Child Figurative Paintings

Daylight is an example of the bright colors that Beckner uses in his paintings. Daylight makes you wonder what the figure in the painting is thinking. Jim Beckner’s art vibrates with the pulse of the city. His edgy and energetic paintings...

Mixed media on canvas

Signed bottom-left. All of our works are covered by our own guarantee of authenticity which covers the work for its lifetime of ownership with the purchaser. We carry out stringent ...

Otto Wilhelm Eduard Erdmann was born in 1834 in Leizpig, Germany. He is best known for his fine interior and genre scenes, often including figures. This original oil is a prime examp...

"Call it in the air, heads or tails?" "Heads or Tails" is painted on re-purposed drop cloth, embellished with peach fringe and hung on custom brass hardware. Becca Fuhrman says of ...

Oil on board Board size: 13 x 16 inches Framed size: 18.25 x 21.25 inches Signed with initials lower left

Francesco Montelatici called Cecco Bravo (Florence, November 15, 1601 - Innsbruck, December 1661), attr. Dressing of a knight before battle Oil on slate, 48 x 47 cm Framed, 60 x 5...

Oil on canvas Ramaz Chantladze is a Georgian artist was born in 1960 who lives and works in Tbilisi, Georgia. He studied at Jacob Nikoladze School of Art. In 1979-1985 he studied at...

Searching the Waters ​by Lu Haskew Pastel 18x22" image size, 26x30" framed Figurative Portrait of young children on a dock looking into the water. ABOUT THE ARTIST: Lu Haskew 1921...

Acrylic on canvas Shipped rolled in a tube 100% hand made painting, unique piece.

Modern Impressionist Beach Scene Oil of Three young children playing sandcastles on the beach. "Day at the Beach" Oil on Canvas, laid on board, Signed and Framed by Rene Jerome Legr...

Original acrylic painting on wood with functioning clock. Hand signed on front; signed and titled on verso by Jozza. Framed as pictured which was custom painted by Jozza. Frame si...

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

Francesco Casanova (London 1727 – Mödling 1803) attributed to - Battle scene on horseback. 22.5 x 17.5 cm. Oil on canvas, unframed (not signed). - Label: “CASANOVA Francesco Giuse...

Hans Zatzka, Austrian (1859-1945) A Fine Oil on Canvas "Portrait of Haunz Javorasky Als Knabe Dressed as a Sailor" within a carved gildwood frame. The charming portrait depicts a sea...

Mitzy Renooy A Small World 180 x 120 cm Mitzy Renooy, a former camera woman for national television, did follow art academy to learn to paint in an own style. Her education was a g...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...

Signed and dated '1910' lower right

Detailed in this painting are themes dear to Sax Berlin’s heart; music, poetry, and culture, both ancient and modern. There’s a subtle aura of myth and mysticism surrounding this pie...

Beautiful watercolor painting by the artist Roberto Fabelo. Roberto Fabelo (born 1951 Camagüey, Cuba) is a contemporary painter, sculptor, and illustrator. Born in Guáimaro, Camagüey, Fabelo studied at The National Art School and at the Superior Art Institute of Havana. He was a professor and a jury member for very important national and international visual arts contests. The Cuban state awarded him a medal for National Culture and the Alejo Carpentier medal for his outstanding artistic career. Fabelo’s art consists of nude women, who often appear with bird-like features, including a beak and wings. He drew in textbooks and created figures out of the pictures already in the textbook. Another example of his art was watercolor markers used to draw on silk embroidered fabric. His work is exhibited at the Museo Nacional de Bellas Artes in Havana, and in the Cuban embassy in Mexico. His 2009 sculpture of a group of human-headed cockroaches can be found climbing one of the walls of the Havana Fine Arts Museum, entitled Survival. He also illustrated a 2007 edition of Gabriel García Márquez’s novel Cien años de...

Modern Impressionist Oil Painting of a beach scene with Children playing in a Rocky Cove. Signed Oil on Canvas on Stretchers and Framed in a bronzed silver modern bespoke frame. Str...

Signed and dated '1890' lower right

Oil on canvas Teppei Ikehila is a Japanese artist born in 1978 who lives & works in Tokyo, Japan. He is graduated from Shimane University in 2001. Since 2000, he has held many priva...

Provenance: Exhibited at Pennsylvania Academy of Fine Arts, 1911 #229 Description: William Wallace Gilchrist (1879-1926) was an American painter known for his captivating depictions of everyday life scenes and his ability to capture the ambiance and aesthetic of the late 19th century. Born in Philadelphia, Gilchrist showed an early passion for art and pursued his artistic education at the Pennsylvania Academy of the Fine Arts Gilchrist’s artwork often revolved around intimate domestic settings, where he skillfully portrayed the beauty and tranquility of ordinary moments. His painting “The Morning News...

Boy. 2014. Oil on canvas 90x63 cm The artist Vadim Kovalev was born in 1968 in the capital of Latvia, Riga, where he is also presently living and creati...

The painting captures the bittersweet essence of post-graduation limbo. As I stood on the threshold, degree in hand, the initial euphoria of accomplishment slowly gave way to an unse...

René Romero Schuler is an American painter and sculptor who creates powerful images that speak to the complexities of the human condition and the spirit that connects all human being...

Reuben Hunt British, (1857-1938) Taking Aim Oil on canvas, signed & dated (18)84 Image size: 19.5 inches x 29.5 inches Size including frame: 25.25 inches ...

Henry John Yeend King (1855-1924) was a landscape and rustic genre painter. He began his artistic career by working for three years in glass works. King went on to study painting under William Bromley in London, and also with Bonnat and Cormon in Paris. He exhibited from 1874 to 1924 at The Royal Academy and The New Watercolour Society. He was elected to the Royal Society of British Artists in 1879, the Royal Institute in 1886, later becoming Vice President. He was also a member of the Royal Institute of Oil Painters. In 1898 his picture 'Milking Time' was purchased by the Tate Gallery in London. Yeend King was a fine late-Victorian oil painter...

This beautiful original artwork entitled "Bowie Life" was realized by the Italian artist EMPHI in 2018. Oil paint on canvas. Hand-signed on the lower right. Certificate of authent...

A charming late 19th century oil painting by the artist Mark Langois (1848-1924) depicting a schoolmaster and his pupils. Well presented in a gilt frame with floral ornaments and a d...

La Festa del Vino Nuovo - Oil on canvas Elio Ferrara, Italy, 1980s Elio Ferrara was born in Naples in 1945, he attended the Academy of Fine Arts and then worked as a set designer at ...

Corn Offering by Lu Haskew Oil 10x12" image size Figurative Native American Dance Painting This painting is unframed, canvas on gator board, the price reflects that it is unframed. ...

Jazz. Oil on canvas. 73x100 cm Man with saxophone The artist Vadim Kovalev was born in 1968 in the capital of Latvia, Riga, where he is also presently ...

Signed on bottom right Born in Turkmenistan, in the sunny city of Ashkhabad. From his youth was into artistic activities, currently the earlier works are kept in the family archives...

EDUARDO LEÓN GARRIDO Spanish, 1856- 1949 PLACE CLICHY signed "E. L Garrido" (lower right) oil on canvas 24-1/8 x 19-3/4 inches (61 x 50 cm.) framed: 33-1/4 x 28-7/8 inches (84 x 73 cm.) PROVENANCE Private Spanish Collector Fresh and bright view of Clichy Square, Paris, where Leon Garrido offers us his most impressionistic and innovative technique. The work has a pyramidal composition, from where monument to "Mariscal Moncey" on an 8 meter high pedestal and decorated with bas-reliefs that dominates the entire square. The florist occupies a central place, from which distinguished figures appear around her. Its delicate and smooth chromaticism in gray and pearly dark almost black and a touch of red. Eduardo León Garrido (Madrid, 1856 - Caen, 1949) was a Spanish painter. He began his training at the Higher School of Painting in Madrid and as a disciple in Vicente Palmaroli...

English School 1910 The Battle of Flodden Oil on canvas, monogrammed and dated 1910 lower right Image size: 25 x 50 inches (63.5 x 127 cm) Original frame Provenance Dacre Castle The Battle of Flodden or Flodden Field, sometimes called the Battle of Branxton was part of a conflict between England and Scotland. The Scots were allied with France and at the time of the battle Henry VIII was in France fighting there and had left his kingdom under the regency of his queen Catherine of Aragon. The battle was fought in Branxton in Northumberland on 9 September 1513, between an invading Scots army under King James IV and an English army commanded by the seasoned warrior Thomas Howard, Earl of Surrey. Invoking the Auld Alliance with France, James IV of Scotland crossed...

Acrylic on fabric Ma Wei-Hong is a Chinese artist born in 1977 who lives & works in Songzhuang, Beijing, China. She is graduated from Shanxi Yuncheng College of Art. Ma pursued adva...

Attributed to Frans Francken II (1581-1642) – "Adoration of the Magi" Medium: Oil on canvas Dimensions: 136 x 162 cm (unframed), 141 x 166 cm (framed) Provenance: Private collectio...

An amazing, magical realism painting by renowned artist, Herbert Laurence Davidson (1930-2018). This painting depicts a young boy’s innocent discovery on the beach of a sand sculptur...

Signature: Signed Lower Left Capper's Farmer Magazine Cover, June 1928

On canvas on stretchers.

Kazuya Ushioda's "Aika" (2024) is a masterful hyperrealistic oil painting on panel, capturing the delicate grace of a young woman adorned in a richly patterned blue kimono. With exce...

Striking Impressionist oil painting on canvas depicting three mysterious figures in a jungle setting executed with technical skill reproducing light in the deep forest. Signed by not...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Sayeed Momoh is...

Summer by John Richard Townsend (1930-2013) * see notes below signed oil on canvas, framed framed: 22 x 22 inches canvas: 16 x 16 inches provenance: private collection, England condi...

Title: Mid 20th Century Post Impressionist Acrylic of a Nude Female Figure by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Acrylic on unframed paper Size: 25.75 i...

Florence W. Pomeroy Confidences (Seamstresses) Signed lower right Oil on canvas 30 x 24 inches Provenance R.H. Love Galleries Inc., Chicago Florence Walton Pomeroy was an artist b...

Signed lower left Literature: Aleksandrowski, Mathieu, Lobstein, Henry Jules Jean Geoffroy dit Géo, 1853–1924 (Édition Librairie des Musées...

Acrylic on canvas, Nino Nasidze is a Georgian painter born in 1968 who lives and works in Tbilisi, Georgia. Text by Ketevan Akhobadze, art critic. Time consistently changes dynami...

Original cover illustration for The Saturday Evening Post, November 13, 1948 The Post described, “Artist Stevan Dohanos felt like a baseball coach who had everything he needed excep...

Approximate Date: 1948 Medium: Oil on Board Signature: Signed Lower Left Size: 20" x 16", Framed: 26" x 22" Original cover illustration for The Saturday Evening Post, September 25 1...

"The Schoolroom" by Theo Duverger Theophile-Emmanuel Duverger 1821 - 1886 was a leading French genre painter, exhibitor at the Paris salon and in the Musee D'Orsay. Oil on Panel, sig...

Signed figurative pastel on canvas circa 1910 by French genre painter Pierre Carrier-Belleuse. The work depicts three ballerinas wearing white tutus, warming up in a studio. Carrier-Belleuse was a contemporary of Edgar Degas and they exhibited simultaneously at the major Salons in Paris. This classic example evokes the Belle Epoque period in french history and is superbly executed. Signature: Signed lower right Dimensions: Framed: 29"x24" Unframed: 26"x21" Provenance: Private French collection Pierre Carrier-Belleuse studied at the École des Beaux-Arts in Paris under Alexandre Cabanel and the interior decorative artist Pierre Victor Galland. He started out as an oil painter and produced genre compositions, such as his Final Rendezvous. From 1885, however, he opted to work exclusively in pastel, producing a large number of sketches and portraits but always remaining faithful to his earlier genre compositions. Examples include Pierrot, Harlequin, Woman with Cat. The periodical Figaro Illustré published a large number of his sketches of dancers, a recurrent theme throughout his work. From 1875, Pierre Carrier-Belleuse exhibited frequently at the Paris Salon, receiving an honourable mention in 1887 and being awarded a silver medal at the Exposition Universelle of 1889. Museum and Gallery Holdings: Dunkirk: Dancer Adjusting her Shoe (pastel) Gray: On the Dunes; In the Sun La Rochelle: Dancer Le Puy-en-Velay: Fantasy Mulhouse: Mule's Bonnet Paris (Municipal Collection): Tender Vow (pastel) Versailles...

Lightness of Being 36.0 x 24.0 x 1.5, 10.0 lbs Acrylic Hand signed by artist Artist's Commentary: My first 2022 painting titled 'The Lightness of Being' indicates a change in m...

Oil on panel Panel size: 21.5 x 17.25 inches Signed??

Rendered in Rockwell's style, this fine copy captures a delightful moment of a boy painting a birdhouse while his loyal dog looks on. The painting bears the artist's signature to the...

Fight Between Two Boys, Saturday Evening Post cover study, 1911

"Folkloric Musicians" Figurative Oil Painting 59" x 87" inch by Omar Abdel Zaher Abdel Zaher is a graduate of the Academy of Fine Arts in Helwan and ...

"Arabian Cafe I” Figurative Oil Painting 47" x 47"in by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the subject of the orientalism and the enchantment of that period. Through her work we can feel the researches she has done to reveal her Egyptian origins and the magic and power of the bygone times. Katherine Bakhoum has succeeded in imprinting her own stamp to evoke a new world full of charm, nostalgia and magic that is deeply implanted in her canvas. Her power dwells in creating her own style of contemporary expressionism building upon the old orientalism. Katherine Bakhoum’s art comes up out of an Egyptian childhood and from the distance of a life spent in France. What is left unsaid is as important as what is shown. Decorative yes, as in old orientalism, when everything was texture and what wasn’t texture was veiled, a reincarnation of old spirits, dervishes, orientalist motifs and the stuff of a once powerful civilization, the better to suggest it all might just come to life again. The choice of ancient subject matters, the echo of orientalist pieces in the collages, like the echo of the appeal of ancient gestures, of foreign lands, and domestic tapestries, all this weaves up out of Katherine Bakhoum’s creations. Sometimes we only have the line of a horizon on which to hang our imagination, sometimes we only have the trace of a profile in the shadows. What we always have is a persistent belief in beauty. Where there is beauty, there is hope. Katherine Bakhoum has abandoned neither. SOLO EXHIBITIONS Claudine Legrand Gallery: Annual exhibitions from 1996 to 2016 Safar Khan...