1970s Figurative Paintings

"Modern Man" is a painting by Philadelphia born Expressionist painter Bernard Harmon. The 40" x 36" oil on canvas portrait features a young African American man posing casually and s...

Old Tripoli is an original contempory artwork realized by the Italian contemporary artist Claudio Martinenghi in 1972. Oil painting on Board. Hand-signed and dated on the lower rig...

Tranquil figurative portrait of a seated nude woman with brown hair and brown eyes by an unknown San Francisco bay area artist (American, 20th Century). Unsigned. Unframed.

Act. 1979. Oil on cardboard, 96x70 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at studies to R.Suta, J. Bine and G. Skilt...

Artist: Lucio Ranucci, Italian (1925 - ) Title: Three Women Year: 1971 Medium: Oil on Canvas, signed and dated upper left Size: 25 x 37 in. (63.5 x 93.98 cm)

This small plaque is an intimate and exciting example of the ceramic work of Estherly Allen. She was a student of George McNeil, an important Abstract Expressionist, and this Express...

1970's landscape painting on canvas of a view in Medellin, Colombia Calming atmospheric yellow, blue, and green palette Made in 1979 by Bill Sullivan oil on canvas, unframed 24 x 40 inches signed, lower right This modern landscape painting was made by Hudson Valley based artist, Bill Sullivan, in 1979. Interested in the style of the Hudson River School painters such as Frederic Church and Thomas Cole, Sullivan sought to adapt traditional landscapes with a modern lens. During the 1970's and 80's, Sullivan traveled in the footsteps of Frederic Church, capturing the same scenes the late artist made famous 100 years prior. Here Sullivan paints a picturesque scene overlooking a mountain range in Medellin, Colombia. Titled 'Pablo's View', Sullivan perhaps envisioned Pablo Escobar...

Medium: Acrylic on Board Signature: Signed Lower Right Cover of 'Slow Days, Fast Company' written by Eve Babitz, 1978

Procession with elephant, expressionist style oil painting, signed and dated. George Russin was born in New York, he attended the High School of Music and Art to pursue both fields o...

Initialed lower right, 'J.P.' and painted circa 1975; additionally titled 'The Lovers' verso and initialed. A humorous and breezy view of various figures interacting on a sidewalk.

Vivid and evocative feminist abstract expressionist figurative painting of woman and the many facets of her life, represented by multiple female figures engaged in various activities throughout the chaotic and colorful abstract expressionist canvas, by Audrey E. Gabrielson (American, 1932-2018), 1976. Verso has an abstract portrait with signature. Unframed. Image size: 29.75"H x 31.50"W Audrey Gabrielson was an artist, poetess, sculptor, whom lived in San Francisco. She was born in Canada in 1932 and drew, colored, modeled in clay when very young. She studied at Reed College, Portland, studying with famous West Coast artist, Louis Bunce. in San Francisco she painted with artists Cucaro, Alexander E. Anderson, and Raymond Howell. She had shown in North Beach, Modesto, Gualuala Hotel, Sausalito, Abbey Party Rents (S.F.) and many more. She had ongoing exhibits at Alberta Art, Red Deer and Uglies, Lacombe. Her art was collected by national and international collectors such as authors C.Y. Lee (“Flower Drum Song”), Alfred Coppel (“34 East”); musical promoter, Ilka Pardinas, FLY, Los Angeles. Additionally, she worked in bronze, studying under S.F. sculptor C.B. Johnson. Her art was influenced and inspired by German Expressionists, Van Gogh, Lautrec, Picasso, Klimpt, Schiele, Tamayo, Conners, Park – and many more. Obituary: Born in Alberta, Canada, Audrey passed away at her home in San Francisco's Bernal Heights neighborhood, surrounded by loved ones. Gabrielson was an artist, poet, sculptor, photographer, muse and an integral part of the San Francisco art scene of the late 1950s to late 1970s. She was a friend and contemporary of artists such as Benny Bufano...

Original acrylic on canvas. Hand signed and dated lower right: "Carruana 77". From the series: "Palmas I". Dimensions with white frame: 136 x 101 cm Jorge Carruana was a Cuban painter...

Artist: Juan Garcia Ripolles, Spanish (1932 - ) Title: Red Figure with Flowers Year: 1970 Medium: Oil on Canvas, signed Size: 21.5 x 18 in. (54.61 x 45.72 cm) Frame Size: 23 x 19.5 i...

Portrait is an original artwork realized by François Chapuis in the 1970s. Pastel on paper; on the lower right corner, the artist wrote his initials i...

Artist: Sandu Liberman, Romanian/Israeli (1923 - 1977) Title: Declaration Year: Circa 1970 Medium: Oil on Canvas, signed lower left Size: 30 x 24 in. (76.2 x 60.96 cm) Frame Size: 38...

Artist: Hattakitkosol Somchai, Thai (1934 - 2000) Title: Green Virgin Year: 1970 Medium: Oil on Canvas, signed l.l. Size: 27.5 x 31.5 in. (69.85 x 80.01 cm)

Modernist Portrait of St. Francis Compelling modernist oil on canvas portrait of St. Francis by Dr. Tarmo Pasto (American, 1906-1986). Presented in a taupe painted wood frame. Signed "Tarmo Pasto" bottom right, and titled "St. Francis" bottom center. Image size, 25.5"H x19.5"L. Dr. Pasto was a long-time contributor to the California art scene, as well as an art teacher and psychologist to many successful artists. He also authored a book on art, "The Space-Frame Experience in Art", published in 1964. He, however, was mainly known to the world for introducing the works of one of his patients, Martin Ramirez...

Antonio Romano (Italian/American, 1953-2017) Mixed Media Painting Size: 21'' x 17'', 53 x 43 cm (board); 26'' x 22'', 66 x 56 cm (frame). A very rare piece of Romano's artwork. Outs...

Johnny Banks (1912-1988) San Antonio Artist Image Size: 14 x 22 Frame Size: 21 x 29 Medium: mixed media Dated 1981 "African Village" Biography Johnny Banks (1912-1988) In my opinion one of the greatest Texas folk artists of all time. The following information was compiled and submitted by Stephanie Reeves: John Willard Banks, San Antonio, Texas, African American Folk Artist John Willard Banks, black self-taught artist, the son of Charlie and Cora Lee (McIntyre) Banks, was born on November 7, 1912, near Seguin, Texas. At the age of five his parents took him to San Antonio, where he attended Holy Redeemer School until the age of nine, when his parents were divorced and John returned to his grandparents' farm near Seguin. From childhood Banks's favorite pastime was drawing pictures on his Big Chief tablet. He later recalled, "As a kid I used to lie flat on my stomach, drawing and drawing. . . . My mother had to kick me off the floor to sweep." While helping out on his grandparents' farm, Banks completed the tenth grade before striking out on his own. His favorite activities during his youth were singing in a gospel quartet and playing baseball. In his adult years he worked in oilfields and cotton fields, drove a truck, and tended a San Antonio service station. During World War II he joined the army; he held the rank of sergeant and was stationed in the Philippines. After the war he returned to San Antonio, where he worked as a custodian at Kelly Air Force Base, at Fort Sam Houston, and at a local television station. Banks married Edna Mae Mitchell in 1928, and they had five children. The marriage ended in divorce around 1960. In 1963 he married Earlie Smith. His art career began in 1978 while he was recuperating from an illness for which he had been hospitalized. Banks's wife admired her husband's drawings and secretly took several of them to a San Antonio laundromat. There she hung the drawings on the wall, offering them for sale at the price of fourteen dollars. They were purchased and taken to a gallery for framing. Quite by chance, a San Antonio physician and collector of works of art by black artists...

Artist: Didier Grandt, French (1934 - ) Title: Les Femmes de Marche Year: 1970 Medium: Oil on Canvas, signed and dated Size: 31 x 16 inches

Artist: Charles Levier, French (1920 - 2003) Title: Femmes Au Bar Year: circa 1970 Medium: Oil on Canvas, signed l.r. Size: 30 x 24 in. (76.2 x 60.96 cm)

Medium: Acrylic on Board Signature: Signed Lower Right Cover of 'True Confessions' Written by Dunne John Gregory True Confessions, first published in 1977, is widely regarded as a classic American novel. Set in Los Angeles in 1948 and based on the notorious, never-solved Black Dahlia murder case, the story plumbs the depths of guilt and corruption — in the L.A.P.D., the Catholic Church, the construction industry, and in the relationships among them. Like the film Chinatown, which came to the screen three years before the novel, True Confessions illuminates the dark underside of Los Angeles at a time when corruption ran rampant and seemingly without shame. The book’s stature as a classic is underlined in an introduction by the brilliant novelist and screenwriter George Pelecanos, who writes of the author, “with True Confessions, he achieved what most novelists can only hope for. He left behind a work of art.” Indeed. True Confessions works on many levels: as a crime novel, as humor (the story is often laugh-out-loud funny), as an example of masterful writing style, as an emblematic tale of a great American city, and as a novel that explores the human condition with sensitivity and deep understanding. True Confessions revolves around the often testy relationship between two Irish-American brothers, Tom and Des Spellacy. Tom is a lieutenant in the L.A.P.D., a clever detective with a past history of corruption. Tom’s brother, Des, is a Catholic priest risen to the rank of Monsignor and the role of fixer and hatchet man for the aging Cardinal, whom he hopes to succeed. The two brothers come into conflict over their clashing agendas for a corrupt construction mogul who is one of the city’s richest and most powerful men. They have drastically different ideas about how to deal with the man. The author writes with compassion. For example, describing bystanders in a poor neighborhood, he writes, “They weren’t bad people. Just too-little, too-late people. Has-beens, never-weres, never-will-bes.” The novel is rife with unsympathetic characters, but none of them can be viewed as evil. The story opens and closes in the 1970s, when Tom and Des are old men, reviewing the wreckage of their careers. In between, two plots intertwine: Tom’s investigation of the shocking murder of a young woman, and Des’s attempts to strengthen the Church while scheming to position himself as the successor to the Cardinal. The late novelist and screenwriter John Gregory Dunne — he died in 2003 at the age of 71 — came naturally to writing. He was the younger brother of the writer Dominick Dunne...

Romantic English landscape titled "A good day's walk" of Cumberland England by Michael Matthews (British, b. 1933). Presented in a giltwood frame. Signed "Michael Matthews" lower rig...

Graham Dean 1977 Signpost Acrylic on canvas Image size: 78 x 50 inches The painting depicts a time before electronic travel boards, when train times were chalked on blackboards. The...

Highly detailed surrealist composition evoking tribal, abstracted carved stone-like shapes fitting together like a three dimensional sphere shaped puzzle, floating in a sky blue space by Clayton Anderson (American b. 1943). Textured plaster border around the edge of the piece. Signed "Clayton Anderson" along the upper left edge and on verso. Presented in a deep maple box frame. Clayton Anderson (American, b. 1943) studied at the Pennsylvania Academy of the Fine Arts and worked with Ben Kimihira, Walter...

snow, winter landscape, house in the woods,russian art Boris Lavrenko (Rostov, 1920 – St. Petersburg, 2001) Works by Boris Lavrenko can be found in various private collections in ...

Medium: Acrylic on Board Signature: Signed Lower Left Cover of 'Crazy Sundays F. Scott Fitzgerald in Hollywood' written by Aaron Latham Published by ...

A large Impressionist-style colorful painting of a park with fountain. Oil on canvas measures 36 x 24; frame dimensions measure 44 1/2 x 32 1/2 x 1 1/2. Artist's signature, lower lef...

"PORTRAIT OF ANHALT PORTRAIOT" FILM MAKER OIL ON PAPER C.1970 17.5 X 22.5 INCHES Morton Dimondstein 1920-2000 At the age of seventeen Morton Dimondstein enrolled in ...

Medium: Acrylic on Board Signature: Signed Lower Right Cover of 'Time and Again' by Jack Finney Time and Again is told in the first person by Simon Morley, a 28-year-old artist wor...

Camel is an original oil painting on cardboard, realized in 1974 by the Italian artist Lillo Bartoloni. Hand-signed in black China ink on the lower right margin. A beautiful profil...

Johnny Banks (1912-1988) San Antonio Artist Image Size: 14 x 22 Frame Size: 21 x 29 Medium: mixed media "The Safari Hunt for the Man Eating Tiger" Biography Johnny Banks (1912-1988) In my opinion one of the greatest Texas folk artists of all time. The following information was compiled and submitted by Stephanie Reeves: John Willard Banks, San Antonio, Texas, African American Folk Artist John Willard Banks, black self-taught artist, the son of Charlie and Cora Lee (McIntyre) Banks, was born on November 7, 1912, near Seguin, Texas. At the age of five his parents took him to San Antonio, where he attended Holy Redeemer School until the age of nine, when his parents were divorced and John returned to his grandparents' farm near Seguin. From childhood Banks's favorite pastime was drawing pictures on his Big Chief tablet. He later recalled, "As a kid I used to lie flat on my stomach, drawing and drawing. . . . My mother had to kick me off the floor to sweep." While helping out on his grandparents' farm, Banks completed the tenth grade before striking out on his own. His favorite activities during his youth were singing in a gospel quartet and playing baseball. In his adult years he worked in oilfields and cotton fields, drove a truck, and tended a San Antonio service station. During World War II he joined the army; he held the rank of sergeant and was stationed in the Philippines. After the war he returned to San Antonio, where he worked as a custodian at Kelly Air Force Base, at Fort Sam Houston, and at a local television station. Banks married Edna Mae Mitchell in 1928, and they had five children. The marriage ended in divorce around 1960. In 1963 he married Earlie Smith. His art career began in 1978 while he was recuperating from an illness for which he had been hospitalized. Banks's wife admired her husband's drawings and secretly took several of them to a San Antonio laundromat. There she hung the drawings on the wall, offering them for sale at the price of fourteen dollars. They were purchased and taken to a gallery for framing. Quite by chance, a San Antonio physician and collector of works of art by black artists...

Graham Dean 1975 Refugee from England ( Memories) Acrylic on canvas Image size: 47 x 41 inches Provenance Nicholas Treadwell Gallery This painting was reproduced internationally, ...

Boy with Fish Thomas Kerry, British/American Date: circa 1970 Oil on Board, signed and dedicated verso Size: 24 x 20 inches Frame Size: 29 x 25 inches

American school abstract painting. Oil on board circa 1990.

Red toned scene with figures lined up walking down the beach. The painting was done of hippies from the 1970's. It is framed in a wooden frame. It is signed by the artist and titled....

Gouache painting by William Hoey featuring a small fisherman walking to the coast. Circa 1970s. Dimensions of painting without frame: H 6.5 in. x W 8.5 in. x D .25 in. Artist Biogr...

A perfect painting for lovers of Japan and those of primitive/naive outside art. It is a work by an internatoanlly noted extraordinary artist with an extraordinary life. Maurice LOIRAND (1922-2008) is born into a working class family in Brittany, near the Atlantic coast coast in France. He starts working as a skilled labourer in the shipyards aged 15. Aged 20, when the Nazis start to occupy the country, he joins the Resistance movement, where he meets and befriends thinkers, painters and poets. He is thus introduced to an artistic and intellectual universe far removed from the world of his origins. Loirand finds himself drawn to art, and soon dedicates all his free time to learn how to paint. Completely self taught, he soon begins to exhibit his pictures alongside high level artists. He moves to Paris in the 1950s, and - although still working as a technician - paints all night. He finally becomes a full time artist in 1968. International travel and a multitude of exhibitions follow. He exhibits in Brazil, Argentina, and with Jean Tiroche Gallery in New York, among others. His work is now shown alongside works by Leger, Matisse and Picasso. The Collector's Guild New York Ltd commissions Maurice Loirand for several works of lithographic art. Loirand discovers Japan in the early 1970s, and decides to stay for 18 years. He marries Kazué SHIMOTORI, a Japanese poet...

Untitled is an original contempory artwork realized by the Italian contemporary artist Claudio Martinenghi in the second half of the XX Century. Oil painting on board. Hand-signed ...

Medium: Oil on Canvas Signature: Signed Lower Left Reproduced for the 1976 Summer Olympics, held in Montreal, Canada. It depicts a young boy dreaming of running on the U.S. Olympic ...

The Shado, from 1970s, 17 x 14 inches, acrylic on paper, signed lower middle. Unframed. Complimentary custom framing will be done upon customer request. Harry Bertschmann was born i...

Image dimensions: 35 x 45 cm. Quanto sono alto! (How Tall I am!) is a beautiful original tempera painting on paper, realized around 1970's by the Italian versatile artist and comic ...

Vivid abstract expressionist painting of a colorful nude female figure by the artist Tom Hamil (American, b. 1928). Signed on verso "Tom Hamil". Circa 1970's. Unframed. Image size: 14"H x 8"W. Tom Hamil, was born in New York in 1928 and raised primarily in California. After attending the US Naval Academy in Annapolis, he returned to California to begin his formal art training at the California School of Fine Arts in San Francisco (now known as the San Francisco Art Institute). He completed his education at the University of Washington with a Master’s Degrees and Doctorate in Fine Arts and Education. His first solo exhibition was held in 1956. Since then, he has participated in numerous one man shows, group shows, and has been represented in galleries in the US and Mexico. In addition to his painting, Hamil has authored and illustrated a number of books. While at the Naval Academy, he received recognition for his paintings, drawings, and illustrations. Listed among Hamil’s many awards and honors are a Ford Foundation Fellowship and an Award of Excellence from the American Graphics Society. Currently, he lives in Zirahuen, Michoacan, Mexico and Truth or Consequences, New Mexico. Hamil’s statement: “I am a man...

Artist: Florence Hasenflug, American (1914 - 2010) Title: Pink Flower Blossoms Year: circa 1970 Medium: Oil on Canvas, signed l.r. and verso Size: 44 x 66 in. (111.76 x 167.64 cm) Fr...

Woman at the well. 1979, oil on board, 65x49 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at studies to R.Suta, J. Bine an...

Jen (Zhen) Peng (B 1928) is a famous self taught Chinese/American artist. Original large oil on canvas depicting a Chinese women in an interior fanning herself. Overall 42 x 36 in...

Red toned turn of the century portrait painting of an upper class couple. The painting is framed in a wooden frame with a thin white matte. It is signed by the artist in the lower ri...

Medium: Gouache on Board Signature: Signed 'Darden' Lower Left Sight Size 17.25" x 34.25," Framed 21.125" x 38.125" llustration from a story in Black Sports Magazine, circa 1975. A dynamic image showing the Hall of Famer stealing a base from Chicago Cubs...

Wonderful abstracted nude, a watercolor painting by California artist Virginia Hughins (Virginia Brubaker DeWolf), (American, 1923-2004). Singed "V. Hughins" lower right. Unframed. I...

Joellyn T Duesberry Wall on Wharf Street, #513, New Orleans, LA 1976. Oil on linen Dimensions: (Frame) H 50.5" x W 66.5". sight size 50 x 66" Joellyn Toler Duesberry (1944 – 2016) was a plein air landscape artist who worked in oils. She said that her paintings echo the work of John Marin and Milton Avery. Of her art, Duesberry said, "I am not interested in a realist painting, I am not interested in an abstract painting. I am interested in the tension." Joellyn Duesberry was born on June 30, 1944 in Richmond, Virginia. Growing up in rural Virginia instilled in her a love for the land. She said, "All my life I think I've unconsciously tried to recreate the place where bliss or terror first came to me. Both emotions seemed so strong that I had to locate them outside of myself, in the land. This goes back to a childhood habit of living in rural Virginia and seeking woods and creeks and lakes for solitary refuge; places where I could sketch and paint." She decided to start painting at age ten after being given a pair of red tennis shoes and walking on the beach, inspired by the colorful juxtaposition of sand, shadow, and shoe. Soon thereafter she decided that "Women artists existed and she needed to be among them." She received a BA with Distinction, Phi Beta Kappa, in art history and painting, from Smith College in 1966. In that year she was awarded a Woodrow Wilson Fellowship. While at Smith, she "honed her skills by making countless copies of masterworks." She took her master's degree at New York University Institute of Fine Arts. Despite her degrees, she is considered to be a self-taught artist. Joellyn Duesberry was a plein air painter, who began "her canvases outdoors on an easel and finished] them in the studio, frequently making monotypes in between." She moved to Denver in 1985, and embraced the Colorado landscape in her art. In that year she received an Individual Painting Grant from the National Endowment for the Arts to work with Richard Diebenkorn. In 1997, Duesberry won the Benjamin Altman Landscape Prize from the National Academy of Design. While she had a World Views residency with the Lower Manhattan Cultural Council (LMCC) from 1998-1999, Duesberry painted city studies in studio space in some vacant offices of the World Trade Center's North Tower. She says that, because of her connection to the World Trade Center, the tone of her painting saddened after 9/11. In 2005, a PBS documentary was made of Joellyn Duesberry's life, work, and creative process titled Joellyn Duesberry: Dialogue with the Artist. Her works are held by institutions such as Metropolitan Museum of Art and Smith College Museum of Art. Publications 1998: A Covenant of Seasons: Monotypes by Joellyn T. Duesberry, Poetry by Pattiann Rogers, 2011: Elevated Perspective: The Paintings of Joellyn Duesberry, SELECT SOLO EXHIBITIONS Elevated Perspective: The Paintings of Joellyn Duesberry, Colorado Springs Fine Arts Center Joellyn Duesberry: A Passion for the Land, Leslie Levy Fine Art, Inc., Scottsdale, AZ Joellyn Duesberry: A Passion for Western Land, William Havu Gallery, Denver, CO Joellyn Duesberry Monotypes: Hidden Treasures, William Havu Gallery, Denver, CO Joellyn Duesberry: Solace on Safari, Gerald Peters Gallery, Santa Fe, NM Tremaine Gallery, The Hotchkiss School, Lakeville, CT. Recent Monotypes, James Graham & Sons, Madison Avenue, New York, NY Joellyn Duesberry: Monotypes, Lizan-Tops Gallery, Easthampton, NY The Garden Paintings, Robischon Gallery, Denver, CO Joellyn Duesberry: Paintings, Tavelli Gallery, Aspen, CO Joellyn Duesberry, Graham Modern, Madison Avenue, New York, NY Joellyn Duesberry: Paintings and Monotypes, Carol Siple Gallery, Denver, CO Joellyn Duesberry, Tatistcheff Gallery, New York, NY SELECT GROUP EXHIBITIONS Significant Women Artists, Curtis Arts & Humanities Center, Greenwood Village, CO Finding Abstraction, Gallery 1261, Denver, CO Rocks on Paper, Katharina Rich Perlow Gallery, New York, NY Summer Landscape Show, Greenhut Gallery, Portland, ME Defining the West: 200 Years of American Imagery, Gerald Peters Gallery, Santa Fe, NM Roots, Landing Gallery, Rockland, ME Annual Professional Painters’ Exhibition, The Century Association, New York, NY Glory of Landscapes, Pelham Art Centre, New York, NY Salon du Musee, Featured Artist, Salon d Arts at Gallery 1261, Denver, CO Small Works, Gallery 1261, Denver, CO The Urban Myth, Vision of the City, Sullivan Goss, An American Gallery, Santa Barbara, CA The Art of Printmaking, paying homage to Open Press,Archer Concept Group,Denver,CO Twenty Years: Paintings: Joellyn Duesberry, Bunny Harvey, and Gretchen Dow Simpson. Sculpture: Gilbert Franklin...

Wonderful modernist abstract figurative expressionist painting in black and white of two figures, lovers (for the film Play Misty For Me), 1971 by California artist Don Heitkotter...

Contained metal mercury in immersion liquid kinetic sculpture. Rotates freely on a central pivot mounted to the wall, this work can be turned, allowing the mercury to shift and flow ...

Oil portrait of a rancher with cowboy hat, by Patience Street (née Lloyd) (English, 1905-2010). Signed by the artist in the lower left corner. There are multiple notes on the frame o...

Dink Siegel (American, 1910-2003) That's a Wrap, Playboy cartoon, August 1973 Mixed media on board 11.25 x 8.5 in. Signed lower right

Johnny Banks (1912-1988) San Antonio Artist Image Size: 13.75 x 20 Frame Size: 20 x 27 Medium: Pen, Pencil, Crayon, Marker "Daddy Playing in the Mud" Biography Johnny Banks (1912-1988) In my opinion one of the greatest Texas folk artists of all time. The following information was compiled and submitted by Stephanie Reeves: John Willard Banks, San Antonio, Texas, African American Folk Artist John Willard Banks, black self-taught artist, the son of Charlie and Cora Lee (McIntyre) Banks, was born on November 7, 1912, near Seguin, Texas. At the age of five his parents took him to San Antonio, where he attended Holy Redeemer School until the age of nine, when his parents were divorced and John returned to his grandparents' farm near Seguin. From childhood Banks's favorite pastime was drawing pictures on his Big Chief tablet. He later recalled, "As a kid I used to lie flat on my stomach, drawing and drawing. . . . My mother had to kick me off the floor to sweep." While helping out on his grandparents' farm, Banks completed the tenth grade before striking out on his own. His favorite activities during his youth were singing in a gospel quartet and playing baseball. In his adult years he worked in oilfields and cotton fields, drove a truck, and tended a San Antonio service station. During World War II he joined the army; he held the rank of sergeant and was stationed in the Philippines. After the war he returned to San Antonio, where he worked as a custodian at Kelly Air Force Base, at Fort Sam Houston, and at a local television station. Banks married Edna Mae Mitchell in 1928, and they had five children. The marriage ended in divorce around 1960. In 1963 he married Earlie Smith. His art career began in 1978 while he was recuperating from an illness for which he had been hospitalized. Banks's wife admired her husband's drawings and secretly took several of them to a San Antonio laundromat. There she hung the drawings on the wall, offering them for sale at the price of fourteen dollars. They were purchased and taken to a gallery for framing. Quite by chance, a San Antonio physician and collector of works of art by black artists...

Artist: Juan Garcia Ripolles, Spanish (1932 - ) Title: Three Women Year: 1970 Medium: Oil on Canvas, signed l.l. Size: 23.75 in. x 29 in. (60.33 cm x 73.66 cm) Frame Size: 26.25 x 31...

In a letter written to Czóbel after he had become quite ill in 1975, famous Portuguese painter Vieira da Silva writes: “My very dear Czóbel, We em...

The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...