Oil Interior Paintings

Signed upper right, 'V. Isbrand' for Victor Isbrand (Danish, 1897-1989) and painted circa 1935. Framed dimensions: 24 H x 1.5 D x 28.5 W inches. A vibrant Post-Impressionist still...

Gorgeous and vibrant mid century spring garden still life of a vase of pink peonies with a pair of garden gloves in the foreground by listed artist Helen Gleiforst (American, 1903-19...

Woman with Two Children in Red - Interior Scene in Oil on Canvas Lovely interior scene by notable artist Joseph Tomanek (Cech-American, 1889-1974). A woman sits near a window, holding a small child dressed in bright red in her lap. Another child, somewhat older, stands next to her, looking at the young child. Soft lights spills though the window, illuminating the scene in a warm glow. A plant with red flowers sits on the windowsill, and foliage can be seen outside. Signed "Tomanek" in the lower right corner (note that the shape above the signature is a toy train) Presented in a carved wood frame with a linen liner. Frame size: 30.75"H x 26.75"W Canvas size: 24"H x 20"W Tomanek, the son of a carpenter, was born in Moravia. His family discouraged his art talent and wanted him to be a shoemaker. He studied in his homeland of Czechoslovakia at the School of Design in Prague. He emigrated to America around the turn of the century and arrived in Chicago in 1910 and worked as an interior decorator. He attended the Art Institute of Chicago and studied with Antonin Sterba. He also studied with Albert Krehbiel and K.A. Buehr. He was a member of the Bohemian Artist Club, Association of Chicago Painters, and Sculptors, and the Chicago Gallery Association. His work is included in the collection of the Vanderpoel Art Association (Chicago). He exhibited from the 1910s-40s, including exhibitions at the Art Institute of Chicago and the Georgia Museum of Art. Of the difficulty of posing nudes in Chicago, he said, "In Paris you can rent little gardens studios and pose your models there in privacy. Here, if I work out of doors, I have to pose the girls in bathing suits...

Signed lower right Unframed dimensions: 30 x 52 inches Framed dimensions: 39 x 61 inches Paul G. Oxborough studied at Minneapolis College of Art and Design and Atelier Lesueur, a 4...

In this painting, I've melded acrylics and oils to create a passionate symphony of colors, where the rain-drenched streets spring to life. Blending expressionism with touches of impr...

Oil on canvas Canvas size: 33.5 x 49 inches Signed lower right

The evening painting with sunset over the sea is a wonderful wall decoration of any interior. The artwork is bright and it's full of positive energy! The artist masterfully captured ...

This is a stunning elegant, colourful and textured oil painting. Ekaterina Popova's series titled "In the Bedroom" captures the light subtleties and f...

Work on wood

Signed to the lower right. Presented in a simple gilt-effect frame. On canvas on stretchers.

Glencoe by Eleanor Woolley [August 2021] original Oil Paint on Canvas Image size: H:50 cm x W:50 cm Complete Size of Unframed Work: H:50 cm x W:50 cm x D:2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Glencoe is an Original Oil Painting by Eleanor Woolley. Painted Plein Air and finished in the studio this painting was inspired by a beautiful August sunset in Glencoe. Looking up the River Coe towards Loch Levan with Binnein Mor and the beginnings of Ben...

* No US duty or taxes to pay on this item * A beautiful 1920's French post-impressionist oil on canvas depicting an artist's atelier with painting on an easel, palette, brushes in t...

Early American super realist trompe l'oeil still life oil painting. Framed. Oil on canvas, lain to board. Signed. Image size, 14H by 10L.

The dark spot of the river looks beautiful against the background of light snow. Sunlit treetops with warm sunlight and the blue hues of the snow create the...

John Ferry Modern X2 #2 Medium: Oil on Panel Year: 2019 Size: 5.75x16.5 in Signed, dated and inscribed by hand Framed COA provided Ref.: JF-19-35 “Ferry’s...

Antique impressionist still life painting by Irene ( I. Stry) Stry (1899/1904 - 1963). Oil on board, circa 1940. Signed. Image size, 24L x 20H.

Contemporary pastel toned hyperrealist still life painting of an electric outlet plug by Texas-based artist Michael J. Abraham. Recently featured in "Michael J. Abraham: Quasi-Realis...

This artwork titled "Interior with Bouquet" c.2000, is an oil painting on canvas by noted American impressionist artist Douglas Paul Morgan, 1948-2021. It is signed at the lower righ...

Classical Bouquet of Roses, French Artist, Signed By French artist Suzette Mezie, Mid 20th Century Signed by the artist on the lower right hand corner Oil painting on canvas, unfram...

A stunning antique American still life painting from the recently acquired estate of New York/New Jersey artist Sallie Van Horn. Van Horn taught paint...

Artist/ School: Marika Eversfield (Hungarian 1914-2014) Marika Eversfield was born in 1914 in Gyòr near Budapest. She studied at the art school in Vienna and moved to London with he...

Angelo Zoffoli 1860-1910 Italian Cardinal with Elegant Company Signed "A. Zoffoli Roma" (lower right) Oil on canvas A sumptuously dressed cardinal enjoys the company of a fabulou...

Ukrainian born Dmitry Yuzefovich captures a moment in time with his beautifully detailed realistic oil paintings. The compositions tell a story. Yuze...

Landscape. 1937, oil on cardboard, 34x40 cm Reinhold Kasparsons (born 13/9/1889 in Cēsis, died 14/1966 in Riga), painter. Born in a craftsman's family. Studied at Nītaure school, a...

Antique American realist flower still life oil painting. Oil on board, circa 1900. Unsigned. Image size, 10L x 14H. Housed in a period giltwood frame.

This is an oil painting done from life of woman, maybe a queen, wearing a crown with an antelope head mounted on the wall behind her, and two turtles in the foreground. She looks a ...

Grey Commuter Soft Geometry Series 2012 oil on canvas Consists of 8 modular pieces Each piece 12x9 inches Signed, dated and titled on the reverse side. Robert Petrick's artwork dr...

Aaron Fink (American, b. 1955) Hand signed and dated 1986, verso. The large canvas size measures approx: 72" x 66". This painting is part of the artist's "Images of Gambling" series, amongst his best figural work. Aaron Fink was born in Boston in 1955. He received his MFA from Yale University and his BFA from the Maryland Institute College of Art. His work has been exhibited widely throughout the U.S., Europe and Japan and Australia, and is included in the collections of the Museum of Modern Art, NY, the Art Institute of Chicago, the Museum of Fine Arts, Boston and the Walker Art Center, Minneapolis, among many others. He lives and works in the Boston area. He has been the subject of solo exhibitions at the Massachusetts Institute of Technology, the Muskegon Museum of Art, Michigan, the Rockford Art Museum, Illinois, and Colorado State University, Fort Collins. Figurative abstract expressionist art. In 2002 a monograph on Fink’s work, Out of the Ordinary, was published, with text by Eleanor Heartney. In 1983 Fink met the collector John Powers, who remained a strong supporter of his work until his death in 1999. Fink’s work is represented in the collections of the Art Institute of Chicago, the Hara Museum, Tokyo, the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York and the National Gallery of Art, Washington, DC, among many others. Fink currently divides his time between Boston and Rockport, Massachusetts. He was included in the show The Expressive Voice: Selections from the Permanent Collection at the Danforth Museum of Art. An exhibition of Boston Expressionism, a school that embraced a distinctive blend of visionary painting, dark humor, religious mysticism, and social commentary. Historical roots of this movement can be traced to European Symbolism and German Expressionism, but artists living and working in the Boston area from the 1930’s through the 1950’s, were particularly inspired by Chaim Soutine and Max Beckmann. Artists included; Aaron Fink, Bernard Chaet, David Aronson, Ernst Ludwig Kirchner, Hyman Bloom, Jack Levine, Jackson Pollock, Jason Berger, Karl Zerbe, Lawrence Kupferman, Michael Mazur, Sigmund Abeles and Willem de Kooning. He was included in the show 40 Years of Printmaking: From the Center Street Studio Archives, along other great figural artists Gabor Peterdi, John Walker, Lester Johnson and Nell Blaine. S E L E C T E D C O L L E C T I O N S Art Institute of Chicago Bank of America Boston Public Library Bouwfonds Nederlandse Gemeenten, The Netherlands Brooklyn Museum of Art Castelli Collection, New York Chase Manhattan Bank Chemical Bank Choate Rosemary Hall, Wallingford, CT Citizens Bank, Boston Coopers & Lybrand Danforth Museum, Framingham, MA Danish House of Parliament Davis Museum, Wellesley College, Wellesley, MA DeCordova Museum and Sculpture Park Lincoln, MA Farnsworth Museum, Maine Fidelity Investments, Boston Fogg Museum of Art, Harvard University, Cambridge, MA Fuller Museum of Art, Brockton, MA G.E. Corporation Goldman Sachs & Company IBM, New York Indianapolis Museum of Art Library of Congress Massachusetts Institute of Technology, Cambridge, MA Metropolitan Museum of Art, New York Museum of Contemporary Art, Chicago Museum of Fine Arts, Boston Museum of Modern Art, New York National Gallery of Art, Washington, DC New York Public Library Philadelphia Museum of Art Portland Museum of Art, Portland, Maine United States Department of State University of Massachusetts, Amherst Awards Residency, Anderson Ranch, Snowmass, CO, 1998, 1996 National Endowment for the Arts, 1987, 1982 Artist Fellowship, Massachusetts Council on the Arts and Humanities, 1984 American Academy in Rome, Prix de Rome – Alternate in Painting, 1979 Yale University, Ford Foundation Special Project Grant, Fall 1979 Skowhegan Scholarship Award, conferred by the Maryland Institute College of Art, Spring 1976 SELECTED GROUP EXHIBITIONS Contemporary Responses to Modernism: A New England Perspective, University of Southern Maine Color and Line: Expressive Tradition in Boston, Endicott College, Beverly, MA, Beautiful Decay, Danforth Art Museum, Framingham, MA MICA Then and Now, Ethan Cohen Gallery, Beacon, NY Bon Appetit, Concord Art Association Celebrating Ten Years, Galerie D’Avignon, Montreal, Canada New England Impressions: Exploring the Woodcut, Concord Art, Concord, MA Go Figure: The Figure in Contemporary Art – A Response to Art History, Painting in Boston: 1950-2000, DeCordova Museum and Sculpture Park, Lincoln, MA Working Sources: The Painter and the Photographic Image, Alpha Gallery, Boston, MA The Unique Print: Six Innovative Approaches to the Monotype, Starr Gallery, Newton, MA Selections from Atelier Mourlot, Hankyu Department Store, Tokyo, Japan Yale Collects Yale, Yale University Art Gallery, New Haven, CT, 1993 70’s and 80’s: Printmaking Now, Museum of Fine Arts, Boston, MA, 1986-1987 Skowhegan Alumni, Leo Castelli Gallery, New York, and Portland Museum of Art, Portland, Maine, Public and Private: American Prints Today, Brooklyn Museum, Brooklyn, NY Contemporary Miami Collectors, Metropolitan Museum, Coral Gables, FL, 1984 The American Artist as Printmaker, Brooklyn Museum, Brooklyn, NY, 1983-84 Jon Abbott, Aaron Fink, Tom Lieber, Chris Wool...

Framed 21.2 X 25.5 Unframed 17 X 21 Signed and dated 1920. Nina Karasek (Joële) born 1883 Kuttenberg, Czech Lands, Austro-Hungarian Empire, died in 1952 (I have also seen the date recorded as 1933) Vienna, Austria. Nina Karasek was an Austrian Impressionist & Modern artist who was born in 1883. Her work was featured in exhibitions at the Es Baluard, Museum of Modern & Contemporary Art and the Bildraum Bodensee. Little is known of Nina Karasek's life. She was born in 1883 in Kuttenberg (Kutná Hora) in Bohemia, studied art at the Kunstschule für Frauen und Mädchen (Art School for Women and Girls) in Vienna, Austria, under Adalbert Seligmann and Tina Blau. She studied at the Frauenakademie in Vienna and Munich. In the 1920's she worked first as a landscape painter and an illustrator, later turning toward symbolism, painting mystical subjects after her interest in spiritualism. Her conventional works were shown at various exhibitions. At the age of 44, while she was copying a work by Rembrandt in an Italian museum, she fell into an altered state of consciousness. Rembrandt appeared to her, took possession of her arm, and immediately her hand started to draw something quite different from what she had intended. From then on, for the rest of her life Nina Karasek was in “supernatural” contact with a series of great masters like Rembrandt, Albrecht Dürer, Goya, Raphael, Leonardo da Vinci, Gustav Klimt and others. Under their guidance and inspiration, she drew and painted works "in the style" of the masters. But very soon her works became stylistically more and more unrestricted and Symbolist, showing an enormous range of creative expression, ranging from symbolic and allegorical motifs to bewildering images with a fantastic arsenal of figures and private characters, signs, and symbols, and to frantic, gestural sketches and abstract compositions. From then on, she often signed her works with her esoteric “primordial name” Joële. (Nina Karasik-Joel) Almost everything we know about her life was from what she noted on the reverse of her drawings: sometimes diary-like notes of her horrible living conditions during World War II, but often strangely impenetrable explanations of the depicted motifs – often as fascinating and mysterious as the drawings themselves. In her works and notes, an exciting private cosmology and mythology unfolds, a drama of hidden powers and principles that flow through macrocosm as well as microcosm. Shortly after their discovery, Nina Karasek's Spiritualist, mediumistic works have found their way into galleries and major international collections. SELECT EXHIBITIONS 2019 The Medium’s Medium: Spiritualist Art Practices From the Turn of the Century and Beyond. The Gallery of Everything, London, (she showed with Madge Gill, Augustin Lesage, Fleury-Joseph Crépin...

Once a collector said to Nikolay: “Having bought one of your paintings it was difficult to resist and not buy one more”. Moreover, he had never bought his paintings before. He was su...

Medium: Oil on Canvas Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, October 22, 1955. The Post described, “Mother is making rapid progress...

Dale Slavin (American, 1946-2024) Around the Kitchen Table, 1987 Oil on canvas Signed lower right 43 x 42 inches Dale had an accomplished art career serving as a sculptor, painter ...

Antique American modernist abstract oil painting. Oil on board, circa 1950. Signed.

Sunny impressionistic landscape with a river and the last snow is a beautiful, lively and light interior decoration, the plein air painting is created in soft pleasant colours. Last ...

Elin Siân Blake. Welsh ( b.1981). Ty Nain (Grandma’s House). Oil On Artist’s Canvas Board. Signed Lower Left. Image size 19.5 inches x 15.6 inches ( 49.5cm x 39.5cm ). Frame size 22.8 inches x 18.9 inches ( 58cm x 48cm ). Available for sale; this original painting is by the contemporary Welsh artist Elin Sian Blake. The painting is presented and supplied in a sympathetic frame (which is shown in these photographs) and is supplied ready to hang and display. The painting is signed lower left. Elin Siân Blake is a contemporary Brecon-based artist, originally from the South Wales valleys, whose work delves deeply into the rich tapestry of Welsh heritage. Through various mediums, she creates poignant reflections of societal and cultural issues that have shaped the Welsh identity. Born in 1981, Elin Siân Blake began producing commissioned artwork from an early age, focussing on the traditional Welsh ponies and landscapes of her childhood. She was particularly inspired by the agricultural and equestrian events she attended. As a teenager she spent all her spare money on art supplies. Blake graduated from the University of Glamorgan in 2002 with a degree in graphic design and illustration, but quickly realised that she wanted to create conventional paintings, rather than producing digital images. She then spent several years living on the road in vintage vehicles, painting the scenes and characters she encountered on her travels. Blake taught herself oil painting using library...

The central theme of "Journey of Love" revolves around the feeling of uncertainty that often accompanies the onset of a romantic relationship between two young people. As we gaze at the artwork, we witness the subtle apprehension in their eyes and body language, hinting at the initial hesitancy that comes with opening one's heart to another. Adewale beautifully captures the vulnerability of these young souls, making it evident that they are navigating uncharted waters, unsure of what the future may hold for their budding connection. The woman, almost positioned in front of the young man, symbolizes her subtle dominance in the relationship. This arrangement not only suggests her strength and independence but also highlights the significance of women in guiding the course of love. The painting subtly challenges traditional gender norms, emphasizing the equal partnership and influence both individuals have in shaping their shared journey. Moreover, "Journey of Love" doesn't shy away from portraying the doubts and fears that can plague the minds of those in the early stages of a relationship. The artist masterfully captures the subtle tension in their clasped hands, portraying the emotional tightrope that they walk together. This poignant aspect of the artwork resonates deeply with viewers who have experienced the vulnerability and anxiety that come hand in hand with falling in love. However, amidst the uncertainty and challenges depicted, Adewale's artwork also showcases the hope that drives these young hearts forward. In the gentle smiles and the glimmer of optimism in their eyes, we see the belief in the magic of love, the idea that their journey will be one of shared joy and personal growth. It is precisely this hope that allows them to face the challenges head-on and continue on their path despite the unknown future. The journey of love, as depicted in the artwork, is not without its trials and tribulations. Adewale subtly incorporates various elements in the background, such as swirling winds and turbulent skies, as metaphors for the external forces that may try to sway their commitment. The young couple's ability to withstand these challenges and remain standing together is a testament to the strength of their bond. As viewers immerse themselves in the layers of the "Journey of Love," they cannot help but reflect on their own experiences with love and relationships. The artwork becomes a mirror that allows them to ponder the uncertainties they have faced, the doubts they have battled, and the triumphant moments that have shaped their romantic endeavors. In conclusion, "Journey of Love" by Busari Adewale...

Elegant Still Life of Pink Flowers French School, signed and dated Signed and dated '87' by the artist on the lower right hand corner Oil painting on canvas, unframed Canvas size: 25.5 x 20 inches Exquisite still life of a dressed table...

In this painting, I sought to capture the vibrant essence of life, channeling my emotions into each stroke. The bold sunflowers stand as symbols of joy and exuberance, their bright f...

This painting depicts an interior scene of a woman seated at an apartment in Paris with a window that overlooks the city and an iconic church with the artist's reflection in the armo...

Roger Bonafe (French b. 1932) signed oil painting on thick art paper, inscribed verso Size 29.75 x 20 inches Bonafe was born in the town of Caux (Her...

William Robert Shulgold (1897-1989), studied under Arthur Watson Sparks, head of Carnegie?€™s art department. He specialized in figurative genre subjects, displaying within his paintings a quality and understanding akin to 19th century impressionism...

Presenting an original oil by French artist Paul Charlemagne, “Femme du Cirque”, an original oil on canvas, signed, c.1930, with an image dimension of 30 x 24 inches.

The forest painting with the mountains and stones is a beautiful wall decor, the painting is created en plein air, the artwork is full of different bright colours, combinations of wa...

"Petunias" is a realist oil on canvas painting by Rachel Personett. A potting of white petunias overflows in verdant abundance. White blossoms glow against the dark background. Frame...

Like a symphony that blends different instruments and musical themes, a library can contain a variety of books representing diverse genres, authors, and subjects. Each book brings i...

Joyful figurative scene with two smiling cyclists, connected with a series of colorful, swirling dots, by P. Gren Hayes (American, b. 1932). Signed and dated "© Gren Hayes 1980" at the right edge. Presented in a simple wood frame. Image size: 19.5"H x 23.5"W Patricia Gren Hayes (American, b. 1932) is a Bay Area Figurative / Bay Area Feminist Art Movement artist who studied at Winnipeg Public Art School in 1950. She received early recognition in Museum and Gallery competitions and exhibitions and was awarded a Special Education in Art recognition by the Winnipeg Museum of Fine Art, and was awarded a scholarship to the Banff College of Fine Art. Further studies were at The University of Manitoba. She was a Member of Winnipeg Free Press Sketch Club and was a Cartoonist and paste-up for a French-English bi-weekly, in Eastern Canada; She studied outdoor impressionism in New York in 1960; in 1962, attended The California College of Arts and Crafts, and in 1976 B.A., U.C. Berkeley where she studied under Elmer Bischoff, David Simpson, Joan Brown, Felix Ruvolo, Yolanda Lopez and Vincent Perez...

Lucienne Lemercier was a French painter from the latter part of the 19th century through the early 20th century. She came from a family of creative people and took to painting at a...

#Nature #water #landscape This painting is a mesmerizing landscape that immerses the viewer in an atmosphere of romance and tranquility. The main tones of the painting are del...

L'amour et Lumiere is a recently completed original oil painting by Fidan Kim, one that contains an incredible amount of detail and imagery. There is a surreal aspect to Ms. Kim’s wo...

Caravaggesque painter (17th century) - Saint Jerome. 47 x 73 cm. Antique oil painting on canvas, without frame (not signed). Condition report: Lined canvas. Good state of conserva...

EMIILIO GRAU SALA Spanish, 1911 - 1975 LE MOULIN DE LA GALETTE signed Grau Sala (lower right) oil on canvas 59-1/4 X 67-1/4 inches (150.5 X 170 cm.) framed: 62-1/2 X 70-1/4 inches (...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

"Happy Family", Mid Century Sepia Figurative Interior Scene, Illustration Art by Charles Kinghan A classic and heartwarming mid-century sepia toned figurative interior scene by Charles Ross Kinghan (American, 1895-1984). Circa 1940's. This mid-century piece exemplifies the classic style of illustrations and advertisements from the period, and depicts a family gathered in their living room. Signed "Kinghan" in the lower right corner. Acquired with other works by the artist. Displayed in a period giltwood frame. Linen size: 36"H x 30"W. Framed size: 45"H x 38.5"W x 2"D. Charles Ross Kinghan (American, 1895-1984) was born in Anthony, KS on January 18, 1895. A teacher, he moved to Wichita as a teenager and did sign painting for the Western Sign...

In creating this piece, I've poured my soul into the vivid crimson blooms, contrasting against the subdued greens and blues, evoking life's vibrancy. Each stroke is a breath, blendin...

ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imaginat...

5117 Vintage oil on canvas of a Cat by the window