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Artist: Flemish School, 17th Century
The Card Players by a Flemish 1600s Artist
The Card Players by a Flemish 1600s Artist

The Card Players by a Flemish 1600s Artist

By Flemish School, 17th Century

Located in Stockholm, SE

Flemish 1600s School The Card Players oil on oak panel panel dimensions 22.5 x 20 cm frame included Provenance: From a Swedish private collection. Condition: Flat and stabl...

Category

17th Century Old Masters Flemish School, 17th Century Art

Materials

Oak, Oil, Panel

'The Music Contest between Apollo and Pan', Renaissance Mythology, Satyr, Hermes
'The Music Contest between Apollo and Pan', Renaissance Mythology, Satyr, Hermes

'The Music Contest between Apollo and Pan', Renaissance Mythology, Satyr, Hermes

By Flemish School, 17th Century

Located in Santa Cruz, CA

An early 17th-century Flemish School oil on copper showing the mythological contest between Apollo and Pan in which the mountain god, Tmolus, gives judgement for Apollo. Unsigned. Pa...

Category

Early 17th Century Northern Renaissance Flemish School, 17th Century Art

Materials

Copper

18th Century Genre Painting: Pipe Smoker, Signed, Oil on Copper
18th Century Genre Painting: Pipe Smoker, Signed, Oil on Copper

18th Century Genre Painting: Pipe Smoker, Signed, Oil on Copper

By Flemish School, 17th Century

Located in Soquel, CA

18th Century Genre Painting: Pipe Smoker, Signed, Oil on Copper Wonderful genre painting of a pipe smoker. Dressed in a red cap and trousers, white shirt, and dark vest, the figure ...

Category

Mid-17th Century Realist Flemish School, 17th Century Art

Materials

Copper

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View in Summer of Napoli, Italy, Gouache on Laid Paper, 1910-1919
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Spanish school. Secretary of Pope Pius V, abbot of Husillos, bishop of Córdoba.
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Located in Firenze, IT

Portrait of Francisco de Reynoso y Baeza.   Secretary of Pope Pius V, abbot of Husillos and bishop of Córdoba. Francisci de Reynoso. Early 17th century. Small-format portrait from the late Renaissance period. Spanish school. Size: Cm 19 x Cm 13.5 Oil on wooden panel. On the back the fine tablet is strengthened (already in ancient times) by a sheet of parchment. About 1600-1610. As often in Mannerist / Late Renaissance portraits, the image of the character is accompanied by the writing that runs at the top, adding a celebratory, historicising touch to the effigy. Let's bring back the sentence here: DON FRANCISCO DE REINOSO. CAMARERO SECRETO IESCALCO PIO QUINTO OBISCOPO CORDOBA. 68 (? O 7?) (1534, Autillo de Campos, Spain - 1601, Córdoba) Francisco de Reynoso was a Spanish cleric, chief chamberlain, and secretary to Pope Pius V, abbot of Husillos, and bishop of Córdoba. He was the fourth of eleven children. His father was the seventh Lord of Autillo de Campos, and his mother was Juana de Baeza y de las Casas, daughter of Manuel de Baeza, a lawyer of the Royal Council and at the Court of Valladolid. Francisco de Reynoso was deeply devoted to the Virgin Mary and showed a strong inclination toward religion and piety from an early age. He studied Latin, arts, and theology at the University of Salamanca. In 1562, he traveled to Rome with his brothers Pedro and Luis. In January 1566, following the death of Pope Pius IV, Cardinal Antonio Michele Ghislieri was elected pope, becoming Pius V. From this period until Ghislieri's death in 1572, Francisco de Reynoso served as his chief chamberlain and secretary. After Pope Pius V died, Francisco de Reynoso returned to Spain and lived for several years in the city of Palencia, where his brother Manuel was a canon. He supported the Society of Jesus when it was established in Palencia, providing alms to the school's clergy and funding chairs of Letters and Theology at his own expense, as well as donating a significant number of books. During the brief outbreak of the Black Plague...

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Located in Cirencester, Gloucestershire

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Category

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A large landscape drawing executed in Italy around 1630 by a Flemish artist
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While other drawings kept in various European public collections can be attributed to the same draughtsman, this artist remains mysterious and anonymous. This masterly sheet was attributed by the Marquis de Chennevières, one of its first collector, to Jean-Baptiste Forest (1635 - 1712), a French painter who became an Academician in 1674, but this attribution does not seem relevant anymore based upon the few known drawings of this rare artist. The dreamlike character of this landscape points to a Flemish artist...

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Materials

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Flemish School, 17th Century art for sale on 1stDibs.

Find a wide variety of authentic Flemish School, 17th Century art available for sale on 1stDibs. You can also browse by medium to find art by Flemish School, 17th Century in oil paint, paint, canvas and more. Much of the original work by this artist or collective was created during the 18th century and earlier and is mostly associated with the Old Masters style. Not every interior allows for large Flemish School, 17th Century art, so small editions measuring 8 inches across are available. Customers who are interested in this artist might also find the work of Sir Godfrey Kneller, Studio of Sir Peter Lely, and Giulio Di Sotto. Flemish School, 17th Century art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $2,000 and tops out at $19,391, while the average work can sell for $5,844.

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Questions About Flemish School, 17th Century Art

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