Oversized Paintings

Ricky Hunt’s work is influenced by Egyptian hieroglyphs, graffiti and his tumultuous past that led to a paradigm shift in creativity and life. He covers the canvas with unique imager...

CHRIS GWALTNEY is a painter from Southern California. He paints in a lush style, combining areas of abstraction with loose figurative elements. He experiments with sensuous surface...

George Ward Tjungurrayi was born near Kiwirrkura. It was only in his teenage years that he first encountered Europeans, when a commonwealth wel...

As one of the world’s most collected, significant pop artists today, Nelson De La Nuez is a born iconoclast. Using his unique juxtaposition of pop culture and surrealism, blended with America’s rich culture and history, De La Nuez has created works of art that are considered timeless. Listed on the “Who’s Who List of the Most Collected Artists of Our Time,” his works are original, bold and outspoken. De La Nuez is known for his distinctive, trademarked style called “Art on the Edge,” which is creating art on all sides of the canvas and wood. This unique painting measures 48 inches high by 40 inches wide. It is signed on the front and the back by the artist. This artwork is framed in a black wood frame. Size and price include frame. It is wired and ready to hang. Free local Los Angeles area delivery. Affordable U.S. and global shipping options available. A certificate of authenticity issued by the art gallery is included. De La Nuez’s artwork is hanging in some of the most prominent, private collections of movie stars, directors, producers, comedians, corporations and art connoisseurs, as well as purchased recently for future auctions by Sotheby’s. His art has been featured on countless television shows, including: VH1: Fabulous Life of: “The Latest in Billionaire Home Décor,” “Inside Edition,” MTV “Cribs,” HGTV “Designer’s Challenge,” E! “Celebrity Favorites,” “America’s Next Top Model”, HGTV’s “Extreme Homes,” countless Bravo TV shows and “TMZ: Michael Jackson’s Final Art Purchase.” His works have been in high demand at international art shows and galleries. His works are represented by Artplex Gallery, Los Angeles. Nelson De La Nuez was born in 1959 in Havana, Cuba and came to the US at age seven. He was raised in Glendale, CA. De La Nuez studied art history at Boston University. He sees life as a “backwards ride on a Ferris wheel while sitting in an enlightening philosophy course.” His images become performances – his characters the source of laughter and enjoyment. Nelson tries to create a new generation of art lovers, drawing upon icons and art history to entice younger minds, in turn provoking the interest of the generation above them. De La Nuez is an innovative artist who captivates people with his outlandish juxtaposed art. He is constantly creating new, thought-provoking images, which have been collected worldwide. The L.A. Times called De La Nuez “the comedic da Vinci of our times.” His ability to use these non-related images to achieve a whole new and stimulating outlook on life has brought him many awards and published features. The artist continues to challenge himself to incorporate new and exciting ideas into his art and his style. He believes he is a success if his art inspires people to think beyond the norm. Artplex Gallery has been representing and exhibiting Nelson de la Nuez's original artworks since 2016. Artplex Gallery is a partner gallery of Artspace Warehouse. Artspace Warehouse has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse and Artplex Gallery are known to provide accurate descriptions, images, reliable services, communication, and delivery. REPRESENTATION Artplex Gallery, Los Angeles, California, USA EXHIBITIONS 2023 "Perspectives on Street Art", Artplex Gallery, Los Angeles, CA 2022 "Freestyle Iconography", Artplex Gallery, Los Angeles, CA 2021 Hamptons Market Art & Design. The Bridgehampton Museum 2021 Beach Life, DTR Modern Gallery, Nantucket 2021 “Live It Up” De La Nuez, Jennifer Balcos Gallery, Buckhead, ATL 2021 “Winter Wonderland”, DTR Modern Gallery, Washington DC 2020 DTR Modern Gallery, New York 2020 White Room Gallery, Bridgehampton, NY 2020 A Style Gallery, Solo Show, Hong Kong 2020 DTR Modern Gallery, Boston 2019 Pop Art Then & Now, DTR Modern Gallery, Boston, MA 2019 Melbourne Art Fair, Royal Exhibition Building, Australia 2019 Hamptons Market Art & Design, the Bridgehampton Museum 2019 Art Fair Hong Kong 2018 Art Fair, New York, NY 2018 Baselworld, Basel, Switzerland 2018 Art Market San Francisco, CA 2018 LA Modern & Contemporary Art Show, CA 2018 Pop, Bang; De La Nuez, DTR Modern Palm Beach, FL 2017 Hong Kong, HK 2017 Corum Bubble Watch...

This is a beautiful oil on canvas painting of a vase of pink flowers. This work is circa the 19th century and is an original by the Belgain artist Jean Capeinick (1838-1890). ...

This superb Scottish Impressionist landscape oil painting is by noted artist George Houston. The location is the River Ayr in spring and it was painted circa 1920. The choppy river i...

Victoria Novak’s "Flame," crafted in 2018, is an original oil on canvas that bursts with the energy of tropical blooms. This framed work, measuring 50.2...

Titan Fine Art presents this exquisite oil on panel portrait depicting a handsome young gentleman in an exuberant black damask doublet. The pose, with one hand holding gloves and the other akimbo, was one that was well-established for gentleman of the upper echelons of society by the time this work was painted. The principle governing portraits at this time was the recording and defining in visual terms of the position of a sitter in society. In addition to brilliant and complex symbols of luxury, they often contained many symbolic elements too; the inclusion of gloves was often used in portraits that celebrated a betrothal as in ancient times gloves were used to seal a marriage contract. The extraordinary costume of a black shimmering doublet, the brilliant white reticella ruff, and the cuffs edged with lace were immensely costly… this attire proclaims to every onlooker that this is a superior being. The rendering of the reticella lace ruff is exquisite and the artist has recorded the design that runs through the black damask fabric with meticulous attention to detail. The preservation of this black pigment is remarkable considering the age of the work. Black pigments are especially vulnerable to fade and wear over time partly due to environmental condition but also from unprofessional cleaning. This work is an exquisite example from the period. According to the inscription in the upper right, the gentleman was in his 22nd year of age in 1624. The coat of arms, which is displayed without a crest, may be ‘blazoned’ in the language of heraldry, as: Sable on a Chevron between in chief two Roundels and in base a Billet [or possibly Square] Or three Martlets Sable. In plainer English this means a black (Sable) background, spanned by a gold (Or) chevron, above which are two golden solid circles (Roundels), and below which is a gold rectangle (Billet); on the chevron are three small black birds (Martlets). Martlets are a stylised form of heraldic bird, believed to be based on the swift, which are conventionally drawn with small tufts instead of feet. In Continental Europe it is also conventional for them to be drawn without beaks, as appears to be the case here. The birds in this instance also have a vaguely duck-like appearance. Five families have been identified with very close armorial bearings to the one in our portrait. They are the (van) Houthem’s (of Brabant), the Prévinaire’s (of Flanders and Holland), and the Proveneer’s (of Liège) and it must be noted that the locations of these families also fit with the painting’s Flemish origins. However the French Grenières’s (of Île-de-France) and the Jallot’s (of Normandy) are the next closest matches and plausible matches, as Frans Pourbus had settled in Paris just a few years before our portrait was painted. This painting has been assessed by a professional conservator prior to going on sale, and as thus, it can be hung and enjoyed immediately. Frans Pourbus the Younger...

Medium: Oil on canvas (Floral Stroll), Acrylic on canvas (Pink Sky) Dimensions: Each canvas 80 x 80 cm (31.5 x 31.5 in) Artist: Linda Clerget This stunning diptych by Linda Clerget ...

This painting by Carlo Francesco Nuvolone, the great Lombard master of the mid-seventeenth century, is striking for its dazzling composition and the brilliant colors of Christ's tuni...

Marcia Myers was an American painter best known for her large-scale Color Field abstractions. Emulating the traditional fresco painting techniques of ancient Rome, she used several l...

The painting "The Road to Emmaus in a Landscape" by Gillis de Hondecoeter is a masterful example of early 17th-century Dutch landscape painting. The sce...

Oil painting by Ta Byrne I love painting people, but I don’t want to paint portraits, I want my people to have a bit of character, a little of the night about them I want them to be ...

"Geostructure II" is an intensely colorful painting of the primary shapes of the circle, square, and triangle. Though the shapes are repetitive their mixed juxtapositions and the creative use of color moves the eye around the canvas with constant interest. This painting is an extraordinary example of Franklin Jonas...

Large American Orientalist oil painting of a courtyard by F. A. Bridgman American, c. 1900 Canvas: Height 69cm, width 91cm Frame: Height 95cm, width 108cm, depth 8.5cm Wonderfully p...

Lester Johnson original oil on canvas “Green Twins” very large. in good condition measures 60x47. buyer is responsible for all additional shipping charges

Figurative Oil Painting of Workers on Scaffolding French artist, circa 1970's oil on canvas, unframed canvas : 51 x 38 inches Provenance: private c...

Provenance Acquired by the gallery directly from the artist Artist Statement “The 19th century painter Anders Zorn was a big influence for me on this work. I was looking at his 'Dance in Gopsmor Cottage' while painting, and trying to limit myself to brushes no small than an 8. I am quite satisfied with the light effect I achieved. As you can see I really boosted up the highlight on those stockings! It was a case where the sun had streamed in through an east light window (unwelcome at the time), rendering the model's legs impossibly bright. I've used a very thick impasto and even some cadmium lemon to try and convey the impression of light I was seeing. While executing this painting it occurred to me that this was the kind of unusual lighting...

In this contemporary landscape in oil on panel, ivory clouds float in an idyllic pink sky over brown rolling hills and mountains. Signed, dated and titled on verso. David Konigsberg...

[Bruce Sargeant (1898-1938)] Three Bathers by the Water Signed in red, recto Oil on canvas 96.25 x 67 inches (244.5 x 170.2 cm) $15,000 + $900 framing This work is offered by Cla...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

In crafting this piece, I channeled my passion for the intangible dance of feelings and thoughts. Oils offer depth and richness, applied in layers to create an immersive landscape of emotion. There's a sense of movement, almost like the ebb and flow of a serene tide, contained within the abstraction. This painting is a reflection of life's complexities, striving to resonate and awaken a profound connection in the beholder's spirit. "Stay with me" is a captivating human scale painting that beckons the person viewing it to step inside and stay a while. It is made with a gorgeous golden palette with violet and...

Using the striking imagery that is abundant in the California landscape, queer artist Kory Alexander creates dreamy paintings that are flooded with vibrancy and movement. Kory consid...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Artist/ School: Italian School, mid 20th century - 1960's period. Signed lower corner indistinctly. Title: Venice. Medium: oil painting, on canvas. Size: frame: 32.5 x 44 in...

Flowery meadow 3 - oil, acrylic painting on canvas, large size, ready to hang size: 39,5" x 37,5" (100cm x 95cm), 2023 oil, canvas Vibrant colors, rich textures and color tones accu...

Victor Wang's subject is a female seemingly caught in a contemplative moment yet a war rages behind her. She dons a hat shaped as a boat and carries and oar as if to "Dream Away" these other thoughts. Wang uses a blend of luminous colors and buttery textures to evoke these enigmatic moments of meditation. Influence by the Renaissance Masters Titian and Rembrandt for their glazing and layering techniques respectively, the artist builds the surface using heavy paint, swirling and mixing the color on the canvas. The end result is a poetic and emotionally powerful representation of the human form. Victor Wang Dreaming Away, 2017 oil on canvas 42h x 56w in 106.68h x 142.24w cm VWG009 My path through life has been adventurous, exciting, and dream-like. My experience of settling into America in search of better opportunities has been both challenging and inspiring. I use the human face as a vehicle to paint human experiences - worry and wonder, sadness and pleasure - which reflect the emotional stage directly tied to my immigration experiences. I grew up amongst the sunflower fields in northern China. In my childhood years, I played under the bright, yellow sunflowers with my brothers everyday. China’s Cultural Revolution played an important part in my life. During that time, sunflowers were used as political allegories to depict how citizens of China should follow Mao who represented the sun, since sunflowers follow the sun’s movements. People eventually inferred the deception that this symbol masked. After graduating from high school, I was sent to a labor camp in the country for ‘reeducation’ during China’s Cultural Revolution. There, I was subject to grueling farm work. Often, I worked in corn and sunflower fields from sunrise to sunset. Thus, for me, sunflowers evoke both personal joy and sadness. Therefore, to deliver my complex feelings, I use sunflowers as a metaphor to connote my background and emotional stage. My incorporation of collages of figures from China’s Tang Dynasty represents my Chinese heritage and is a constant reminder of where I came from. The texture and earthiness on the canvas’s surface are inspired by the texture of the soil on the farm where I worked in China. Although I often gain great pleasure from the process of painting, it is most important to unfold expressively those feelings within myself. Wang belongs to a generation of immigrant painters from China, whose artistic background was defined by socialist realism but took advantage of their skills and broke away from that tradition to create new subjects in the U.S. “When I was a student during Cultural Revolution, Soviet realism art was among the dominant source of influence and it grabbed us like lightening rod...

“Spring In The Canyon” oil on linen canvas, signed and dated 1970 lower right corner. Hans Burkhardt (1904-1994) Canvas: 32”H x 42”W. Artist f...

"Meltdown in No. 23", a large scale abstract finished with a high gloss lacquer by Duane Albert Armstrong (American, b. 1938). Presented in a black metal frame. Signed "D. Armstrong"...

Acquired by the gallery directly from the artist UNFRAMED: 58" x 45" FRAMED: 66" x 53" x 4" Artist Statement “The painting was created during a live rodeo, and shows the skills, e...

This large 119" x 72" mixed media painting by the artist, XVALA, is from his series 'Pandemic Collection: 8' and depicts bright colorful cartoon chara...

In his work, “In the Alleghenies,” William Lewis Sonntag depicts a mountain lake ringed with imposing peaks and autumn forest.

"Feelings" is a visual exploration of complex human emotions, relationships, and resilience. The layered figures, abstracted and partially overlapping, reflect the intertwined ident...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work...

The Highland Loch (Loch Baddagyle) signed by Prudence Turner, British b. 1930, signed. oil painting on canvas, framed. framed: 23 x 43 inches canvas: 20 x 40 inches Provenance: pr...

Jodi Miller captivates with her atmospheric landscapes, inspired by the vast skies of her prairie upbringing and her global travels in the Royal Canadian Air Force. Influenced by the...

Domenico Maria Canuti (Bologna, Italy, 1626 – 1684) Title: Assumption of the Virgin Medium: Oil on canvas Dimensions: 138 x 104.5 cm without frame Expertise by Professor Micaela Li...

Vintage American modernist interior scene with figures by Carol Lauttenbauch. Oil on canvas. Large scale work. Amazing detail and an intricate composition. Very impressive in per...

Sweet Moonlight II is a beautiful oil painting on canvas by award winning contemporary artist Michael Budden that showcases a misty moonlit seascape with a shimmering reflection of ...

A cluster of flowering lilypads are framed in pond grasses, irises and violets in this summer fresh still life by Ciba Karisik. Framed dimensions are 41.25 x 51.25 inches. Ciba Kari...

This charming British 18th century Old Master portrait oil painting is attributed to noted portrait artist Thomas Hudson. Hudson was most prolific between 1740 and 1760 and, from 174...

Artist: Ian Hornak (1944-2002) Title: Last Song: Im Abendrot (In Evening’s Glow) Year: 1985-2001 Medium: Acrylic on Canvas, with Artist Painted Frame Size: 47 x 59 inches Condition: ...

Andrea Scacciati (Florence 1642-1710) Composition of flowers within embossed vase (1 of 3) oil on canvas 130 x 90 cm In antique frame 145 x 105 cm. Work with expertise by Prof. Emi...

Original work by Spanish artist Rafael RUZ. Acrylic on canvas in perfect condition. While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in the...

Contemporary abstract painting by Houston-based artist Gary Griffin. The work features a central amorphous shape created with diffused layers of blue and aqua against an off-white ba...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Red Dirt & Sea, 2022 acrylic on cardboard 119 H x 79 W cm 46 27/32 H x 31 7/64 W cm The series of painted cardboards by Alexandru Rădvan is about our moments of 'respiro' about the...

Fun Dining Oil on canvas artist signed. Smith Blanchard was born on August 19, 1952 in Port-au-Prince, Haiti. Smith Blanchard was the son of the late Haitian artist Sisson Blanchard...

Sidney Richard Percy British, (1821-1886) Glen Falloch Oil on canvas, signed & dated (18)69 Image size: 23.5 inches x 37.5 inches Size including frame: 29.5 inches x 43.5 inches Provenance: MacConnal-Mason & Son Ltd A superb Scottish landscape painting of Glen Falloch by Sidney Richard Percy. The work is typical of his oeuvre and includes seated figures, a fisherman, cattle and sheep. Glen Falloch is a valley in the Argyll and Bute area of Scotland. It lies between Crianlarich and Loch Lomand. The river Falloch, which is featured in the painting, flows through it before entering Loch Lomand. Sidney Richard Percy was born Sidney Richard Williams, on the 22 March, 1822 the fifth son of the artist Edward Williams Snr (1781–1855) and Ann Hildebrandt. His brothers Edward Charles (1807–1881), Henry John Boddington (1811–1865), George Augustus (1814–1901), Arthur Gilbert (1819–1895) and Alfred Walter Williams...

This portrait, attributed to the American painter Ralph Earl, captures Benedict Arnold, one of the most controversial figures of the American Revolutionary War. Ralph Earl, known for...

In this piece, I've endeavored to capture the essence of a vibrant, transitional season, weaving together the warmth of changing leaves with the crisp, clear skies. Using acrylics an...

Windy Coast - The painting was created in 2025 by celebrated American realist artist Willard Dixon, who has captured the undeniable beauty of the west for the past 35 years. Dixon’s ...

Hunt Slonem "Untitled (Rabbit Triptych Panel Three)" Bunnies Rabbits rendered in black on a gold, silver, bronze, blue, green, yellow and red background. Unframed Hunt Slonem is a w...

This evocative painting by Lee Tiller is an invitation to pause, breathe and contemplate the beauty of nature. This roseate dusk captures the atmospheric effects of a gentle warm sum...

This artwork features a vivid abstract expression of Anna, created in a dynamic technique where the balance between form and color is meticulously explored. Painted with oil on plywo...

This lovely Dutch Old Master oil painting is attributed to noted Dutch artist Nicholaes Berchem. Painted circa 1665 it is a charming pastoral scene of a shepherd and his animals including sheep, goats, donkey and cows and of course his trusty dog. They are all resting beneath trees while he looks on attentively. The light in the sky and the light and shadows on the animals is beautiful. A really superb example of Dutch Old Master art with great detail. Provenance. Surrey estate. Christies stamp verso. Condition. Oil on canvas, 38 inches by 32 inches and in good condition. Frame. Housed in a complementary gilt frame, 46 inches by 30 inches and in good condition. Nicolaes Pieterszoon Berchem (1620-1683) was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre pieces. He was a member of the second generation of "Dutch Italianate landscape" painters. These were artists who travelled to Italy, or aspired to, in order to soak up the romanticism of the country, bringing home sketchbooks full of drawings of classical ruins and pastoral imagery. His paintings, of which he produced an immense number, (Hofstede de Groot claimed around 850, although many are misattributed), were in great demand, as were his 80 etchings and 500 drawings. His landscapes, painted in the Italian style of idealized rural scenes, with hills, mountains, cliffs and trees in a golden dawn are sought after. Berchem also painted inspired and attractive human and animal figures (staffage) in works of other artists, like Allaert van Everdingen, Jan Hackaert, Gerrit Dou, Meindert Hobbema and Willem Schellinks. Born in Haarlem, he received instruction from his father Pieter Claesz, and from the painters Jan van Goyen, Pieter de Grebber, Jan Baptist Weenix, Jan Wils and Claes Cornelisz. Moeyaert. According to Houbraken, Carel de Moor told him that Berchem got his name from two words "Berg hem" for "Save him!", an expression used by his fellows in Van Goyen's workshop whenever his father chased him there with the intent to beat him. No trip or Grand Tour by Berchem was documented by Houbraken though he mentioned another story about the "Berg hem!" nickname which came from Berchem's conscription as a sailor; the man in charge of impressment knew him and sent him ashore with the words "Save him!". Today his name is assumed to come from his father's hometown of Berchem, Antwerp. According to the RKD he traveled to Italy with Jan Baptist Weenix, whom he called his cousin, in 1642–5. Works by him are signed both as "CBerghem" and "Berchem". In 1645 he became a member of the Dutch reformed church and married the year after. According to Houbraken he married the daughter of the painter Jan Wils, who kept him on a short allowance, but to finance his collection of prints he would borrow money from his pupils and colleagues and pay them back from the proceeds of paintings that he didn't tell her about. Around 1650 he travelled to Westphalia with Jacob van Ruisdael, where a dated piece showing Burg Bentheim is recorded. Maybe Berchem went to Italy after this trip and before he moved to Amsterdam - he is not clearly documented in the Netherlands between 1650 and 1656. Around 1660 he worked for the engraver Jan de Visscher designing an atlas. In 1661-1670 he is registered in Amsterdam and in 1670 he moved back to Haarlem, but was living back in Amsterdam by 1677, where he died in 1683. He was a popular teacher and his pupils were Abraham Begeyn, Johannes van der Bent, his son Nicolaes, Isaack Croonenbergh, Simon Dubois, Karel Dujardin, Johannes Glauber, Pieter de Hooch, Jacob van Huchtenburg, Justus van Huysum...

Excited by this particular palette I saw in a large rug I decided to make a painting using it. Upon completion this had a slightly Asian feel to it. I’m spite of the many shapes th...

This gorgeous bouquet of sunny yellow Calla Lilies is a mixed media piece by James Lahey. Light appears to illuminate this casual arrangement. The clear glass vase sits against a jet...