G. Campbell Lyman

Archonic (Large)

1995

Part of the current series of paintings using tar and house paint in addition to more conventional artists' media such as oil and acrylic. Artist's Statement: "I have been making t...

A large and imposing painting from the recent series combining tar with oil and acrylic, a painting using a limited palette to powerful effect. There are echoes of Robert Motherwell ...

From the recent series combining tar with oil and acrylic, a painting using a limited palette to powerful effect. Artist's statement: "After a period of making big, colorful acrylic...

Artist's Statement: "This painting harkens back to a series called "Gridish" that I created over the past couple of years, comprising similar rectangular shapes with complex surfaces incorporating tar, house paint, enamel safety paint and other materials. Here, though, the forms are isolated in negative space rather than stacked in a grid, which gives them a more iconic quality." “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 (from a collector): "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

Jane Sangerman lives and works in New York City. She received her BFA from the University of New Mexico and her MFA from the State University of New York at Buffalo. She has had one ...

Jane Sangerman lives and works in New York City. She received her BFA from the University of New Mexico and her MFA from the State University of New York at Buffalo. She has had on...

Louisa Chase’s work is represented in the permanent collections of a number of major museums, the Whitney Museum of Art in New York; the Museum of Modern Art, New York (MOMA), the Me...

Louisa Chase’s work is represented in the permanent collections of a number of major museums, the Whitney Museum of Art in New York; the Museum of Modern Art, New York (MOMA), the Me...