beach, FL and the NSU Art Museum, Fort Lauderdale, FL. Selected Group and Invitational Exhibitions NSU Art Museum, Remember to React: 60 Years of Collection, Fort Lauderdale, FL Frost Art Museum, Connectivity: Selections from the Collection of the Frost Art Museum, Miami, FL Dual Roles, curated by Laura Marsh, Art and Culture Center of Hollywood FL David Castillo Gallery, gallery artists, in terms of collage, Miami Beach, FL Multidisciplinary, curated by Dimensions Variable, Open Source Gallery, Brooklyn, NY Cornell Museum, Artistically Speaking, Boca Raton Museum of Art, FL. People and Places, Photographs from the Collection, summer 2015 Frost Museum, FIU Miami FL, 25 Inches, The Faces of the Permanent Collection Locust Projects, Smash and Grab, November Annie Wharton Fine Art, Los Angeles group show, summer Museum of Art Fort Lauderdale ,The Art of Caring summer Women to Women, collaboration with Samantha Salzinger, Bakehouse Fredric Snitzer Gallery Boy oh Boy, Summer Show Miami A.I.R. Gallery, The Man I Wish I Was, curator Kharis Kennedy Photo Miami with Nina Arias, Miami, FL December Alva Gallery, New London, Ct Being Good: Women's Moral Values Art Basel with Ambrosino Gallery, Miami, FL 51st Venice Biennale, Italy Poles Apart / Poles Together, International Artists' Museum, White Box Norton Museum of Art, West Palm Beach, FL, FOCUS ON: New Photography, National Museum of Women in the Arts, FL Transitory Patterns Museum of Contemporary Art, Miami, FL Optic Nerve Selected Collections Museum of Fine Arts, Boston, Ma. Wadsworth Atheneum Museum of Art, Hartford, Ct. Bass Museum of Art, Miami Beach, FL Frost Museum of Art, Miami Florida Norton Museum of Art, West Palm Beach, Florida Museum of Contemporary Art, Jacksonville, Florida Boca Raton Museum of Art, Boca Raton, Florida Sagamore Hotel Collection, Miami Beach, Florida Museum of Art, Fort Lauderdale, Florida Refco Collection, Chicago, Illinois Allentown Art Museum, Allentown, Pennsylvania New World Symphony Residence, Miami, Florida Art in Public Places, Broward County, Florida Art and Culture Center of Hollywood, Florida William Gates III (Bill Gates) Monica and Richard Segal Saks Fifth Avenue Asides from being an exceptional artist she is also a passionate collector. Photographs by Cindy Sherman and the late feminist artist Ana Mendieta, collages by Kara Walker, a watercolor by Louise Bourgeois, Cecily Brown, Tracey Emin, Teresita Fernandez, Carrie Mae Weems, Nan Goldin, Barbara Kruger, Catherine Opie, Lorna Simpson, Kiki Smith, Mickalene Thomas, and Kara Walker. are among 100 works by leading contemporary artists donated by philanthropists David Horvitz...

The series is dedicated to the artist's home town Riga. Māris Abiļevs (born 23 April 1956 in Kazakhstan) is a Latvian graphic artist and printer, brother of graphic artist Andris Ab...

Emmanuel made this work as a source of hope for those who have health issues, not to lose hope, They’re not alone so far they’re waking up every day they still have a chance to do gr...

Terry Frost (British, 1915 – 2003) Dancing figure Mixed media Collage 16.1/2 x 18.1/2 in. (42 x 47 cm.) to slip edge Provenance: Created for and donated to the St. Ives Theatrical Pr...

Ethel Merman "Annie Get Your Gun" original Mid Century Broadway theatre drawing Ethel Merman in the pre-Broadway tour of ANNIE GET YOUR GUN, 18 ½ ...

Sunil Das - Collage Series II - 13 x 12 inches (unframed size) Collage Series, Mixed Media on Paper Inclusive of shipment in ready to hang form. Sunil Das (1939-2015) was a Master M...

A person reclines in a red striped lawn chair. The subject's body presses against the back of the hair, revealing a Notre Dame Fighting Irish logo on hi...

A unique and captivating mixed media composition, including various printing techniques, acrylic, gouache and oil pastel. The scene depicts an abstract landscape view in Titterstone ...

"The golden triangle" is the second pair from the series of Abfillage works referred to as "Renegades of a breaking nation". The eliminated afro hair, the symbol, and the expressions form the basis of the narrative of this art. The expression of serenity, tranquility, calmness, pride, unconscious of the external environment, and a state of deep thought defines the emotional status of the subject. The symbol of this pair is a triangular sign made with a golden color on the neck. It is made of three strokes, unlike the first pair made of 2 strokes, thereby showing a transition. It is basic and a symbol of balance like the other four paintings. The term "golden triangle" is a term used in mathematics for a triangle with an interior angle ratio of 1:2:2. But rather than constructing a mathematical golden triangle, the triangle was painted with golden pigment. The triangle is a symbol of geometric sturdiness and strength, a symbol of harmony, and unity of 3 parts. When we are focused on our truth, we are connected to life and have the experience of life coming to us. "Renegades of a breaking nation" is a series of 5 Abfillage artworks, created in 3 sections creating a form of transition using 3 symbols. A transition from a state of one nation to another. By creating a combination of expressive portraits and symbols in gold acrylic pigments which all signify balance. A transition to steadiness, equilibrium, and stability of a country. Shipping Procedure Ships from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Born and raised in Nigeria, West Africa, Prosper grew up drawing comics and characters which enabled him to understand the human figure and expressions properly, after which he became a full-time studio artist in 2017 Prosper studied at the Federal University of Technology Owerri, where he learned Building technology with an architectural background on designing. He also acquired expertise in graphic design, illustration, 3D modeling, video editing, and animation In 2018 he had his first official art exhibition where he won the Peace Poster award for his painting on Peace at the ANBUKRAFT He has participated in several exhibitions and competitions since then and has won some of them In 2020 he was signed as a brand ambassador to TECNO mobile Nigeria on a one year deal His works has appeared in countries like South Africa, United Kingdom, United States, Canada, Japan e t c Prosper Aluu makes figurative and expressive paintings His stylized figures show the use of the artistic devices of elongation and exaggeration and his unique style of painting the iconic afro hairstyle These are his ways of celebrating and negotiating African identity In traditional African art visual codes, the exaggeration of the head in comparison to other parts of the body is a well-known visual strategy to establish the head as the seat of wisdom...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

Many who experience a painting of Patricia Larsen think it’s the work of a Zen monk, someone who’s mastered the elements of purity - but it’s Larsen’s memories of playing in Albertan...

Patty deGrandpre’s “Looking for a Signal” is a 14 x 22 inch predominately blue, white, and orange mixed media unique inkjet print diptych. Digital “negatives” of an orange leafless tree and a blue lilac satellite dish...

Bright and breezy, Linda Schmidt’s abstract mixed media hanging sculptures are filled with a sense of play. Vibrant, weightless shades weave through and ...

Pedestal mount. No wall mount available. Goldfish orange metallic finish. 24"x19"x11". keywords; sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials...

Exhibiting the bold colors and textures that her work is known for, "Moment of Warmth" is a beautiful abstract painting by Nancy Eckelson on a box canvas. Using sculptural texture ...

Description: Faceless bodies dressed In patchworked armor stand on Fiery orange ground. Please note: This piece is a combination of both oil paint a...

A mother of pearl, pen and ink and golden paint mixed media composition, depicting a bird of prey on a tree branch. Unsigned. Presented in a gilt-effect slip and in a wooden frame, a...

There are openings to the skies whispering their strange language to anyone who will listen. :: Mixed Media :: Abstract Expressionism :: This piece comes with an official certif...

At the far end of nothing, colors rain as an eye descends the world. :: Mixed Media :: Abstract Expressionism :: This piece comes with an official certificate of authenticity signe...

PATRICK ARCHER (American b. 1926) "Genesis VI" Collage on board. Sight: 13 x 11 inches, framed: 23 .5 x 21.5 inches. Signed and dated at lower right, signed titled and numbered on v...

Park Byung-Hoon's work is based completely on color and transparency. It is simple and fundamental, which have been the main concepts of Western art for the past 40 years. His works ...

Joe Tilson - No DNA From the portfolio “The Software Chart Questionnaire” Screen printing on aluminum Printed by Sergio Tosi In publisher's paper envelope 50 x 39.5cm 1968 Signed and...

Robin Winters (American, born 1950), Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco. Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat). Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. Winters was traveling in 1975 and 1976, spending time in North Africa and in Europe. At a time when most young American artists were unaware of their European counterparts, Winters met and was influenced by such artists as Sigmar Polke and Marcel Broodthaers (with whom Winters worked on an installation) and also had a one-person exhibition, at the Konrad Fischer Gallery in Dusseldorf. Returning to New York in 1976, Winters teamed up with a group of artists to form Collaborative Projects (Colab), a rather anarchistic organization dedicated to artistic collaboration and the creation of art that questioned social values.. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover...

ABOUT THIS PIECE: 18.8" W x 14" H Original collage on paper UNFRAMED ABOUT THIS ARTIST: Anthony Zinonos is a British collage artist and illustrator based in the city of Orange, Cali...

ABOUT THIS PIECE: 19.7" W x 23.6" H Original collage on paper UNFRAMED ABOUT THIS ARTIST: Anthony Zinonos is a British collage artist and illustrator based in the city of Orange, C...

Michael Azgour is an artist and educator whose work addresses the impact of digital imagery on contemporary culture. His paintings combine evocative, expressive representation with g...

Carly Anne Amos, in collaboration with Globe Photos, brings you a new collection of gorgeous twists to classic icons from our archives. Carly Anne is a streetwear designer (The Colo...

"Field of Truth II 'E'" features rich aquas, blues and a touch of red streaked with pearlescent accents that play across this beautiful abstract original work by master print maker Linda Whittemore. This mixed media viscosity monotype displays all of the unique skill and painterly touch of the artist, who draws her inspiration from the natural beauty that surrounds her on her home of Maui. Linda works in a printmaking style called viscosity monotype, although she is trained in the traditional form of Intaglio printmaking. Her works are a story of color and mood, She continues to paint scenes around the island of Maui and further abstracts them in her studio using the printmaking process. Often, watercolor plein aire paintings are a prelude to her original monotypes. “It’s all a process, one medium leads to the next. We create from what we know or don’t know. My paintings are who I am.” Linda also has enjoyed painting the figure for many years. Linda began a life long relationship with watercolor painting at the age of eight. She studied two full years with the past president of the Watercolor Society, Roger Armstrong, as well as other teachers like Chris Sullivan, Hiroke Morinue, Richard Nelson...

Emma delicately cuts images, especially trees, from a medium like felt or paper and pins them minutely to their chosen background, raised ethereally from the surface, forming beautif...

Sea Winds, 3rd quarter 20th century, mixed media on board, signed lower left, 16 x 20 inches, signed, titled, media and price noted in pencil verso, exhibited Visual Art Show, Southe...

The Last Light. Adele Riley Artist [2021] Original Seascapes Acrylic and acrylic inks on boxed canvas Canvas Size: H:20 cm x W:50 cm x D:4cm Sold Unframed...

Original mixed media drawing with watercolor on paper. Hand signed by Peter Max. Frame size approx 17 x 21 inches. Artwork size 11 x 15 inches. Artwork is in excellent condition....

Mary Scott Oscillation (II) Original Abstract Painting Acrylic Paint, Pencil and Gold Leaf (Silver Finish) on Board Board size: H 50 cm x W 40 cm x D 0.5cm ...

Untitled, 2020 Image size: 24 in. H x 17.71 in. W Collage, image transfer on acetate, nylon cables ties One of a Kind _________________________________ Roberto Fonfría lives and work...

Max Bucaille ( 1906 -1996 ) . French Surrealist Artist . born in Normandy in 1906 . Image : 12 x 18 cm Page : 21 x 30 cm Framed : 38 x 52 cm Max Bucaille prend une paire de ciseaux et de colle , il se munit de vieux ouvrages illustrés et , pour notre plaisir , rêve éveillé ! auteur de poèmes et de collages surréalistes...

Sunil Das - Nude Woman & Horse - 10.5 x 11.25 inches (unframed size) Mixed Media on Thick Paper Free Shipping Without Frame Sunil Das (1939-2015) was a Master Modern Indian Artist ...

"Then we discovered protons and neutrons in the nuclei of the atom, and then the quark, and so every time we discover a new boundary to the universe, we keep saying, 'This is it.'......

Mary Scott Oscillation (III) Original Abstract Painting, Abstract, Affordable Contemporary Art Acrylic Paint, Pencil and Gold Leaf (Silver Finish) on Board ...

Suhas Roy - Mother and Child - 16 x 20 inches (unframed size) Mixed Media on Imported paper. Inclusive of shipment in roll form. Mother and Child : Modern Indian Art by Suhas Roy in...

Violet Composition is a contemporary artwork realized by Genny Puccini in 1977. Mixed media. Hand-signed and dated by the artist G. Puccini '77. Very good conditions.

The series is dedicated to the artist's home town Riga. Māris Abiļevs (born 23 April 1956 in Kazakhstan) is a Latvian graphic artist and printer, brother of graphic artist Andris Ab...

Sekhar Kar - Untitled - 14 x 11 inches ( unframed size ) Mixed media on board ** Delivered in parcel form mounted but not framed. Style : Sekhar Kar paintings depict men and women...

"As an African-American artist in today’s world, I embody the vast differences found in our collective backgrounds. I view them as cultural assets. We are always self discovering and...

By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey the atmosphere of intimacy, eroticism and arousal

Māris Abiļevs (born 23 April 1956 in Kazakhstan) is a Latvian graphic artist and printer, brother of graphic artist Andris Abiļevs. He works in etching, lithography and various mixed...

This mixed media artwork combines wood print, serigraph, inkjet, letterpress and encaustic on paper. This compelling piece shows a young girl dressed in blue pulling a terra-cotta colored sphere larger than she is. Despite its simplicity, this work alludes to the complexity of growing up as a female. Text is scattered throughout the piece; it is sold unframed. Mariana Depetris is an artist who focuses on printmaking techniques, many of which she learned from master printmakers in her native Argentina and Italy, as well as from an MFA from the Georgia Southern...

Brilliantly colored nixed media monotypes of opposing faces in profile by American artist Kismine Varner, circa 1990. Original one-of-a-kind work of art on paper displayed on a wh...

This mixed media piece features a very warm color palette. Olive green, a vibrant Alizarin crimson, and a beautiful white highlight that brings the sections of the piece together. Th...

By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey the atmosphere of intimacy, eroticism and arousal

Original artwork by Greg Frederick Created out of unplayable vinyl records and their packaging on canvas Set in a black floater frame. Size 18 x 24 inches

Keith Haring Pop Shop, 1986: Vintage original 1980s Keith Haring Pop Shop bag designed & illustrated by the artist. Features a bold Keith Haring printed signature and standout original Haring Pop shop logos, plus bright, lush colors which make for a unique framepiece. Medium: silkscreened vinyl shopping bag. 19 x 16.75 inches inches. Minor wear commensurate with age & medium; in otherwise good vintage condition. A very cool vintage original Keith Haring frame piece within reach. Keith Haring Pop Shop: In 1986, New York artist Keith Haring opened the Pop Shop in downtown Manhattan. Haring saw the Pop Shop as an extension of his work, a fun boutique where his art could be accessible to everyone. For nearly twenty years, the shop continued to be a downtown attraction with floor-to-ceiling murals...