Late 20th Century More Art

MEDIUM: Limited Edition Cel SIZE: 9.5" x 12" EDITION SIZE: 250 SKU: ML14 ABOUT THE IMAGE: From "Snoopy, Come Home" 1972 Determined to go where "No Dogs are Allowed", Snoopy dons su...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XXXIII Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions i...

Peter Shire (American, b. 1947) "Springer Fos Dog," 1987, Painted metal sculpture Hand signed, titled and dated on foot, Dimensions: overall: 31"h x 49"w x 20"d Peter Shire (born 1947) is a Los Angeles, California artist. Shire was born in the Echo Park district of Los Angeles, where he currently lives and works. His sculpture, furniture, painting, prints and ceramics have been exhibited in the United States, Italy, France, Japan and Poland; Shire has been associated with the Memphis Group of designers, has worked on the Design Team for the XXIII Olympiad with the American Institute of Architects, and has designed public sculptures suitable for outdoors in Los Angeles and other California cities. Shire has been honored by awards for his contribution to the cultural life of the City of Los Angeles. He is an influential LA ceramicist along with and influenced by Ken Price and ceramic master Peter Voulkos. Of a similar mod vibe to Charlie Hewitt and Brad Howe. The Memphis Milano Group was an Italian design and architecture group founded in Milan by Ettore Sottsass in 1982 that designed Post modern furniture, fabrics, ceramics, glass, and welded, painted, metal objects from 1981 to 1988. The Memphis group's work often incorporated plastic laminate and was characterized by ephemeral design featuring colorful and abstract decoration as well as asymmetrical shapes, sometimes arbitrarily alluding to exotic or earlier styles. They drew inspiration from such movements as Art Deco and Pop Art, including styles such as the 1950s Kitsch and futuristic themes. Other members included Martine Bedin Michael Graves, Javier Mariscal, Nathalie du Pasquier, Matteo Thun and Marco Zanuso. He was included in the Sullivan Goss show L.A. in S.B. of Postwar and Contemporary California artists including Emerson Woelffer, Ynez Johnston, Peter Krasnow, Edgar Ewing. Their styles ran the gamut from Post Cubist Abstraction to Abstract Surrealism to Abstract Expressionism. In the rich soil of their efforts was grown the next generation of some of L.A.’s art superstars. As well as contemporary artists such as Ed Ruscha, David Hockney, Charles Arnoldi, Betye Saar, Frank Gehry, Kenton Nelson, Peter Shire, Patssi Valdez, and Dave Lefner. Further reading A Neglected History: 20th Century American Craft. New York, New York: American Craft Museum, 1990. Clark, Garth. American Ceramics 1907–Present. New York, New York: Abbeville Press, 1987. Domergue, Denise. Artists Design Furniture. New York, New York: Harry N. Abrams, 1984. Fiell, Charlotte and Peter. 1000 Chairs. Italy: Taschen, 2000. Herman, Lloyd E. Art that Works. Seattle, Washington: University of Washington Press, 1990. Horn, Richard. Memphis: Objects, Furniture, and Patterns. Philadelphia, Pennsylvania: Running Press, 1983. Radice, Barbara. Memphis. New York, New York: Rizzoli International Publications, 1984. Taragin, Davara S. Contemporary Crafts and Saxe Collection, The Toledo Museum of Art. New York, New York: Hudson Hills Press, 1993. Tempest in a Teapot: The Ceramic Art of Peter Shire. New York, New York: Rizzoli International Publications, 1991. Select Museum Collections: Art Institute of Chicago, Illinois Brooklyn Museum of Art, Brooklyn, New York Berkeley Museum, Berkeley, California Fresno Museum of Art, Fresno, California The Israel Museum, Jerusalem, Israel The Jewish Museum, New york city Judisches Museum, Frankfurt, Germany Laguna Art Museum, Laguna Beach, California Long Beach Museum of Art, Long Beach, California Los Angeles County Museum of Art, Los Angeles, California Metropolitan Museum of Art, New York Mint Museum of Craft and Design, Charlotte, North Carolina Museum of Arts and Design, New York Museum of Fine Arts, Houston, Texas Museum of Modern Art, Lodz, Poland Newport Art Museum, Newport Beach, California Oakland Museum of Art, Oakland, California Österreichisches Museum für Angewandte Kunst, Vienna, Austria Portland Art Museum, Portland, Oregon Sak’s Fifth Avenue, New York San Francisco Museum of Modern Art, San Francisco, California San Jose Museum of Art, San Jose, California Seattle Museum of Art, Seattle, Washington Skirball Museum, Los Angeles, California Stedelijk Museum, Amsterdam, The Netherlands Total Contemporary Art Museum, Seoul, Korea Victoria and Albert Museum, London, United Kingdom Selected Solo Exhibition venues Los Angeles County Museum of Art, Los Angeles, California Chouinard Gallery, South Pasadena, California Antonia Jannone Gallery, Milan, Italy Teapots and Drawings, Tobey C. Moss Gallery, Los Angeles, California LA Artcore Center, Los Angeles, California S.K. Josefsberg Gallery, Portland, Oregon 20th Century Collage...

Andy Warhol Deluxe Collectors' Edition of Exposures (Hand Signed and Numbered), 1979 Hardcover Monograph in leather with gilt edge and stamped in gilt. Hand signed by Andy Warhol on...

Keith Haring Pop Shop: Rare vintage original Keith Haring 1980s Pop Shop bag designed by Haring for use at his famed New York store. A classic Keith Haring Pop Shop collectible that ...

Basquiat Serpentine Gallery London 1996: A rare, highly collectable 1990's Basquiat exhibition catalog published on the occasion of Basquiat's first major London exhibition: Jean-Mic...

MEDIUM: ​Original Production Cel on Original Background with Matching Drawing IMAGE SIZE: 12 Field PRODUCTION: Beetlejuice SKU: IFA2465 ABOUT THE IMAGE: Beetlejuice: The Animated Se...

Untitled Landscape, an original oil on canvas by Gary Kremen, is a piece for the true collector. Kremen's fine attention to detail is evident here, depicting a desert landscape set beneath vast mountains, complete with cactus and wildlife in the middle ground. The sky with its range of light to deep blues fills the top of the painting. This example showcases Kremen's keen ability to capture emotion, nature, and life - all in a brushstroke. Both his technical talent and choice of subject matter pair perfectly with the frameless style of hanging. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for landscapes, desert scenery, realism, and nature. Artist: GARY KREMEN (1949-2001) Title: UNTITLED LANDSCAPE Medium & Surface: ORIGINAL OIL ON CANVAS (framed) Signed: HAND SIGNED BY ARTIST LOWER RIGHT Year Created: CIRCA 1995 Country of Creation: UNITED STATES Image Area Dimensions: 36 x 60 INCHES Canvas Frameless Dimensions:* 42 x 66 x 2.25 INCHES *This work of art is being sold framed. Additional Info: HIGHLY COLLECTIBLE WORK BY GARY KREMEN IN GREAT CONDITION. Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED About the Artist: Gary Kremen, an American painter, became nationally renowned for his massive landscapes...

Somnath Hore - Untitled Lithograph on Paper 11 x 15 inches ( Unframed & Delivered ) Inclusive of shipment mounted not framed, Should you wish to receive the same framed and shipped ...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Untitled Floralscape, an original oil painting on canvas by William Verdult, is a piece for the true collector. The artist's genius reflects a fiery artistic approach that inspires u...

Jean-Michel Basquiat at Tony Shafrazi Gallery 1987: 1980’s exhibition announcements published during Basquiat's lifetime on the occasion of 'Jean-Michel Basquiat Drawings at Tony Shafrazi Gallery May 23–June 13, 1987'. Medium: Offset printed gallery announcement...

Andy Warhol Andy Warhol at Pace/Columbus (Hand signed during official signing), 1978 Super rare Limited Edition Fold-out Offset lithograph invitation. Boldly signed and inscribed by...

Andy Warhol Cowboys & Indians 1986 (announcement): Rare original Warhol announcement card published to celebrate the publication of Andy Warhol's C...

Sanjay Bhattacharya - Untitled - 10 x 14 inches (unframed size) Watercolour on Paper , 1992 ( UNFRAMED ALL IN DOOR DELIVERED ) Style : Sanjay'...

Andy Warhol Dies! Set of four complete 1987 New York newspapers announcing Warhol's death. A rare, highly sought-after series that would look unique framed together as a collage. An ...

"Spring Sassafras" is an original mixed media on board by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworldly real...

A play on the phrase "halfway between heaven and hell," this fully authorized color reproduction of the original print was printed on quality paper and...

MEDIUM: Hand-Painted Limited Edition Cel EDITION SIZE: 500 SIZE: 10.5” x 12.5” SKU: WB1148 The Dark Knight, Batman strikes a trademark pose that's as rife with attitude as the Cap...

Ballerinas and those that own dance schools would appreciate this beautiful poster with a photograph by Harvey Edwards of a ballerina at the barre. It has been tastefully framed wit...

Jean Michel Basquiat: Paintings: Akira Ikeda Gallery, 1985: Rare sought-after Basquiat exhibition catalog from 1985 published by Akira Ikeda Galler...

Standout wall hanging art ambitiously handcrafted in terra cotta having each piece separately cut, fired, decorated, glazed and assembled depicting a jungle scene with toucans, flowe...

Harding Black San Antonio (1912 - 2004) Huge Heavy Oxblood Vase 1984 Height 17'' At widest 5'' Biography Harding Black San Antonio (1912 - 2004) Harding Black was born on a farm in Nueces County between Ingleside and Aransas Pass and moved with his family to San Antonio in 1916. There he graduated from Brackenridge High School and attended San Antonio Junior College (1929-30). In 1931 Black joined an archaeological expedition to the Big Bend area sponsored by the Witte Memorial Museum. Initially a painter, he was taught by Rudolph Staffel in 1933 to make wheel- thrown pottery and in the same year began to teach children's ceramic classes at the Witte. Between 1937 and 1939, Black directed ceramic installation in a San Antonio reconstruction project sponsored by the National Youth Administration and the Works Progress Administration art program. In 1955 he retired from teaching and devoted his time to ceramics. Black became a well-known ceramist from his research, innovations, and writings in the field. Exhibitions: San Antonio Local Artists Annual Exhibition (1939-42, 1945, 1947); Texas General Exhibition (1940 award, 1942, 1948 honorable mention); National Ceramic Annual Exhibition, Syracuse Museum of Art (1947-54); River Art Group, San Antonio (1948-49); National Collection of Fine Arts, Washington D.C. (1951, 1956); Dallas Museum of Fine Arts (1952 one-man); Martin Museum of Art, Baylor University (1991 one-man); San Antonio Museum of Art (1995 retrospective); National Museum of Art, Washington, D.C. (1995); University of Texas at Dallas, Irving (1998 retrospective). Collections: Dallas Museum of Art; Museum of Fine Arts, Houston; San Angelo Museum of Fine Arts; San Antonio Museum of Art; Martin Museum of Art, Baylor University, Waco; National Museum of American Art, Washington D.C.; New Orleans Museum of Art; Everson Museum of Art, Syracuse, new York; Alfred University (New York). Harding Black resided in San Antonio Texas where he worked as a potter for over 60 years and far as anyone knows he was completely self taught. I find it amazing that anyone could ever accomplish what he did with with no formal training in either ceramics or chemistry. It was a long and prolific journey from the early hand built earthenware pottery to become recognized as a master of glazes. While I feel that his forms often could be better this is more than compensated for by the spectacular glazes he developed. Constant experimentation and his acquired knowledge of chemistry were the foundations for the wonderful glazes that adorn his pottery. The following quote is from an interview with Rudolf Staffel His copper reds are unbelievably beautiful. Harding was a master of glazes and one of the most generous human beings in the ceramic field that I've known. He had literally a room full of beautifully organized test tiles of all his glazes, and he would just throw the room open to anybody who wanted to rummage through his tiles. All the recipes were there and he shared them with anyone who was interested. It was wonderful to go and visit him. Although accurate records of all test firings were kept for reference it I have been told that it would be difficult to reproduce many of these glazes because of the kiln he built and clays he used. This may not be the case because in a recent phone conversation (4/11/2007) with Peter Pinnell he told me that some of his students had success replicating some glazes using Harding's formulas By concentrating on the bowl and vessel forms Harding remained true to the historical traditions of pottery making. The magnificent Harding Black journey began in 1932. At that time he joined the Witte Museum Archaeological Society which provided him with access to their collections of Native American pottery. Harding became fascinated by these pollychromed vessels and he began attempting to create hand built pots. He had very little or no success but a life long of working in clay had begun. It was about this time that he met up with Rudolf Staffel and it was from him that Harding learned wheel throwing and developed ideas of how to operate a studio. Harding was given access to working space at the Witte where he built a wheel and in 1933 he was given a position as ceramic instructor. In this position it was his responsibility to establish a ceramics department. The first kiln Harding built was using plans that were obtained from Newcomb College. He scrounged parts from a junkyard which were used in its construction. This project was not totally successful because of problems reaching required temperatures. As usual this did not deter Harding. He seemed to have a wonderful ability to learn from failure and move on. In the early 1940's Harding began working with formulas for copper red glazes prepared by Arthur Baggs and Edgar Littlefield. This work only added to his interest in Oriental pottery and fostered a desire to rework many old glazes. Being greatly influenced by A Potters Book published in 1940 by Bernard Leach Harding was now on his way seeking to incorporate form, function and surface treatment into a single entity where the whole is greater than the sum of the parts. In the 1950's Harding left the Witte and built his own studio where he spent the rest of his life creating his wonderful art. The body of his work is a living tribute to the Harding Black lifelong love of ceramics. Along with being a researcher he was also a teacher always willing to share his knowledge with others. He spent his life producing pots and occasionally taking time off to do a bit if fishing. According to Harding Black - Harding Black 11/14/90 "I am one of the lucky ones. When I get up in the morning I can hardly wait to get to work." 1912 Born April 15 near Aransas Pass, Texas 1916 Family moved to San Antonio 1929 Graduated from Breckenridge High School 1929-30 Attended San Antonio Junior College 1931 Joined Archaeological Society of the Witte Museum, San Antonio, and participated in excavations of ancient Basket maker Indian mounds and caves in the Big Bend area of Texas 1933 Taught by Rudolf Staffel to make wheel-thrown pottery. Set tip studio in a streetcar behind Witte Museum and began teaching children’s ceramic classes 1937-39 Appointed Superintendent of Ceramic Installation for N Y A /W P A reconstruction project in San Antonio 1943 Moved from streetcar studio to new facilities in the reconstructed Ruiz House on the grounds of the Witte Museum Began firing to stoneware temperatures 1947-54 Exhibited each year in the annual National Ceramic Exhibition, Syracuse Museum of Art 1951 Exhibited at the National Museum of Art, Washington, DC 1952 Toured ceramic centers throughout the United States 1953 “Opening the Door to Copper-Reds” by Harding Black, published in January issue of Ceramics Monthly “Harding Black Profile” published in February issue of Ceramics Monthly 1954 “Iron Spotted Glazes” by Harding Black, published in February issue of Ceramics Monthly 1955 Built present studio at 8212 Broadway, San Antonio Retired from teaching at the Witte Museum 1956 Exhibited at the National Museum of Art, Washington, DC 1961 “Lava Glazes” by Harding Black, published in October issue of Ceramics Monthly 1964 “Harding Black Texas Potter” by Jean R Lange, published in November issue of Ceramics Monthly 1971 The Meyer Family Master Potters of Texas, co-authored by Harding Black and Georgeanna H Greet 1980 Harding Black’s biographical information entered into the archives of the Smithsonian Institution, Washington, D C 1983 Harding Black traveled throughout China 1984 Awarded Glaze Research Grant by Southwest Craft Center, San Antonio 1985 Solo exhibition at the Southwest Crafts Center 1987 Selected as Artist of the Year by the San Antonio Art League 1988 Incarnate Word College, San Antonio, establishes Harding Black Fund to aid ceramics students 1990 “Harding Black Pottery...

Boulders near the field. 1983, cardboard, oil, 68x94 cm

Jean-Michel Basquiat The Notebooks 1993 (catalogue): A comprehensive pictorial overview of the history of Basquiat's notebooks. The early 1990's first edi...

Limited Edition Jean-Michel Basquiat spray paint can published circa 2017 featuring the Estate trademark of Jean-Michel Basquiat. A unique Basquiat collectible that makes for a fanta...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 10.5" x 9" PRODUCTION: Superman the Animated Series, Little Big Head Man SKU: IFA8526 ABOUT THE IMAGE: Superman: T...

WILLIAM VERDULT – Untitled [VENETIAN REFLECTIONS] Oil on Canvas ⚜ Signed Lower Right ⚜ Custom Conservation Frame A DREAMLIKE IMAGINING OF VENICE AT SUNSET [Venetian Reflections] sho...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche IX Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in fr...

yarn-dyed woven silk, gold and silver leaf

Artist: George Rodrigue Title: Blue Dog Sterling/Gold Plated Dog Pendant Medium: Foundry Jewelry Date: Circa 1993 Dimensions: 1 3/8" X 1" Description: @rodrigue & “Sterling” on...

Judy Chicago Cloisonne Brooch of Hildegard of Bingen from The Dinner Party, 1987 Limited Edition Cloisonne brooch/pin with clasp on the back and Judy Chicago's incised signature and ...

Forest landscape with river Paper, watercolor. 41x58 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in dif...

Andy Warhol Record Art 1983-1986: A collection of 4 LPs with individual cover art designed by Andy Warhol for Aretha Franklin, John Lennon, Rats & Star & Querelle. 12 x 12 inches /...

Twentieth Century Traditional style Figurative Portrait Oil Painting on Canvas of Lady in a Victorian Dress. Beautiful Model in a white Victorian Gown wearing elegant gloves and looking pensive. Beautifully modelled and featuring Helen as the model who worked with the artist in the late 1980's. RENE JEROME LEGRAND British born 1953 Rene Legrand...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Salvador Dali (1904-1989) - Le Chavelier Roman Lithograph from 1972. The edition of 187/250. Dimensions o...

Aster flowers Paper, watercolor. 71x56.5cm 1977. "Aster Flowers" is a visually captivating and expressive watercolor painting, celebrating the beauty of nature and the artistry of the floral still life genre. Through the use of watercolors on paper, the artist has created a vibrant and enchanting composition, inviting viewers to immerse themselves in the timeless allure of colorful aster flowers in a delicate and graceful vase arrangement. Janis Brekte...

Untitled (Blank Sign), Lithograph by Ed Ruscha, 1989 Additional information: Medium: Lithograph on grey Rives BFK paper Dimensions: 27 x 36 inches About artist: Born in 1937 in Oma...

Double cloth, cotton weaving

Andy Warhol Memorial Mass St. Patricks Cathedral, April 1, 1987, New York, NY (Andy Warhol death 1987): A set of 3 rare, historic cards announcing...

On offer is a framed example of the renowned textile art originated by the indigenous Otomi people of Hidalgo, Mexico, particularly from the municipality of Tenango de Doria. A story...

"Large Sumi Brush Mark Series, Untitled #II.2.1975," an original watercolor on paper by Tim Nordin, is a piece for the true collector. Nordin's use of color...

In 1963, Calder settled into a new workshop, overlooking the valley of the Lower Chevrière to Saché in Indre-et-Loire (France). It wasn’t long before tapestry became a new way for Al...

Raymond Pettibon Captive Chains, 1978: Featured in its entirety at The New Museum in New York, Pettibon's well documented first artist book is widely regarded as a seminal piece in the development of the artist's style and themes. Offset printed. 68 pages. 7.25 x 10.5 inches (26.6 x 18.4 cm). Good to very good overall vintage condition; normal signs of aging commensurate with medium. Published by Black Flag's label SST Productions in 1978. Literature/References: Raymond Pettibon: the Books 1978-1998 (New York: D.A.P. c. 2000). Raymond Pettibon: Homo Americanus (David Zwirner Books). Raymond Pettibon: A Pen of All Work (Massimialiano Gioni 2017). Exhibited: Raymond Pettibon, A Pen of All Work, The New Museum 2017 More on Raymond Pettibon: Raymond Pettibon is a contemporary American artist known for his stylized ink drawings combining images and text. His inventive narratives blend historical content with consumer culture to yield incisive critiques of contemporary society. “I was making my work as transparent as possible, without equivocations, without calling attention to itself, without apology,” he explained. “There's a lot of conventions in the art world that are not to be transgressed, but my economy of means doesn't abide by those strictures.” Born Raymond Ginn on June 16, 1957 in Tucson, AZ, the artist is self-taught, but cites drawings by William Blake, Edward Hopper, Francisco Goya, and John Sloan as instructive to his practice. Deriving inspiration from comics, cartoons, and other pop culture iconography, Pettibon began designing album covers and ephemera for his brother’s band Black Flag in the mid-1970s. He went on to produce cover art for Sonic Youth, the Minutemen...

This is an original square button with a fastening pin on the verso, created as merchandise for Roy Lichtenstein's exhibition at the Kupferstichkabinett in Berlin in 1981. This butto...

Painting on Paper Hand signed and dated lower right Frame measures 24.5 X 30.5 sheet is 18 X 24 inches This piece has a jewel toned stained glass quality to it. The artist Richard ...

"The Gift," an original watercolor on paper by William Verdult, is a piece for the true collector. The artist's genius reflects a fiery artistic approach that inspires unexplored fee...

Somnath Hore - Untitled (Face of a Man) Pen, Ink & Watercolour on Paper 7.6 x 6 inches (Unfamed & Delivered) An untitled portrait by Somnath Hore, this pen, ink, and watercolor stud...

"Shari Belafonte," an original Silver Gelatin Print by photographer Greg Gorman, is a piece for the true collector. Impressively vivid emotion and detail projects from the work, highlighting Gorman's exceptional talent at capturing the essence of his subjects. Both Gorman's technical talent as a photographer and his choreography pair perfectly. This piece of art would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for black and white photography, portraits, or figurative works. This work is #1 of the small edition size of 25. Greg Gorman is one of the most well-known and sought-after celebrity photographers, having photographed countless stars, such as Al Pacino, Mark Wahlberg...

"Reflections in the Pond" is an original mixed media on board by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworld...

In 1963, Calder settled into a new workshop, overlooking the valley of the Lower Chevrière to Saché in Indre-et-Loire (France). It wasn’t long before tapestry became a new way for Al...

Egyptian Scene III-Painting on Pith Rice Paper. Measures approximately 21 .25 x 17.25 Signed (signature is undecipherable). The date of creation is unknown. ...

A fine naive landscape painting with a windmill by American artist Janet Munro (b. 1949). Munro was born in Woburn, MA, and her work focuses o...

Sonia Delaunay Tapis labyrinthe (1929) Édition artcurial de 150 exemplaires 100% laine nouée main Signé par initiales 1980 220 x 245 cms 12000 euros

Board Sz: 15" x 14 5/8" w/ plexiglass cover Frame Sz: 15 5/8" x 16 1/8" x 1 1/2"D w/ monogram letter: A

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche X Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in fra...

KAWS Exposed, 1999 Early Illustrated softcover book with French folded flaps, published in Paris 8 4/5 × 6 1/5 inches Limited Edition of 2000 Published by Colette and printed by La P...

Suhas Roy - Landscape AP - 19/12 Etching on Paper 11 x 10.5 inches, 1985 ( Unframed & Delivered ) Style : He is one of the biggest and the most enduring names in the genre of Indian...

Raymond Gallucci (1923-2005) Lamp Base, ca. 1970. Glazed ceramic. 15 " h, 7 3/8" w, 6" d. Opening for lamp post measures 11/16 inch. While the piece would make a lovely lamp, we...

PRODUCTION: The Lion King, 1994 MEDIUM: Storyboard SIZE: 10" x 5.5" SKU: CCV1936 ABOUT THE MEDIUM: Original Storyboard Drawings show what’s moving in each shot, and in which direction, so that the production team is crystal clear on the desired end result, which is exactly what a professional storyboard should do. Having an original production storyboard from one of your favorite movies or short films is a great collector's piece! Comes with a Certificate of Authenticity! ABOUT THE FILM: The Lion King tells the story of Simba (Swahili for lion), a young lion...