Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 12

Johnnie Winona Ross
Deep Creek Seeps 10, Minimalist painting inspired by Agnes Martin New Mexico art

2007

About the Item

Johnnie Winona Ross Deep Creek Seeps 10, 2007 Oil paint on acrylic base burnished on Belgian linen Signed twice, dated and titled on the verso; also bears the original Stephen Haller Gallery label\ Canvas is stretched against wooden backing but no outer frame This work was originally sold by the Stephen Haller Gallery which hosted several critically acclaimed, sell-out shows of New Mexico resident Johniie Winona Ross, whose exquisite Minimalist aesthetic really took hold with collectors. The debt to famous New Mexico resident and Minimalist goddess Agnes Martin is obvious, but Winona Ross has a disctinctive style and technique of his own. The process of creating this work was laborious: Ross typically applies as many as 90-100 layers of paint to each canvas, then scrapes the surface with a straight-edged razor to reveal the many layers (and their chronology), and finally burnishing the surface with a Pueblo pottery stone to achieve a soft gloss. Maureen Mullarkey of Studio Matters wrote in 2010: THE LOVELINESS OF JOHNNIE WINONA ROSS' paintings elude translation into either reproduction or verbal description. In 2011, ArtDaily published this announcement from Stephen Haller, publicizing a later exhibition: "Washington Post critic Stephen Parks characterized Ross’s work in this way: “From a distance his canvases appear to be simple, minimal constructions of horizontal stripes with hints of vertical color in the background. Up close the paintings are seen to be extraordinarily beautiful and complex objects that induce a humming meditative state.” Ross grounds his work in the inspiration of the desert of the American Southwest, and borrows techniques from ancient Native American sources, melding them with a distinctly sophisticated and utterly contemporary vision. His use of the Native American technique of burnishing pigment and minerals with a potter’s stone to create a hard surface with a visually warm sheen creates an effect reminiscent of the softening of marble steps by decades of use. Curator Laura Addison, of the New Mexico Museum of Art, describes Ross’s “strategy of distilling a landscape to its immaterial elements” and goes on to state, “his paintings make visible the immaterial and the intangible, such as centeredness, rhythm, sound, heat, breeze.” In his Foreword to the monograph Johnnie Winona Ross, Douglas Dreishpoon, Senior Curator of the AlbrightKnox Art Gallery, writes: These paintings embody two worlds: one a realm of serene order; the other more unpredictable, a place prone to accident and surprise encounter. The balancing of divergent realms, fraught with tension, is a salient characteristic of this work, where temporal forces, like imaginary rivers glimpsed from the heavens, surge beneath plains of pure light. Carter Ratcliff writes: “What gives his vision its character, finally, is the brilliance with which he integrates minutiae with overall structures…Ross’s art gives us an opportunity to feel an exhilarated engagement with the moment.”.." Johnnie Winona Ross is inspired by the landscape of northern New Mexico, where he has lived and worked for the last twenty years. In 1999, following a long teaching career, he resigned his post as chair of the Art Department at The Maine College of Art in Portland, and moved to Taos. From his New Mexico studio he explores the vocabulary of minimalism and the complexity of rendering the experience of the high desert in pure abstraction. At first glance his paintings and works on paper appear to be largely absent of color, but looking more closely the layers upon layers of subtle earthen colors reveal themselves, knocked back by opaque washes of white. This interspersed layering of color, melding opacity and transparency, and building depth through repetition, are the integral elements of his work. (Book not included).

More From This Seller

View All
Valerie Jaudon, Bomb II, unique signed oil painting Pattern & Decoration, Framed
By Valerie Jaudon
Located in New York, NY
Valerie Jaudon Bomb II, 1994 Mixed media oil painting with varnish Signed, titled and dated on the back of the canvas in black marker Unique Frame included: floated and framed in a ...
Category

1990s Minimalist Mixed Media

Materials

Canvas, Varnish, Mixed Media, Oil

Untitled Geometric Abstraction unique signed & framed by Minimalist art pioneer
Located in New York, NY
Lyman Kipp Untitled geometric abstraction, 1978 Acrylic painting on paper Hand signed and dated 1978 Unique Frame included: Elegantly floated and framed in a hand made white wood mus...
Category

1970s Minimalist Abstract Paintings

Materials

Acrylic

Lyman Kipp, Original Mid Century Modern Painting on paper signed Framed (unique)
Located in New York, NY
Lyman Kipp Original Mid Century Modern Painting on paper, 1969 Acrylic on paper painting Hand signed and dated by the artist on the front F...
Category

1960s Minimalist Abstract Paintings

Materials

Acrylic

Lyman Kipp, Minimalist Geometric Abstraction, original signed painting Framed
Located in New York, NY
Lyman Kipp Untitled Minimalist Geometric Abstraction, 1978 Acrylic painting on paper Hand signed and dated by the artist on the lower right front Also accompanied by gallery issued C...
Category

1970s Minimalist Abstract Paintings

Materials

Acrylic

Unique painting on paper done with paint roller by Minimalist pioneer Lyman Kipp
Located in New York, NY
Lyman Kipp Unique painting on paper done with paint roller, 1970 Ink roller painting on paper Signed and dated in ink by Lyman Kipp on the lower right Frame included: elegantly framed in a museum quality wood frame with UV plexiglass This is a unique color oil painting created in 1970 with his signature technique of using a roller, by pioneering Minimalist artist Lyman Kipp, one of the founders of Construct Gallery., which included sculptors Kenneth Snelson and Mark di Suvero. Measurements: Frame: 17.5 x 15.25 x 1.75 inches Artwork: 11 x 8.5 inches About Lyman Kipp: The large, powerful sculptures of Lyman Kipp were part of the Primary Structures movement in the 1960s, that transformed the way sculptors worked, and the way in which sculpture was viewed in America. The Constructivism movement, that began in Moscow in the 1920s, espoused the idea that art should be created for the benefit of society and that artists should be involved in industrial design and construction. It viewed the artist as a creator, designer and constructor. The simplicity of design of the Constructivists had a profound effect on the De Stijl movement in the Netherlands and the Bauhaus movement in Germany during the 1920s and ‘30s. Artists in the United States were slowly embracing the ideas of constructivism and minimalism, but it took a group of artists, including Kipp, to change the way artists, and the public, create and view art. Kipp was born in Dobbs Ferry, New York in 1929. He studied at Pratt Institute in New York and then went on the study and teach at the Cranbook Academy in Michigan. He began making large, steel and aluminum sculptures in the 1960s, that had to be transported and welded together on site. He worked in spare, geometric shapes and primary colors. In 1966, the Jewish Museum in New York organized the Primary Structures exhibit, showing large, minimal style works by young American and British sculptors. The show was a huge success, and got rave reviews by art critics, including those of Time and Newsweek. In an effort to get continued recognition, a group of American sculptors, including Lyman Kipp, founded an artist-owned gallery called, ConStruct. They organized exhibitions throughout the United States to promote their large-scale sculptures. The pieces we have in our gallery are maquettes, preliminary models that Kipp made before he built and assembled his huge, finished sculptures. In addition to painting and creating sculptures for public spaces, Kipp dedicated his life to art education. He taught at Bennington College in Vermont, Hunter College in New York and became the chairman of the art department at Lehman College in New York. Kipp’s works are part of the permanent collections of the Whitney Museum of Art, the Philadelphia Museum of Art and the Smithsonian American Art Museum. Lyman Kipp died in Bonita Springs, Florida on March 30, 2014, leaving a legacy of his work in parks and public spaces around Florida and other states throughout the U.S. Courtesy of Vertu Fine Art
Category

1970s Minimalist Abstract Paintings

Materials

Ink, Acrylic

Val Wong Worm, unique signed painting on paper from ex-owner of Cadillac Art Car
By Kenny Scharf
Located in New York, NY
Kenny Scharf Val Wong Worm, 2006 Oil, acrylic, silkscreen and rhinestones on paper Signed, dated and titled by the artist on the die-cut window on the back Frame Included: elegantly floated and framed in a museum quality white wood frame with a die-cut window to reveal the signature on the back of the artwork An impressive unique Kenny Scharf work on paper - with an equally riveting back story. This work was gifted directly by Kenny Scharf to the original owner, who is the collector who commissioned Scharf to make his famous Souped-Up, Decked-Out Coupe De Ville Cadillac Art Car which sold for about US $400,000 at Heritage Auctions in 2023. Measurements: Frame: 49.5 x 35 x 2 inches Artwork: 44 x 30 inches This work is accompanied by a letter of provenance stating, "This letter will serve to outline the provenance of the Kenny Scharf "Val Wong Worm" work on paper from 2006. In 2005, I and my two business partners in the firm Trackside Brothers, LLC commissioned Kenny Scharf to paint/customize a 1960 Cadillac for my personal collection. The car was essentially brand new having only 5,300 miles at the time of commissioning. Knowing that the year and model were on of Kenny's favorites, he was keen on the undertaking but somewhat apprehensive due to the pristine condition of the car and came to our studio in Delray Beach, Florida to undertake the project. In advance Kenny had shipped three boxes of "Object d'art" to use in the creation what would become "Astral Uber Cumulo Nimbus Atlantian Express." I was honored to be granted the role of Kenny's assistant for the four week "transformation." Kenny stated at the time that I was the only collector to act as his assistant on any of his art projects. In order to properly document the creative process from start to finish we hired Five Star Productions of Boca Raton, Florida to shoot the project resulting in the documentary "Kenny and the Cadillac." Upon its completion we "launched" the car into the world at Art Basel Miami in 2006. We had the launch party at the Raleigh hotel with the Caddy on a rotating turntable by the pool. There were hundreds of gallery/museum directors at the event which garnered significant press. Kenny and his friends conducted a "Cave Man" performance piece dancing and singing around the car, all of which was filmed for the documentary. In appreciation for the time, effort and expense of the project, documentary and launch party, Kenny gifted each of us a work on paper from his "Worm" series of 2006. My gift...
Category

Early 2000s Street Art Abstract Paintings

Materials

Mixed Media, Oil, Acrylic, Screen

You May Also Like

SE 33 - Original Abstract Expressionist Yellow Green Colorfield Oil Painting
By Bernhard Zimmer
Located in Los Angeles, CA
Bernhard Zimmer produces deeply layered, subtly textured abstract paintings that contain diametrically opposed elements—order and chaos, abstraction and representation, boldness and ...
Category

21st Century and Contemporary Minimalist Abstract Paintings

Materials

Canvas, Mixed Media, Oil, Acrylic

Black and White Modern Minimalist New Media vs Painting 40"H X 80"W Vision
By Irena Orlov
Located in Sherman Oaks, CA
Innovative and Contemporary Original New Media Abstract Black And White Work on Canvas Minimalist New Media Original Painting on Canvas Innovative and Contemporary Original New Medi...
Category

2010s Minimalist Mixed Media

Materials

Canvas, Mixed Media, Acrylic, Digital

Untitled Aqua 1 - Textural Abstract Minimalist Artwork on Canvas
Located in Los Angeles, CA
Painting for Togolese artist Olympio is fearlessly following an instinct. Olympio’s work is honest and palpable: exposed, raw, and direct. His work is an unfiltered manifestation of ...
Category

21st Century and Contemporary Minimalist Abstract Paintings

Materials

Canvas, Mixed Media, Acrylic

Ebony Pictograph 3 - Textural Abstract Minimalist Artwork on Canvas
By Len Klikunas
Located in Los Angeles, CA
Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...
Category

21st Century and Contemporary Minimalist Abstract Paintings

Materials

Canvas, Mixed Media, Latex, Acrylic

Ebony Pictograph 5 - Minimalist Monochromatic Artwork on Linen Canvas
By Len Klikunas
Located in Los Angeles, CA
Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...
Category

21st Century and Contemporary Minimalist Abstract Paintings

Materials

Canvas, Latex, Mixed Media, Acrylic

Ebony Pictograph 6 - Minimalist Monochromatic Artwork on Linen Canvas
By Len Klikunas
Located in Los Angeles, CA
Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...
Category

21st Century and Contemporary Minimalist Abstract Paintings

Materials

Canvas, Latex, Mixed Media, Acrylic

Recently Viewed

View All