Vivien Abrams Collens

Romance of Electricity, Mixed Media Metallic Painting Woman Artist

1982

George Snyder (American, b.1951) Acrylic painting on canvas tubular sculpture Abstract composition of blue, purple, orange, red, yellow, and black geome...

it is currently unframed and will be sold thus. Similar in style to the 80s work of Elizabeth Murray. A bright, colorful expressive piece signed (labels are not included as it is un...

Purvis Young (1943-2010) Mixed media collage oil on poster board painting. Painted atop a voting advertisement sign. Signed in multiple places on piece "Young". Purvis Young (1943 – 2010) was an African American artist from the Overtown neighborhood of Miami, Florida. Young's work, often a blend of collage and painting, utilizes found objects and the experience of African Americans in the south. Purvis Young painted on scrap lumber, old doors, tax forms, street signs, cardboard and plywood that he scavenged from the streets and vacant lots of Overtown, the historically black neighborhood where he lived in Miami, Florida. Young gained recognition as a cult contemporary artist, with a collectors' following that included Jane Fonda, Damon Wayans, Jim Belushi, Dan Aykroyd, and others. In 2006 a feature documentary titled Purvis of Overtown was produced about his life and work. His work is found in the collections of the American Folk Art Museum, the Corcoran Gallery of Art, the High Museum of Art, the National Museum of African American History and Culture, the Philadelphia Museum of Art, and others. In 2018, he was inducted into the Florida Artists Hall of Fame. Purvis Young was born in Liberty City, a neighborhood of Miami, Florida, on February 2, 1943. As a young boy, his uncle introduced him to drawing, but Young lost interest quickly. He never attended high school. As a teenager, Young served three years (1961–64) in prison at North Florida's Raiford State Penitentiary for breaking and entering. While in prison he would regain his interest in art and began drawing and studying art books. When released, he began to produce thousands of small drawings, which he kept in shopping carts and later glued into discarded books and magazines that he found on the streets. He proceeded to move into the Overtown neighborhood of Miami. Young became attracted to a vacant alley called Goodbread Alley, which was named after the Jamaican bakeries that once occupied the street; he started living there in 1971. In the early 1970s, Young found inspiration in the mural movements of Chicago and Detroit, and decided to create a mural of inspiration Overtown. He had never painted before, but inspiration struck and he began to create paintings and nailing them to the boarded up storefronts that formed the alley. He painted on wood he found on the streets and occasionally paintings would "disappear" from the wall, but Young didn't mind. About two years after starting the mural, tourists started visiting the alley, mainly white tourists. Occasionally, Young sold paintings to visitors - tourists and collectors alike - right off the wall. The mural garnered media attention, including the attention of millionaire Bernard Davis, owner of the Miami Art Museum. Davis became a patron of Young, providing him with painting supplies as well. Davis died in 1973, leaving Young a local celebrity in Miami. In the late 1990s and early 2000s, he explored other inspirations by watching historical documentaries about war, the Great Depression, commerce, and Native American conflicts and struggles in the United States. In 1999 the Rubell family, notable art collectors from New York, purchased the entire content of Young's studio, a collection of almost 3,000 pieces. In 2008 the Rubell's donated 108 works to Morehouse College In 2015, The Bass Museum of Art announced that it is donating almost 400 pieces of Young's art to the permanent collection in the Black Archives History and Research Foundation of South Florida. The foundation is located in Lyric Theater in Overtown. Young found strong influence in Western art history and voraciously absorbed books from his nearby public library by Rembrandt, Vincent van Gogh, Gauguin, El Greco, Daumier and Pablo Picasso. His work was vibrant and colorful, and was described as appearing like fingerpainting. Reoccurring themes in his work were angels, wild horses, and urban landscapes. Through his works, he expressed social and racial issues, and served as an outspoken activist about politics and bureaucracy. Two Purvis Young works appear on the 2018 David Byrne album "American Utopia." He is included in the collection of the Metro-Miami Dade Cultural Center. Since its 1970 start, the Permanent Art Collection has been recognized nationally as a fearless reflection of Miami’s diversity, and an invaluable chronicle of its artistic and social history. Their collection includes Elizabeth Catlett, Purvis Young and Emilio Sanchez. His work has since been included in numerous private collections and museums and was championed by the Joy Moos gallery, an influential gallery specializing in folk art, street art, self-taught visionary, outsider art and contemporary art (Galerie Moos, Montréal; Joy Moos Gallery, Miami. Joy was a recognized photographer, jewelry designer and interior decorator. She wrote a catalogue on Purvis Young and promoted Cuban artist Ramon Carulla. Her gallery also showed major contemporary artists such as Robert Rauschenberg of Captiva Island and Edward Ruscha of Los Angeles. SELECTED EXHIBITIONS 2020 "Prophets and Angels": Purvis Young & Édouard Vuillard, Shin Gallery New York, NY 2019 "Personal Structures" Palazzo Mora, Venice, Italy 2019 "Purvis Young" solo exhibition James Fuentes LLC, New York, NY 2018/2019 "Purvis Young" solo exhibition, Rubell Family Collection, Miami, FL (for Art Basel) 2018 "History Refused to Die" Group Exhibition, Metropolitan Museum of Art, NYC 2017 "Revelations" Group Exhibition, Fine Arts Museum of San Francisco, CA 2015 "50 for 50," LACMA, Los Angeles County Museum of Art. Los Angeles, CA 2003 “African American Masters: Highlights from the Smithsonian American Art Museum,” New York Historical Society 1997 “Pictured in My Mind: Contemporary American Self-Taught Art from the Collection of Dr. Kurt Gitter and Alice Rae Yelen,” DeCordova Museum and Sculpture Park, Lincoln, MA “Bearing Witness: African-American Vernacular Art of the South,” Schomburg Center for Research in Black Culture, New York, NY “Purvis Young-The Streets of Overtown: 1996 “Souls Grown Deep: African American Vernacular Art of the South - The Arnett Collection,” Emory University 1994 “Purvis Young: Books and Works on Paper,” Janet Fleisher Gallery, Philadelphia, PA “Passionate Visions of the American South: Self-Taught Artists from 1940 to the Present,” New Orleans Museum of Art, New Orleans, LA “Purvis Young”, Galerie Karsten Greve, Paris, France “Purvis Young: Art and Real Life,” Galerie Karsten Greve, Cologne, Germany “Purvis Young Works of Paper (The Books),” Ricco/Maresca Gallery, New York City, NY “Sam Doyle, William Hawkins...

Interesting piece. it is painted on this cardboard that has been laid down onto foamboard for support. bright vibrant colors. signed illegibly.

Alexander Raymond Katz (Hungarian-American, 1895-1974) initialed l.r. "A.R.K." inscribed verso "Prayer Tree", A Raymond Katz." Sight size: 39-3/4"h x 30"w Overall: 40-3/4"h x 30-3/4"w This is done in an Abstract Expressionist style with bold enamel like paint and applied ceramic or glass iridescent mosaic tiles. Alexander Raymond Katz, Hungarian / American (1895 – 1974) Alexander Raymond Katz was born in Kassa, Hungary, and came to the United States in 1909. He studied at the Art Institute of Chicago and the Chicago Academy of Fine Arts. In the late 1920s, he worked as a director of the Poster Department at Paramount Studios. He was appointed the Director of Posters for the Chicago Civic Opera in 1930. A WPA muralist, illustrator and modernist painter especially known for paintings with Jewish themes and narrative American scene works. Many notable Jewish artists worked for the WPA amongst them Ben Shahn, William Gropper, Aaron Bohrod and many more. During the Great Depression, notable architect Frank Lloyd Wright urged Katz to become a muralist. In 1933, he was commissioned to paint a mural for the Century of Progress exposition in Chicago. In 1936, he painted the mural History of the Immigrant for the Madison, Ill., post office. Katz’s works were included in various exhibitions and now are part of several museum collections, including those of the Art Institute of Chicago; Corcoran Gallery of Art, Washington, D.C.; and the Jewish Museum, New York. His murals, bas-reliefs and stained glass designs adorn more than 200 Jewish synagogues in the United States. Katz and other Jewish artists in Chicago who expressed Jewish and Biblical themes were inspired by the artist Abel Pann (1883-1963). Pann, who is regarded as the leading painter of the Land of Israel, exhibited in the Art Institute of Chicago in 1920. Early in his career, Katz began to explore the artistic possibilities inherent in the characters of the Hebrew alphabet. He developed aesthetic and philosophical interpretations of each letter and became the leading innovator and pioneer in the field of Hebraic art. Katz applies this concept in the woodcut Moses and the Burning Bush. Hebrew letters appears in Moses’ head, his cane and inside the flame. The initial of Moses’ name crowns his head. The letter in the flame is the first letter of the name of God. A combination of images and Hebrew letters appeared commonly in illustrations of the scene Moses and the Burning Bush in the Haggadah, the book of Passover. The symbolism of the burning bush corresponds to the motifs of A Gift to Biro-Bidjan. Among the fourteen participating artists were notable Chicago modernists Todros Geller, Mitchell Siporin, A. Raymond Katz, David Bekker...

Collage and Painted mixed media artwork painting. Born 1930 in Chile, Golomb immigrated to Palestine in 1935. He later became a member of the Radius Group and an instructor at the A...

Introducing "Floral Symphony" by renowned artist Koko Hovaguimian, an exquisite oil painting that captures the essence of nature in a truly unique and captivating manner. Part of the...

fantastical landscape

The sunflowers sing Sweet blessings of summer dreams Where the falcon flies Summer Dreams is the companion piece to Song Of The Sunflowers and the two can be hung together as a ...

Soft Ivory, Smoky Creme, Charcoal on Light Blue. Can be presented horizontally or vertically. :: Painting :: Abstract :: This piece comes with an official certificate of authenticit...

White, Tin Foil Grey, with hints of Tin Foil Gold, Brown and Black. Can be presented horizontally or vertically. :: Painting :: Abstract :: This piece comes with an official certifi...

This original, abstract seascape painting is stretched on a 1.5" deep gallery wrap canvas. Only the finest professional quality acrylic paints were used in the creation of this artw...