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Hunt SlonemHunt Slonem Colorful Bunnies Oil Painting 'Chinensis The Mother'2021
2021
About the Item
'Chinensis The Mother' by Hunt Slonem, 2021. Oil on canvas, 48 x 48 in. This painting features Slonem's signature bunnies outlined in black over swirling colors of silver, pink, orange, and blue.
This novel ‘bunnies’ painting is influenced by the hustle and bustle, 24 hour a day, irradiant lights of New York City’s Chinatown, where the artist has resided for decades. Inspired by the street lamps, window lighting and paper lanterns of the eclectic shops throughout the area, the black outlined bunnies sit atop a background with wide swaths of colors in silver, pink, orange, and blue.
Considered one of the great colorists of his time, Slonem’s neo-expressionist paintings feature an exuberant and bold, fauvist palette to emphasize his beloved menagerie of animals. Through the application of lavish, lush colors, Slonem’s painterly style continues to be fresh and innovative bordering on Pop Art aesthetics. Depicting his signature motifs of repeating whimsical animal imagery, the artist’s devotion to nature and its inhabitants are apparent.
Born in Kittery, Maine in 1951, Hunt Slonem graduated with a Bachelor of Arts degree in Painting and Art History from Tulane University in New Orleans, Louisiana. Slonem later attended the prestigious Skowhegan School of Painting and Sculpture in Maine, where he was exposed to influential artists from the New York area including Alex Katz, Alice Neel, Richard Estes, Jack Levine, Louise Nevelson and Al Held. This exposure played a pivotal role in Slonem’s artistic career, as it aided in his decision to move to New York in 1973.
Since 1977, Slonem has had over 250 solo exhibitions at prestigious galleries. Museums, both domestic and international, have collected his work, among them Solomon R. Guggenheim Museum, the Metropolitan Museum of Art in New York City, the Whitney, the Miro Foundation, and the New Orleans Museum of Art.
His work has been exhibited globally, including in Madras, Quito, Venice, Gustavia, San Juan, Guatemala City, Paris, Amsterdam, Madrid, Stockholm, Oslo, Cologne, Tokyo, and Hong Kong. His work has been shown in thirty-one different museums including the Hunter Museum of American Art in Chattanooga, Tennessee, in 1981; the Museo Diocesano d'arte sacra Sant'Apollonia in Venice, Italy, in 1986; the Albany Museum of Art in Albany, Georgia, in 2007; the Istanbul Museum of Modern Art in Istanbul, Turkey, in 2007; Museo de Arte de El Salvador in San Salvador, El Salvador, in 2010; the National Gallery for Foreign Art in Sofia, Bulgaria, in 2010; the Alexandria Museum of Art in Alexandria, Louisiana in 2011, the Polk Museum of Art in Lakeland, Florida in 2012, the Moscow Museum of Modern Art in 2015, and the Russian State Museum in St. Petersburg, Russia in 2017, among others.
- Creator:Hunt Slonem (1951, American)
- Creation Year:2021
- Dimensions:Height: 48 in (121.92 cm)Width: 48 in (121.92 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:White Plains, NY
- Reference Number:1stDibs: LU37339958402
Hunt Slonem
Hunt Slonem has mastered the art of repetition in his exuberant Neo-Expressionist paintings. Some of his favorite subjects are bunnies, butterflies and the tropical birds that live in the private aviary nestled within his 30,000-square-foot studio complex in Brooklyn, New York.
“I believe in repetition like a holy mantra or rosary,” Slonem told Introspective, referring to his artistic method. “I am slightly influenced by Pop art, like the repetition of soup cans, postage stamps and celebrities. It’s something I have been doing my whole life.”
Slonem’s depictions of birds — which are often rendered in thick, gestural brushstrokes and arranged in a loose grid — owe to a fascination with tropical avian life that he developed during a childhood spent in Hawaii and Nicaragua. Today, along with the aviary, his studio contains a personal garden, a collection of antiques and walls and walls of artworks.
“I am a collector of things. My primary focus is color and objects. I love to make them work in a space,” Slonem says. “Sometimes I define a space with color.”
Besides birds, Slonem has painted so many bunnies that they’ve become a signature. Limned in expressive, urgent strokes on flat, vibrantly colored backgrounds, these creatures fascinate through their subtle variations. “I have painted hundreds of rabbits, but each one is different,” the artist has explained. “Each has its own personality, and it just comes through me.”
The multitalented Slonem also sculpts, makes prints, creates installations and restores historic spaces. His work has achieved cult status among collectors and is represented in the permanent collections of such esteemed institutions as the Metropolitan Museum of Art. Slonem has even made an appearance on Real Housewives of New York.
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Considered one of the great colorists of his time, Slonem’s neo-expressionist paintings feature an exuberant and bold, fauvist palette to emphasize his beloved menagerie of animals. Through the application of lavish, lush colors, Slonem’s painterly style continues to be fresh and innovative bordering on Pop Art aesthetics. Depicting his signature motifs of repeating whimsical animal imagery, the artist’s devotion to nature and its inhabitants are apparent.
Born in Kittery, Maine in 1951, Hunt Slonem graduated with a Bachelor of Arts degree in Painting and Art History from Tulane University in New Orleans, Louisiana. Slonem later attended the prestigious Skowhegan School of Painting and Sculpture in Maine, where he was exposed to influential artists from the New York area including Alex Katz, Alice Neel, Richard Estes, Jack Levine, Louise Nevelson and Al Held. This exposure played a pivotal role in Slonem’s artistic career, as it aided in his decision to move to New York in 1973.
Since 1977, Slonem has had over 250 solo exhibitions at prestigious galleries. Museums, both domestic and international, have collected his work, among them Solomon R. Guggenheim Museum, the Metropolitan Museum of Art in New York City, the Whitney, the Miro Foundation, and the New Orleans Museum of Art.
His work has been exhibited globally, including in Madras, Quito, Venice, Gustavia, San Juan, Guatemala City, Paris, Amsterdam, Madrid, Stockholm, Oslo, Cologne, Tokyo, and Hong Kong. His work has been shown in thirty-one different museums including the Hunter Museum of American Art in Chattanooga, Tennessee, in 1981; the Museo Diocesano d'arte sacra...
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Considered one of the great colorists of his time, Slonem’s neo-expressionist paintings feature an exuberant and bold, fauvist palette to emphasize his beloved menagerie of animals. Through the application of lavish, lush colors, Slonem’s painterly style continues to be fresh and innovative bordering on Pop Art aesthetics. Depicting his signature motifs of repeating whimsical animal imagery, the artist’s devotion to nature and its inhabitants are apparent.
Born in Kittery, Maine in 1951, Hunt Slonem graduated with a Bachelor of Arts degree in Painting and Art History from Tulane University in New Orleans, Louisiana. Slonem later attended the prestigious Skowhegan School of Painting and Sculpture in Maine, where he was exposed to influential artists from the New York area including Alex Katz, Alice Neel, Richard Estes, Jack Levine, Louise Nevelson and Al Held. This exposure played a pivotal role in Slonem’s artistic career, as it aided in his decision to move to New York in 1973.
Since 1977, Slonem has had over 250 solo exhibitions at prestigious galleries. Museums, both domestic and international, have collected his work, among them Solomon R. Guggenheim Museum, the Metropolitan Museum of Art in New York City, the Whitney, the Miro Foundation, and the New Orleans Museum of Art.
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