20th Century More Art

Autograph Letter by Mario Tozzi to the Countess Anna Laetitia Pecci-Blunt. Signed. Rome, March 27th 1934. In Italian. In Perfect conditin, including the original envelope. Completely...

Heinz Gappmayr (1925 Innsbruck - 2010 ibid), Colors, 1993. Linen box with ten aquatint etchings on handmade paper and two text sheets. Published by Dorothea van der Koelen, Mainz. Co...

Picabia La Nuit espagnole - Poster Exhibition is a mixed colored offset print realized in 1986. This print was realized on the occasion of the exhibition dedicated to the artist and...

Artist/Designer; Manufacturer: Richard "Dick" Hay (American, 1942-2020) Marking(s); notes: signed Materials: ceramic Dimensions (H, W, D): 29.5″h. 9.25 dia Additional Information: Pr...

L'Asino, Art Magazine, Year 24, no. 43, 1915 is an original colorful illustrated Italian magazine with a satiric political scene. Published on Sunday 24 October 1915, in 4 pages, do...

This is a Autograph Letter Signed by Fabrizio Clerici to the Countess A.L. Pecci-Blunt. April 4th, 1956. Signed "Fabrizio". One page, single-sided. In Italian. Excellent condition, ...

100% is an original Modern rare book written by Upton Beall Sinclair (Baltimora, 1878 – Bound Brook, 1968) and illustrated by George Grosz (Berlin, 1823 - 1959, Berlin) in 1921. O...

Autograph Card Signed by Pietro Garinei and Sandro Giovannini to their costume designer, Mara De Matteis. Around 1950s. One page, double-sided. In Ital...

Steh auf prolet! is an original modern rare book engraved by George Grosz (Berlin, 1823 - 1959, Berlin) and written by Oskar Kanehl (Berlin, 1888 - Berlin, 1929) in 1922. Original F...

This Correspondance between Max Gubler and Nesto Jacometti, written in 1949, in French, is in excellent conditions and includes 3 items: Autograph Letter S...

Still Life with Vase of Flowers is a print realized by Mario Francesconi in the 1970s. Lithograph on paper. Hand-signed and numbered, edition 33/80 prints. Good conditions. The a...

Brokenbrow is an original modern rare book written by Ernst Toller (Szamocin, 1893 – New York, 1939) and illustrated by George Grosz (Berlin, 1823 - 1959, Berlin) in 1926. Original ...

ARP, Jean. Soleil Recerclé 61 pp. Illustrated with 18 woodcuts plus a signed colour woodcut frontispiece on Rives. 1966. Large folio, 18 1/2 x 14 3/8"( 475 x 380 mm,) loose as iss...

Vintage offset poster realized in occasion of exhibition of graphic works by Giovanni Fattori at Galleria Marino Rome, in the late 1970s. Limited edition of 1000. Very good condition.

Autograph postcard signed by Renato Guttuso to the Countess Pecci-Blunt. On the front, there is a reproduction of a detail of the Leonardo's "Cenaco...

Autograph Letter of Thanks by Renato Guttuso to Libero de Libero. Signed. After 1937. In Italian. In 8. One page, double-sided. On light blue colored paper and on letterhead "Galleria Mediterranea / Palazzo de seta...

Intricate and layered two-part composition by notable collage artist Graham Moody (American, b. 19XX). Two vertical panels are composed primarily of handwritten musical scores and notations, mounted on maps. Layered atop the sheet music art sections of technical illustrations, topographic maps, magazine cutouts, and books. Exhibited: “Two Decades of Collage” - Morris Graves Museum of Art - Eureka, California Each piece is signed and dated "Moody 1990" in the lower right. Titled "From Grief" and "I Cannot Measure" in the lower left of each piece. Each piece measures: 25.75"H x 11"W Graham Moody (American, b.1948) studied art history and political science at Humboldt State University, graduating in 1980. While maintaining a career as an artist, Moody also worked as the Art Program Director for Pelican Bay State Prison, bringing art instruction to incarcerated individuals. Moody lives and works in Eureka, California. Moody’s artwork is held in various collections, including: Hewlett Packard Corporation - Palo Alto, California Fresno Museum of Art - Fresno, California Morris Graves Museum of Art - Eureka, California Boston Edison - Boston, Massachusetts Intertael Books - Amsterdam, Holland Kintetsu - Nara, Japan Sun Bank - Jacksonville, Florida Yokohama Royal Park Hotel - Yokohama, Japan Four Seasons Hotel - Las Vegas, Nevada Ontogeny - Potomac, Maryland Fidelity Investments - Boston, Massachusetts New Saint Andrews College - Moscow, Idaho Ken Houldsworth Financial Planner - Arcata, California Bank of America World Headquarters - San Francisco, California Kaiser Permanente Hyatt Regency Hotel Chicago, Illinois Hyatt Hotel - New York, New York La Playa Beach Resort - Naples, Florida Stanford University Hospital - Palo Alto, California Selected Exhibitions: “Two Decades of Collage” - Morris Graves Museum of Art - Eureka, California “Celebration of the Arts” - Robert Allen Fine Art - San Francisco, California Butters Gallery - Portland, Oregon Art LA - Los Angeles, California The Allrich Gallery - San Francisco, California Theatres d'Ermont - Val d'Oise, France Galerie Kunsthaar - Amsterdam, Nederlands Galerie Yurn - Paris, France Galerie Tagliana - Auvers-sur-Oise, France Humboldt Cultural Center - Eureka, California Group Shows: Humboldt Arts Council - Eureka, California “Collecting Ourselves: Works from the Permanent Collection” - Morris Graves Museum of Art - Eureka, California “Persistence: Collage” - Butters Gallery - Portland, Oregon Exposition 'Alcools' - Galerie L'Autre - Paris, France Exposition 'Ars Longa...

Adventure of Achmet Pacha is a original pochoir artwork realized by H. Grand'aigle, for the script of Claude Farrère in an event in Paris, a French writer, who many of his novels are...

These are Autographs Letter Signed by Nicolas Nabokov to the Countess Anna Laetitia Pecci-Blunt. Paris, June 18th 1962 . On letterhead paper " Nicolas Nabokov , Paris" Rome, February 6th 1963. On letterhead paper " American Academy in Rome". In French. One page, sigle-sided. Excellent condition: As good as New. With original envelope included. The Russian-born composer never forgot to write to his mentor and patron of art A.L. Pecci Blunt, with each kind of request, mainly asking to meet her. Collect or present this unique pieces of the Russian master, as if it was a holy relic! Background: During the Fifties, Nicolas Nabokov became General Secretaryof the newly formed Congress for Cultural Freedom (CCF), backed by the CIA, and remained in the job for more than fifteen years, organizing music and cultural festivals, and was musical director of the American Academy in Rome (Villino Aurelia, Porta S. Pancrazio). Nicolas Nabokov (Russia 1903 –1978) The Russian-born composer and cultural figure, was the first cousin of the talented writer of "Speaks Memory", Vladimir Nabokov...

Letter written by the painter Antoni Clavè (1913-2005). Wooden frame with picture of the artist added. Paper 27 x 19 cm. Good conditions.

"Grindelwa" Small Collage by Michael Pauker Small abstract paper collage by Bay Area artist Michael Pauker (American, b. 1957). This piece is created from a few pieces of antique pa...

Picasso. 60 ans de gravures is a complete catalog of Pablo Picasso's 409 etchings, lithographs, wood engravings, engravings on linoleum, and posters. On the cover, an original color...

This is a Apology Letter by Giuliano Balbino to the Countess Pecci-Blunt. Rome, June 11, 1938 (from the stamps). One page, double-sided, on letterhead paper "Senato del Regno". On l...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 5.75 X 19.5 Dated August 5, 1954 in top right corner. Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant. King launched the strip in both daily and Sunday form in 1945. Daily, she was only in a panel at first, but it expanded into a full, multi-panel strip on February 7, 1953. In a very odd turn of events, in 1953 the Walters chose to leave King Features behind and hitch their wagon at the McNaught Syndicate. The creators were Harold "Jerry" Walter and his wife, Linda. Jerry was also responsible for Jellybean Jones, who has nothing to do with Jughead Jones's young sister, a modern-day addition to the Archie cast of characters. Together, they did The Lively Ones during the 1960s. Though each was capable of doing both major jobs in comic strip production, their usual working method was for Jerry to dream up the ideas and write the dialog, while Linda did the artwork. The Walters also collaborated on a series of Susie Q. Smith comic books for Dell Comics. Instead of reprinting newspaper strips, these ran new stories by the Walters. Between 1951 and '54, four issues were published as part of the Four Color Comics series, where many minor comic strips, including Dotty Dripple, Timmy and Rusty Riley had found a home. It had no other media spin-offs. Susie Q. Smith had a respectable run in the newspapers, but it ended in 1959. Jerry Walter (1915 - 2007) was an abstract expressionist artist whose output of energetic and colorful paintings were the products of the rich artistic milieu of post-war New York City. He was born Harold Frank Walter in Mount Pleasant, Iowa on November 25, 1915. After graduating from Colgate University in 1937, Walter moved to New York City, where he studied drawing and painting at the New School and the Art Students’ League. Before concentrating seriously on his art, he spent several years as a successful copywriter and idea man for the advertising agencies of J. Walter Thompson, McCann Ericson, and BBDO. During this time, he also worked as a syndicated cartoonist. Collaborating with his wife, Linda, his best-known series was Susie Q. Smith, which first appeared in 1945 and described as a “female Archie type.” Very popular, the cartoon was later the subject of a series of comic books published from 1951 to 1954. After serving in the United States Army for three years during World War II, Walter began to paint seriously. He ascribed his earliest artistic influence to Joan Miró, whose Dog Barking at the Moon (1926) he viewed when he was twelve, the year he published his first cartoon. Walter later wrote that jazz, “the first native expression of so-called modernism” was a strong influence on his work. During the later 1940s, Walters spent time at the Research Studio in Maitland, Florida. Founded in 1937 by artist and architect J. André Smith and supported by the philanthropist Mary Curtis Bok, the Research Studio was a lively colony that hosted prominent artists, including Milton Avery, Ralston Crawford, and Doris Lee. While at the Studio, Walter’s work was purchased by Frank Crowninshield. A founding trustee of the Museum of Modern Art and editor of Vanity Fair, Crowinshield was a noted collector; his collection included important works by Pablo Picasso, Marc Chagall, Henri Matisse, Edgar Degas, George Bellows, and Pierre Bonnard. Returning to New York after his time at the Studio, Walter became an active member of the New York school of the abstract expressionist movement, and in the summer of 1956, Walter exhibited 13 paintings and a selection of drawings at New York’s Chase Gallery. The adroit manipulation of both color and composition evident in his work shows the influence of Abstract Expressionism, particularly Willem de Kooning, Arshile Gorky, and Hans Hofmann. illustrator and female cartoonist Linda Walter was the talented female mind behind the beloved "Susie Q. Smith" comic strip. She played an instrumental role in shaping the cultural landscape through her vibrant illustrations. Known for the timeless charm of the "Susie Q. Smith" comic strip, Linda's artistry brought joy and laughter to countless readers during the 1950s and continues to resonate with fans across generations. She was part of the Woodstock artists community. from Women in Comics: Linda Walter was the artist of newspaper strip Susie Q. Smith, which was written by her husband, Jerry. It was syndicated by King Features Syndicate and ran from 1945 to 1959. The Walters also contributed original Susie Q. Smith stories to Dell's Four Color comic books from 1951 to 1954. From 1964-1965, they created a singled panel comic called The Lively Ones. Vintage Golden Age of Comics era. The Golden Age of Comic Books describes an era in the history of American comic books from 1938 to 1956. During this time, modern comic books were first published and rapidly increased in popularity. The superhero archetype was created. Between 1939 and 1941 Detective Comics (DC) and its sister company, All-American Publications, introduced popular superheroes such as Batman and Robin, Wonder Woman, the Flash, Green Lantern, Doctor Fate, the Atom, Hawkman, Green Arrow and Aquaman. Timely Comics, the 1940s predecessor of Marvel Comics, had million-selling titles featuring the Human Torch, the Sub-Mariner, and Captain America. Another notable series was The Spirit by Will Eisner. Dell Comics' non-superhero characters (particularly the licensed Walt Disney animated-character comics) outsold the superhero comics of the day. The publisher featured licensed movie and literary characters such as Mickey Mouse, Donald Duck, Roy Rogers and Tarzan. Additionally, MLJ's introduction of Archie Andrews in Pep Comics #22 (December 1941) gave rise to teen humor comics, with the Archie Comics...

Edition of 30 copies including one coloured linocuts and 29 b/n linocuts realized by Mino Maccari from 1924 to 1931. Double sheets Japanese style. Probably the only copy with each s...

This set is composed of Two Autographs Signed by Virgilio Guzzi, addressed to Silvio Perina, the director of the C.I.M, Roman warehouses, during the Fifties. Excellent condition, pe...

These are Autographs by the legendary bullfighters Antonio Ordoñez, Manolo Vazquez (Sevilla, 1930-2005) and Juan José Rueda, with autograph notes by A. Ordoñez (Ronda, 1932 - Siviglia, 1998). Around 1960. A card addressed to the Countess Anna Laetitia Pecci Blunt. In spanish. Original envelope included. Short sentence of greetings with the ending hope to see the Countess agains. "Millones de Gracias, esperamos poder corresponder en España". Countess Anna Laetitia Pecci - Blunt (Rome, 1885 - Marlia, 1971) Best-known as "Mimì" Pecci-Blunt , the Italian noblewoman was an art collector, patron and nephew of Pope Leo XIII. Extremely volcanic, she was very active in the cultural field, opening numerous lounges, galleries and theaters. In 1919 she married Cecil Blumenthal, later changed to Blunt, a wealthy Jewish banker from New York, heir to an important collection of nineteenth-century French painting. His Parisian and Roman salons was frequented by artists and intellectuals of the caliber of Salvador Dalì, Paul Valery, Poulenc, Paul Claudel...

Der Tod is an original modern rare book written by Anna Flora Barbara Croissant-Rust (Dürkheim, 1860 - Munich, 1943) and illustrated by Willi Geiger (Lan...

Fear NOT framed Neo Cubism About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk from New York City to paint seascapes, catch fish, sing of Nature's beauty, put down roots, and, later, develop a style of painting all his own. The Boston native moved to New York after attending the School of Practical Art on the G.I. Bill, where he began his career in the art department of Lever Brothers. But he had bigger dreams, and soon established the Bonart Studio, a commercial art business. RCA Records, the Ideal and Transogram toy companies, and the Schrafft’s candy and chocolate company were among the studio’s clients. The business a success, he began to take vacations. He liked Montauk so much that he built a house in Hither Hills...

This lot is composed of 2 items, 1960's by Gina Lollobrigida to Maria De Matteis: a Typewritten Letter Signed by Gina Lollobrigida to Maria De Matteis. Rome...

Destiny is an original modern rare book including original woodcut prints by Otto Nückel (Cologne, 1888 – Cologne, 1955). Published by Farrar & Rinehart, New York, 1930. Original ...

The paintings of Ezio Sclavi is a vintage Catalogue issued by Galleria della Cometa for the painter's third year of exposure at the Galleria della Cometa in Rome. 4 pages, black an...

Letter from Louis Marcoussis to Countess Pecci Blunt is an original manuscript. The letter is addressed to Countess Pecci Blunt and it's written from Hotel Minerva, Florence Marco...

Vintage Jewish marriage contract, Most likely printed in the USA or Germany. Used in Pittsburgh, Pennsylvania, hand dated 1921. A rare early American judaic piece. Printed in gold an...

Happy Easter Card by Gianni Granzotto, to the Countess Anna Laetitia Pecci-Blunt. Bologna, Easter, 1937. In Italian. One page, single-sided. With wishing autograph notes by a great...

Capogrossi is the anastatic reprint edited by Edizioni del Cavallino in 1950, on the occasion of Capogrossi's first exhibition at the Galleria della Cometa in Rome. From the private collection of the Countess Anna Laetitia Pecci-Blunt. With an affectionate handwritten dedication to the Countess from the artist himself, dated 18 January 1953 and signed "Capogrossi". Introduction by Corrado Cagli (1910-1976). In-8º, text in Italian. pp. 7 + 7 b/w full-page ill., cm 24 x 0,3 x 18,5, 1950s. Reprint of the previous edition by De Luca Editor. Low-cut biding and visible signs of aging on the paper. Giuseppe Capogrossi (1900 - 1972) was a famous Italian painter, especially known for the foundation of the so-called Scuola Romana ("Roman School"), together with Corrado Cagli and Emanuele Cavalli...

This is the original invitation card for the Cagli's solo-exhibition "Il Disegno Moderno" hold at Studio A gallery in Rome, via del Babuino n.76 and in...

A great New york City street scene in a modernist realist style. done in the the great depression period. Mat is 17.5x14, sheet measures 13x10 image is 10x4.75 Joseph Solman (Janua...

This is the Business Card "M.r & M.me Paul Valéry ", with autograph notes in French. to the Countess Anna Laetitia Pecci Blunt. Original envelope included...

Original title: Vieille Marine en douze images de Guy Arnoux présentées à la lanterne magique par Claude Farrère. Specimen number 51 of 500 numbered ...

Art of this century. Objects - Drawings - Photographs - Paintings - Sculpture - Collages. 1910 to 1942. Edited by Peggy Guggenheim, New York 1942. Edition of 2500 copies. Edition: ...

A Autograph Letter Signed by Mino Maccari accompanied by beautiful reproduced portrait (cm 14 x 11) of the Italian satiric illustrator and journalist, during his last years. This com...

Original Title: Picasso. Collection Bergengren, Lund. Arrangeret af Kunstforeningen i København på Frederiksberg Rådhus. Catalogue of Pablo Picasso's collection exhibited at the Malmö Museum from 28 September to 11 October 1957. In-8º, text in French and Danish, pp. 80 + 37 b/w illustrations, 1957. On the cover a reproduction of the color etching Woman...

Lithograph on paper with cut-out (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-199...

Greeting card with a nice drawing to wish a Merry Christmas (1959). Anna Salvatore (1923-1978) was a populäre Italian painter and novelist.

Autograph Happy Easter Card by Miguel Angel Ibartz to Silvio Perina. Barcelona, March 25th 1959. In Italian. Perfectly readable, excellent condition. Signed by Miguel and Maria Glo...

Le Thé du Capitaine is an original modern rare book engraved by Natalia Gontcharova (1881 – 1962) and written by Joseph Kessel (1898 – 1979) in 1926. Published by Au sans pareil, ...

Autograph Letter Signed by Artuto Tosi to Libero de Libero. Rovetta, October 20th 1937. In Italian. In 8°. On ivory colored paper. In Very good condition, except minor aging signs. Completely readable. With an upset and fluid calligraphy, the Italian artist writes this greeting letter with some logistic details for an exhibition. "Mai dire di no alle persone gentili come la contessa (...)". ( Never say no to the gentle people like the Countess) Arturo Tosi...

Vintage Catalogue of Galleria della Cometa Rome is a vintage Offset leaflet realized by Giovanni D'Aroma in 1938. Good condition on a yellowed paper, for an exhibition of Giovanni D...

Bao Xiang is a beautiful artistic calligraphy in China ink on Xuan paper realized by a Chinese artist commonly called Ya Chun in the early 1900. The signature of the artist appears ...

Guan Zi Zai is a beautiful artistic calligraphy in China ink on Xuan paper realized by the Chinese artist Sheng Zuoshan in March 1920. The signature of the artist appears on the low...

Suite Montagnarde is an original modern rare book illustrated by Raoul Dufy (Le Havre, 1877 – Forcalquier, 1953) with original woodcuts and written by Pierre Courthion (1902-1988).. ...

L'Asino, Art Magazine, Year 14, no. 51, 1915is an original colorful illustrated Italian magazine with a satiric political scene. Published on Sunday 19 Dicember 1915, in 4 pages, do...

Edition of 180 specimens including 20 original etchings by Étienne Drian. One of 100 copies on Vélin d'Arches. Copy in perfect conditions, partially uncut. Includes hard jacket and ...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 6.5 X 19.5 Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant. King launched the strip in both daily and Sunday form in 1945. Daily, she was only in a panel at first, but it expanded into a full, multi-panel strip on February 7, 1953. In a very odd turn of events, in 1953 the Walters chose to leave King Features behind and hitch their wagon at the McNaught Syndicate. The creators were Harold "Jerry" Walter and his wife, Linda. Jerry was also responsible for Jellybean Jones, who has nothing to do with Jughead Jones's young sister, a modern-day addition to the Archie cast of characters. Together, they did The Lively Ones during the 1960s. Though each was capable of doing both major jobs in comic strip production, their usual working method was for Jerry to dream up the ideas and write the dialog, while Linda did the artwork. The Walters also collaborated on a series of Susie Q. Smith comic books for Dell Comics. Instead of reprinting newspaper strips, these ran new stories by the Walters. Between 1951 and '54, four issues were published as part of the Four Color Comics series, where many minor comic strips, including Dotty Dripple, Timmy and Rusty Riley had found a home. It had no other media spin-offs. Susie Q. Smith had a respectable run in the newspapers, but it ended in 1959. Jerry Walter (1915 - 2007) was an abstract expressionist artist whose output of energetic and colorful paintings were the products of the rich artistic milieu of post-war New York City. He was born Harold Frank Walter in Mount Pleasant, Iowa on November 25, 1915. After graduating from Colgate University in 1937, Walter moved to New York City, where he studied drawing and painting at the New School and the Art Students’ League. Before concentrating seriously on his art, he spent several years as a successful copywriter and idea man for the advertising agencies of J. Walter Thompson, McCann Ericson, and BBDO. During this time, he also worked as a syndicated cartoonist. Collaborating with his wife, Linda, his best-known series was Susie Q. Smith, which first appeared in 1945 and described as a “female Archie type.” Very popular, the cartoon was later the subject of a series of comic books published from 1951 to 1954. After serving in the United States Army for three years during World War II, Walter began to paint seriously. He ascribed his earliest artistic influence to Joan Miró, whose Dog Barking at the Moon (1926) he viewed when he was twelve, the year he published his first cartoon. Walter later wrote that jazz, “the first native expression of so-called modernism” was a strong influence on his work. During the later 1940s, Walters spent time at the Research Studio in Maitland, Florida. Founded in 1937 by artist and architect J. André Smith and supported by the philanthropist Mary Curtis Bok, the Research Studio was a lively colony that hosted prominent artists, including Milton Avery, Ralston Crawford, and Doris Lee. While at the Studio, Walter’s work was purchased by Frank Crowninshield. A founding trustee of the Museum of Modern Art and editor of Vanity Fair, Crowinshield was a noted collector; his collection included important works by Pablo Picasso, Marc Chagall, Henri Matisse, Edgar Degas, George Bellows, and Pierre Bonnard. Returning to New York after his time at the Studio, Walter became an active member of the New York school of the abstract expressionist movement, and in the summer of 1956, Walter exhibited 13 paintings and a selection of drawings at New York’s Chase Gallery. The adroit manipulation of both color and composition evident in his work shows the influence of Abstract Expressionism, particularly Willem de Kooning, Arshile Gorky, and Hans Hofmann. illustrator and female cartoonist Linda Walter was the talented female mind behind the beloved "Susie Q. Smith" comic strip. She played an instrumental role in shaping the cultural landscape through her vibrant illustrations. Known for the timeless charm of the "Susie Q. Smith" comic strip, Linda's artistry brought joy and laughter to countless readers during the 1950s and continues to resonate with fans across generations. She was part of the Woodstock artists community. from Women in Comics: Linda Walter was the artist of newspaper strip Susie Q. Smith, which was written by her husband, Jerry. It was syndicated by King Features Syndicate and ran from 1945 to 1959. The Walters also contributed original Susie Q. Smith stories to Dell's Four Color comic books from 1951 to 1954. From 1964-1965, they created a singled panel comic called The Lively Ones. Vintage Golden Age of Comics era. The Golden Age of Comic Books describes an era in the history of American comic books from 1938 to 1956. During this time, modern comic books were first published and rapidly increased in popularity. The superhero archetype was created. Between 1939 and 1941 Detective Comics (DC) and its sister company, All-American Publications, introduced popular superheroes such as Batman and Robin, Wonder Woman, the Flash, Green Lantern, Doctor Fate, the Atom, Hawkman, Green Arrow and Aquaman. Timely Comics, the 1940s predecessor of Marvel Comics, had million-selling titles featuring the Human Torch, the Sub-Mariner, and Captain America. Another notable series was The Spirit by Will Eisner. Dell Comics' non-superhero characters (particularly the licensed Walt Disney animated-character comics) outsold the superhero comics of the day. The publisher featured licensed movie and literary characters such as Mickey Mouse, Donald Duck, Roy Rogers and Tarzan. Additionally, MLJ's introduction of Archie Andrews in Pep Comics #22 (December 1941) gave rise to teen humor comics, with the Archie Comics...

These are Autographs Letter Signed by Nicolas Nabokov to the Countess Anna Laetitia Pecci-Blunt. Paris, June 18th 1962 . On letterhead paper " Nicolas Nabokov , Paris" Rome, February 6th 1963. On letterhead paper " American Academy in Rome". In French. One page, sigle-sided. Excellent condition: As good as New. With original envelope included. The Russian-born composer never forgot to write to his mentor and patron of art A.L. Pecci Blunt, with each kind of request, mainly asking to meet her. Background: During the Fifties, Nicolas Nabokov became General Secretaryof the newly formed Congress for Cultural Freedom (CCF), backed by the CIA, and remained in the job for more than fifteen years, organizing music and cultural festivals, and was musical director of the American Academy in Rome (Villino Aurelia, Porta S. Pancrazio). Nicolas Nabokov (Russia 1903 –1978) The Russian-born composer and cultural figure, was the first cousin of the talented writer of "Speaks Memory", Vladimir Nabokov...

Twentieth Century Untitled Abstract Limited Edition Stone Lithograph Joan Miro Originally in a catalogue and consequently there is slight evidence of a fold in the centre. We have h...

A lavish French Aubbusson style jacquard tapestry depicting an exciting Renaissance era hunting scene. The scene is set in a dense forest of blue, g...