Oak Figurative Paintings
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Medium: Oak
Portrait of a Young Man with Bagpipes, Follower of J.H. Tischbein the Elder
By Johann Heinrich Tischbein the Elder
Located in Stockholm, SE
Follower of Johann Heinrich Tischbein the Elder (1722–1789)
Man with Bagpipes
oil on oak panel
no signature
25 × 19 cm (9.8 × 7.5 in)
31 x 26 cm (12.2 x 10.2 in)
This refined 18th...
Category
18th Century Rococo Oak Figurative Paintings
Materials
Oak, Oil, Wood Panel
Dutch Military Scene – Circle of Duyster, Soldiers Dividing War Spoils, c.1700
Located in Firenze, IT
Division of the Spoils in a Military Encampment
Entourage of Willem Cornelisz. Duyster (Amsterdam 1599 – 1635)
Dutch school, late 17th – early 18th century
Oil on oak panel
Dimensio...
Category
18th Century and Earlier Dutch School Oak Figurative Paintings
Materials
Oak, Oil, Wood Panel
The Card Players by a Flemish 1600s Artist
Located in Stockholm, SE
Flemish 1600s School
The Card Players
oil on oak panel
panel dimensions 22.5 x 20 cm
frame included
Provenance:
From a Swedish private collection.
Condition:
Flat and stabl...
Category
17th Century Old Masters Oak Figurative Paintings
Materials
Oak, Oil, Panel
Madonna and child with angels, circle of Joos Van Cleve, 16th c. Antwerp school
By Joos van Cleve
Located in PARIS, FR
Madonna and Child with Saint John the Baptist and angels
Circle of Joos Van Cleve (1485 – 1541)
16th century Antwerp school
Oil on oak panel
Dimensions: h. 32 cm (13 in.), w. 28.5 cm...
Category
16th Century Old Masters Oak Figurative Paintings
Materials
Oak, Oil
Banquet with Figures Memento Mori Italian 17th Century After Giovanni Martinelli
Located in Milano, IT
Antique Painting of 1600s Banquet with Figures Memento Mori after Giovanni Martinelli death comes to the banquet table-memento mori circa 1635. The oil on canvas painting (lined with...
Category
Mid-17th Century Baroque Oak Figurative Paintings
Materials
Canvas, Oak, Oil
Frans Wouters, Adoration of The Herders, Christmas Scene, Christ, Flemish School
Located in Greven, DE
Frans Wouters was a Flemish Baroque painter who mainly created smaller cabinet pieces.
He was initially apprenticed to Pieter van Avont in Antwerp, but then moved to Rubens‘ worksho...
Category
17th Century Baroque Oak Figurative Paintings
Materials
Oak, Oil
The Rape of Europa, signed Peter Sion (1624-1695), Antwerp, 17th century
Located in PARIS, FR
The Rape of Europa
By Peter Sion (Antwerp, 1624-1695)
Signed in the lower right corner P. Sion
17th century Antwerp School
Oil on copper, dim. h. 53 cm, w. 45 cm
Moulded and ebonized...
Category
17th Century Old Masters Oak Figurative Paintings
Materials
Oak, Oil, Wood Panel
Crucifixion, Bruges school, Flemish, mid 16th century
Located in PARIS, FR
Crucifixion, cercle of Adriaen Isenbrandt, mid 16th century
School of Bruges, cercle of Adriaen Isenbrandt (actif 1510-1551)
Oil on oak panel with its original ebonized frame
Dimensi...
Category
16th Century Old Masters Oak Figurative Paintings
Materials
Oak, Oil, Wood Panel
The Road to Calvary, Oil on Oak Panel, 16th Century Painting
Located in London, GB
Oil on oak panel
Image size: 20 1/2 x 23 1/2 inches (52 x 60 cm)
Hand made frame
Herri Met de Bles, also known as Henri Blès, Herri de Dinant and Herry de ...
Category
16th Century Oak Figurative Paintings
Materials
Oak, Oil
Virgin and Child, a paiting by David Teniers the Younger after Palma Vecchio
By David Teniers the Younger
Located in PARIS, FR
Provenance:
Dukes of Marlborough Collection, Blenheim Palace until its sale at Christie's London on 26 July 1886 (lot 172)
English private collection until its sale at Christie's London on 11 December 1992 (lot 363)
Erna Weidinger Collection (1923 - 2021) - Austria
Literature :
Georg Scharf - A list of the pictures in Blenheim Palace - Catalogue raisonné Part 2 - London 1862 (page 166 - number 199 "after Palma Giovane")
Charles Davies...
Category
1750s Old Masters Oak Figurative Paintings
Materials
Oak, Oil
Rest on the Flight into Egypt - Attributed to Pieter Van Avont - 17th c. Flemish
Located in PARIS, FR
Rest during the Flight into Egypt - The Virgin and Child with St. John the Baptist and the angels in a Landscape.
Attributed to Pieter Van Avont (1600-1652)
17th century Antwerp School, circa 1630
Oil on oak panel,
Dimensions: h. 38 cm, w. 50 cm (14.96 in x 19.68 in)
Flemish style frame in ebonized and moulded wood
Framed: h. 56 cm, w. 68.5 cm (22.04 in. x 26.97 in.)
In the heart of a lush wooded landscape, the Virgin with Jesus rests in a green clearing accompanied by Saint John the Baptist and the cherubs. Seated to the left of the composition, the Virgin Mary holds the Child on her lap; the little Saint John the Baptist wearing the camel-skin tunic (his attribute) stands before Jesus to exchange a few caresses. On the right, the couple of cherubs are playing with the lamb of Saint John the Baptist, bringing a jovial character to the scene. A pair of gardening putti on the left pick flowers to bring bouquets to the Virgin and Jesus. Spring flowers such as tulips, daffodils and anemones that grow abundantly around them and enrich the composition with their shimmering colors. A lush rose bush blooms to the left of the figures offering delicate roses. (The rose is the flower associated with the Virgin Mary, who is the "mystical rose," the one that does not bear the "thorn of sin")
At the feet of the Virgin are bunches of grapes (symbol of the future passion of Christ) as well as apples (symbol of the original fall of Man but also of the Redemption in Christ) In the foreground we find a wicker basket filled in profusion with beautiful flowers and guinea pigs nibbling on the blades of grass. In a cleverly arranged disorder, these elements of the still life with their strong symbolic power accentuate the religious theme, but are also an opportunity for the artist to demonstrate his know-how in the still life genre that is gaining momentum in Antwerp. The landscape behind the figures consists of a large tree with a twisted trunk and a luminous opening to the horizon placed on the right. We see Saint Joseph arriving with a donkey, a small reminder from the artist that the composition is associated with the episode of Rest during the flight into Egypt.
The calm expanse of this bucolic forest opening onto the luminous distance, with its profusion of symbolic flowers and fruits, is particularly suited to this sacred scene. The theme of Jesus' sacrifice and his tragic fate is mitigated by cherubs who play with innocence and carelessness in the face of the fragility of life symbolized by cut flowers. The great mastery of the painter is manifested by the finesse of the drawing enhanced by the delicacy in the application of the brushstrokes bringing a multitude of details. The richness of the whole is exacerbated thanks to the choice of colours, this varied palette is an undeniable asset of our work.
The virtuosity of our artist lies in his versatility, as much concerned with the success of the landscape and flowers as with the modelling of his figures. The cherubs with their naked bodies are gracefully illuminated by warm colours with subtle shadows, while the still life is rendered with astonishing realism, both in the precision of the drawing and in the countless shades of the flowers.
There are several compositions similar to ours, of which below are the closest versions:
• Sale, Jean-Claude Anaf et Associés, Lyon, 08/02/1998, attributed to Pieter Van Avont, oil on panel, h. 48 cm, l. 71 cm (recorded on RKD n° 31451). Comment: identical composition, only St Joseph with the donkey is different)
• Christie's New York sale, 29/01/1998, Pieter Van Avont, oil on copper, h. 23.8 cm, w. 24.8 cm
• Dorotheum sale, Vienna, 25/04/2017, Pieter Van Avont and Jan Breughel II, oil on copper, h .26 cm, w. 39 cm
• Hermitage Museum, Saint Petersburg, Russia, Pieter Van Avont, oil on panel, h. 50.5 cm, w. 71.7 cm
Peter van Avont, Flemish painter (Mechelen, 1600 - Antwerp. 1652)
Born in Mechelen, he is mentioned in 1620 as a member of the painters' guild of his hometown. He left in 1 622 for Antwerp, where he was also a member of the guild. He collaborated with many painters, including Jan Brueguel the Younger, David Vinckboons, Lucas van Uden...
Category
17th Century Old Masters Oak Figurative Paintings
Materials
Oak, Oil
Landscape with Gentleman on Horseback and Peasant Woman Receiving Alms
By Philips Wouwerman
Located in Stockholm, SE
Workshop / Circle of Philips Wouwerman (1619-1668)
Landscape with Gentleman on Horseback and Peasant Woman Receiving Alms
oil on oak panel
12.40 x 14.17 inches (31.5 x 36 cm)
wit...
Category
17th Century Old Masters Oak Figurative Paintings
Materials
Oak, Oil, Wood Panel
The Musical Contest between Apollo and Marsyas, signed P. Sion, Antwerp 17th c.
Located in PARIS, FR
The Musical Contest between Apollo and Marsyas,
by Peter Sion (Antwerp, 1624-1695)
Signed in the lower right corner P. Sion
17th century Antwerp School
Oil on copper, dim. h. 53 cm, ...
Category
17th Century Old Masters Oak Figurative Paintings
Materials
Oak, Oil, Wood Panel
Portrait of a Lady as a Shepherdess
By Gerrit van Honthorst
Located in London, GB
Oil on oak panel
Image size: 18 x 17 inches (45.5 x 43.5 cm)
Period style frame
This painting is a half-length portrait of a lady in the guise of a shepherdess. She is holding a ho...
Category
Early 17th Century Dutch School Oak Figurative Paintings
Materials
Oak, Oil
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Oak figurative paintings for sale on 1stDibs.
Find a wide variety of authentic Oak figurative paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include David Teniers the Younger, George Vincent, and Nicolaes Maes. Frequently made by artists working in the Old Masters, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Oak figurative paintings, so small editions measuring 0.1 inches across are also available
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