Teen Figurative Paintings

Medium: Acrylic on Handboard Signature: Signed Lower Right

Oil on canvas Keti Shapatava is a Georgian artist born in 1995 who lives and works in Tbilisi, Georgia. She was introduced to the world of art at Anastasia Virseladze Art Gymnasium ...

Signature: Signed Lower Right Illustration for "The Number One Boy" by John Taintor Foote, appearing in The Saturday Evening Post for May 20th, 1922. Caption: "It will be hard to m...

Mixed media, oil, acrylics, pigments, pastel on canvas

Oil on canvas Aziz Anzabi is a British artist with Iranian origins born in 1970 who lives & works in London, UK. He exhibits many artworks in the U.S, the Netherlands, and Iran. Anz...

Ink & linocut on paper - sold with a frame 39 x 37 x 4 cm Nina Narimanishvili is a Georgian artist born in 1999 who lives and works in Tbilisi, Georgia. Nina has been painting since...

Acrylic on fabric Ma Wei-Hong is a Chinese artist born in 1977 who lives & works in Songzhuang, Beijing, China. She is graduated from Shanxi Yuncheng College of Art. Ma pursued adva...

Acrylic on fabric Ma Wei-Hong is a Chinese artist born in 1977 who lives & works in Songzhuang, Beijing, China. She is graduated from Shanxi Yuncheng College of Art. Ma pursued adva...

Oil on linen Simple wooden frame Helen Uter is an established Franco-American painter with international exposure. Heavily influenced by Edward Hopper, sh...

Graduated from the Prilidiano Pueyrredón National School of Fine Arts. He also studied set design, was a student of Osvaldo Attila and Armando Sapia, among other artists. He held so...

Tobias Harrison is a British figurative painter born in 1950 who lives & works in Menton, France.

Tobias Harrison is a British figurative painter born in 1950 who lives & works in Menton, France.

Medium: Oil on Canvas Signature: Signed Lower Right

Made for the movie poster for "Oliver" Signed Lower Right

As an aesthetic movement, Abstract Art has had its time, at least in terms of being the dominant style of modernism. Fine art can be recognisable again, and Realism is once again rec...

Date: 2000 Medium: Acrylic on Plywood Dimensions: 26.50" x 17.50" Signature: Signed and Dated Lower Right

Silvana Robert was born in 1965 in Argentina. She took first row between the artists of her generation. Well-educated at the National School of Fine Arts and having gone through work...

Image of a ballerina in a leotard and leg warmers at rest between performances Medium: Oil on Canvas Dimensions: 24.00" x 60.00" Signature: Signed Lower Left Artist Francois Clouti...

Medium: Oil on Board Dimensions: 9.50" x 14.75" Signature: Signed Lower Right Cover of "True Colors" by Susan Kyle, Warner Books Book Synopsis A HOMECOMING OF REVENGE...OR ENDLESS L...

With a strong emphasis on drawing, both as a medium itself and as an intrinsic part of his painting process, Diogo Barros Pires creates expressive renderings of the contemporary subj...

“Honeymooning at Greenville: Lil and Sandy Continue Their Scenic Trip,” original cover for Liberty magazine, published July 23, 1927 Sandy and Lil are on their honeymoon, which after an expensive stay at a mosquito-inhabited resort in Greenville, has not been going particularly well. Their disappointing fishing trip left them with more fly bites than fish bites. The newlyweds were eager to board the train, settle in to their sleeping car, and journey to their next destination. When Sandy attempts to bring Lil the glass of water she requested, the train suddenly jerks and ice water spills on a sleeping gentleman in the next berth. “‘Oh! Oh!’ Lil gasped, a witness to her husband’s social blunder. And she wished she were deaf!” (Liberty magazine, July 23, 1927, p. 45) “For the Love o’ Lil: The Picture Story of an American Family” In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a signature cast of characters that appeared each week, telling a serialized story through his illustrations. Liberty touted its new cover serial as “something no magazine has ever done before…Heretofore, all magazine cover...

Medium: Oil on Canvas Dimensions: 36.00" x 26.00" Signature: Signed Lower Right Elderly printer firing apprentice after he dropped a drawer of type.

Medium: Acrylic on Board Dimensions: 18.75" x 21.00" Signature: Signed Lower Right

Date: 1930 Medium: Oil on Canvasboard Dimensions: 27.00" x 21.00" Signature: Signed Lower Right Cover for Turf and Sport Digest, probably late 1930s

Christophe Stouvenel has the talent to hunt beautiful things and turn them into beautiful artworks. He then signs a new collection from vintage cards he has dressed (or rather undressed) pin up 50...

“I begin this short essay with my artists’ statement from 1997 because it illustrates my focus on emotion instead of on subject matter starting early on. I approached the idea of writing about what I paint back then with dread and tried to bypass it by being as honest as possible about my process. I’d like to think that I paint anything I want because through paint I can express how I feel. I started training to be an artist in early childhood. I studied texture. I learned about composition. I played with color and observed the beauty of line. My methods were unconventional and invented by me. Many different things inspired me: Cheerios in milk, clouds, hands in food, dry dusty dirt, wet mud puddles, coloring books, fashion photos in the newspaper and my keen need to observe my surroundings. When asked what I wanted to be when I grew up I had no answer. I just wanted to watch, and to observe the world around me. I’ve worked for years on a response to that complicated question “what is the work about?” I’ve developed all kinds of stories that seem to make sense at the time, but I have to ask, “isn’t this the same question as ‘what do you want to be when you grow up?”’ I am drawn to the figure, and to capturing physical expression in all types of situations, but especially when we are on our own. The body carries emotion, and most people are unaware that they reveal something of themselves when observed in private moments. When I was young I realized that I could easily understand the unspoken just by watching. It felt like a strange and isolating gift – and sometimes a curse – and I often felt confused and acted out in anger when the words didn’t match what I saw. But I still recognize all kinds of emotion there, and whether what I see is true or not, I relish the vulnerability of the moment. Color is another important tool for me. It’s a self-taught endeavor and one that I explore daily. Color mixing is similar to building flavors in a soup. A soup with just salt is watery and uninteresting. As in cooking, I pay close attention from the first layers what each color feels like in terms of its value, whether it’s warm or cool, and how it fits the composition. I am looking for something that feels harmonious with my nervous system. I begin with abstract shapes, then ask, “Is this shape interesting? Does this color work next to that one? Is it too strong? Is it helpful to the overall composition?” The more complex the mix, the more likely it is to hold my attention, and allow me to linger. Those puddles of paint sitting on my six foot glass palette...

A boy climbs out the window and sneaks out of the house to go fishing with his friend Artwork Dimensions: 28¼” x 26¼” Medium: Oil on Canvas Signature: Signed Lower Right

Medium: Oil on Canvas Signature: Signed Lower Right The Boys of Today Are the Men of Tomorrow, Cream of Wheat Advertisement, 1926.

Medium: Oil on Board Dimensions: 15.00" x 15.00" Signature: Signed Lower Left

Medium: Oil on Canvas Dimensions: 22.70" x 30.70" Signature: Signed Lower Right "Derry was saying good-bye to the studio." Story illustration for "Hurdy-Gurdy" by Margaret Bell Hous...

I was born in Mexico City in 1963 and brought to the United States in the mid 70's, by my parents, when I was 13 years old. I attended my first art class in the late 80's, while at ...

Reza begun studying art seriously at age 15 and was studying at the institute of art in Iran where he graduated with highest honors. He also studied privately with one of Persia’s m...

"Street Players" depicts a small town scene of children at play in a rural environment. The affable subject matter is then contrasted by the abstract coloration, serving to imbue the...

Canvas Size: approx 32 x 39 inches Framed Size: approx. 37 x 45 inches Nicola Simbari is a painter of semi-abstract impressionist works. He is a colorist who favors brilliant tones...