Late 20th Century More Art

Prokash Karmakar Untitled Acrylic on Paper 28 x 20 inches 71.1 x 50.8 cm 1990 ( Framed & Delivered ) Karmakar is best known for his landscapes and nudes, which are generally pain...

This is a Autograph Greeting Letter Signed by Elie Gagnebin (Liège, 1891- Zurich, 1949) to the Countess and Patron of Arts, Anna Laetitia Pecci-Blunt, best-known as Mimi. Lausanne, ...

Italian 18 carat Yellow Gold Dog Pendant. Mid 20th century. Circa 1960-1970. Height 2,9cm Large 1.7cm In good condition. Italian Hallmarks for 18 carat/ 750 gold. Weight 1.20 gr. Set...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Mill cottage with horse and figure stencil on green slag glass. No known maker. Dragon stencil. Condition is excellent. Circa 1975. Soldered lead frame with double hanger. Provenanc...

Bill Graham revisited his old Bronx neighborhood in August, 1986 and, appalled to see that the drug culture had effectively wiped out the local culture, f...

Ex Libris Arija Neimane is an original Contemporary Artwork realized in Germany in 1983. Original Ex Libris. Hand-signed and dated by the artist on the lower right corner in pencil....

Using simple methods and ephemeral forms, Felix Gonzalez-Torres explored the complex social and political issues surrounding community, identity, loss, ...

Arcangeloc-cNunzioc-Pizzi Cannellai is a vintage poster printed in offset. The artwork was realized on the occasion of the artist's exhibition In Di Meo Gallery in Paris. Good cond...

The Bride is an original lithograph realized by Gabrijel Stupika in the late 20th Century. Mixed colored lithograph. Good Conditions. Gabrijel Stupika: Yugoslavian painter (Drazgose 1913-1990). He trained in the popular tradition, to the point of becoming one of the most notable representatives, with Pregely, Hededusič and V. Velickovič, of the neo-figurative current of Yugoslav painting...

Enjoying is an original collage artwork applied on the cardboard realized by Sergio Barletta in 1975. Hand-signed on the lower center and dated. The state of preservation is very go...

KG Subramanyan Untitled (Goat), Water colour on Paper 6 x 8 inches 15.2 x 20.3 cm 1999 Inclusive of shipment without frame. Style : K G Subramanyan was one of the leading artists...

This Postcard Signed by Andreina Pagnani is (C.P.S. s.l.n.d.) a greeting postcard from the National Museum of Carriage in Lisbon, to the Countess Anna Laetitia Pecci Blunt. Around ...

Edition of 50 copies. Copy number 41, signed by the author. Collection of etchings, each of them numbered and hand signed by the artist. Includes introduction in french by Alain Jou...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Stratis, Harriet K and Martha Tedeschi (editors). The Lithographs of JAMES MCNEILL WHISTLER. Volume I: A Catalogue Raisonné. Volume II: Correspondence and Technical Studies. Contrib...

Vintage In the center of Mumbai city is an unorganised labyrinthine bazaar of streets trading in commodities right from gold and silver to utensils to costume jewellery, the list i...

Fisherman Watercolor Comes Framed (see photo) About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk fr...

Vintage offset poster realized in occasion of exhibition of graphic works by Giovanni Fattori at Galleria Marino Rome, in the late 1970s. Limited edition of 1000. Very good condition.

These photos convey a really happy period for them and for me. It all comes down to music, they were without a doubt the greatest band of the 20th century, and that's why these photo...

Jean-Michel Basquiat, Annina Nosei Gallery, New York, 1982-1988: A set of 2 rare vintage original Basquiat announcement cards from 1982 & 1988, respectively published on the occasion(s) of: - ‘Basquiat Anatomy’ 1982 (a suite of 18 screen prints). - Jean-Michel Basquiat December 3, 1988. Medium: 2 off-set printed gallery announcements. Dimensions: 4 x 6 inches & 6 x 8 inches 9 (anatomy). Each in good to very good overall vintage condition. Published by Annina Nosei Gallery, New York, 1982-1988. Each unsigned from an edition of unknown. Scarce. Jean-Michel Basquiat’s dramatic life and iconic paintings—which variously feature obsessive scribbling, enigmatic symbols and diagrams, and iconography including skulls...

Debbie Harry French Kissin, 1986 Vinyl, LP, 45RPM Geffen Records 0-20575 Cover art designed by Andy Warhol and Stephen Sprouse Andy Warhol Album Cover...

Yvaral (Jean-Pierre Vasarely) Lithograph - 1978 Signed by the artist in pencil Numbered in pencil by the artist XXII/C Annotated in pencil 77 x 77 cms 890 euros

Fear NOT framed Neo Cubism About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk from New York City to paint seascapes, catch fish, sing of Nature's beauty, put down roots, and, later, develop a style of painting all his own. The Boston native moved to New York after attending the School of Practical Art on the G.I. Bill, where he began his career in the art department of Lever Brothers. But he had bigger dreams, and soon established the Bonart Studio, a commercial art business. RCA Records, the Ideal and Transogram toy companies, and the Schrafft’s candy and chocolate company were among the studio’s clients. The business a success, he began to take vacations. He liked Montauk so much that he built a house in Hither Hills...

MEDIUM: ​Original Production Cel on Hand Painted Background IMAGE SIZE: 13" x 10" PRODUCTION: Disney Educational Film, Circa 1980s SKU: CCV2927 ABOUT THE IMAGE: This is a production cel from a Disney Educational Cartoon. In the 1980s, Disney's educational film division created animated short subject films to teach on a variety of topics including historical and safety. They would frequently use the characters from the Hundred Acre Wood...

Paris Review 1982 Signed and numbered in pencil, recto Lithograph (Edition of 200) 30 x 35 inches This work is offered by ClampArt in New York City.

Overboard... 1994. Paper, ink. 17x25 cm Illustrated in the magazine "School and Family" in 1994.

Paritosh Sen - Untitled 22 x 15 inches (unframed size), 1995 Mixed Media Paper Pasted on Board ( Unframed & Delivered ) A stunning work in colors on "red ,Blue Gold in Acrylic on Bo...

School 1994, paper, ink, 15,2x19 cm Illustrated in the magazine "School and Family" in 1994.

Hand written postcard by Loretta Young realized in the 1970s. Good conditions.

"1940 - Number Nine" is an original mixed media on board by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes colo...

MEDIUM: Limited Edition Hand-Painted Cel SIZE: 16.5" x 13.5" EDITION SIZE: 50 SKU: CC1189 ABOUT THE IMAGE: Although the famous Warner Bros. bullseye is recognized as an icon around the world, without characters it feels empty. Yet, when a Looney Tunes character is added to the bullseye's center, its meaning becomes indelible as it signifies an animated creation unsurpassed by any other of its genre. Once one sees Bugs Bunny, Daffy Duck, Road Runner, Tweety and Marvin Martian...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

This work is offered by ClampArt in New York City.

Etching 1985 Hand signed, numbered and dated Edition: 50 In great condition

Endangered Paradise Sebastião Salgado on the traces of the indigenous peoples of the Amazon rainforest Sebastião Salgado traveled the Brazilian Amazon and photographed the unparalleled beauty of this extraordinary region for six years: the forest, the rivers, the mountains, the people who live there—an irreplaceable treasure of humanity. In the book’s foreword Salgado writes: “For me, it is the last frontier, a mysterious universe of its own, where the immense power of nature can be felt as nowhere else on earth. Here is a forest stretching to infinity that contains one-tenth of all living plant and animal species, the world’s largest single natural laboratory.” This connection to nature is echoed in Renzo Piano...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Vintage offset poster realized in occasion of exhibition of graphic works by Giovanni Fattori at Galleria Marino Rome, in the late 1970s. Limited edition of 1000. Very good condition.

Harding Black San Antonio (1912 - 2004) Huge Heavy Crackle Vase 1985 Height 14'' Across Widest 8" Biography Harding Black San Antonio (1912 - 2004) Harding Black was born on a farm in Nueces County between Ingleside and Aransas Pass and moved with his family to San Antonio in 1916. There he graduated from Brackenridge High School and attended San Antonio Junior College (1929-30). In 1931 Black joined an archaeological expedition to the Big Bend area sponsored by the Witte Memorial Museum. Initially a painter, he was taught by Rudolph Staffel in 1933 to make wheel- thrown pottery and in the same year began to teach children's ceramic classes at the Witte. Between 1937 and 1939, Black directed ceramic installation in a San Antonio reconstruction project sponsored by the National Youth Administration and the Works Progress Administration art program. In 1955 he retired from teaching and devoted his time to ceramics. Black became a well-known ceramist from his research, innovations, and writings in the field. Exhibitions: San Antonio Local Artists Annual Exhibition (1939-42, 1945, 1947); Texas General Exhibition (1940 award, 1942, 1948 honorable mention); National Ceramic Annual Exhibition, Syracuse Museum of Art (1947-54); River Art Group, San Antonio (1948-49); National Collection of Fine Arts, Washington D.C. (1951, 1956); Dallas Museum of Fine Arts (1952 one-man); Martin Museum of Art, Baylor University (1991 one-man); San Antonio Museum of Art (1995 retrospective); National Museum of Art, Washington, D.C. (1995); University of Texas at Dallas, Irving (1998 retrospective). Collections: Dallas Museum of Art; Museum of Fine Arts, Houston; San Angelo Museum of Fine Arts; San Antonio Museum of Art; Martin Museum of Art, Baylor University, Waco; National Museum of American Art, Washington D.C.; New Orleans Museum of Art; Everson Museum of Art, Syracuse, new York; Alfred University (New York). Harding Black resided in San Antonio Texas where he worked as a potter for over 60 years and far as anyone knows he was completely self taught. I find it amazing that anyone could ever accomplish what he did with with no formal training in either ceramics or chemistry. It was a long and prolific journey from the early hand built earthenware pottery to become recognized as a master of glazes. While I feel that his forms often could be better this is more than compensated for by the spectacular glazes he developed. Constant experimentation and his acquired knowledge of chemistry were the foundations for the wonderful glazes that adorn his pottery. The following quote is from an interview with Rudolf Staffel His copper reds are unbelievably beautiful. Harding was a master of glazes and one of the most generous human beings in the ceramic field that I've known. He had literally a room full of beautifully organized test tiles of all his glazes, and he would just throw the room open to anybody who wanted to rummage through his tiles. All the recipes were there and he shared them with anyone who was interested. It was wonderful to go and visit him. Although accurate records of all test firings were kept for reference it I have been told that it would be difficult to reproduce many of these glazes because of the kiln he built and clays he used. This may not be the case because in a recent phone conversation (4/11/2007) with Peter Pinnell he told me that some of his students had success replicating some glazes using Harding's formulas By concentrating on the bowl and vessel forms Harding remained true to the historical traditions of pottery making. The magnificent Harding Black journey began in 1932. At that time he joined the Witte Museum Archaeological Society which provided him with access to their collections of Native American pottery. Harding became fascinated by these pollychromed vessels and he began attempting to create hand built pots. He had very little or no success but a life long of working in clay had begun. It was about this time that he met up with Rudolf Staffel and it was from him that Harding learned wheel throwing and developed ideas of how to operate a studio. Harding was given access to working space at the Witte where he built a wheel and in 1933 he was given a position as ceramic instructor. In this position it was his responsibility to establish a ceramics department. The first kiln Harding built was using plans that were obtained from Newcomb College. He scrounged parts from a junkyard which were used in its construction. This project was not totally successful because of problems reaching required temperatures. As usual this did not deter Harding. He seemed to have a wonderful ability to learn from failure and move on. In the early 1940's Harding began working with formulas for copper red glazes prepared by Arthur Baggs and Edgar Littlefield. This work only added to his interest in Oriental pottery and fostered a desire to rework many old glazes. Being greatly influenced by A Potters Book published in 1940 by Bernard Leach Harding was now on his way seeking to incorporate form, function and surface treatment into a single entity where the whole is greater than the sum of the parts. In the 1950's Harding left the Witte and built his own studio where he spent the rest of his life creating his wonderful art. The body of his work is a living tribute to the Harding Black lifelong love of ceramics. Along with being a researcher he was also a teacher always willing to share his knowledge with others. He spent his life producing pots and occasionally taking time off to do a bit if fishing. According to Harding Black - Harding Black 11/14/90 "I am one of the lucky ones. When I get up in the morning I can hardly wait to get to work." 1912 Born April 15 near Aransas Pass, Texas 1916 Family moved to San Antonio 1929 Graduated from Breckenridge High School 1929-30 Attended San Antonio Junior College 1931 Joined Archaeological Society of the Witte Museum, San Antonio, and participated in excavations of ancient Basket maker Indian mounds and caves in the Big Bend area of Texas 1933 Taught by Rudolf Staffel to make wheel-thrown pottery. Set tip studio in a streetcar behind Witte Museum and began teaching children’s ceramic classes 1937-39 Appointed Superintendent of Ceramic Installation for N Y A /W P A reconstruction project in San Antonio 1943 Moved from streetcar studio to new facilities in the reconstructed Ruiz House on the grounds of the Witte Museum Began firing to stoneware temperatures 1947-54 Exhibited each year in the annual National Ceramic Exhibition, Syracuse Museum of Art 1951 Exhibited at the National Museum of Art, Washington, DC 1952 Toured ceramic centers throughout the United States 1953 “Opening the Door to Copper-Reds” by Harding Black, published in January issue of Ceramics Monthly “Harding Black Profile” published in February issue of Ceramics Monthly 1954 “Iron Spotted Glazes” by Harding Black, published in February issue of Ceramics Monthly 1955 Built present studio at 8212 Broadway, San Antonio Retired from teaching at the Witte Museum 1956 Exhibited at the National Museum of Art, Washington, DC 1961 “Lava Glazes” by Harding Black, published in October issue of Ceramics Monthly 1964 “Harding Black Texas Potter” by Jean R Lange, published in November issue of Ceramics Monthly 1971 The Meyer Family Master Potters of Texas, co-authored by Harding Black and Georgeanna H Greet 1980 Harding Black’s biographical information entered into the archives of the Smithsonian Institution, Washington, D C 1983 Harding Black traveled throughout China 1984 Awarded Glaze Research Grant by Southwest Craft Center, San Antonio 1985 Solo exhibition at the Southwest Crafts Center 1987 Selected as Artist of the Year by the San Antonio Art League 1988 Incarnate Word College, San Antonio, establishes Harding Black Fund to aid ceramics students 1990 “Harding Black Pottery...

Kouri, Pentti LOTHAR BAUMGARTEN: Carbon. 142 pages. Oblong folio, cloth. Los Angeles, The Museum of Contemporary Art, 1991. Signed by Baumgarten. Issued with additional booklet la...

Porcelain plate (Edition of 3000) This artwork is offered by ClampArt, located in New York City.

Jean-Michel Basquiat Vrej Baghoomian, 21 October to 25 November, 1989: 1st edition exhibition catalog, printed 1989. 153 pages. Cloth binding with dust jacket. 10 x 12 inches. Very...

Helen Frankenthaler (1928-2011) is one of the most revered abstract painters of the 20th century as well as being one of the most successful and collected female artists. Her current...

"Collecting Cattails" is an original mixed media on board by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworldly r...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Wrapped Statues/West Germany Christo (Bulgarian, 1935-2020) Mixed Media Hand-signed lower right Numbered PP 1/10 lower left 35 x 27 inches 39.25 x 31.2...

Angel, Lithograph by Ed Ruscha, 1991 Additional information: Medium: Lithograph in colors on Arches paper Dimensions: 12 x 16 inches About artist: Born in 1937 in Omaha, Nebraska,...

Please Erotic Nude Cubist Painting NOT framed Neo Cubism About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk from New York City to paint seascapes, catch fish, sing of Nature's beauty, put down roots, and, later, develop a style of painting all his own. The Boston native moved to New York after attending the School of Practical Art on the G.I. Bill, where he began his career in the art department of Lever Brothers. But he had bigger dreams, and soon established the Bonart Studio, a commercial art business. RCA Records, the Ideal and Transogram toy companies, and the Schrafft’s candy and chocolate company were among the studio’s clients. The business a success, he began to take vacations. He liked Montauk so much that he built a house in Hither Hills...

Gobardhan Ash - Untitled - Gouache on Paper 10 x 15 inches (unframed size) Style : Regarded as a pioneer of modern Indian art, Ash’s contribution at the time when India witnessed the advent of Western modernism is significant and colossal. His work was exploratory, visionary and inspiring. He printed with bold courage and a free spirit, never yielding to the rules set by official art. He rejected the preconceived notions of how an artist ought to render his subjects and inevitably rebelled against the academic rules “ If we look at nature in the open, we do not see individual objects each with its own colors but rather a bright medley of tints which blend in our eyes, in our minds.” – Gobardhan Ash (The Statesman, April 24, 1994). His verbal imagery alluded to what was real and relevant in India yet transcended to communicate a deeper, universal message about the human spirit. Disillusioned with the limits and constraints he faced, Ash withdrew into his private introspective world to explore his own mode of artistic expression. And although it was the convention then to paint divinities or exotic female figures on their way to the temple, Ash embarked on a new approach altogether to paint farmers toiling in the fields, workers engaged in intense labor to earn their living, thereby setting a new trend of socio-realistic art in India. In 1945, Ash was brought into the public eye when the progressive writers Association discovered his series of paintings on the Bengal famine. The paintings depict, if not document, the ravages of the 1943 catastrophe. In juxtaposition to the famine series, his impressionist and post impressionist gouaches during the late 40s come as an interesting antithesis. Colors, rich and vibrant, come alive in a pulsating tone to dominate the entire painting. Ash never subscribed to a stringent artistic form or technique. Rather, his works from the 80s display yet another intriguing and jarringly different style in his treatment of portraiture. His colors, with the exception of the apparent outlines, are reduced to smudges and smears so that the painting appear to originate from stained canvas. His subjects, spectral figures that engage and draw us within their profound state of despair and helplessness. To characterize the life works of Gobardhan Ash is to recognize the complexity and spontaneity of his ideas and the enormous richness of his style. An artist who devoted his entire life to art, his paintings have transited and evolved from monochromatic sketches and landscape to portraiture; from naturalistic real-life depictions to abstract expressionism. Whatever the genre style-Ash has demonstrated an eloquent mastery over the diverse style, techniques and medias employed, as evident in the vast retrospective collection. His paintings are conceptual and purposeful, displaying a unique individuality. His art expounds a frank desire to convey the value of uncompromising artistic sincerity. Gobardhan Ash remains today a prolific artist of his time. About the Artist & his works : Born : Regarded as a pioneer of modern Indian art, Gobardhan Ash (1907-1996) was born at the village of Begampur in Hoogly district of West Bengal.. Family : His father was Haricharan Ash and mother Gouri Devi. He spent all his life in this village and died here in 1996 at the matured age...

Nude In Orange NOT framed Neo Cubism About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk from New York City to paint seascapes, catch fi...

Jean-Michel Basquiat Keith Haring Tony Shafrazi Gallery 1983: A rare, hisstoric 1983 exhibition announcement for a group show at Tony Shafrazi Gallery New York, featuring: John Ahe...

Sunil Das - Untitled Ink & Watercolour on Paper, 10 x 14 inches, 1979 (Unframed & Delivered) Sunil Das (1939-2015) was a Master Modern Indian Artist from Bengal. Extremely successful right from his college days, Sunil Das has been extremely well lauded by art critics, the press, artists and the art and culture glitterati across the world. Sunil das was the youngest artist to have won the National Award - The Taj Shiromani Kala Puraskar Recipient of the much coveted Govt. of India's 4th Highest Civilian Award: The PadmaShree (2014). Highly talented Sunil Das has done shows all across the world, got fame as early as while he was still in college, youngest recipient of the Lalit Kala Academy Awards and received a scholarship to study at L’Ecole Nationale Superior des Beaux arts, Paris. “There are painters who transform the Sun to a yellow spot, but there are others who, with the help of their art and intelligence, transform a yellow spot into Sun" - Pablo Picasso. Sunil Das was exactly one such artist. Style : Sunil Das' style of work is very original and shows no specific influence. He had risen to fame like MF Hussain...

Vintage In the center of Mumbai city is an unorganized labyrinthine bazaar of streets trading in commodities right from gold and silver to utensils to costume jewelry, the list i...

Remembrance of Things Past NOT framed Neo Cubism About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk from New York City to paint seascapes, catch fish, sing of Nature's beauty, put down roots, and, later, develop a style of painting all his own. The Boston native moved to New York after attending the School of Practical Art on the G.I. Bill, where he began his career in the art department of Lever Brothers. But he had bigger dreams, and soon established the Bonart Studio, a commercial art business. RCA Records, the Ideal and Transogram toy companies, and the Schrafft’s candy and chocolate company were among the studio’s clients. The business a success, he began to take vacations. He liked Montauk so much that he built a house in Hither Hills...

Janine Antoni, Touched By The Artist 1996 Signed and numbered Cut and printed paper (Edition of 50) 12 x 9 inches

Jean-Michel Basquiat Keith Haring 1991: Rare historic invitation to a joint Keith Haring and Jean-Michel Basquiat exhibition entitled, “Paintings”, at the legendary Tony Shafrazi Gal...

Andy Warhol Edward Kennedy 1980: Original folding announcement card published to benefit, The Kennedy For President Committee / release of Andy Warhol Edward Kennedy silkscreen prin...

Komar and Melamid combine various photographs of Tolstoy with their own renderings, cropping and overprinting the 19th-century moralist's portrait in...

KIPPENBERGER, Martin. Hotel-Hotel. 494 pp. Illustrated with 245 reproductions. 4to., bound in original wrappers in a new cloth box. Koln: Verlag der Buchhandlung Walther Konig, ...

Welcome ... 1994. Paper, ink. 18x25.3 cm Illustrated in the magazine "School and Family" in 1994.