Photography Figurative Paintings

Deer Dance, painting by Tonita Pena, Santa Fe, Cochiti, Pueblo, male, female Tonita Peña (born 1893 in San Ildefonso, died 1949 in Kewa Pueblo, New Mexico) was born as Quah Ah (meaning white coral beads) but also used the name Tonita Vigil Peña and María Antonia Tonita Peña. Peña was a renowned Pueblo artist, specializing in pen and ink on paper embellished with watercolor. She was a well-known and influential Native American artist and art teacher of the early 1920s and 1930s. Tonita Peña was born on May 10, 1893, at San Ildefonso Pueblo, to Ascensión Vigil Peña and Natividad Peña of San Ildefonso Pueblo, New Mexico. When she was 12, her mother and younger sister died, as a result of complications due to the flu. Her father was unable to care for her and she was taken to Cochití Pueblo and was brought up by her aunt Martina Vigil Montoya, a prominent Cochití Pueblo potter. Peña attended St. Catherine Indian School in Santa Fe. Edgar Lee Hewett, an anthropologist involved in supervising the nearby Frijoles Canyon excavations (now Bandelier National Monument) was instrumental in developing the careers of several San Ildefonso “self-taught” artists including Tonita Peña. Hewett purchased Peña's paintings for the Museum of New Mexico and supplied her with quality paint and paper. Peña began gaining more notoriety by the end of the 1910s selling an increasing amount of her work to collectors and the La Fonda Hotel. Much of this early work was done of Pueblo cultural subject matter, in a style inspired by historic Native American works, however, her use of an artist's easel and Western painting mediums gained her acceptance among her European-American contemporaries in the art world. At the age of 25, she exhibited her work at museums and galleries in the Santa Fe and Albuquerque area. In the early 1920s, Tonita did not know how much her painting sold for at the Museum of New Mexico, so she wrote letters to the administrators because a local farmer was worried that she got paid too little. In the 1930s Peña was an instructor at the Santa Fe Indian School and at the Albuquerque Indian School and the only woman painter of the San Ildefonso Self-Taught Group, which included such noted artists as Alfonso Roybal, Julian Martinez, Abel Sánchez (Oqwa Pi), Crecencio Martinez, and Encarnación Peña. As children, these artists attended San Ildefonso day school which was part of the institution of the Dawes Act of 1887, designed to indoctrinate and assimilate Native American children into mainstream American society. In 1931, Tonita Peña exhibited at the Exposition of Indian Tribal Arts which was presented at the Grand Central Art Galleries in New York City. Works from this exhibition were shown at the 1932 Venice Biennial. That year is the only time Native American artists have shown in the official United States pavilion at that biennial, and Tonita Peña's paintings were part of that exhibition.[1 Her painting Basket Dance, that had shown in the Venice Biennial was acquired by the Whitney Museum of American Art in New York for $225. This was the highest price paid up to this time for a Pueblo painting...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Elie HATUNGIMAN...

This shall pass, like a fleeting dream, A moment in time, a fleeting scheme, The winds of change will soon abate, And the stormy skies will soon relate, The sun will shine, the cloud...

Hand-painted portrait by Natasha Lelenco from her ongoing Currencies series, where symbolic economy, identity and social belonging converge through contemporary portraiture. In Exchange Currency #4, the stylized profile of a male figure in pale blue and gray emerges against a digitally abstracted floral pattern, echoing Eastern European textile...

Ecce Homo is a superb, striking and emotive Old Master in oil on copper after the renowned Italian Baroque artist Carlo Dolci. The "Ecce Homo" shows the figure of Christ before His c...

French Romantic school of the 19th Century The artist's inspiration Oil on canvas transferred on wood It is in good condition, but the material has irregularities due to the canvas...

The painting "Onigele Yii" depicts a striking black African woman wearing a vibrant Ankara head tie, known as gele, in the Yoruba language. Rendered with oil on canvas, the artwork c...

The work is inspired by the painting "Samuel Reports to Eli the Judgment of God Over His House" by the hand of J.S. Copley, preserved in the Wadsworth Atheneum in Hartford and dated ...

Remembering the magic of everyday life moments in the art of David Teniers: The art of David Teniers the Younger (1610–1690) coincided with the heyday of the Flemish Baroque and captured a great variety of motifs of his time. In this painting of a seemingly simple peasant scene lies keys to understanding both the imaginative mind of Teniers as well as why this time period produced some of the most iconic works in all of art history.  As indicated by the name, Teniers was more or less born into his profession. As the son of David Teniers the elder, himself a painter who studied under Rubens, the younger David received training in art from a very young age and had no less than three brothers who also became painters. Because of his father’s frequent financial failures that even at times saw him imprisoned, David the younger helped to rescue the family from ruin through painting copies of old masters. Essentially, the young Teniers was confronted with painting as both a passion and creative expression as well as a necessity during difficult times, an experience that would shape much of his capacity and sensitivity in his coming life. Despite the hardships, the talent and determination of Teniers was recognized and quickly expanded his possibilities. He had already spent time in France and possibly also England when he was hired by his father’s former teacher Rubens to help with a prestigious commission with mythological paintings, now considered lost, for Philip IV the king Spain. In 1644–54 Teniers was appointed dean of the Antwerp Guild of Saint Luke, manifesting his esteemed position within the artistic community. A few years afterwards he took an important step when relocating to Brussels, where Teniers yet again found new career opportunities that would prove to be very successful. As the keeper of the collections of Archduke Leopold Wilhelm, a role similar to what we now refer to as an art advisor, Teniers purchased hundreds of important artworks that manifested the prominent status of the Archduke’s collection while at the same time providing an unusual access to inspiration and knowledge for Teniers himself. Since he kept on painting during the same time, his creative scope must have seemed almost bewildering in the great variety of images and stories that he surrounded himself with.  Regardless of how glamorous and culturally stimulating the career of Teniers was, he was as open to the charm and existential importance of everyday life as he was to works of great masters and luxurious collectibles. In his impressive repertoire of genres with everything from exquisite royal portraits, interiors, landscapes and history paintings he always added something new and inventive, highlighting the possibilities of art and importance of an experimental and intuitive mind. It is difficult to single out one aspect or genre to summarize his legacy, since it lies much more in the broad virtuosity across many motifs, although he is particularly remembered for farm scenes and meticulously depicted interiors where other paintings and artworks are captured with an astonishing precision. However, the fact that he is still today one of the most known and celebrated names of the Dutch Golden Age is a proof to the magic of his work, which continues to spark dialogue and wonder in the contemporary viewer of his works. The farm boy in the field in this painting, which likely dates to the mature part of his career, is a wonderful entry into the mind of Teniers. In the tightly cropped motif, we see him standing right in the middle of the busy harvest when men, women and everyone capable were sent out in the field to collect the crop that formed the very core of their diet and survival. In the background we see a fresh blue sky interspersed with skillfully painted clouds, some trees reaching their autumnal colours and in the far distance the glimpse of a small church and village. The presence of a church in a landscape, so typical of Dutch art, served both a symbolic and visual function as a representation of faith while at the same time defining scale and distance. In the field, the work is in full action with the farmers spread out in various positions, all in the midst of hard and sweaty labour. While they are portrayed as having nothing else than the work on their mind, our farm boy seems to have his attention directed elsewhere. Standing there with his white, half open shirt, flowy curls and strong, sturdy body; his gaze is directed away, out of the picture and the scythes in his hands. He looks almost smirking, expressed with tremendous subtlety in the slight smile of his lips and big eyes, being just in the middle of losing focus on the work. What is it that steals his attention? What has he seen, or realized, or felt – to break him free of the arduous task of harvesting, if but for a moment? Here starts the wondering and the questions that are the hallmark of a great piece of art. Instead of explicitly locking in the motif in overly clear symbolism Teniers has chosen an open ended, subtle yet striking moment for us to consider. While it of course can be related to numerous other farm scene depictions of this time, and clever usages of gazes and real-life scenes to underscore various moral or symbolic meanings, the painting can be much more of a contemplation than an explanation or illustration. The ordinary nature and understated yet emotionally textured composition of the motif gives greater space for our own reactions and thoughts. Has he seen a pretty farm girl just passing by? Is he fed up with the farm life, joyously dreaming away for a minute, imagining another future? Or is he simply in need of distraction, looking away and ready for anything that can steal his attention? One quality that never seem to have escaped Teniers was that of curiosity. During all of his career he constantly investigated, expanded and experimented with not only the style and technique of painting, but with the vision of art itself. Being credited with more or less introducing farm motifs for a broader audience not only tells us of his ability to understand the demand for different motifs, but the sensitivity to transform seemingly ordinary parts of life into deep aesthetic experiences, far beyond their expected reach. The farm boy in this painting is, of course, exactly that. But with the help of one smirk the entire picture is charged with a different energy, awakening many contrasts and relationships between the calm landscape, the hard work and his own breach of effectivity, holding sharp scythes while thinking or seeing something else. It is no wonder Teniers chose to work with farm scenes as a way of investigating these intricate and delicate plays on expectations and surprises, clarity and ambivalence. It invites us to an appreciation of human everyday life that connects us with the people of 17th century...

Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery)

Portrait signed by Jacob Markiel (Polish 1911-2008) *See notes oil on board , unframed board: 25 x 18 inches provenance: the artists estate, south of France condition: some scuffs a...

Self-portrait 1936 Oil on canvas 55.4 x 46.2 cm Signed and dated lower left

Expressive Portrait of a Gentleman in a Cravat signed by Fanch Lel (French b. 1930) size: 10.5 x 9 inches oil painting on board, unframed condition: the painting is in very good cond...

Unidentified Artist – Interior Genre Scene (19th-20th Century) Medium: Oil on canvas Framed Dimensions: 99 x 82 cm Canvas Dimensions: 88 x 67 cm Signature: Not identified This evocat...

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper stamped inscribed verso Image : 11.75 x 9.25 inches Overall Painting: 25.5 x 19.75 inches ...

Portrait of a Lady French School, 19th century oil on canvas, framed framed: 34 x 29 inches canvas: 30 x 25 inches provenance: private collection, France condition: very good and sou...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

The beauty of Africa lies in the faces of its people, a beauty that reveals itself to those who take the time to truly see. Through this artwork, I aim to showcase the rich and diver...

This artwork drops you into a surreal moment: two figures black outfits stand in the middle of nowhere, under a blue sky sprinkled with just enough clouds to keep it interesting. One...

Early figurative portrait painting by Houston-based artist Buford Evans. The work features a black man looking to the sky with an anguished expression on his face as a young child cl...

This is a hand cut and hand painted artwork by Italian artist Riffblast. It’s signed on the back as an original work of art ready to hang with frame.

Josine Vignon (French 1922-2022) ...

Attributed to Antonio Calza ( Verona) "Soldier on Horseback" Oil on panel Diameter: 26 cm No signatured This striking oil painting on panel, attributed to the renowned Italian Baroqu...

Painting of Figures at the Empire State Building in New York City at Night by Contemporary British Artist, Angela Wakefield. Part of her New York Series. This original illustrates An...

Gregory Sumida (American, b.1948) 'Pick-Up Crossing' Oil paint on masonite board. Hand signed lower right 1976 Depicting a rural landscape and buildings, in a linen-lined pickled w...

Kasia Mazur is a very young artist, she is still studying painting at the Academy of Fine Arts in Gdansk, where she also lives. She has already had exhibitions and I noticed her tale...

Male Portrait by Josine Vignon (French 1922-2022) signed on front and back - inscribed verso of the man's name! oil painting on canvas, unframed canvas: 18 x 13 inches Colors: Brow...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) In the arms of my owner, I find my peace. In their embrace, I find my home. Max in Loving Arms presents a singular blend of modernity and timeless elegance. At the centre of the composition is a poised woman, adorned in a vivid green dress that contrasts harmoniously against the soft purple backdrop. Her dark complexion radiates warmth and intensity, highlighted by her voluminous afro, a powerful symbol of natural beauty and cultural pride. Cradled tenderly in her arms is a fluffy, cream-coloured dog, its fur rendered with extraordinary detail, capturing both texture and softness. The dog’s gentle expression and relaxed posture evoke a strong sense of companionship and affection, adding an intimate layer to the portrayal. In the background, a minimalist line drawing framed...

Outstanding early 18th century English portrait of James Bellevue. The portrait was always believed to be the work of Sir Godfrey Kneller who was known to have painted James Bellevu...

Portrait of a French Gentleman French School, indistinctly signed dated 1824 inscribed verso oil on canvas, unframed painting: 22 x 19 inches provenance: private collection, France c...

Pocket Bright Red Strawberry [2023] original Oil paint on canvas Image size: H:5 cm x W:5 cm Complete Size of Unframed Work: H:5 cm x W:5 cm x D:2cm Frame Size: H:15 cm x W:15 cm...

It's hot; we're sitting in a cafe, drinking Coke with ice. My husband says, "Right now, somewhere in the field, amidst the expanse, inhaling the scent of heated grass..." I respond, ...

Unidentified Artist (19th Century) "Winter Wonderland" (1885) This charming 19th-century oil painting captures a winter landscape, depicting three figures trudging through the snow, engaged in animated conversation. The scene is set against a serene rural backdrop, where bare trees and a distant village silhouette convey the stark beauty of winter. The soft glow of the sky, transitioning from warm hues to cool whites, enhances the tranquil yet brisk atmosphere of a cold winter’s day. Plot & Interpretation The three travelers appear to be peasants or laborers, possibly returning home or embarking on a journey. Their layered winter clothing, fur hats, and backpacks suggest they are seasoned wanderers or workers, braving the elements. The gesturing figure in the middle seems to be engaged in storytelling or giving directions, adding a sense of movement and interaction. The snow-covered ground and delicate shadows create depth, emphasizing the hardship and resilience of rural life in the 19th century. Materials & Condition Medium: Oil on canvas Framed Dimensions: 47 x 46 cm Canvas Dimensions: 24 x 34 cm Frame: Ornate giltwood frame, enhancing the painting’s classical aesthetic Condition: Well-preserved with minor age-related patina, in line with its 1885 dating Historical Context & Artistic Style Likely influenced by Northern European realism, particularly Russian, German, or Scandinavian schools that depicted harsh winters and rural peasant life. Comparable to the works of Adolf von Meckel, Vasily Perov, or Carl...

Pensive in thought sitting at a wood-slat stern bench of a departing vessel in New York Harbor, the prominent grandeur of the Statue of Liberty recently passed, a woman and her loyal...

Nicolas de Largillierre painted Elisabeth Marguerite in oil on canvas. A larger version of this work was offered by Sotheby's for $500,000 and is now in a French Museum - Palais ...

Bulb of Africa was not just a hairstyle; it was a celebration of African heritage and a testament to the resilience of its people. Passed down through generations, it represented strength, beauty, and the rich tapestry of African traditions. The Bulb showcased the natural texture and volume of African hair, transforming it into an intricate masterpiece of braids, twists, and coils. The Bulb of Africa became a symbol of empowerment, reminding people of their strength, resilience, and the beauty of their shared heritage. It served as a reminder that hair was more than a physical attribute; it was a connection to something greater—a connection to their ancestors, their community, and celebrating the beauty within themselves. Beyond their physical beauty, African women possess an immeasurable inner strength that resonates through "Bulb of Africa." Odunayo masterfully captures this strength, highlighting the resilience and determination that have defined African women throughout history. The women depicted in the artwork emanate confidence, wisdom, and a sense of purpose. Their gaze speaks volumes, embodying the stories of countless African women who have overcome adversity, shattered barriers, and carved out their own paths to success. In "Bulb of Africa," Iyiola Odunayo...

The Fishing Lesson by John Dawson Watson (1832-1892) oil painting on canvas: 33" x 22" (83.8 x 55.8cm) gilt framed condition: excellent provenance: ...

1972-73 Eastbourne College for Art and Design: Fine Art Foundation Course: studies drawing. Works through the South Coast Period of paintings. Studio: South Coast of England. 1974-81 University of Wales: studied painting under Welsh artist Selwyn Jones. Public and private commissions: twenty-five multistory murals in Wales and England: documented by the BBC and British National Newspapers. Studios: Bethesda and Bangor City, Wales. Studies composition and portraiture. Shows at the Royal Exchange, London; Bangor City Museum, Wales. 1981-82 Commission: The Trial of Saint Deiniol: 19-panel, 18 x 21 ft. painting. Studio: Shropshire, England 1982-86 The New York Times send photographer Dith Pran (on whom the movie The Killing Fields was based) to photograph Povey in New York with The Trial of Saint Deiniol painting at Art Expo New York 1986. Povey is advised by George Bush Senior’s former campaign manager Zena Temkin on shaping his public persona. The BBC film Edward Povey with former President of the Royal Academy of Art in London - Sir Hugh Casson KCVO, RA, RDI in which Sir Hugh interviews Povey about his art career. Public and private commissions for collections in the United States, London, Wales, Belgium, West Indies. Studies symbolism and trains in color with Jan de Maere in Brussels and works through the Tapestry Period of paintings Studio: Grenada, West Indies. 1987-91 Studies psychology and narrative in art whilst he builds the extensive Childhood, Illusion and Desire Period of paintings. Studio: Guisborough, England courtesy of the town mayor. Shows in Belgium, London, New York. 1992-93 Public commission: Hall of Illusion mural: 20 X 40 ft. interior oil painting in the Chamber Concert Hall of the University of Wales. The commission is followed by BBC Television, S4C Television; BBC Radio Four and regional and national newspapers. Studios: Guisborough, England; Bangor City, Wales. Designs the Hall of Illusion mural on the island of Grenada, West Indies. 1994-96 Deepens his studies in the relationship between art and the psyche. Researches new ways to evolve concepts with models using theaters...

Oil mesures 36x23 cm. Frameless. Restored.

Deep Red Apple by Dani Humberstone [2022] original and hand signed by the artist Oil on Canvas Image size: H:15 cm x W:15 cm Complete Size of Unframed Work: H:15 cm x W:15 cm x D:2c...

1910s Italian Signed Landscape Beautiful oil painting on cardboard by the great Bolognese artist Ugo Gheduzzi (Crespellano BO 5 March 1853 - Turin 1925). The light of rare intensity...

Gigi Mills' work is born out of her desire to simplify and reduce each moment to its essence; she achieves this by omitting mundane details from life that can often obscure genuine e...

Louis Betts The Guitarist, circa 1920 Signed upper left Oil on canvas 27 x 18 inches Louis L. Betts was a painter active in the first half of the twentieth century in the United St...

Portrait of a Bearded Man French Impressionist artist, late 19th century oil on canvas, framed framed: 38.5 x 30.5 inches canvas: 36 x 28 inches provenance: private collection, Franc...

"Forrest Nymph" (2016) Oil on canvas 80 x 100 cm unframed Painting was started in 2015, most of it was finished by 2016, the last touches done in 2019. Inspired by the 19th century French painter Bouguereau, she wanted to depict a nymph that inhibits the forest, wearing a flower crown made from Hepatica flowers, wild forest flowers. The Painting’s Qualities Lyubena Fox...

Jean Marie Constantin Joseph (Jan) VAN BEERS Oil on Panel Panel Size: 32 x 24" (81 x 62cm) Outside frame Size: 38 x 33" (97 x 83cm) Van Beers (1852 ...

OIL PAINTING LARGE SALVATORE COLACICCO (NAVY ADMIRALTY 20th CENTURY Very good condition for age , (see pictures) FINE RARE MARTINE PAINTING ORIG...

Muideen Abdulkadir, a renowned artist from Nigeria celebrated for his ability to convey profound emotions through his artwork, has once again demonstrated his artistic genius with "L...

20th Century Oil painting of an Impressionist River Landscape of Cahors, France Moroney was born on the 14th of February 1949 in South London. Of Anglo Irish parentage, his father was typical of his generation and worried about Ken’s artistic temperament which he viewed as effeminate. As a result, Ken took up boxing and won a gold medal for South London in his teens. His art continued to flourish with his trademark striking use of color. His main medium oils and he favors romantic subjects of Edwardian times. Ken has traveled extensively and spent 2 years working for major galleries in New York. The Royal Academy nominated him in 1976 as being one of the few promising young artists to emerge this century: "Ken Moroney has considerable talent, any painting purchased now can only be seen as a sound long term investment." Ken Moroney's work now hangs in many important collections and has had paintings exhibited at The Royal Academy (London), and the Kline Galleries (Canada). The painting came from a private collection and previously came from Duncan Miller...

Shana Levenson's "Untitled" is an original, handmade oil painting that depicts a close up portrait of a female model. This is a secondary market work ...

"The Mate" (Cornish fisherman) by David W. Haddon (British, early 20th century) signed and dated 1914 oil on board, framed framed: 18 x 14 inches board: 16 x 12 inches provenance: pr...

This artwork titled "Sailing in San Francisco" c.2000 is an oil painting on canvas by noted French artist Duaiv, born 1952. It is signed at the lower right corner by the artist, also signed and titled on the back of the canvas. The canvas size is 8 x 10 inches, framed size is 16.65 x 18.5 inches. Custom framed in a wooden silver frame, with black fabric liner. It is in excellent condition. About the artist: Duaiv is a contemporary French artist and cellist born near the city of Bordeaux...

Portrait of "H.C" aged 44 years old French artist, indistinctly signed dated 1896 oil on canvas, unframed canvas: 24 x 20 inches provenance: private collection, France condition: old...

Acrylics on canvas Carole Leprince is a French artist born in 1966 who lives & works in Houilles, France. Over the years, her personal photos have been the inspiration for painting...

Chandra Bhattacharya - Untitled Acrylic on Canvas 20 x 30 inches (unframed size) ( Framed & Delivered ) Style : In the last three to four years, he has engaged with the concept of a...

Shipping Procedure Ships in a well-protected crater from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist A...

Portrait Blue Miles Davis Portrait of the famous Miles Davis Technique: oil, acrylics and ink on canvas 73x60cm ■■ 28,7x23,6inch ⏩》R E A D Y -- T O -- H A N G《⏪ 🟢 → Original ...

Mitzy Renooy Together again Ø 80ccm Frame included in price, size with frame: 90 cm Dutch artist Mitzy Renooy, a former camera woman for national television, did follow art academy...

Kelly Birkenruth’s "Jules" (2024) is a masterfully executed oil painting on panel, measuring 12 x 8 inches (framed dimensions: 13.5 x 9.5 inches). This contemporary figurative work c...