20th Century Interior Paintings

Title: Modern French Oil Painting Portrait of a Woman Expressive Figurative Study by Bernadette Kelly (French b. 1933) Unsigned Medium: oil painting on canvas board, unframed Paintin...

Title: Modern French Oil Painting Two Reclining Nudes in a Red and Blue Abstract Scene by Bernadette Kelly (French b. 1933) Unsigned Medium: oil painting on board, unframed Painting ...

Richard Andres (American, 1927-2013) Garden, 1972 acrylic on canvas signed, dated and titled verso 59.5 x 50 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Signed lower left with monogram 'P/N' for Poul Nielsen (Danish, 1920-1998) and dated 1954. A vibrant and light-filled still-life by this well-listed Danish Modernist and disciple o...

The Artists Studio by Michel Kritz (French 1925-1994) signed oil on board, unframed board: 23.5 x 32 inches provenance: private collection, France condition: very good and sound con...

Vibrant floral still life by Marilyn Simandle (American, b.1946). Splashes of color and white petals pop out against a dark background and glossy blac...

Clarity plus precision in execution could yield, in this case, serenity. Perhaps this is the magic formula that has put James Carter’s works into such high-powered corporate collecti...

CHAIR BY THE WALL Size: 42 x 35 cm (including frame) Oil on canvas A striking mid-century modernist style composition of an interior scene, executed in oil onto canvas and dated 194...

Excellent gouache of the interior of a Parisian cabaret filled with vivid, feminine furnishings and decor by AM. Rémy, circa 1950. Unsigned. Original one-of-a-kind artwork on paper...

"Squares and Things" painted by the eminent artist, Charles McGee, literally breaths his African American heritage and his extraordinary vibrant use of colors. Provenance is The Arwin Galleries on Grand River in Detroit, Michigan - label on verso. This early painting of McGee's shows his mastery in creating a painting in the style of the French Impressionist Edouard Manet, "Still Life with Melon and Peaches" located in the National Gallery of Art, Washington, DC, and in the style of Fauvist/Expressionist painter Henry Matisse, "Still Life with Blue Tablecloth", located in the Hermitage Museum, Saint Petersburg, Russia. McGee makes the well-known genre of still life his own creating an exciting marvelous work incorporating the homely quilt - the powerful symbol of the African American road to safety from slavery - as his main focus. Quilts symbolize warmth, comfort, and as shown by the collection of quilts gathered by the artists in Gee's Bend the designs on the quilts hung outdoors at locations along the Underground Railroad showed fugitives the road north and to safety. "Squares and Things" was first shown at The Arwin Galleries, Inc., Detroit, Michigan, one of the stops along the Underground Railroad. This piece is signed by the artist, Charles McGee, and is an extraordinary example of his early work before he moved into Abstract Expressionism and his many sculptural works now located throughout Michigan. Several of these works are: "Noah's Ark: Genesis, 1984," on display at the Detroit Institute of Arts, his brilliant 2005 "Progression" a 45-foot wide aluminum sculpture at Beaumont Hospital, Royal Oak, Michigan, and his stunning 2016 "United We Stand" sculpture at the Charles H. Wright Museum of African American History . His genius can be seen in sculpture installments throughout the city of Detroit. . He was born into a family of sharecroppers. While helping his grandfather tend the land, "he observed firsthand the order and harmony that exists within nature." He had no formal schooling until moving to Detroit at age 10, where he found that "everything was on the move and it hasn’t slowed down yet." in 2017 he observed, "I learned something not being in school — because life is school . . .I learn something every time I move. Every time I go around a corner, something new is revealed to me.” McGee took advantage of the GI Bill to attend classes at the Society of Arts and Crafts, now the College for Creative Studies, Detroit, MI. Other College for Creative Studies (formerly Center for Creative Studies) faculty and graduates include Richard Jerzy, Harry Bertoia, Doug Chaing (currently director of Lucas Film), Stephen Dinehart (game maker, writer, designer connected with The David Lynch Foundation), Tyree Guyton (international artist), Herb Babcock, Jerome Feretti, Kevin Siembieda (writer, designer and publisher of role-playing games), Renee Radell, and Philip Pearlstein. After retiring from the Corps of Engineers, McGee spent 1968 studying art in Barcelona. Despite not knowing the language at the outset, he immersed himself in the culture and opened himself to a whole new range of experience that would play out in his artwork. "If you free yourself, you have this kind of opportunity to have those experiences, horizons, and new vistas." (per interview with Nick Sousanis author of a book on Charles McGee.) He returned to Detroit and curated "Seven Black Artists" at the Detroit Artists Market in 1969, which along with McGee himself, included Lester Johnson, Henri Umbaji King, Robert Murray, James Lee, Allie McGhee...

RAGINEL FERRET, André. Painter and draftsman born in Lyon (France) in 1936. He was a disciple of the Lyonnais painter Commarmon, and later worked for eight years as a drawing teacher...

A Large, Vibrant 1950s Mid-Century Modern Still Life Painting / Interior Scene by Noted Chicago Artist, Rudolph T. Pen. Depicts a delightful interior scene painted in subtle harmoni...

Philippe Auge (French 1935-) Still-life with pears Medium: Oil on canvas Dimensions: canvas 8 1/4 by 10 1/4in., 21 by 26cm. Hand signed upper left corner "Auge'" Provenance: Miami...

5084 Mirror reflections of a French recling woman with artist in reflections in the mirror

Vase de Fleurs by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on canvas, unframed measures: 18.5 high by 15 inches wide condition: ove...

The best of Europe. If you love the classically stylish opulence of French palaces and their marble fireplaces, their elegant panelling, their Versailles parquets - if you have wondered around Versailles or Fontainebleau palace, wondering what it might be like to live there - then this one is for you! Our painting brings a light flooded, serene palace interior to you: a large room with a sculpture on the mantlepiece, and three large paintings...

FERNANDO LIGER HIDALGO Spanish , 1880 – 1945 "Interior of Alcazar of Seville" Signed & located "F. Liger, Sevilla " (lower left) Oil on canvas 2...

Still Life of Fruit French School, mid 20th century oil on canvas 10.5 x 16 inches provenance: private collection, France The painting is in sound condition but very much showing the...

Richard Andres (American, 1927-2013) Shore V, c. 1964 acrylic on canvas signed lower right, signed and titled verso 54 x 44 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Early 20th Century Summer Floral Still Life - Zinnias, Delphiniums, Corn Flowers Substantial and gorgeous early 20th Century still life of summer flowers in cream bowl with Zinnia, Delphiniums, and Corn Flowers with pink candle by Volney...

This stunning oil painting was painted circa 1911 and is signed lower right. The painting depicts a Scottish interior- a small occasion or card table surrounded by a variety of mahog...

Ornate Flowers in Glass Vase Pair of original French paintings, circa 1950's period 2 x oil paintings on unframed board, with added collage/ mixed media each of the boards measures: ...

5-3745 Oil on canvas board of a litter of kittens frolicking on a sofa

Floral Still Life French Impressionist, circa 1930's by Lucien Martial, signed oil on canvas, unframed canvas: 24 x 32 inches provenance: private collection, France condition: very ...

Artist: Harry Lane Title: Art Shipping and Receiving Year: Circa 1950 Medium: Oil on Board, signed lower right Size: 30 in. x 24 in. (76.2 cm x 60.96 cm) ...

Jordi Curos - Self-portrait - Oil on cardboard Oil measurements 55x46 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish painter. He trained at the Olot ...

1950’s Parisian Girl - Collage Painting By Edward Fish, Mid 20th Century Signed on the top left hand corner Oil painting on canvas, framed with applied collage items Framed size: 29...

Large Red Block Abstract, Mixed Medium, Original Painting French School, c. 1990's signed indistinctly on the bottom of the painting Mixed medium on canvas, unframed Canvas size: 40 ...

Sunlit Still Life by Max Toutain (1935-2006) oil painting on canvas, unframed canvas : 24 x 20 inches Provenance: all the paintings we have by this artist have come from the artists ...

Artist/ School: French School, 20th century, signed lower corner Title: Still Life of Red, Green and Yellow Peppers Medium: oil painting on canvas, framed Size: frame: 18 x 21...

The Fishermans Cottage French School, circa 1930's period signed initials oil on board, unframed board : 9.5 x 13 inches Provenance: private collection, France Condition: very good c...

Lilies and the Blue Vase Signed by British artist 'Arthur Pass' C.1995 signed, oil painting on board framed Painting framed H24.5 x W21 inches Elegant still life painting of flowe...

Elegant floral still life of a vase of roses. Oil on canvas measures 24 x 20; frame dimensions measure 30 3/4 x 26 3/4 x 2 3/4. Artist's signature, lower right. Housed in a decorativ...

Emil Ganso (German/American, 1895-1941), Standing Nude Woman in an Interior Scene, Oil on Canvas, signed lower left, silvered wood frame. Image: 24.5" H x 17.25" W; frame: 31.5" H x ...

Technical Sheet - Title: *The Secret in Her Eyes* - Artist: Rosendo González Carbonell - Technique: Oil on canvas - Dimensions: 24 x 20 inches - Framing: Unframed - Style: Romantic realism...

Red Peonies signed by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on board, unframed measures: 22 high by 18 inches wide condition: ov...

Studio Interior Oil Painting, British Artist Duncan Holmes, British 20th century signed and titled verso dated 1918 oil painting on board, unframed paint...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas cardboard. Work measurements 46x38 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish pa...

Still life "Wine with Orange" by Claude (Charles Claude) Buck (1890-1974). Signed lower left. Artist's notes and color scheme on verso. Displayed in rustic giltwood frame. Image, 14"...

by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on board, unframed measures: 18 high by 13 inches wide condition: overall very good an...

Bright and expressive interior scene in a cubist style with a warm and bright color palette of orange, green, blue, and a pop of magenta, by Michael William Eggleston (American, 20th...

This dynamic oil painting by George Wiessbort (1928-2013) depicts two figures in an interior, one dressed in a striking red military jacket and the other in a pale pink dress. The co...

FREDERICK CAYLEY ROBINSON, ARA, RWS (1862-1927) A Summer Evening Signed l.r.: CAYLEY-ROBINSON; inscribed on the reverse: A Summer Evening/Exhibited at Leicester Galleries Oil on paper 16.5 by 18.5 cm., 6 ½ by 7 ¼ in. (frame size 38.5 by 40 cm., 15 ¼ by 15 ¾ in.) Exhibited: London, Leicester Galleries, Small Paintings and Sketches by the Late F. Cayley Robinson, ARA, RWS, December 1929 Born in Brentford-on-Thames, the son of a stockbroker, Robinson began his artistic training at the St John’s Wood...

Flowers In Vase signed oil on board, unframed board: 18 x 13 inches provenance: private collection condition: very good and sound condition

French School, mid 20th century signed lower front corner oil on board, unframed board: 29.5 x 25.5 inches provenance: private collection, France condition: very good and sound condi...

Story of the wooden horse (The Trojan Horse entering Troy) Percy Tarrant (1855 - 1934) British oil on board, unframed 4.5 x 5.75 inches inscribed in penc...

Mid Century Naturaleza Muerta Con Mangoes (Still Life w. Mangoes) by Francisco Dosamantes Substantial and brilliant modernist still-life painting mangoes by Francisco Dosamantes (Mexico, 1911-1986) Exhibition label on verso (circa 1957), "Salon De Plasticas Mexicana - Instituto Nacional De Bellas Artes - Francisco Dosamantes, Naturaleza Muerta Con Mangoes." Image 24"H x 31.5"W. "Francisco Dosamantes was born in Mexico City on October 4, 1911. His father was Daniel Dosamantes who was a builder, interior decorator and painter. Since its founding in 1949, the Hall of Plastic Mexican SPM, has accommodated the most representative work of the national art. Throughout its existence they have been part of hundreds of painters, sculptors, engravers, designers, ceramists and photographers of all tendencies and generations. Jut names: Diego Rivera, David Alfaro Siqueiros, Gerardo Murillo "Dr. Atl" Frida Kahlo, Rufino Tamayo, Francisco Dosamantes, Jorge González Camarena, Leopoldo Mendez...

Work on paper Golden wooden frame with glass pane 64 x 80.5 x 2 cm

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas board. Work measurements 46x38 cm. Frame size 51x43 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Span...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Profusion of Flowers French School. circa 1960's-1970's period signed oil on board, unframed board: 23.5 x 31.5 inches provenance: private collection, France condition: very good and...

Springtime Cherry Tree by Helen Greenfield (British 20th century) gouache painting on artist paper, unframed artist paper: 13 x 18 inches condition: overall very good provenance: al...

Late 20th Century oil on board still life of fruit and flowers in an interior by Bill Brown. The painting is signed and dated bottom right and titled and re...

Signed lower right 'Jais' for Jais Nielsen (Danish, 1885-1961), inscribed 'Vence' and dated 1949; additionally signed, verso. An exceptional late figural work by this pioneer of Mo...

Late 20th century oil on board of a colourful still-life, fruit and a coffee pot by Bill Brown. Signed and dated 1979 to the bottom left and signed, titled ...

La obra va firmada por el artista en la parte inferior Se presenta enmarcada la pintura El estado de la obra es bueno Medidas obra: 47 x 56 cm. Medidas del marco: 71 x 80 cm. Emilio Grau Sala Nace en Barcelona en 1911. Maestro catalán de la Escuela de París, recordado por sus magníficas escenas realistas. Se forma en la Escuela de Bellas Artes de Barcelona. Tras varias exposiciones en su ciudad natal y ya siendo un pintor de éxito, contrae matrimonio con la pintora Ángeles Santos Torroella. De ambos nacerá en 1937 el futuro pintor Julián Grau Santos. En 1936 expuso en el Museo de Arte Moderno de Madrid y, coincidiendo con el inicio de la Guerra Civil Española, se traslada a París. Conoció de cerca las vanguardias inclinándose por una figuración colorista, derivada del impresionismo y el fauvismo. Allí entrará rápidamente en contacto con el núcleo de artistas españoles. Realiza una pintura próxima al postimpresionismo francés, con un marcado acento lírico. En París alcanzó un gran éxito realizando multitud de exposiciones. En 1936 recibe el Premio Carnegie. Grau Sala destaca, además, como creador de escenarios teatrales y como excelente ilustrador. Fallece en Barcelona en 1975. Celebró diversas muestras individuales, sobre todo en Barcelona y París, pero también en ciudades como Nueva York, Toulouse, Londres o los Ángeles. En el 2015, su hijo Julián Grau Santos cede la obra familiar de su padre para la venta a Beatriz Bálgoma como marchante. A partir de este momento la galerista expondrá obras del artista en diversas ferias de prestigio nacionales e internacionales como Feriarte, Lisbon Art...

This is a painting about a man who travels back into the past and engages with a different stage in his life. Arnold Friedman worked at the New York City Post Office for four decades...

Large Multi Coloured French Expressionist Abstract Oil Painting by Armand Rottenberg (French 1903-2000) oil painting on board, framed Framed 37.5 x 27 inches Stunning original abs...

A fine oil by Italian artist Ugo de Cesare (b.1950) depicting a lady and a young boy lighting a traditional Italian advent calendar table. Signed to the lower right. On canvas on str...

Louis Toffoli (1907-1999) Small Orange Room in Italy Original oil painting on panel Signed bottom right On canvas 41 x 31 cm (c. 16 x 12 inch) Presented in a golden wood frame 62 x ...