Oversized Paintings

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...

TitelNature morte à la théière (FOND VERT) TechnikOil on canvas Jahr1957 Grösse37cm × 105cm (14.6" × 41.3") SignaturSigned lower right "G Braque" Provenance Christie's London, 5.Fe...

"Triple Elvis" (Denied) Silkscreen Painting by Charles Lutz Silkscreen and silver enamel paint on canvas with Artist's Denied stamp of the Andy Warhol Art Authentication Board. 82 x 72" inches 2010 This important example was shown alongside works by Warhol in a two-person show "Warhol Revisited (Charles Lutz / Andy Warhol)" at UAB Abroms-Engel Institute for the Visual Arts in 2024. Lutz's 2007 ''Warhol Denied'' series gained international attention by calling into question the importance of originality or lack thereof in the work of Andy Warhol. The authentication/denial process of the [[Andy Warhol Art Authentication Board]] was used to create value by submitting recreations of Warhol works for judgment with the full intention for the works to be formally marked "DENIED". The final product of the conceptual project being "officially denied" "Warhol" paintings authored by Lutz. Based on the full-length Elvis Presley paintings by Pop Artist Andy Warhol in 1964, this is likely one of his most iconic images, next to Campbell's Soup Cans and portraits of Jackie Kennedy, Marilyn Monroe, Liz Taylor, and Marlon Brando. This is the rarest of the Elvis works from the series, as Lutz sourced a vintage roll of 1960's primed artist linen which was used for this one Elvis. The silkscreen, like Warhol's embraced imperfections, like the slight double image printing of the Elvis image. Lutz received his BFA in Painting and Art History from Pratt Institute and studied Human Dissection and Anatomy at Columbia University, New York. Lutz's work deals with perceptions and value structures, specifically the idea of the transference of values. Lutz's most recently presented an installation of new sculptures dealing with consumerism at Frank Lloyd Wright's Fallingwater House in 2022. Lutz's 2007 Warhol Denied series received international attention calling into question the importance of originality in a work of art. The valuation process (authentication or denial) of the Andy Warhol Art Authentication Board was used by the artist to create value by submitting recreations of Warhol works for judgment, with the full intention for the works to be formally marked "DENIED" of their authenticity. The final product of this conceptual project is "Officially DENIED" "Warhol" paintings authored by Lutz. Later in 2013, Lutz went on to do one of his largest public installations to date. At the 100th Anniversary of Marcel Duchamp's groundbreaking and controversial Armory Show, Lutz was asked by the curator of Armory Focus: USA and former Director of The Andy Warhol Museum, Eric Shiner to create a site-specific installation representing the US. The installation "Babel" (based on Pieter Bruegel's famous painting) consisted of 1500 cardboard replicas of Warhol's Brillo Box (Stockholm Type) stacked 20 ft tall. All 1500 boxes were then given to the public freely, debasing the Brillo Box as an art commodity by removing its value, in addition to debasing its willing consumers. Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." Leonard Bernstein in: Exh. Cat., Boston, The Institute of Contemporary Art and traveling, Elvis + Marilyn 2 x Immortal, 1994-97, p. 9. Andy Warhol "quite simply changed how we all see the world around us." Kynaston McShine in: Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13. In the summer of 1963 Elvis Presley was just twenty-eight years old but already a legend of his time. During the preceding seven years - since Heartbreak Hotel became the biggest-selling record of 1956 - he had recorded seventeen number-one singles and seven number-one albums; starred in eleven films, countless national TV appearances, tours, and live performances; earned tens of millions of dollars; and was instantly recognized across the globe. The undisputed King of Rock and Roll, Elvis was the biggest star alive: a cultural phenomenon of mythic proportions apparently no longer confined to the man alone. As the eminent composer Leonard Bernstein put it, Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." (Exh. Cat., Boston, The Institute of Contemporary Art (and traveling), Elvis + Marilyn 2 x Immortal, 1994, p. 9). In the summer of 1963 Andy Warhol was thirty-four years old and transforming the parameters of visual culture in America. The focus of his signature silkscreen was leveled at subjects he brilliantly perceived as the most important concerns of day to day contemporary life. By appropriating the visual vernacular of consumer culture and multiplying readymade images gleaned from newspapers, magazines and advertising, he turned a mirror onto the contradictions behind quotidian existence. Above all else he was obsessed with themes of celebrity and death, executing intensely multifaceted and complex works in series that continue to resound with universal relevance. His unprecedented practice re-presented how society viewed itself, simultaneously reinforcing and radically undermining the collective psychology of popular culture. He epitomized the tide of change that swept through the 1960s and, as Kynaston McShine has concisely stated, "He quite simply changed how we all see the world around us." (Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13). Thus in the summer of 1963 there could not have been a more perfect alignment of artist and subject than Warhol and Elvis. Perhaps the most famous depiction of the biggest superstar by the original superstar artist, Double Elvis is a historic paradigm of Pop Art from a breath-taking moment in Art History. With devastating immediacy and efficiency, Warhol's canvas seduces our view with a stunning aesthetic and confronts our experience with a sophisticated array of thematic content. Not only is there all of Elvis, man and legend, but we are also presented with the specter of death, staring at us down the barrel of a gun; and the lone cowboy, confronting the great frontier and the American dream. The spray painted silver screen denotes the glamour and glory of cinema, the artificiality of fantasy, and the idea of a mirror that reveals our own reality back to us. At the same time, Warhol's replication of Elvis' image as a double stands as metaphor for the means and effects of mass-media and its inherent potential to manipulate and condition. These thematic strata function in simultaneous concert to deliver a work of phenomenal conceptual brilliance. The portrait of a man, the portrait of a country, and the portrait of a time, Double Elvis is an indisputable icon for our age. The source image was a publicity still for the movie Flaming Star, starring Presley as the character Pacer Burton and directed by Don Siegel in 1960. The film was originally intended as a vehicle for Marlon Brando and produced by David Weisbart, who had made James Dean's Rebel Without a Cause in 1955. It was the first of two Twentieth Century Fox productions Presley was contracted to by his manager Colonel Tom Parker, determined to make the singer a movie star. For the compulsive movie-fan Warhol, the sheer power of Elvis wielding a revolver as the reluctant gunslinger presented the zenith of subject matter: ultimate celebrity invested with the ultimate power to issue death. Warhol's Elvis is physically larger than life and wears the expression that catapulted him into a million hearts: inexplicably and all at once fearful and resolute; vulnerable and predatory; innocent and explicit. It is the look of David Halberstam's observation that "Elvis Presley was an American original, the rebel as mother's boy, alternately sweet and sullen, ready on demand to be either respectable or rebellious." (Exh. Cat., Boston, Op. Cit.). Indeed, amidst Warhol's art there is only one other subject whose character so ethereally defies categorization and who so acutely conflated total fame with the inevitability of mortality. In Warhol's work, only Elvis and Marilyn harness a pictorial magnetism of mythic proportions. With Marilyn Monroe, whom Warhol depicted immediately after her premature death in August 1962, he discovered a memento mori to unite the obsessions driving his career: glamour, beauty, fame, and death. As a star of the silver screen and the definitive international sex symbol, Marilyn epitomized the unattainable essence of superstardom that Warhol craved. Just as there was no question in 1963, there remains still none today that the male equivalent to Marilyn is Elvis. However, despite his famous 1968 adage, "If you want to know all about Andy Warhol, just look at the surface of my paintings" Warhol's fascination held purpose far beyond mere idolization. As Rainer Crone explained in 1970, Warhol was interested in movie stars above all else because they were "people who could justifiably be seen as the nearest thing to representatives of mass culture." (Rainer Crone, Andy Warhol, New York, 1970, p. 22). Warhol was singularly drawn to the idols of Elvis and Marilyn, as he was to Marlon Brando and Liz Taylor, because he implicitly understood the concurrence between the projection of their image and the projection of their brand. Some years after the present work he wrote, "In the early days of film, fans used to idolize a whole star - they would take one star and love everything about that star...So you should always have a product that's not just 'you.' An actress should count up her plays and movies and a model should count up her photographs and a writer should count up his words and an artist should count up his pictures so you always know exactly what you're worth, and you don't get stuck thinking your product is you and your fame, and your aura." (Andy Warhol, The Philosophy of Andy Warhol (From A to B and Back Again), San Diego, New York and London, 1977, p. 86). The film stars of the late 1950s and early 1960s that most obsessed Warhol embodied tectonic shifts in wider cultural and societal values. In 1971 John Coplans argued that Warhol was transfixed by the subject of Elvis, and to a lesser degree by Marlon Brando and James Dean, because they were "authentically creative, and not merely products of Hollywood's fantasy or commercialism. All three had originative lives, and therefore are strong personalities; all three raised - at one level or another - important questions as to the quality of life in America and the nature of its freedoms. Implicit in their attitude is a condemnation of society and its ways; they project an image of the necessity for the individual to search for his own future, not passively, but aggressively, with commitment and passion." (John Coplans, "Andy Warhol and Elvis Presley," Studio International, vol. 181, no. 930, February 1971, pp. 51-52). However, while Warhol unquestionably adored these idols as transformative heralds, the suggestion that his paintings of Elvis...

Bitcoin Graffiti Abstract Canvas Art, Cryptocurrency Bitcoin Painting Innovative and Contemporary Original New Media vs Painting Abstract Work on C...

A charming depiction of the Flatiron building in New York City with figures in the snow. A cozy impressionistic street scene with colors of cobalts, whites, and burnt sienna's. An ic...

Large German Orientalist oil painting of horse riders by Schreyer German, Late 19th Century Canvas: Height 59cm, width 96cm Frame: Height 85cm, width 122cm, depth 8cm This outstandi...

HMS Resolution In A Gale, 17th Century Huge 17th Century British Royal Navy Third rate Ship Of The Line HMS Resolution sailing through a gale, oil on canvas. Excellent quality and c...

Oil on Canvas. The painting looks to the similar work by Paolo Veronese (1528-1588), dated around 1560-70 and now in the Prado Museum, from which our painting takes up the compositio...

sbc 208 (Abstract painting) Acrylic on linen — Unframed Susan Cantrick's abstract paintings explore the pre-verbal realm of thought through structured visual responses. Her process ...

Artist: Unsigned Mid 20th Century (circa 1950/60) English School Title: "Expansive Birds Eye View Of Exeter Devon High Street" Medium: oil on board Size: 130cm x 70cm inc frame Com...

"Another Message No. 5" is a framed oil on canvas painting by Joseph Adolphe, depicting a white piece of cloth floating in the wind with an abstract landscape behind it. The expressi...

Aron Hill’s acrylic minimalist paintings are inspired interpretations of landscape. For this Calgary-based artist, ‘landscape’ has been re-imagined in modern form with clean bold li...

Carmen Louis Cicero, American (1926 -) - Untitled, Year: 1972, Medium: Oil on Canvas, signed and dated on verso, Size: 38 x 44 in. (96.52 x 111.76 cm)

Light Thoughts, 2024 Mix Media on artist board Size - 72" height x 84" width x 1.75" depth Signed Murray Duncan is a self-taught creative visionary. Know for his large-scale, expres...

Catherine of Braganza (1638–1705), Circle of Sir Peter Lely (1618–1680) Queen consort of England, Scotland, and Ireland, married to King Charles...

Extra-large dramatic painting from 1985 by Francois Boissiere (1956 - )

French artist Trimborn is renowned for his large-­scale, stunning landscapes in oil on canvas. Trimborn, trained as an architect, categorizes his work as “contemporary impressionism”...

Giclee on canvas. Hand signed lower right by Doug Bloodworth. Hand numbered 24/150 lower right. Canvas size 38 x 50 inches. Canvas is not stretched. Artwork is in excellent co...

A year in creation, we are proud to present, "Butterfly Effect", by Fidan Kim. This is an original oil on canvas, signed, created in 2024, excellent original condition, sold unframe...

Lebanese American artist Sally K.'s captivating floral portraits are both mesmerizing and empowering. Her pop-realistic paintings are inspired by strong, feminine women, celebrating ...

Carol Stewart Back From Morocco oil on paper mounted on panel 36h x 48w x 1.50d in 91.44h x 121.92w x 3.81d cm CST019 Through her ethereal and often dreamlike paintings Carol Stewa...

Tablescape (Mid-Century Modern Abstract and Cubist Style Oil Painting on canvas) by New York School Painter and WPA artist, Lionel Gilbert Mid century modern, abstracted still life p...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Multicoloured Waves" by Lenny Cornforth is a captivating orig...

Painting done on extra strong cardboard paper. Large painting done with acrylics. The painting wants to represent a symphony in circular forms and lines. It is a very delicate paper ...

Immerse yourself in the serene beauty of the Colorado River with Topher Straus' captivating "The Colorado" Limited Edition. This awe-inspiring digital artwork portrays the majestic r...

Blue, Navy, calm, teal, white, cloud, green, river,landscape 49 x 37" oil on canvas, maple frame Inspired by the drama of nature and light, Cynthia creates abstracted landscapes wi...

Proof of the Unreal n°17/19 is a unique painting by contemporary artist Guillaume Chansarel. The painting is made with ink and acrylic on old book pages mounted on canvas, dimensions...

Charlotte Gibbs’ "flag" paintings often reference the artist's interest in Pop art and sometimes incorporate 23 karat gold leaf in addition to oil paint, but not always. With its ...

Akinboye Akinola Peter is an emerging talent in the art world, hailing from Nigeria, and is quickly gaining recognition for his thought-provoking and visually captivating works. His distinctive style fuses elements of realism and surrealism, and he has a penchant for weaving intricate narratives into his creations. "Clouds" is a testament to Akinboye's unique perspective and artistic prowess. At the center of "Clouds" is a young man seated on a simple wooden table, his posture conveying a deep sense of contemplation and solitude. Beside him, a vintage radio stands...

In creating this work, I harnessed the fluidity and spontaneity of acrylics to explore a dynamic interplay of forms. Inspired by nature's unpredictable beauty, my brushes danced acro...

Artist: Smith, Bisco Title: Keep Moving Forward Date: 2022 Medium: Latex and Spray Paint on Canvas Unframed Dimensions: 48" x 48" Signature: Signed Edition: Unique

Fifth Avenue Manhattan New York City Panoramic Painting by Contemporary Artist, Angela Wakefield. This is a major work from her New York Series. Art measures 48 x 24 inches Frame me...

"Detrás", Behind, it is a work that invites reflection and contemplation. Its square format and careful composition divide the space into two vertical strips, each with its own sym...

Contemporary fictive landscape with shape and color as pathways to the imagination. Evoking memories, awe and wonder with its autumn colors of blue, orange, green and yellow. Origi...

‘Your Song Refreshed My Soul’ is an original acrylic painting by Sarah Ollerenshaw. This painting resonates and inspires for a moment a spiritual transportation away from the busynes...

One of the originators of the Western pop art movement, Billy Schenck incorporates techniques from photorealism with a pop art sensibility to both exalt and poke fun at images of the...

I observed that her beauty comes from embracing herself. Her flexibility to switch from night to day and her open alms of embracing the two seasons. Therefore, embrace yourself like...

This is a gorgeous David Sorensen painting; one of the desirable ‘Horizon’ series painted in the early 2000s. The palette is rich and warm. The gestural brushstrokes reveal subtle la...

View of the Bergsee is an original modern artwork realized by the Austrian artist and painter Josef Brunner in the middle of the XIX Century. Original Oil painting on Canvas cm. 72 x 3 x 102 (canvas). A beautiful original XIX Century decorated frame is included (total dimensions: 100 x 5 x 130). Both the work and the canvas are in very good conditions. Beautiful and intense oil painting depicting the Austrian mountain lake Bergsee. The painting is characterized by a particular play between lights and shadows: the light indeed is distributed in an extremely suffused but homogeneous way on the view but it is also able to create that sense of magic that characterized the whole landscape. The color of the lake therefore assumes a transparency and an iridescent blue that tends to the green and reflects the color of the surrounding mountains. The sky appears full of rainy clouds but they still allow the rays of the last sun to shine on. The general vision conveys calm and tranquility thanks also to the refined use of color and the play of lights and shadows, the turquoise and the pale opaque blue of the lake is perfectly emphasized by the various green tones of the trees. The white, gray and light brown rocky mountains embrace the lake and the cloudy sky in shades of blue increases the feeling of tranquility. The landscape is desolate; the only signs of life are the three fishermen on the shore: they are three small figures painted in different poses and illuminated by the light too. The surface of the water reflects in a spectacular way the surrounding landscape, it is similar to the surface of a mirror. The style, fantastic and almost dreamy, is into the full Germanic Romanticism. Mindful of Caspar David Friedrich's memoirs (Greifswald, 1774 - Dresda, 1840), the author certainly took his cue from the style of the German and the Austrian Romanticism; tangible signs of Romantic painting are the choice of the subject, an uncontaminated Nordic landscape, and the almost fairytale atmosphere that we find in the composition. This wonderful Romantic painting was created by the Austrian artist Josef Brunner (Wien, 1826 - Wien, 1893). Joseph Brunner was the son of Joseph...

[Bruce Sargeant (1898-1938) In the Locker Room, Contemporary Queer Figurative Painting n.d. Signed in red, u.l. Oil on canvas 60 x 36 inches $8,000 + $750 framing This work is ...

T E Pencke original oil painting on canvas “Paris scene” . In good condition some chips in the corners of the frame . Painting measures 40x29

Louis Bosworth Hurt British, (1856-1929) Crossing the Moorland Oil on canvas, signed & inscribed with title in pencil on the stretcher Image size: 23.5 inches x 39.25 inches Size in...

Son of a soil which also means a "peasant" is a personality that leaves by the soil, on the soil, and around the soil… Painting Ships in a well-protected tube from Nigeria This work...

Artist/Designer; Manufacturer: Francis Newton Souza (Indian, 1924-2002) Marking(s); notes: signed; 1975 Materials: acrylic on canvas Dimensions (H, W, D): 30"h, 49.75"w image; 35.5"h...

Antonio Gritón (Mexico City, 1953) Lives and works in Mexico City. Antonio Griton is a visual artist and tireless promoter of Mexican culture. He captures a visual discourse that r...

We are please to announce that we are now representing the Pop Art cowboy and cowgirl paintings of the artist Matt Straub. We at the gallery have been exc...

French artist E. Pullman (France, 20th Century) designed this stylish cubist abstract cityscape oil on canvas painting. The skillful composition and rigorous construction use vivid c...

"Victory" emanates a sense of vibrancy and vitality, drawing viewers into its world of anticipation and celebration. The central figure, depicted with a wide grin and laughter lines ...

Jacob de Backer (Antwerp, c. 1555 – Antwerp, c. 1585) The Redemption of Adam and Eve after their Expulsion from Eden Oil on oak panel (106 x 76 cm - In frame 126 x 96 cm) Th...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Alessandro La Volpe (Italian, 1820-1887) View of Mt. Etna From the Ruins of the Theatre at Taormina, 1883 Oil on canvas Signed and dated lower right 29.5 x 52.5 inches 39 x 62 inches...

Portrait of a Lady in a Chair by Maria Tort Xirau (Catalan, 1924-2018) signed lower corner dated 1991 oil painting on canvas, framed canvas: 47 x 37....

Ethereal and minimal, Susan English’s paintings play with light and space. She employs transparent pigments and layering to manipulate light and illuminate her color fields. Soft var...

King William III Stag Hunting, 18th Century John WOOTTON (1682-1765) Huge 18th Century English landscape with King William III stag hunting with his party, oil on canvas. Excelle...

At Escat Gallery, we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of A...

A graceful, fair-haired female figure swims with her back turned in inviting, dark midnight blue water. A round, luminous, glowing moon reflects on the water's rippling surface in th...

Since the 12th century people in China have used folding screens and doors to partition and decorate their homes—the vivid scenes backing the screens added life and color to a room. ...

Buwa Shete - Couple - 30 x 60 inches (unframed size) Oil on Canvas, 2005 ( ROLLED AND DOOR DELIVERED ) Buwa Shete, born in 1960 in Maharashtra, India, is o...

Henry Redmore British, (1820-1887) Trading Schooners & Dutch Luggers on the Humber Estuary Oil on canvas, signed & dated 1873 Image size: 23.5 inches x 37.5 inches Size including frame: 31.25 inches x 45.25 inches An atmospheric seascape of fishing boats and ships on the Humber Estuary at sunset. Fishermen can be seen unloading their catch by the shore as others take down their sails and drop anchor. Henry Redmore was born in Kingston upon Hull, Yorkshire in 1820 to James Redmore and Mary Wilkinson. His father was an engineer and initially Henry followed in his footsteps becoming a marine engineer. His job took him on several voyages as an engineer, which undoubtedly inspired his future career as an artist. He married Martha Markham on 28 November, 1844 at Hull and together they settled in Sculcoates, a suburb of Hull, They went on to have 4 children...

Jaipur (2004) is a painting by French contemporary artist Christophe Dupety. Oil on canvas, 130 x 195 cm (H 51.2 x W 76.8 in). Unique work sold unframed with a certificate of authen...