Andrei Zadorine

Sisters

As an aesthetic movement, Abstract Art has had its time, at least in terms of being the dominant style of modernism. Fine art can be recognisable again, and Realism is once again rec...

As an aesthetic movement, Abstract Art has had its time, at least in terms of being the dominant style of modernism. Fine art can be recognisable again, and Realism is once again rec...

As an aesthetic movement, Abstract Art has had its time, at least in terms of being the dominant style of modernism. Fine art can be recognisable again, and Realism is once again rec...

Roman Zaslonov is a Russian Postwar & Contemporary artist who was born in 1962. Roman Zaslonov's work has been offered at auction multiple times. Only o...

Taulé was born in 1945 in Sabadell, Barcelona. His father imparted the taste for painting to Antoni as a boy as the young artist watched him paint. After his primary studies, he began studying architecture in Barcelona and graduated in 1970. In 1965, he arrived in Paris and worked in architectural firms. It was Sartre's Paris, the construction of Unesco, the year of Le Corbusier's death and the end of Chandigarh, the French Cinematheque and Antonioni's films. Since the age of 14, he has never stopped painting and made his first personal exhibition in 1966 at the Academie de Belles Arts in Sabadell. Upon receiving his degree in architecture, he worked on the construction of l’Université autonome de Barcelone for a year. In 1971, he was asked to work on the development of a large shipyard on the small island of Formentera. There he met Laetitia Ney of Elchingen, who he would go on to marry. He devoted himself entirely to painting, and Formentera, like Paris, became one of his favorite places in both his life and to work. His first exhibition in Paris was in 1975 with Mathias Fels, presented to him by Hervé Télémaque—showing many paintings of his young daughter Djamilla, then three years old. The exhibition was titled, Espace hors temps (Space out of Time), with a foreword by Alain Jouffroy. In 1976, Taulé exhibited Contre-Jour (Against Day) at Fabien Boulakia on rue Bonaparte with a preface by Gérald Gassiot-Talabot and in Barcelona at the Aimé Maeght gallery—an exhibition visited by Joan Miró and Alexander Calder. In 1977, he exhibited at the Beaubourg gallery, with then associates Nahon and Trigano. In 1983, he met Jorge Luis Borges and Julio Cortázar, who wrote the novella Fin d’étape (End of Stage) for Taulé That same year, he was named Chevalier de l’Ordre des Arts et des Lettres (Knight of the Order of Arts and Letters) by Jack Lang...

Born in 1961, Alexej Ravski exhibits in France, Germany, Belgium, The Netherlands, the United States, Belarus and his native Russia. Alexej’s painting is dynamic in its form and pea...

The decorative panel Maritime history is dedicated to the well-known story of the little mermaid, written by the Danish writer Hans Christian Andersen. This work will immerse you in ...

Evelyn Grace Ince (British/Indian, c.1886-1941) Mary Mary Oil on canvas Signed `EVELYN INCE’ (lower left) and inscribed with title (on an old label to the reverse) 14 x 10.1/8 in. (3...

‘Children of the New Forest’ by Edgar Barclay (1842-1913). Depicting two girls gathering kindling in winter woodland, this very large painting is signed by the artist and was exhibit...

PERCY ANGELO STAYNES (1875-1953) Chinese Mandarin Signed and inscribed on a label on the reverse Oil on board 31 by 27 cm., 12 ¼ by 10 ¾ in. (fram...

A boys face straight from the Renaissance down the centuries to the studio of Sax Berlin. Created in Medieval style this portrait could quite easily belong in the Uffizi collections ...

Charming surreal oil on board painting of carnival wagon by Francesco Christofanetti (Italian, 1901-1951), 1925. Signed lower left and on verso has inventory notion of 1939. Image size: 12"H x 16"W. Presented in rustic art nouveau giltwood...