Animal Figurative Paintings

Joseph Broghammer Resting Fattie Oil on Canvas Year: 2021 Size: 40 x 30 in Signed by hand COA provided ------------------------------------- Each of the birds in this series rep...

Joseph Broghammer 1030 Oil on Canvas Year: 2021 Size: 40 x 30 in Signed by hand COA provided ------------------------------------- Each of the birds in this series represents an...

“Everything that surrounds me affects me. Memories, politics, nature, people, a dry leaf on the ground, music and books.” Corvengi’s works explore his version of a lost paradise, an...

Well painted late 19th-century Austro-Hungarian oil on canvas of two figures in a buggy, out for a ride. Both people are well dressed which makes me think they are of the upper classes and the artist was known to paint scenes of people of wealth in various compositions. Whilst little is known about the painter the style and composition of this piece are typical of some Central European painters who painted such subjects, always with great skill and detail. This is a particularly large example of one of these subjects. The artist has achieved the effect of motion very well. The painting is framed in a Vintage French frame.

"Tomato/Toe Maw Toe" depicts a pastoral scene of flowing flora and fauna. Dispensing with the usual small town affectations that usually inhabit Chambers’ paintings, this work emphas...

This work is a playful rendering of a placid homestead scene. The warm and reserved color palette encourages a laid-back atmosphere, which also serves to complement the aloofness o...

Study of a dog Oil on paper laid down on panel, 17.5 x 25.5 cm Provenance Private collection, the Netherlands Note: We are grateful to Mr Fred Meijer for his attribution to Ludolf de Jongh Ludolf de Jongh was the son of a shoemaker. When his father moved to Rotterdam, the young Ludolf decided to learn art rather than shoemaking and became a pupil of Cornelis Saftleven. Later he studied under Anthony Palamedes in Delft and still later with Jan van Bijlert in Utrecht. In 1635 he travelled to France with Francis Bacon. Seven years later, in 1642, he returned to the Netherlands when he heard that his mother had fallen ill. He set up a shop in Rotterdam, and his earliest signed paintings date from that year. According to Houbraken, his travels had caused him to speak French so fluently, that his parents had to learn French in order to speak with him. De Jongh’s work shows a strong influence from the Utrecht school of Caravaggio admirers, especially Jacob Duck...

Cows and Interior

Oil on canvas “Everything that surrounds me affects me. Memories, politics, nature, people, a dry leaf on the ground, music and books.” Corvengi’s works explore his version of a lo...

Aquarium (Fishs) - naive art, primitivism, folk art made in red, green, blue, yellow colors. Elena Narkevich deliberately chooses naive art, like the famous artists Henri Rousseau an...

Naturalistic painting of a soldier on horseback. The work is signed by the artist in the bottom corner. It is framed in an elegant gold frame. Dimensions Without Frame: H 20 in. x W...

Roy Andersen (b. 1930) "Old High Country Woman" Oil on Canvas 12 x 16 inches 21.5 x 25 inches framed Known as a western painter, Roy Andersen did paintings of Crow, Cheyenne, and Apache Indians. He began his career living in Chicago and New York and working as an illustrator. He did numerous covers for Time Magazine including portraits of Albert Einstein and Prince Fahd. He also did illustrations for National Geographic magazine, and did a stamp series on Dogs and American Horses, and in 1984 and 1985, won Stamp of the Year Award. As a muralist, he has filled commissions for the National Park Service, the Royal Saudi Naval Headquarters, and the E.E. Fogelson Vistor Center at Pecos National Monument in New Mexico. To pursue his talent for painting, Roy Anderson went West, living in Arizona and settling in Cave Creek. In 1990, he was voted official artist for Scottsdale's Parada del Sol, the "world's largest" horse-drawn parade commemorating the Old West. Andersen grew up on an apple farm in New Hampshire and learned about Indian customs from his many hours spent at the Chicago Museum of Natural History. He is meticulous about being historically accurate in his paintings. Of him it was written: "There are no 'happy accidents' in an Andersen painting. He has a knowledge of his subject that is attained only through extensive research. You will not find an Apache medicine bag...

Acrylic on board Signed, titled, and dated in ink, verso This artwork is offered by ClampArt, located in New York City. Since childhood Scott Daniel Ellison has had a fascination w...

Interesting and well-painted American turn of the 19th-century animal scene of an interior of a barn with cows, calves, and chickens The piece has a great deal of charm and is very ...

Oil and acrylic on panel Signed, titled, and dated, verso This artwork is offered by ClampArt, located in New York City. Since childhood Scott Daniel Ellison has had a fascination ...

Medium: Oil on Canvas Signature: Signed Lower Left Sight Size 20.75" x 40.00", Framed 30.75" x 50.00" During his over four decades as the preeminent illustrator for The Saturday Evening Post, Joseph Christian Leyendecker's clever illustrations were eagerly anticipated by enthusiastic readership across the country, and none more so than his holiday designs. One of Leyendecker's most celebrated creations was his groundbreaking idea of the New Year's Baby. Originally portrayed as a fleshy sweet-faced child complete with tiny angel wings, the New Year's Baby gradually morphed into a worldly tot acutely aware of the social and political issues facing the nation at the time. In fact, Leyendecker's final Post cover illustration was the 1943 New Year's Baby. Following the success of these Post covers, the artist was hired to create advertisements for the American Oil Company (AMOCO). Throughout the 1940s and through the final years of his life, Leyendecker produced ads incorporating his famed New Year's Baby into AMOCO advertisements, as in the present work, Happy Landing...

Incised painted aluminum.

Premiering for the first time in three decades, the original paintings of American artist Maurice Green. Born in 1908 in Latvia, Maurice Green studied with prominent artists of the day before settling in Los Angeles in the 1930’s. The artist continued his art education and began exhibiting throughout galleries in Southern California. Due to his intense fascination with the cubist avant garde movement, into cubist imagery which became the trademark style of painting for the remainder of his life. This is the first presentation of the paintings of Maurice Green since his death in 1993. “The Penguin...