Skip to main content
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 15

Winslow Homer
In the Wheatfield (Girl Standing in a Wheat Field)

1873

$1,950,000
£1,473,608.33
€1,725,141.25
CA$2,723,125.98
A$3,063,766.10
CHF 1,623,302.46
MX$37,833,644.16
NOK 19,899,970.86
SEK 19,121,128.18
DKK 12,868,521.71
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

"In the Wheatfield (Girl Standing in a Wheat Field)" is a painting by Winslow Homer. The painting is signed, lower left, "Homer 1873". The framed piece measures 29 3/4 x 21 5/8 x 2 7/8 in. During the early 1870s, Winslow Homer frequently painted scenes of country living near a small farm hamlet renowned for generations for its remarkable stands of wheat, situated between the Hudson River and the Catskills in New York state. Today Hurley is far more famous for inspiring one of Homer’s greatest works, Snap the Whip painted the summer of 1872. Among the many other paintings inspired by the region, Girl Standing in the Wheatfield is rich in sentiment, but not over sentimentalized. It directly relates to an 1866 study painted in France entitled, In the Wheatfields, and another, painted the following year after he returned to America. But Homer would have undoubtedly been most proud of this one. It is a portrait, a costume study, a genre painting in the great tradition of European pastoral painting, and a dramatically backlit, atmospheric tour de force steeped in the quickly fading gloaming hour light buoyed with lambent, flowery notes and wheat spike touches. In 1874, Homer sent four paintings to the National Academy of Design exhibition. One was titled, “Girl”. Might it not be this one? Provenance: Sale: Clarence Collins et. al., American Art Association, New York, May 7, 1924, lot 96 Metropolitan Art Galleries, New York, 1924 M.A. Newhouse & Son, St. Louis, 1924 Laura Davidson Sears, Elgin, Illinois, 1924 Sears Academy of Fine Arts at the Elgin Academy, Illinois Hirschl & Adler Galleries, New York, 1967 Mr. and Mrs. Marvin Pesses, Youngstown, Ohio, 1968 Hirschl & Adler Galleries, New York, 1971 Private Collection, Massachusetts, 1972 Private Collection, Seattle, 1972–2013 Guarisco Gallery, Washington, D.C Private Collection, Boston, 2013 Exhibition: New York, Hirschl and Adler Galleries, American Paintings for Public and Private Collections, December 4, 1967-January 13, 1968, no. 54 Literature: “8 Paintings Stolen at Illinois School,” New York Times, July 6, 1958 “Stolen Art Recovered,” New York Times, July 8, 1958 Goodrich, Lloyd and Gerdts, Abigail Booth, Record of Works by Winslow Homer, Volume II: 1867 through 1876, New York, 2005, p. 209, no. 428 (illustrated)
  • Creator:
    Winslow Homer (1836 - 1910, American)
  • Creation Year:
    1873
  • Dimensions:
    Height: 21.75 in (55.25 cm)Width: 13.5 in (34.29 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Palm Desert, CA
  • Reference Number:
    Seller: 439501stDibs: LU9312174032

More From This Seller

View All
American Street Scene
By Irving Norman
Located in Palm Desert, CA
A painting by Irving Norman. "American Street Scene" is a macabre social surrealism city scape, oil on canvas in a bold palette of reds, blues, and yellows by artist Irving Norman. T...
Category

Mid-20th Century Post-War Figurative Paintings

Materials

Canvas, Oil

Reclining Nude
By Joseph Stella
Located in Palm Desert, CA
A painting by Joseph Stella. "Reclining Nude" is a figurative painting, oil on canvas in a bright palette of yellows, greens, and tans by American Modernist artist Joseph Stella. The...
Category

Early 20th Century American Modern Figurative Paintings

Materials

Canvas, Oil

Nude Stepping from the Carpet
By Nathan Oliveira
Located in Palm Desert, CA
A painting by Nathan Oliveira. "Nude Stepping from the Carpet" is a contemporary painting, oil on canvas in a palette of reds, greens, and beiges by Bay Area figurative artist Nathan Oliveira. The artwork is signed in the lower right, "N Oliveira 62". During the early years, Oliveira’s lone figures often suggest an existential angst similar to that of Giacometti, but there is also a weightlessness and a transcendent aura that envelopes these figures; they appear as elemental, universal and eternal projections of selfless consciousness better understood within the bodiless realm of metaphysics. These qualities would remain in his work throughout his long career, yet he would find other themes to explore — the natural world where the essential nature of birds and animals exist in equal profundity with their human counterparts, the transient world of evanescent perception when memory must reconstruct momentary experience, and later, the ‘site’ paintings and monoprints that suggest the abandoned remnants of a long-lost civilization or tribe uncovered at an archeological dig. Nathan Oliveira has left us with a legacy of art that will surely remain untarnished by time or changing trends. His work exists within a realm rarely achieved by artists striving in a similar mode of expression. Unclouded by ego or wayward sentiment, it is also in the warmth and humble nature...
Category

Mid-20th Century Contemporary Figurative Paintings

Materials

Canvas, Oil

Figure with Blue Eyes
By Nathan Oliveira
Located in Palm Desert, CA
A painting by Nathan Oliveira. "Figure with Blue Eyes" is a figurative painting, oil on canvas in a palette of browns and creams with a pop of blue by Bay Area Figurative artist Nath...
Category

Late 20th Century Contemporary Figurative Paintings

Materials

Canvas, Oil

Bacchanal
By Irving Norman
Located in Palm Desert, CA
A painting by Irving Norman. "Bacchanal" is a macabre social surrealism painting, oil on canvas in a dark palette of reds, blues, and blacks by artist Irving Norman. The artwork is u...
Category

Mid-20th Century Post-War Figurative Paintings

Materials

Canvas, Oil

Untitled
By Nathan Oliveira
Located in Palm Desert, CA
A painting by Nathan Oliveira. "Untitled" is a Bay Area Figurative Painting, oil on canvas in a brown and tan palette by American artist Nathan Oliveira. The artwork is signed in the lower right, "Oliveira 64". A Californian whose work is of preeminent importance during the post war period, Oliveira is most often associated with Park, Diebenkorn and the other artists with whom he sketched early in his career. Yet it was not an oversight when Oakland Museum director Paul Mills chose not to include Oliveira in the 1957 exhibition “Contemporary Bay Area Figurative Painting.” All came to figuration by initiating a sophisticated dialogue with abstraction, yet it is Oliveira, the often characterized ambivalent loner among Bay Area artists whose work is most often compared to Alberto Giacometti, Francis Bacon, or Willem de Kooning with whom he shared walls and space at The Images of Man exhibition held in New York at the Museum of Modern Art in 1959. During the early years, Oliveira’s lone figures often suggested an existential angst similar to that of Giacometti, but there was also a weightlessness and a transcendent aura that envelopes these figures; they appear as elemental, universal and eternal projections of selfless consciousness better understood within the bodiless realm of metaphysics. These qualities would remain in his work throughout his long career, yet he would find other themes to explore — the natural world where the essential nature of birds and animals exist in equal profundity with their human counterparts, the transient world of evanescent perception when memory must reconstruct momentary experience, and later, the ‘site’ paintings and monoprints that suggest the abandoned remnants of a long-lost civilization or tribe uncovered at an archeological dig. Through and through, flesh to bones, and bones to dust Nathan Oliveira has left us with a legacy of art that will surely remain untarnished by time or changing trends. His work exists within a realm rarely achieved by artists striving in a similar mode of expression. Unclouded by ego or wayward sentiment, it is also in the warmth and humble nature...
Category

Late 20th Century Post-War Figurative Paintings

Materials

Canvas, Oil

You May Also Like

"Beyond Reality #2" Portrait Oil Painting 47" x 39" inch by Dmitriy Krestniy
By Dmitriy Krestniy
Located in Culver City, CA
"Beyond Reality #2" Portrait Oil Painting 47" x 39" inch by Dmitriy Krestniy ATTENTION: Painting ships rolled in a tube. A look through Dmitriy’s designs reveals a glamorous, femin...
Category

21st Century and Contemporary Realist Portrait Paintings

Materials

Canvas, Oil

"Vintage" Portrait Figurative Oil Painting 39" x 39 "inch by Dmitriy Krestniy
By Dmitriy Krestniy
Located in Culver City, CA
"Vintage" Portrait Figurative Oil Painting 39" x 39 "inch by Dmitriy Krestniy 2020 ATTENTION: Painting ships rolled in a tube. A look through Dmitr...
Category

21st Century and Contemporary Realist Portrait Paintings

Materials

Oil, Canvas

"Liusana" Figurative Portrait Oil Painting 59" x 47" inch by Dmitriy Krestniy
By Dmitriy Krestniy
Located in Culver City, CA
"Liusana" Figurative Portrait Oil Painting 59" x 47" inch by Dmitriy Krestniy ATTENTION: Painting ships rolled in a tube. A look through Dmitriy’s d...
Category

21st Century and Contemporary Realist Portrait Paintings

Materials

Canvas, Oil

"The Game #2" Portrait Oil Painting 47" x 39" inch by Dmitriy Krestniy
By Dmitriy Krestniy
Located in Culver City, CA
"The Game #2" Portrait Oil Painting 47" x 39" inch by Dmitriy Krestniy ATTENTION: Painting ships rolled in a tube. A look through Dmitriy’s designs reveals a glamorous, feminine, p...
Category

21st Century and Contemporary Realist Portrait Paintings

Materials

Canvas, Oil

"Mystique n.1" Portrait Oil Painting 28" x 28 "inch by Dmitriy Krestniy
By Dmitriy Krestniy
Located in Culver City, CA
"Mystique n.1" Portrait Oil Painting 28" x 28 "inch by Dmitriy Krestniy ATTENTION: Painting ships rolled in a tube. A look through Dmitriy’s designs reveals a glamorous, feminine,...
Category

21st Century and Contemporary Realist Portrait Paintings

Materials

Canvas, Oil

Audrey #1
Located in Denver, CO
Dave Seeley's "Audrey #1" is an original, handmade oil painting that depicts a nude female model reclining on blue velvet fabric as she turns her face away from the viewer. Dave S...
Category

21st Century and Contemporary Realist Figurative Paintings

Materials

Oil, Board, Canvas

Audrey #1
$5,040 Sale Price
20% Off