Late 20th Century More Art

Wounaan Tribe Panama Rainforest Basket, gold, black, red geometric hand woven natural dyes The baskets are made by the Wounaan and Embera Indians from the Darien Rainforest in Panam...

Red abstract sunset painting that incorporates impressionist and pointillism techniques by artist Michael Frary. Signed by the artist. Artist...

Through The Ages by Toko Shinoda, black and white signed lithograph calligraphy 11/35 obituary published by CNN March 2021 Celebra...

To find our other views of Oxford and Cambridge scroll down to and click on 'view more from this seller'. Sir Hugh Casson CH, KCVO, PRA, RDI (1910-1999) St John’s College, Oxford, C...

Jane Dickson New York 1988: A rare 1980s announcement card published on the occasion of Dickson's exhibition at Brooke Alexander, Inc. from January 9 - February 3, 1988; 59 Wooster S...

This Sculpture was created by DM, from sand cast brass. The Figurative Sculpture " Standing Man ” is a piece created by David Marshall in 1999, sand cast in brass and lost wax t...

Great piece of Graffiti and Music history with cover art by Futura. Very early recording by the Graffiti legend featuring vocals from Futura, Dondi and Fab 5 Freddy. Original release...

Contemporary Impressionist Landscape Oil Painting of Fishermen in a Boat. His work is firmly in the Dutch tradition with a nod to the Barbazon School of Landscape Painters. The Oil P...

A fine naive landscape painting with a windmill by American artist Janet Munro (b. 1949). Munro was born in Woburn, MA, and her work focuses o...

Cubist Style Mid Century Color Blue Watusi The Watusi /wɑːtuːsi/ is a solo dance that enjoyed brief popularity during the early 1960s. It was one of the most popular dance crazes of...

This amazing sculpture figures a peacock making the wheel. Each feather is made of a slice of transparent agate, soldered with brass to the rest of the wheel. The agate wheel is me...

Joan Miró vinyl album art, 1979: Raimon and Joan Miró were close friends that first collaborated on the 1966 album Cançons de la roda del temps. In 1979, Miró designed a cover for th...

Oil paint on heavy tar paper. Hand signed and dated verso. Joan Kahn (USA 1953-) grew up in New York City; Princeton, New Jersey; and Vermont; in an environment that patronized the arts. At home her father, a professor, and mother, a state economist and homemaker, collected nineteenth and twentieth century drawings and prints, Middle eastern rugs, and ceramics, pewter, and old tools. Her grandfather, Max Westfield, was an academically trained portrait painter and her great uncle was a well-known gallery owner and art dealer in pre-World War II Germany. One of the influential experiences of Joan’s youth was visiting her grandfather in his studio in Tennessee where the family had first immigrated. Growing up near New York, and spending a year in Paris during high school, provided formative visits to museums and galleries. Joan was academically talented in grade and high school, but after her father’s death during her first years at university she found herself concentrating on studio and history of art. It was a subject above others absorbed and concentrated her focus. Influential in Joan’s development and later work are the historic movements of the Bauhaus and Modernist design and architecture, geometric art and design of diverse cultures, Color Field Painting. Many artists have had a impact on her work, such as Paul Klee, Piet Mondrian, Sonia Delaunay, Mark Rothko, Ad Reinhardt, Antoni Tapies, David Smith, John McLaughlin, Tony Smith, Louise Nevelson, Robert Mangold, Ellsworth Kelly, Agnes Martin, Valerie Jaudon, Jasper Johns, James Turrell, Robert Irwin, Vija Celmins, Caio Fonseca, Peter Halley, Ed Moses, Juan Usle, and Nancy Haynes...

Helen Frankenthaler Frankenthaler (Hand signed and inscribed), 1988 Offset lithograph poster (hand signed and inscribed to renowned collectors) Hand signed and warmly inscribed in ink on the front Frame included: Museum frame with UV plexiglass included Inscribed "to Paul and Joan, love Helen Frankenthaler" (Paul and Joan Gluck were major art collectors) Measurements: Framed 42 inches vertical by 34 inches by 1.75 inches Print 34.5 inches vertical by 27 inches Accompanied by Certificate of Guarantee issued by Alpha 137 Gallery Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Marc Chagall (1887-1985) - Poèmes, Planche VIII Woodcut print from 1968. An unnumbered and unsigned copy from a limited edition of 238. Dimensions of sheet: 32.5 x 25 cm Dimensio...

KG Subramanyan Untitled ( Flowers ), Water Colour on Paper 11 x 10 inches 27.9 x 25.4 cm 1982 ( Framed & Delivered ) Style : K G Subramanyan was one of the leading artists who wa...

Folk Outsider Naive Art Metal NYC Cityscape Sculpture Wall Hanging Contemporary "NYC Cityscape" 39 1/2 x 29 1/2 x 2 inches Unsigned Offered is an extraordinary hand crafted wall s...

A colorful impressionist floral still life with fruit by American artist Humbert Howard (1905-1990). Howard was born in Philadelphia and considered an important figure among contemporary African-American artists. He was educated at Howard University in Washington, D.C., the University of Pennsylvania in Philadelphia, and the Barnes Foundation in Merion, Pennsylvania. Howard was also art director of the Pyramid Club, a respected black cultural center in Philadelphia. As director of the club’s art exhibitions, he selected works by both black and white artists for display. By the time he retired in 1971, he had developed a loyal following of collectors and dealers in the Philadelphia area. In the eighties, he became increasingly involved with younger members of the local art scene and became a mentor to emerging black artists...

Modern Maritime Marine Oil Painting of Clipper Ship at Sea as the Sun goes down. A large and very appealing Oil on Canvas, mounted on Stret...

Salvador Dali (1904-1989) - Le Picador Lithograph from 1970. Dimensions of work: 68 x 50 cm On B.F.K Rives paper as stated in the Field catalogue. Reference: Field 72-6G The wor...

René Magritte (1898-1967) - Les bijoux indiscrets Lithograph from 1975. Edition 371/575 (Photocopy of the colophone is included). Dimensions of work: 31 x 24 cm. Plate signed. E...

Marine. Original tapestry RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. Raventós expanded...

Animation Celluloid Image Size: 7.5 x 9.5 Frame Size: 13 x 15 Medium: Celluloid "Bugs in Bow Tie" Signed by Chuck Jones

Using simple methods and ephemeral forms, Felix Gonzalez-Torres explored the complex social and political issues surrounding community, identity, loss, ...

Cubism Style Post Modern American Modern Acrylic on Canvas Comes UNFRAMED About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk from New Y...

Exotica Series, Abstract Woven Tapestry, Textile Sculpture. Cotton, goat hair and sisal, 114" x 60" x 6", 1975. Ritzi Jacobi (1941 - 2022) and Peter Jacob...

Very rare crewel work artwork of a sailing ship with two sailboats decorated above the main vessel. Most likely American. Done in a primitive, naive style. Circa 1875 and in very goo...

LIMITED AVAILABILITY! MEDIUM: Limited Edition Hand-Painted Cel SIZE: 15.5" x 18.5" EDITION SIZE: 65 SIGNED BY: Muhammed Ali SKU: WB1065 ABOUT THE IMAGE: "Float like a butterfly, sting like a bee, the Looney Tunes are in the ring with Muhammad Ali!" This dynamic image captures "The Greatest" Muhammad Ali preparing for a title bout with the heayweight champion of cartoon comedy, "That Oscar-winning Rabbit," Bugs Bunny. Referee Yosemite Sam...

Egyptian Scene III-Painting on Pith Rice Paper. Measures approximately 21 .25 x 17.25 Signed (signature is undecipherable). The date of creation is unknown. ...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12 Field PRODUCTION: Sylvester and Tweety Mysteries, A Ticket To Crime SKU: IFA8300 ABOUT THE IMAGE: The Sylvester...

Chuck Close Chuck Close Recent Works (Hand Signed), 1993 Large Illustrated Exhibition Catalogue Boldly hand signed in black marker on the title page by the artist Published by PACE Gallery, New York 14 3/10 x 12 inches Unframed This oversized illustrated softcover exhibition catalogue with stiff wraps is boldly signed by Chuck Close in black marker on the title page. The catalogue itself has 44 pages and is lavishly illustrated with large full color reproductions. It is extremely scarce when hand signed by the artist. Chuck Close signed...

Contemporary in a Traditional style Impressionist Figurative Portrait Oil Painting of Model in White Gown adjusting the suspenders on her silk Stockings...

Jenny Holzer, Ten for Ten: Celebrating Printed Matter, 10th-anniversary reading, New York, 1986, Announcement Card Rare, Jenny Holzer 1980s announcement card published on the occasion of Ten for Ten: Celebrating Printed Matter - the 10th-anniversary reading. The event was held at The Great Hall of Cooper Union on November 19, 1986. It featured John Giorno, Eric Bogosian, Constance DeJong, Richard Prince, Cookie Mueller, Roz Chast, Richard Nonas...

Ed Ruscha Records 1971: Ed Ruscha's "Records" is a introspective photographic survey of thirty vinyl phonograph records (and their album covera) from the artist's personal collection...

Thangka painting dates back to 7th century after Buddhism was spread in the Himalayan region (Nepal, Bhutan, Tibet and Northern India). In Eastern world Thangka is considered to be a...

A beautiful stoneware vase by Annette Chatting from the Myrtle Pottery, Hampshire England. Makers mark

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche IX Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in fr...

Jean-Michel Basquiat, Fred Hoffman Fine Art, Beverly Hills 1993; Rare vintage 1990s Basquiat announcement card published on the occasion of: Jean-Michel Basquiat, 'Paintings, Drawing...

Keith Haring Three Eyed Smiling sticker c. 1982: A timeless Keith Haring collectible originally given out at Haring's first solo exhibit in 1982; and later sold at Haring's Pop Shop circa mid 1980s. Vintage Pop Shop sticker featuring original design by Keith Haring; offset printed. Approx. 3 inches square in size. Very good overall vintage condition; missing back adhesive, but appears unused. Unsigned from an edition of unknown. Keith Haring Pop Shop History: In 1986, New York artist Keith Haring opened the Pop Shop in downtown Manhattan. Haring saw the Pop Shop as an extension of his work, a fun boutique where his art could be accessible to everyone. For nearly twenty years, the shop continued to be a downtown attraction with floor-to-ceiling murals and affordable clothing and gift items all featuring Keith Haring's unique icons. In September, 2005, the Pop Shop finally closed its doors to the public. Keith Haring's work continues to be displayed around the world at galleries and museums and in public spaces...

Poster designed by Keith Haring in 1986 "Crackdown on Crack" concert in New York City. The concert was organized by famed concert promoter and producer Bill Graham to raise funds to ...

Keith Haring, Run DMC Christmas: Super rare sought-after Run DMC "Christmas In Hollis" featuring Original Artwork by Keith Haring. Truly vibrant colors that make for stand-out wall a...

Ex-Libris - Bird is an Artwork realized in Mid 20th Century, by J. Halberstat. Woodcut B./W. print on tissue paper. Hand signed on back. The work is glued on orange cardboard. Tota...

Andy Warhol 1970s Cover Art, "Twenty Years Leo Castelli Gallery, New York, 1977” - a monograph honoring the twenty years of Leo Castelli Gallery featuring a cover illustration by An...

Vintage offset poster realized in occasion of exhibition of graphic works by Giovanni Fattori at Galleria Marino Rome, in the late 1970s. Limited edition of 1000. Very good condition.

Smoking is an original Collage artwork. realized in 1975 by Italian Artist Sergio Barletta. Hand-signed and dated on the lower center. Image Dimensions: 24.5 x 21 cm In very goo...

Sunny path. Cardboard, oil, 66x43 cm The painting portrays a path illuminated by sunlight. The artist has used oil paints on cardboard to capture the play of light and shadow, creat...

Nude is an original collage realized by Sergio Barletta in 1975. Hand-signed on the lower center and dated. In good conditions, with some minor loss of color.. Included a Passepar...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche VII Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in f...

David Wojnarowicz First Solo Show 1982: This museum worthy, seldom seen exhibition announcement, was published on the occasion of David Wojnarowicz's first solo exhibition. The exhib...

Nude is an original collage artwork, realized by Sergio Barletta in 1975. Hand-signed on the lower center and dated. Image Dimensions: 21 x 7.5 cm In very good conditions. The art...

In collaboration with Real Mad Hectic, and produced by Bounty Hunter, this piece depicts KAWS’s signature figure, Companion, in Black. This human/animal/cartoon hybrid has a Mickey Mouse body, complete with gloves, shorts, and clown-like shoes...

Return of the Jedi 1983 Original Vintage Poster measures 27×41" inches / 68 x 104 cm unfolded rolled excellent condition Return of the Jedi (also known as Star Wars: Episode VI ...

Laughter is an original collage artwork on paper realized by Segio Barletta in 1975. Hand-signed on the lower left and dated. The state of preservation is very good with small foldi...

Thumb is an original collage artwork applied on the cardboard realized by Sergio Barletta in 1975. Hand-signed on the lower left and dated. The state of preservation is very good wi...

Rare 1990s Guerrilla Girls Announcement Cards: Set of 3 printed works published on the occasion(s) of: 1) Guerilla Girls, A New Years Resolution for the 90's, 1990 announcement card...

Andy Warhol "Ten Portraits of Jews of the Twentieth Century": A complete set of ten Warhol announcement cards published in conjunction with Andy Warhol's 1980 exhibition at The Jew...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche LIII Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in ...

DIEBENKORN, Richard. Poems of W.B. Yeats. Selected and introduced by Helen Vendler. xxv, [3], 171, [2] pp. 4to, 260 x 205 mm, bound in half red morocco over green cloth, in a gre...