Leslie Bostrom Art

Early 20th Century Expressionist Landscape – “Le pique-nique” A vibrant landscape executed in the expressive style of early 20th-century Expressionism. Bold, confident brushstrokes ...

Marcel Mouly was one of the last student's of Picasso! This piece is stretched, and very collectible and has a COA. On the back it is reinforced with a wooden crossbar as in the pho...

Artist : Kory Twaddle Title : Basement Systems Materials : Acrylic, tempera, gouache, and glitter glue on cardboard drawing pad back Date : 2019 Dimensions : 18 x 12 x .2 in. Kory ...

Step into the bustling energy of a portside moment with René Genis’ “Les Grues” (The Cranes)”, a captivating oil-on-mat-board painting that transforms the in...

Bradley Kerl creates paintings that merge lived experience, memory, and invention, transforming familiar subjects into images that balance the recognizable with the uncanny. Drawing ...

Title : Smug Materials : Stamp,xerox transfer,pastel,ink Date : 2015 Dimensions : 8×9″ COA provided Art school took Olivia Gibb away from Oklahoma and up to Kansas City, which she h...

Michelle Condrat (American, b. 1983) "A Colorful Afternoon," 2026 Oil on board 5 x 5 in (12.7 x 12.7 cm) Signed lower right Unframed, but ready to hang. A slope of trees runs from ...

Michael Tole says of his work… This work draws a connection between the didactic moralizing tendencies of Neo Classicism (represented in the style of the painting) and Modernism (represented in the architectural setting). Though modern art eschews the naturalistic imagery used by Neo Classicists, both movements pursued a self-important, austere, self-consciously masculine aesthetic that they saw as synonymous with virtue. Set in the MoMA courtyard, a passel of men lounge about, regarding a golden statue which looks terribly out of place in this modernist vitrine. The uncomfortable architectural setting, prisonlike and cold, provides a foil for the odalisque-like young men sprawled on hard stone benches and paying homage to the central idol. In my current work, The Revisionist Histories, I am writing letters to art history, literature, and mythology in an attempt to reflect the social changes that have reshaped our society over the past century.  As part of this agenda, I explore the evolution of gender norms, power dynamics, and representation within Western visual culture and what this implies for the negotiation between pleasure, justice, and our culturally specific discourse on beauty.    The seed for The Revisionist Histories was sewn when I caught a glimpse of my preteen daughters watching music videos on their iPad as I chopped veggies for dinner.  Out of the corner of my eye I caught glimpses of music videos featuring Beyonce, Taylor Swift, Ariana Grande, Katy Perry, and Doja Cat gyrating across the tiny screen.  A better parent might have snatched the iPad away, but I was overcome with hallucinatory visions of this pop diva...

Bradley Kerl creates paintings that merge lived experience, memory, and invention, transforming familiar subjects into images that balance the recognizable with the uncanny. Drawing ...

This colorful mid century landscape oil painting is by Raul Elas Reyes, an El Salvadoran artist. Reyes was born in San Salvador in 1918 and became nationally known as a painter and p...

At the center of the painting stands a woman immersed in a state of inner harmony, playing the flute as if the very space around her responds to her melody. Her figure is gentle and ...

A sophisticated mid-century geometric abstract drawing by American Southwestern artist James Meek (1928–), created in pen and graphite on paper. Characterized by precisely constructed geometric forms, rhythmic lines and carefully balanced areas of positive and negative space, the work demonstrates Meek’s distinctive interest in design, structure and abstraction. The drawing has a refined, almost architectural quality, with repeated forms and pointillist passages creating visual rhythm and depth. Its restrained graphic character makes it equally compelling as a work of American modernism, geometric abstraction or Southwestern modern art. James Meek was an important member of the Taos, New Mexico art...

I Can Buy Myself Flowers marks the first gallery solo exhibition of Bonn, Germany-based painter Wencke Uhl. First appearing in the 27th Annual NO DEAD ARTISTS International Exhibitio...

Kristin Cronic says of her work... I create large scale gestural paintings of nature forms. The live oaks of my birthplace, uprooted tree carcasses, and rock formations magnify the ...

Between September 2018 and April 2019, I created 100 small paintings consecutively. I endeavored to make nothing else and viewed the project as an opportunity to experiment and solid...