Child Figurative Paintings

Original Painting. Colliers Magazine Cover Published 1933 Wedding Illustration Antonio Petruccelli (1907 - 1994) The Wedding Colliers published, June 17, 1933 17 1/4 X 11 1/2 inches (sight) Framed 23 1/4 X 17 1/2 inches Gouache on board Signed lower right BIOGRAPHY: Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests. In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s. ‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune. Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

Santa has a quickie with Mom. Elmer Simms Campbell was the first African American Illustrator to work for major newsstand magazines. Published December, 1963 Signed in pencil lower...

This is a one of a kind original oil painting by San Diego artist, Julia San Roman. Its dimensions are 41" x 61" x 1.5". It is framed as pictured. A ce...

A charming portrait of a beautiful blue-eyed girl in a pink dress holding flowers in her hand. It's based on Renaissance portraits where the subject is pushed to the foreground and i...

French school of the 19th century (Entourage of Horace VERNET) The hussars Oil on canvas Unsigned 41 x 33.5 cm (58 x 50 cm with the frame) Beautiful frame Regence style Good conditio...

Artist: Marshall Goodman, American (1916 - 2003) Title: Children Playing Year: circa 1960 Medium: Oil on Canvas, signed l.r. Size: 30 x 25 in. (76.2 x 63.5 cm)

Maria Vich is an artist from the Balearic Islands. Influenced by her teacher Tito mCittadini, she focuses her work on reflecting the countryside environment, its workers, its landsc...

Erica with Pearls, 2018 Hand embellished monoprint on canvas 47 1/5 × 39 2/5 in 120 × 100 cm Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid AI as a way to better understand humanity, authenticity, identity, and memory in the early 21st century. The installation, inspired in part by the dystopian literary works of George Orwell, Mary Shelley, Philip K. Dick, Isaac Asimov...

Oil on board Board size: 13 x 16 inches Framed size: 18.25 x 21.25 inches Signed with initials lower left

Oil on mahogany panel Panel size: 47 x 36 inches Signed lower right

Joseph Clark ROI British, (1834-1926) A Bowl of Cherries Oil on canvas, signed & dated 1897 Image size: 17.25 inches x 22.25 inches Size including frame: 26.25 inches x 31.25 inches...

Javier Báez was nicknamed "El Mago" (Spanish for "The Magician") when he was a middle infielder for the Detroit Tigers. On the international level, he represents the Puerto Rican national team. Báez was named the National League Championship Series co-MVP alongside left-handed starter Jon Lester as the Chicago Cubs clinched their 2016 National League pennant en route to winning the 2016 World Series. He is a two-time All-Star, as well as a Gold Glove Award, and Silver Slugger Award winner. He is also the cover athlete for MLB The Show 20. Margie Lawrence Javier Báez watercolor and graphite on paper 12.50h x 22.50w in 31.75h x 57.15w cm MAL031 Margie Lawrence b. 1957, Chicago Education School of the Art Institute of Chicago – Illustration, Printmaking, Chicago, IL University of Wisconsin-Madison – Theatre, Madison, WI Drake University, BFA – Theatre, Des Moines, IA National Theatre Institute, Waterford CT Royal Shakespeare Company, Stratford, England Exhibitions 2018 Baseball Art, Second Story Studios, Chicago, IL Baseball as Art, Cleveland County Arts Council, Shelby, NC Masterful Moxie – The Power of Art, Dank Haus, Chicago, IL Connections – Exploring the Ties that Bind, Open Walls, Chicago 2017 Group Show, Bergino Baseball Clubhouse, New York, NY Baseball as Art, Cleveland Count Arts Council, Shelby, NC 2015 Group Show, Bergino Baseball Clubhouse, New York, NY Baseball as Art, Cleveland Count Arts Council, Shelby, NC 2014 All Stars of Baseball Art, The Mason Civic League Gallery, Hoboken, NJ Pine Tar Portraits & Other Notables, Firecat Projects, Chicago, IL 2013 Baseball Art Show, George Krevsky Gallery...

Complex Art Nouveau patterns intertwined with gracefull figures define this work by American Artist and illustrator, teacher and lecturer Mildred Bailey Carpenter. Signed in cartouc...

Noughts & Crosses, 19th Century William Bromley (1816-1890) Large 19th Century Victorian Classroom interior of a teacher and his class playing noughts and crosses...

Original and unique painting by french street-artist SEATY. In acrylic, and stencil on canvas. Framed with a custom-made black floater frame. Signed verso, sold with it's certificate...

Kar_Part is an LA native, mechanical engineer product designer turned street artist fueled by a growing frustration with socio-political, economic,...

Acrylic, pastel & paper on cardboard

Title: Staircase Medium: Oil on canvas Size: 12 x 16 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2015 Artist: ShaoHua Nong...

Still Life with Earthenware Jug, Oil on Canvas Laid on Board Painting, 1998 Additional information: Medium: Oil on canvas laid on board 25.5 x 38 cm 10 x 15 in Signed and dated; als...

Oil on panel Panel size: 21.5 x 17.25 inches Signed??

Title: Mid 20th Century Post Impressionist Acrylic of a Nude Female Figure by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Acrylic on unframed paper Size: 25.75 i...

Signed and dated upper left: Dana R Pond 01

The unframed painting measures 120 x 61 cm. Romualdo Locatelli è conosciuto per i suoi ritratti che riflettono le culture e le tradizioni dei luoghi esotici che ha visitato. Born in ...

Provenance: This is an early painting by Huldah Mae Cherry (also known as Huldah Cherry Jeffe), done in her "Impressionist years" and painted after a painting by another American I...

Daylight is an example of the bright colors that Beckner uses in his paintings. Daylight makes you wonder what the figure in the painting is thinking. Jim Beckner’s art vibrates with the pulse of the city. His edgy and energetic paintings...

'Flower maidens,' a large oil-on-canvas painting by Émile Eisman-Semenowsky French/Polish, Late 19th Century Frame: height 72.5cm, width 111cm, depth 9cm Canvas: height 54cm, width 9...

Biff Elrod's use of color and implied movement in the Movement into Light from The Ceiling Paintings Exhibition provided a visual experience of contemporary life. Ceiling Painting ...

MICHELE MIKESELL b. 1973, Alabama, USA In 2002, Michele Mikesell earned her Bachelor of Fine Arts with a minor in graphic design from Texas Women's University in Denton, TX. Mikesel...

Rene jerome Legrand (British, Born 1953) Playing in the Rockpools at the Seaside - Oil on Canvas 10 by 8 inches, Signed and Framed (16 by 14 inche...

Signed and dated top right: “Norris (c) 1982”. With label verso: “Ben Norris, 1982 / Coronation / watercolor, 52 x 31 1/4 inches”. As a teacher, academic, and artist, Ben Norris had...

A Salvation Army Santa looks on with a mixture of fatigue and disinterest as a group of children tell him their Christmas gift wish lists in this lighthearted composition by leading American illustrator Leslie Thrasher. This painting was created for the December 20, 1930 issue of Liberty Magazine, for which the artist illustrated covers on a weekly basis for six consecutive years. Thrasher is known for his scenes of everyday American life imbued with a sense of humor, qualities represented to great effect in this charming painting. Born in 1889 in Piedmont, West Virginia, Thrasher studied at the Pennsylvania Academy of Fine Arts as a teenager and received a scholarship to study art abroad in Paris. Upon his return, he began studying under Howard Pyle, known as the “father of American illustration.” Thrasher sold his first cover illustration to the Saturday Evening Post in 1912, four years before Norman Rockwell’s first Post cover, and he would go on to produce over 360 magazine covers throughout his career. He painted humorous, relatable scenes of everyday life in America with colorful characters set against white backgrounds. He was also a successful commercial artist, painting advertisements for Cream of Wheat, Chesterfield Cigarettes...

Signature: Signed Lower Right Cover Illustration: Saturday Evening Post, November 6, 1937

Wendy Artin is an American contemporary artist who works primarily in watercolor and charcoal. Her work is figurative and classical and explores the timele...

"Seated Girl and Hummingbird" is a vibrant oil on board painting by Mexican artist Martin Saldaña (1874-1965). This captivating folk art piece portrays three figures standing near a ...

Oil Painting by Norman Prescott Davies "The Long Way Home" 1862 - 1915 Painter of classical maidens and landscapes as well as an illustrator. Regular ...

Digital art on canvas, unique artwork Marco Santaniello is an Italian artist born in 1981 who lives & works in Cosenza, Calabria in Italy. He started his path doing Pop Portraits an...

Signed lower right: Geo

"Harvest" Working Women Hungarian European Modernism Expressionism 1926 WPA Era. 10 x 11 inches oil on board. Painted in Hungary. Stephen (Istvan) Csoka was born in Gárdony, Hungary on January 2, 1897 and died in New York in 1989. He is best remembered as a painter and etcher of portraits, nudes, landscapes, genre, and horses. Csoka studied at the Budapest Royal Academy of Art and his memberships include Associate of the National Academy of Design in New York City; the Society of American Etchers in Brooklyn, NY; the Society of Brooklyn Artists; and the Hungarian Etchers Association. Csoka's exhibitions and awards include a medal at the Barcelona International Exhibition in 1929; a prize at the City of Budapest Exhibit in 1930; prizes at the Society of American Etchers in 1942 and 1945; prizes at the Library of Congress in 1944 and 1946; a prize at the Society of Brooklyn Artists in 1944; a prize at the Philadelphia Watercolor Club in 1945; the Corcoran Gallery of Art in 1945; the Carnegie Institute in 1943, 1944, and 1945; the Art Institute of Chicago in 1944; the Los Angeles Museum of Art in 1945; the National Academy of Design from 1940 through 1945; one-artist shows at the Contemporary Artists in 1940, 1943, and 1945; and the Minneapolis State Fair in 1943. *Stephen continued to recieve awards and exhibit his work throughout his life. In 1997, Hofstra Museum sponsored a Retrospective/Centennial exhibition in honor of his birth. Collections representing Csoka's work are the Metropolitan Museum of Art, New York, NY; the Brooklyn Museum, Brooklyn, NY; the Museum of Fine Arts, Boston, MA; the British Museum, London, England; the Bezalel National Museum, Jerusalem, Israel; the Butler Institute of American Art, Youngstown, Ohio; Whistler House Museum of Art, Lowell, MA; the Cleveland Museum of Art, Cleveland, OH; Columbus Museum of Art, Columbus, OH; the Sheldon Swope Art Museum, Terre Haute, IN; the Mobile Museum of Art, Mobile, AL; the Frederick R. Weisman Art Museum, Minneapolis, MN; the Museum of New Mexico, Santa Fe, NM; the Budapest Museum of Fine Arts, Budapest, Hungary; Hungarian National Gallery, Budapest, Hungary, the Museum of the City of Budapest, Budapest, Hungary; the Library of Congress, Washington, DC; Carnegie Museums of Pittsburgh, Pittsburgh, PA; the Chrysler Museum of Art, Norfolk, VA; Georgia Museum of Art, Athens, GA; Hofstra Museum, Hofstra University, Hempstead, NY; Holocaust Museum, Glen Cove, NY; National Academy of Art, New York, NY; New Orleans Museum of Art, New Orleans, LA; New York Historical Society, New York, NY;New York Public Library, New York, NY; National Gallery of Art, Washington, DC; Peabody Museum, Cambridge, MA; Pennsylvania Academy of the Fine Arts, Philadelphia, PA; Reading Public Museum, Reading, PA; Livingston Arts Center, Mount Morris, NY; Ball State Teachers College, Muncie, IN; City College, New York, NY; Fashion Institute of Technology, New York, NY; Hungarian Consulate, New York, NY; Hungarian Heritage, New Brunswick, NJ; Hunter College, New York, NY; IBM Collections; Princeton Print Club...

Kurt Cobain 2023 Acrylic on canvas 10 x 8 inches Signed and dated on verso by the artist Matthew Hanzman is a self taught painter whose work ranges from bold, whimsical figuration t...

Henry John Yeend King (1855-1924) was a landscape and rustic genre painter. He began his artistic career by working for three years in glass works. King went on to study painting under William Bromley in London, and also with Bonnat and Cormon in Paris. He exhibited from 1874 to 1924 at The Royal Academy and The New Watercolour Society. He was elected to the Royal Society of British Artists in 1879, the Royal Institute in 1886, later becoming Vice President. He was also a member of the Royal Institute of Oil Painters. In 1898 his picture 'Milking Time' was purchased by the Tate Gallery in London. Yeend King was a fine late-Victorian oil painter...

Large, enticing and very decorative painting. Oil on canvas. Signed Imre Goth 1931. 1931. Motif of an elgant, young girl with her doll. Beautiful painting in impressionist style. ...

"Arabian Cafe I” Figurative Oil Painting 47" x 47"in by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the subject of the orientalism and the enchantment of that period. Through her work we can feel the researches she has done to reveal her Egyptian origins and the magic and power of the bygone times. Katherine Bakhoum has succeeded in imprinting her own stamp to evoke a new world full of charm, nostalgia and magic that is deeply implanted in her canvas. Her power dwells in creating her own style of contemporary expressionism building upon the old orientalism. Katherine Bakhoum’s art comes up out of an Egyptian childhood and from the distance of a life spent in France. What is left unsaid is as important as what is shown. Decorative yes, as in old orientalism, when everything was texture and what wasn’t texture was veiled, a reincarnation of old spirits, dervishes, orientalist motifs and the stuff of a once powerful civilization, the better to suggest it all might just come to life again. The choice of ancient subject matters, the echo of orientalist pieces in the collages, like the echo of the appeal of ancient gestures, of foreign lands, and domestic tapestries, all this weaves up out of Katherine Bakhoum’s creations. Sometimes we only have the line of a horizon on which to hang our imagination, sometimes we only have the trace of a profile in the shadows. What we always have is a persistent belief in beauty. Where there is beauty, there is hope. Katherine Bakhoum has abandoned neither. SOLO EXHIBITIONS Claudine Legrand Gallery: Annual exhibitions from 1996 to 2016 Safar Khan...

Oil on Canvas. Italian school of the 17th-18th centuries. Mary and the baby Jesus, standing on her knees, are depicted already in the glory of heaven, with little angels beside them....

English School 1910 The Battle of Flodden Oil on canvas, monogrammed and dated 1910 lower right Image size: 25 x 50 inches (63.5 x 127 cm) Original frame Provenance Dacre Castle The Battle of Flodden or Flodden Field, sometimes called the Battle of Branxton was part of a conflict between England and Scotland. The Scots were allied with France and at the time of the battle Henry VIII was in France fighting there and had left his kingdom under the regency of his queen Catherine of Aragon. The battle was fought in Branxton in Northumberland on 9 September 1513, between an invading Scots army under King James IV and an English army commanded by the seasoned warrior Thomas Howard, Earl of Surrey. Invoking the Auld Alliance with France, James IV of Scotland crossed...

A naturalistic oil painting depicting two soldiers wearing regalia with a black horse. The scene is set in on a farm in a rural landscape. The paining measures 6.25 x 6.75 inches. ...

Costume is an original painting artwork in mixed media, tempera and watercolor on paper, realized by the Greek-French artist Alkis Matheos Very good conditions. The artwork is a b...

Signed by Artist Signed Lower Center The Saturday Evening Post cover, June 13, 1914 LITERATURE: L.S. Cutler and J.G. Cutler, J.C. Leyendecker, American Imagist, New York, 2008, p. ...

In the latter half of the nineteenth century and into the first decade of the twentieth, New York City art aficionados could count on finding recent work of Seymour Joseph Guy hanging on the walls of the city’s major galleries. Primarily a genre artist, but also a portraitist, between 1859 and 1908 Guy showed more than seventy works at the National Academy of Design. From 1871 to 1903 he contributed over seventy times to exhibitions at the Century Club. From 1864 to 1887, he sent about forty pictures to the Brooklyn Art Association. A good number of these works were already privately owned; they served as advertisements for other pictures that were available for sale. Some pictures were shown multiple times in the same or different venues. Guy was as easy to find as his canvases were omnipresent. Though he lived at first in Brooklyn with his family and then in New Jersey, from 1863 to his death in 1910 he maintained a studio at the Artist’s Studio Building at 55 West 10th Street, a location that was, for much of that period, the center of the New York City art world. Guy’s path to a successful career as an artist was by no means smooth or even likely. Born in Greenwich, England, he was orphaned at the age of nine. His early interest in art was discouraged by his legal guardian, who wanted a more settled trade for the young man. Only after the guardian also died was Guy free to pursue his intention of becoming an artist. The details of Guy’s early training in art are unclear. His first teacher is believed to have been Thomas Buttersworth...

"Tea Party" By Greg Harris is a perfect example of his most sought after paintings. Measuring 24x36 in., this painting has two woman dressed in pink and white sitting down for tea wi...

Amédée Elié Servin — (1829-1884) : Children playing in a forest A nice and confidently painted scene of three children playing in the midst of a dark forest. Through clever use of colour and light and dark effects, Elié Servin creates a mysterious and fairytale-like scene in which all attention is drawn to the playing children. Amédée-Élie Servin (1829-1884) Servin Amédée-Élie was a French painter and engraver, founder of the artistic community of Villiers-sur-Morin. Servin was born to a tanner, who, disappointed by his son's failure in his studies, apprenticed him to an upholsterer where he learned to draw cartoons. He then entered the École des Beaux-Arts and studied under the painter Michel Martin Drolling. At this school, he befriended students of his generation, such as Jean-Jacques Henner, Benjamin Ulmann and Paul Baudry...

This charming continental scene depicts a young sweep in work attire, whistling as he walks barefoot along a sunlit path. The composition draws the viewer's eye along the diagonal li...

Oil on canvas Hiromi Sengoku is a Japanese artist born in 1982 who lives and works in London, UK. Since 2008, she participated regularly to solo exhibitions in Japan and participate...

Original Painting New Yorker Cover Proposal American Scene Modern Santa's Feet Antonio Petruccelli (1907 - 1994) Santas Feet At Midnight New Yorker c...

Signed and dated '1910' lower right

MONIKA ROSSA studied painting at the University of Arizona, in the Ecole des Beaux Arts in Paris and at the Escuela de Diseno in Barcelona. She practices drawing and easel painting....

This painting is the central painting in the triptych. This painting is dedicated to the problem of homeless children, deprived of parental warmth, home and normal childhood. This pa...