Enrique Sebastian Carbajal

Enrique "Sebastian" Carbajal Modernism Bronze Sculpture

Circa 1990

Amalia Schulthess (American, 20th c.) Vintage 1960's Bronze with Silver Patina on Walnut Panel Sculpture dimensions 7.5" wide x 10.25" high Walnut base dimensions 9.25" wide x 15....

Fabulous copper metal Curtis Jere wall sculpture signed and dated either 1983. Measures approximately 51 inches long by 18. C Jere...

Alessio Tasca Large Scale Geometric Lucite Sculpture C.1970 6.75" square x 34.75" high Signed at the base The lucite shows a minor chip at the back of the extreme bottom edge (ple...

Vasa Velizar Mihich Mid Century Laminated Cast Acrylic Block c.1970s Vintage 1970s Acrylic Block Every Angle Reveals A Different Optic Dimensions 2...

J.B. Thompson "Photon" Mixed Media Etching w/ Copper and Aquatint Limited Edition J.B. Thompson (American, 1932-1984) Fantastic pencil signed and numbered mixed media etching with ...

Ron Pokrasso (Santa Fe, 20th century) "A Relationship Between Trees #2" triptych monotype, circa 1988 Beautiful trio of monotypes by noted Santa Fe artist, printmaker and teacher Ro...

Chic undulating 'Méandre' side chairs by Design Frères. Hand applied gilt bronze patina over steel frame. Natural linen upholstered cushion. Ins...

Winner of Interior Design Magazine's 2020 BEST OF YEAR award - the Gil Melott bespoke Luz SC form 19 bronze and alabaster sconce serves not just ...

The concept is based on the essence of the material itself, with a clean and brutalist style: straight lines, geometric shapes, fewer ornaments, less noise and more naturalness. The ...

Handcrafted and made to order, the Counterbalance commands attention with its fluid architectural silhouette, built from a thoughtfully curated palette of on-trend colors and metal f...

Three urns, two trays, one gourd. Turned solid cedar wood; maque and lacquer carving; silver leaf; oil painting. Commemoration, ceremony, and veneration of the ancestral are acts...

A modernist tall abstract green marble sculpture mounted on a white marble base by Miklos Sebek.

1174 Japanese hand cast bronze hairy rabbit garden sculpture.

A fine Mid-Century Japanese bronze sculpture. Entitled "Summer". By Gozo Kawamura (1886 - 1950). Kawamura had a celebrated career in the U.S., E...

Artist sculptor Enrique Sebastián Carbajal clear block color wrap Modernist sculpture. Measures: 5.25. 5.25 x 8 tall Preowned vintage original condition. Refer to images.  

Postmodern Sculpture by Sebastian aka Enrique Carbajal González from Mexico. Abstract Sculpture is signed and numbered SEBASTIAN 2003 160/750....

Sculptures 'Wandobjekt' by Carola Eggeling Abstract sculpture with beautiful curved lines. Set of 3 German aluminum and bronze sculptures Finishes: - Aluminum white lacquered - Al...

A fine large modernist abstract sculpture by American artist Alexander Stoller (1902-1994). Stoller first became interested in sculpture as a child, and left school in order to work ...

This stunning Mid Century Modern welded bronze sculpture was realized by the esteemed 20th Century artist Tony Rosenthal circa 1965. Signed and dated by the artist (and with an inclu...

IBRAM LASSAW (Russian-American, 1913-2003), Sculptural pendant Gold plated bronze Signed verso Measurements: 2-7/8''h, 2-1/4''w. Ibram Lassaw was born in Alexandria, Egypt, of Russian Jewish émigré parents. After briefly living in Marseille, France, Naples, Italy Tunis, Malta, and Constantinople, Turkey his family settled in Brooklyn, New York, in 1921.His family settled in Brooklyn, New York. He became a US citizen in 1928. Ibram Lassaw, one of America's first abstract sculptors, was best known for his open-space welded sculptures of bronze, silver, copper and steel. Drawing from Surrealism, Constructivism, and Cubism, Lassaw pioneered an innovative welding technique that allowed him to create dynamic, intricate, and expressive works in three dimensions. As a result, he was a key force in shaping New York School sculpture.He first studied sculpture in 1926 at the Clay Club and later at the Beaux-Arts Institute of Design in New York. He made abstract paintings and drawings influenced by Kandinsky, Sophie Taeuber Arp, and other artists. He also attended the City College of New York. Lassaw’s encounter with avant-garde art in the International Exhibition of Modern Art (1926), organized by the Société Anonyme at the Brooklyn Museum, made a powerful impression on him. In the early 1930s he explored new materials and notions of open-space sculpture. The ideas of László Moholy-Nagy and Buckminster Fuller were important to him, and he knew the work of Julio González, Pablo Picasso, and the Russian Constructivists. After experimenting with plaster, rubber and wire, Lassaw began working with steel, which became a frequent medium for the artist, along with other metals. His work reflects the influence of Surrealist artists such as Alberto Giacometti and Joan Miro as well as American Modernist Alexander Calder.A pioneer of abstract sculpture in the United States, in 1936 Lassaw was a founding member of the organization American Abstract Artists. Between 1933 and 1942 he worked for various federal arts projects: the Public Works of Art Project, Civil Works Authority, and WPA, the Works Progress Administration Federal Art Project. In 1938 he produced his first welded work. He served with the U.S. Army, where he learned direct welding techniques. During the 1940s he experimented with cage constructions and with acrylic plastics, adding color to his sculptures by applying dye directly to their surfaces. In 1949 Lassaw was a founder of the Club, an informal discussion group of avant-garde artists that had developed from gatherings at his studio, on Eighth Street. During the mid-1930s, Lassaw worked briefly for the Public Works of Art Project cleaning sculptural monuments around New York City. He subsequently joined the WPA as a teacher and sculptor until he was drafted into the army in 1942. Lassaw's contribution to the advancement of sculptural abstraction went beyond mere formal innovation; his promotion of modernist styles during the 1930s did much to insure the growth of abstract art in the United States. He was one of the founding members of the American Abstract Artists group, and served as president of the American Abstract Artists organization from 1946 to 1949. In 1951, Samuel Kootz invited Lassaw to join his gallery in New York. He also had a summer gallery in Provincetown, MA. Lassaw had been summering in Provincetown since 1944, and in 1951 rented an apartment next door to the Kootz Gallery. Among the artists in the Kootz Gallery were Jean Arp, William Baziotes, Georges Braque, Jean Dubuffet, Herbert Ferber, Arshile Gorky, Adolph Gottlieb, David Hare, Hans Hofmann, Fernand Leger, Georges Mathieu, Joan Miró, Robert Motherwell, Pablo Picasso, Pierre Soulages, and Maurice de Vlaminck. Lassaw is a sculptor who was a part of the New York School of Abstract expressionism during the 1940s and 1950s. Jackson Pollock, Lee Krasner, James Brooks, Willem de Kooning, and several other artists like Lassaw spent summers on the Southern Shore of Long Island. Lassaw spent summers on Long Island from 1955 until he moved there permanently in 1963. SELECT EXHIBITIONS 1961 International Exhibition of Modern Jewelry 1890–1961, organized by the Worshipful Company of Goldsmiths in association with the Victoria and Albert Museum, London 1967 Exhibition of Jewelry by Painters and Sculptors, organized for circulation by MoMA 1973 Jewelry...

Pointer - 02, John Van Alstine.

The modern Sculpture " Lookout” is a unique piece made from a burnout mold by David Marshall in 2021, sand cast in aluminium in our foundry, handcrafted by the Artist in his worksho...