Ceramic Animal Paintings

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

Locals know them as "bugs". A small bug is a one pound lobster. Artist Jeff Conroy was able to print this "bug" - a behemoth weighing in at almost 8 pounds aptly named "Big Bug". ...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

Columbus, Georgia-based artist Kellie Newsome specializes in dynamic and expressive animal portraits that radiate vitality and personality. Her unique style combines abstracted forms...

Raya, like every productive artist, is a collection of actions, utopias and talents. He is an acrylic painter and a muralist; an installation artist and a practitioner of the theory of the fragment as a synthesis of the whole; he is Chicano but his work has no passport; he is an obsessive self-portraitist (I, as the multiplicity locked within the I) and his an advocate of his community (in the fullest sense of the world); his is from Chicago and - being a nation onto himself - is a native of his art education; his yearns for the Tijuana of tomorrow while being a full-fledged inhabitant of the Tijuana of half a century back; he admires high-tech while being a fan of Frida Kahlo. --Carlos Monsivais Marcos Raya Dog Years oil on canvas 17h x 17w in 43.18h x 43.18w cm MSR054 Marcos Raya brings together old and new works in a variety of media that mostly explores the sociological impact of technological change. His paintings, collages and installations present an idiosyncratic hybrid of Mexican folklore...

Columbus, Georgia-based artist Kellie Newsome specializes in dynamic and expressive animal portraits that radiate vitality and personality. Her unique style combines abstracted forms...

This large figurative oil painting is a reinterpretation of two paintings by John Vanderbank, A young gentleman riding a schooled horse, 1729 / Man on horseback, 1728. A unique oil painting on the finest quality unprimed Belgium linen canvas. Title, year, medium and size: Crodino Aperitivo, 2023, oil, acrylic, oil stick, charcoal, pencil and spray paint on linen canvas, 220 x 180 cm (After John Vanderbank, A young gentleman riding a schooled horse, 1729 / Man on horseback, 1728) **FREE SHIPPING** Due to its large size, this painting will be shipped rolled to minimize shipping costs. The painting is shipped rolled up without stretcher bars. This method is especially safe for large works. Rolled works can be easily stretched (for canvas works, i.e. placed onto wooden stretcher bars) and/or framed by a local framer upon arrival. The painting is by Dutch contemporary artist and art teacher Rubins J...

The pronounced technique is the first thing that strikes you when viewing the works of Jan Grotenbreg (1946). It is innovative and unique. The result of...

New Series - Over The Moon with Little British Birds. We are so blessed with such a variety of beautiful garden bird species within the UK. I feel inspired and 'Over The Moon' with ...

Jenny Day (b.1981) is a painter and sculptor who lives in Santa Fe, New Mexico. She earned an MFA in Painting from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the University of California Santa Cruz. Her exhibition record most recently includes Arte Laguna in Venice, Italy, Czong Institute for Contemporary Art in Korea, Museum of Art Fort Collins, Mesa Arts Museum, Phoenix Art Museum, Blue Star Contemporary Museum in San Antonio, TX, Alabama Contemporary in Mobile, AL, and Elmhurst Museum in Chicago, IL. Day's work has been supported by an Elizabeth Greenshields Foundation Grant, a Puffin Foundation Grant, a Contemporary Forum Artist Grant from the Phoenix Art Museum, a Barron Purchase Award and on going support from The Process Museum. Day has participated at Greenwich House...

The pronounced technique is the first thing that strikes you when viewing the works of Jan Grotenbreg (1946). It is innovative and unique. The result of his idiosyncratic working method can be compared to Roman and Medieval murals, the so-called fresco in which people paint directly in wet lime. At the time, fresco technique was a decorative art form in Europe. However, it is not the decorative element that inspires and interests Jan, but the weathered appearance of the surviving fresco paintings. That is what he wanted to see in his own work. In 2000 he started experimenting with cement on linen. This technique is so special, because cement is a building material and does not stick to canvas. After many attempts, Grotenbreg has found a solution to this problem with modern binders. An impressive series of animal studies followed. Jan Grotenbreg only paints animals he has an affinity with. Animals such as the horse, the cow and the bull, as well as lesser-known animals such as the protected bird of prey, the black-capped vulture, the Egyptian Nile bird Ibis and the endangered house sparrow, have been laid down on linen by Grotenbreg in a layer of gray cement with acrylic paint in black-brown color nuances. The texture and composition of the applied cement is a very important part of his work. That's what makes it intriguing. The way in which the cement is applied determines the decisiveness of the work even more than the image. The animals, especially the sparrows, sometimes only cover a very small part of the canvas. It is clear that the emphasis is on technology. The charm of Jan Grotenbreg's work lies in the imitation of that weathering. But the animals portrayed also play a role in this and are not exempt from rendered weariness. They give a beautiful antique impression...

New Series - Over The Moon with Little British Birds. We are so blessed with such a variety of beautiful garden bird species within the UK. I feel inspired and 'Over The Moon' with ...