Photography Figurative Paintings

"Her" by Aba Linus is a striking testament to the power of visual storytelling and the celebration of feminine strength and elegance. In this captivating artwork, a young woman is po...

Bataglia Aerea Oil Painting on Canvas Rome Mythology Architecture In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tuscan family. His grandfather, father, si...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity.

This Stan Laurel and Oliver Hardy illustration was used as a traveling show sign for the comedy duo. Medium: Oil on Wood Panel Signature: Unsigned

“Vision of Twilight” is a captivating and contemplative artwork that suspends us in the ethereal realm of the in-between. This enchanting title captures the essence of a fleeting mom...

Allegories of Carnal Love and Chaste Love by Paul GRANDHOMME (1851-1944) and Alfred GARNIER (1848-1908) Very important plaque in translucent and opaque polychrome enamel on copper, with gold spangles and gold highlights. Set in its original silver setting. Presented in its original morocco leather box...

Serenity, warmth, and harmony are at the heart of Dreamer, a captivating oil on canvas painting that invites reflection and a sense of peace. The work portrays a figure with closed e...

The Harvest Workers English School, 19th century indistinctly inscribed lower front corner oil painting on canvas, framed framed: 10 x 8.5 inches canvas: 8.75 x 7 inches Provenance: ...

Artist/ School: J. Mackellar, signed and dated 2005. Title: Portrait of a Lady wearing vintage clothing and hat. Medium: oil painting on bo...

Medium: Oil on Canvas Signature: Signed Lower Right

Frameless Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that world with his painting. After starting his...

In highly developed nations today there is a widespread alienation and loneliness that engenders fear and distrust, a restrictive self-righteousness of thought, and a dread of what-c...

Medium: Oil on Canvas Signature: Signed Lower Right Original cover illustration for The Saturday Evening Post, July 18, 1953. The Post described, “Gently, gently now, for both side...

Masterfully painted portrait with rich paint surface by the famous French Symbolist Signed and dated lower left Provenance: Waterhouse & Dodd, London ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity.

There is a special kind of trust that exists between sisters—not just those bound by blood, but those connected by the unshakable bond of sisterhood. In a world that often feels chao...

Oil painting of Marc Dalessio Painting in plein air, captured by his wife and fellow plein-air painter, Tina Orsolic Dalessio. Standing tall beside his easel, paintbrush and palette...

Artist/ School: The work is signed and dates to the 1970's period. Title: Portrait of an Africa Woman, believed to be from Tanzania (according to previous owner). Medium: oil paint...

The portraits of Christopher Veggetti are not just works of art; they embody a tangible testimony of the deep need for social inclusion at a national level. In an Italy undergoing co...

Signed and titled lower left

Kazuya Ushioda’s The Sound of Prayer (2021) is a striking figurative oil on panel that captures a moment of quiet reflection. Measuring 44.12 x 11.87 x 0.70 inches, this tall and slender composition features a single figure clothed in a white kimono adorned with delicate blue floral motifs and cinched by a vivid red sash. The woman’s eyes are closed, and her hands are gently positioned near her head, suggesting an intimate state of concentration or contemplation. Painted in oil on a carefully prepared panel, this original, handmade work showcases Ushioda’s meticulous technique, evident in the rendering of subtle skin tones and nuanced folds of fabric. The vertical format accentuates the graceful poise of the figure, drawing the viewer’s gaze downward from her serene expression to the richly detailed kimono patterns. The neutral background highlights the subject’s form, creating a harmonious interplay of color and space. Executed in 2021, The Sound of Prayer stands...

If Vogue magazine existed in the late 19th century, this sitter could be on the cover. The depth of her feminine beauty and sweetness is mesmerizing. She looks at you. You look ...

Daggi Wallace's "Silence Of The Lambs XI" is an original, handmade mixed media painting that depicts a female's model face overlaid with circular shapes. Born and raised in Berlin,...

Meticulously rendered account of three prospectors trying to rustle up some water before they can dig up some gold. Magazine Illustration of the Old West, American West, Cowboys Casein on board, Western / Frontier Art...

This artwork depicts a solitary figure leaning against a large green sign with the bold text, "THE ONLY OTHER THING IS NOTHING." Set in a stark, desolate landscape, the scene exudes ...

Fred Calleri was born in Maryland and has slowly moved westward towards his current home in Santa Barbara, California. On his way, he earned an Illustration and Graphic Design degree...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Canal Scene, Amsterdam signed by W.Maas oil on board, framed Framed: 16 x 13.75 inches Board: 9.5 x 7.5 inches Inscribed verso Provenance: Private collection This painting, likely by...

This artwork captures the intrigue of two wanderers stumbling upon an abandoned house, drawn in by the silent echoes of its past. Their curiosity leads them inside, exploring its em...

Jimmy Abeita B. 1947 painting is oil on canvas Image 9x12 Overall with frame 15x18 inches Signed lower right Housed in original Frame Gallery labels: Adobe Gallery and Brandywine gal...

Twentieth Century Watercolour Portrait and Equine Study showing Clowns and Circus Horses. This is highly typical of one of the important strands of Edward Seago's work - he was fascinated by the Circus and by the Travelling community. Edward Seago is a giant of 20th Century British paintings...

Contemporary pop art inspired pixelated rendition of a detail from Raphael Botticelli's renowned painting titled "Sistine Madonna." Similar to pointillism, the individual hand-paint...

Mid-century female illustrator/artist Gladys Rockmore Davis paints a compelling portrait of a contemplative beauty who looks like Elizabeth Taylor. Frontal and lateral forces work together in this pyramidal composition. The sitter stares down at the viewer creating a frontal tension. Her hypnotic gaze is counterbalanced by the lateral movement of her crossed hands and triggers an emotional response. Gladys Rockmore Davis is both a work-for-hire illustrator and a fine artist- She was an illustrator for clients such as Upjohn, Munsingwear, Elgin Watches, and Johnson & Johnson. Davis had a show at the prestigious Midtown Gallery and Babcock Gallery in New York. She studied at the California School of Fine Arts, Art Institute of Chicago, and Art Students League. William R. French Gold Medal...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity.

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Japan, Moore spent time in Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this sparkling portrayal of a young woman dressed in a traditional kimono and carrying a baby on her back, a paper parasol...

A fine example of a late Victorian water gilded frame. Presented in its original velvet-lined mahogany box. The frame currently contains a historic black and white photograph of a ge...

In German, there is a word called "Sommefrische" , meaning summer freshness, which describes this painting perfectly. Looking at this Swiss mountain and lake is like a perfect, restf...

Pierre Mas: born in France 1933. He is a listed post war modernist painter. This wonderful depiction of a bull fighter and bull is a mixed media on paper ...

The Family Portrait British School, 20th century (painted in an earlier style) oil on canvas, unframed canvas: 30 x 24 inches provenance: private collection, England condition: overa...

Hand signed by the artist on verso. Hand Painted Unique Silkscreen on Canvas. Artwork is in excellent condition. Canvas is not stretched. Certificate of authenticity included. All...

Hand signed by the artist on verso. Hand Painted Unique Silkscreen on Canvas. Artwork is in excellent condition. Canvas is not stretched. Certificate of authenticity included. Al...

Kazuya Ushioda's (Japan Based) "Archaic Prayer" is an original, handmade oil painting that depicts a young woman dressed in traditional Japanese clothing, looking stoically at the vi...

Elizabeth Zanzinger's (US based) "Prism" is an oil painting that depicts a woman in the foreground looking into the distance with an atmospheric su...

Subtle colors and composition were combined by Christian Landier to create this lovely work of art that would enhance any room in your home. This is an original oil signed by the ar...

Flower Power with a modern twist. Artist Rose Freymuth Frazier plays presents "Peace Cadet" - a woman clad in a space suit, shooting a pistol that has flow...

Original and unique artwork. Hand painted metallic leaf pigment paint and enamel screen print on linen, unframed dimensions 48 x 37,5 inches, 2015, from the series "Marilyn Superstar...

Shipping Procedure Ships in a well-protected tube from Africa This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gall...

Graham Dean 1977 Signpost Acrylic on canvas Image size: 78 x 50 inches The painting depicts a time before electronic travel boards, when train times were chalked on blackboards. The...

A stunning depiction of a classical woman watering flower in the garden. Nemethy uses a bold impressionistic technique with thick use of paint and wond...

Signed by Artist Lower Right Collier's Illustrated Weekly Cover, October 25, 1902

This surreal artwork captures a moment of enigmatic stillness on a sunlit beach. A white rowboat rests on the sand, its simplicity contrasting with a sleek vintage car parked behind ...

DANNY GALIEOTE California Girl Oil on Canvas 11 x 14 inches 13.5 x 16.5 inches, Framed Danny Galieote has a propensity for capturing the quintessentials of Americana in works that ...

Bruce Adams was a painter, art educator, and writer. Born in Buffalo, N.Y., in 1952, he received a B.S. in 1976 and an M.A. in 1983 from Buffalo State College. Adams’s work is included in numerous private and museum collections, among them the Burchfield-Penney Art Center, the Albright-Knox Art Gallery, the Castellani Art Museum of Niagara University, and the UB Anderson Gallery (all of which are located in Western New York...

Circa 1900 - Portrait Of Marguerite Charming children's painting monogrammed "HR" Oil on canvas Dimensions with frame: 56 x 43 cm with frame

Acrylic on round mounted canvas. I live by the beach and painting beach scenes has become a favourite. :: Painting :: Contemporary :: This piece comes with an official certificate of...

Born and raised in New York City, Grace (Gay) Betts (1883-1978) became a peripatetic painter of Western and Southwest landscapes and Indians, and her subjects included Yosemite National Park and Arizona tribal members. She was also a muralist who did backdrops for animal displays...

Christina Major’s "Sophia Loren - Cherish It" is a captivating contemporary portrait that merges hyperrealistic portraiture with layered text, creating a dynamic fusion of depth, emotion, and storytelling. This 49 x 49-inch original painting masterfully captures the timeless beauty of Sophia Loren, with her piercing gaze and luminous complexion enhanced by the artist’s meticulous brushwork. Overlapping layers of hand-painted script weave through the portrait, adding texture and meaning, reflecting themes of wisdom, self-love, and femininity. The interplay of soft pastels and bold contrasts makes this artwork a statement piece for collectors drawn to modern figurative painting, celebrity portraiture, and mixed-media techniques. Christina Major is a portrait painter interested in the ways the identity of both artist and subject can coexist in a painting. Major's current creative research focuses on the traditional form of the portrait as a powerful form of representing an individual and how meaning can be expanded through scale, brushstroke, color, texture, composition, and the many variables that portraiture deals with. This one-of-a-kind oil painting is signed by Major on the back. The artwork is wired and ready to hang. It does not require framing. Free local Los Angeles area delivery. Affordable Continental U.S. and International shipping available. A certificate of authenticity issued by the art gallery is included. Major expands the traditional portrait painting...

Marina Dieul's "Petite Souris 700", 2024" is an exquisite handmade original oil on panel artwork, measuring 4 x 4 x 1 inches, that comes directly from the artist's studio. This piece is a primary market offering that showcases Dieul's impeccable talent and her mastery of the trompe l'oeil technique. The painting features the captivating face of an adorable mouse with a an orange knitted cap and mittens peering from a green shuttered...

Riding On Change, 2021 Oil on canvas 23 5/8 H x 19 11716 W in. 60 h x 50 w cm The painting imagines a city in a continuous present in which elements of the past intertwine with elem...