20th Century Interior Paintings

"Sock Hop" Mid-Century American Modernism WPA Female Artist 20th Century Realism. 30 x 24 inches. Oil on canvas. Signed on stretcher, c. 1940s. Frame is likely original to the painting. Realist painter-printmaker Kyra Markham...

Impressive early American modernist portrait oil painting. Nicely framed. Oil on canvas. . Image size, 30H by 25L.

Vibrant Bouquet of Roses signed by Fanch Lel (French b. 1930) size: 10.75 x 9 inches oil painting on board, unframed condition: the painting is in very good condition. It has previou...

The Artists Studio by Josine Vignon (French 1922-2022) signed on front and back oil painting on canvas, unframed canvas: 22 x 18 inches Colors: Red colors, brown, blue, white and o...

A cozy little jewel, we are charmed by the rich choice of color and intimate details throughout this miniature work. This painting depicts a woman in her bedroom near the Mantel with...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Still Life with Flowers and Fruit) Year: 1963 Medium: Watercolor on heavy archival paper Size: 11.5 x 15 inches Condition: Go...

Contemporary Still Life by Helen Greenfield (British 20th century) gouache painting on artist paper, unframed artist paper: 23 x 18 inches condition: overall very good provenance: a...

Daisies In Vase signed by Y. Blanchon, French 1950's Impressionist oil on canvas, framed framed: 15 x 23 inches canvas: 13.5 x 22 inches provenance: from a large private collection ...

Vintage Oil Painting "Strings and Brass" Symphony Oil Painting c.1989 Original oil on canvas Canvas dimensions 24" wide x 16" high The simple maple frame measures 25" wide x 17" h...

Artist/ School: Christof Gracieuse, signed and dated 1979 Title: 'Modernist Still life with teapot' Medium: oil on canvas, framed Framed: 23 x 38 inches Painting: 16 x 31 inches ...

Sonoma Kitchen Table - after Henri Matisse - Still Life with Geranium An exceptional painting of Still Life with Geranium styled after and Henri Matisse by Bay area and Sonoma artist William Lionel Sheets (American, 1937-2022). In exceptional condition and a real value in the artists modern take on Impressionism in California art. Signed lower right "Wm Sheets 70" Image 30"H x 28"W Framed, 33"H x31"W x 2"D William Lionel Sheets lived in St. Louis, where Bill was a commercial artist. (He also painted a mural in an East St. Louis jazz club.) He read about both the art and the jazz scenes in San Francisco took a "drive-away" to arrive in SF in time for him to enroll at the San Francisco Art Institute in January 1960. He attended the University of Arkansas on a basketball scholarship. He left after a year and then attended Oklahoma State...

Idle Hour is an intricately painted Impressionist depiction of woman with her pets on her veranda. It is exquisitely framed in a French Gold Leaf frame of quality and value. Paint...

Herbert Rothgaengel was a well known German artist who paunted female nude The painting we have for sale is a wonderful 1920’s example by the artist house in a Newcomb Macklin frame...

Signed with monogram, lower left, 'AN' for Albert Naur (Danish, 1889-1973) and dated 1919. Albert Naur first studied Philosophy and Law in Copenhagen (1908-1911) while painting in a...

Signed lower right, 'V. Isbrand' for Victor Isbrand (Danish, 1897-1989), titled, verso, on old label, 'Opstilling' (Still Life) and dated 1949. Exhibited: Landmandsbankens Kunstforen...

The Kitchen Interior French artist, mid 20th century oil painting on artist paper, unframed painting: 10 x 9.5 inches condition: very good provenance: private collection, France

A strong modernist oil painting depicted in 1969 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his bold still life paintings, with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. This piece is from later in his career, but we can feel this underlying style throughout. Art measures 21.75 x 18 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. Since for the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher he encouraged individual expression. Baxte stated, “No pupil should ever be forced into imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett...

Make an offer on the fabulous Figure Multiple painting by Giancarlo Impiglia, Italian/American (1940). Date: 1989 Oil on Canvas, signed, dated, and title...

Very nicely painted American school modernist painting. Oil on canvas. Signed. Nicely framed. Image size, 16L x 20H.

Antique impressionist still life painting by Irene ( I. Stry) Stry (1899/1904 - 1963). Oil on board, circa 1940. Signed. Image size, 24L x 20H.

Charles Gresham "Reading by the Window" Original Oil Painting c.1970 Fine vintage oil painting by San Francisco artist and philanthropist Charles Gres...

Ornate Flowers in Glass Vase Pair of original French paintings, circa 1950's period 2 x oil paintings on unframed board, with added collage/ mixed media each of the boards measures: ...

Floral Still Life in Soft Pastels by Regine David (female French artist, 1910-2018) pastel painting on artist paper, unframed panting: 10.5 x 8 inches condition: This painting is in ...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Still Life with Flowers and Fruit) Year: 1963 Medium: Watercolor on heavy archival paper Size: 11.5 x 15 inches Condition: Go...

Original gouache interior painting by celebrated, twentieth-century California landscape painter, Ronald Shap. Vibrant still life in purple, blue, pink, yellow, orange, green and neu...

Wildflower Still Life signed by Bernard Labbe (French mid 20th century) dated 1971 original watercolor on artist paper size: 20 x 17 inches condition: very good and ready to be enjoy...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas cardboard. Work measurements 46x38 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish pa...

Still Life of Flowers by Josine Vignon (French 1922-2022) signed on front and back inscribed verso oil painting on canvas, unframed canvas: 21.5 x 18 inches Colors: Red colors, blu...

Ornate Flowers in Glass Vase Pair of original French paintings, circa 1950's period 2 x oil paintings on unframed board, with added collage/ mixed media each of the boards measures: ...

Vibrant mid-century floral still-life of a bouquet of Chrysanthemums in a classic Deco style trapezoid vase by C.A. Wilkenson (American, 20th C), c.1960. Signed "C.A. Wilkenson" lowe...

The Bar Interior French School, circa 1960's indistinctly signed oil on board, framed framed: 18 x 22 inches board: 12 x 16 inches provenance: private collection, France condition: v...

A stunning portrait oil painting of Violet Ann Gilbert which was painted by James Peter Quinn in 1929 and was exhibited at The Paris Salon of that year. A beautiful portrait of a young woman from the nineteen twenties. In excellent condition and framed in the original period frame. This is a fine painting by a noted listed artist and a great example of an early 20th century portrait painting. Signed lower left. Provenance. Exhibited at the Paris Salon 1929, labels verso. Condition. Oil on canvas in excellent condition, image size 40 inches by 30 inches. Housed in its original gallery frame, framed size is 47 by 37 inches. Excellent condition. James Peter Quinn (1869-1951) was born on 4 December 1869 at 60 Bourke Street, Melbourne, third son of John Quinn, restaurant-keeper born in Antigua, West Indies, and his English wife Ann, née Long. Little is known of Quinn's childhood and early education; both parents died when he was young. His guardians apprenticed him to an engraver, but he undertook part-time studies at the school of design, National Gallery of Victoria, under Frederick McCubbin in 1887-89, and at the school of painting under George Folingsby and Bernard Hall in 1890-93. Awarded several student prizes, he won the gallery's travelling scholarship in 1893. Quinn went to London in 1894 but quickly left for Paris where he studied at the Académie Julian, at the Académie des Beaux-Arts under Jean Paul Laurens, and with Colarossi and Delécluse. He returned to London about 1902 and married fellow art-student Blanche Louise Guernier there on 29 September. By 1904 he had exhibited with the Royal Academy of Arts and went on to establish a reputation as a highly successful portrait painter. His finest and most sensitive work was produced before 1910. His family were the subjects of many paintings, including 'Mère et Fils', awarded an honourable mention at the Old Salon, Paris, in 1912. He also painted many self-portraits. His many commissioned works included portraits of Joseph Chamberlain, the Duchess of York and, later, the Duke of Windsor. In 1918-19 he was an official war artist with the Australian Imperial Force in France, and exhibited war paintings at the Grafton Galleries, London. In 1919, with George Coates, he was an official artist to the Canadian War Records. He was a council-member of the London Portrait Society, and a member of the Royal Society of Portrait Painters and the Royal Institute of Oil Painters, exhibiting regularly with them and the Royal Academy, and in Paris with the Old and New salons. Quinn's sudden return to Australia in December 1935, alone, followed the death of his gifted artist-son René. He held exhibitions at the Fine Art Society's Gallery, Melbourne, in 1936 and the Royal South Australian Society of Arts Gallery the next year. Quinn ostensibly returned as an acclaimed artist, was invited to rejoin the Victorian Artists' Society he had joined first in 1888, and was its president (but for one year) in 1937-50. Yet a coolness existed. Though he had little in common with the modernist painters of the period, his commitment to a tolerant brotherhood of artists found no allies among the aggressively conservative old guard. In 1937 he clashed publicly with (Sir) Robert Menzies who in opening a V.A.S. exhibition denigrated modern art. In spite of the affection felt for him by many artists and students, Quinn was somewhat isolated. He continued to exhibit, winning the Crouch prize, Ballarat Fine Art Gallery, in 1941. In the mid-1940s he taught briefly at the National Gallery school. A lover of good food, wine and conversation, Quinn delighted in mixing with all classes. Frequenting the haunts of journalists, writers and the more Bohemian fringe, he was easily recognizable with his bow tie, grey curly hair and cigarette dangling from the corner of his mouth. Survived by one son, he died of cancer on 18 February 1951 at Prahran and was buried in St Kilda cemetery. His war portraits are held by the Australian War...

Antique American modernist interior scene with a nude woman oil painting. Oil on canvas. Framed. Image size, 22L x 26H.

Blossoms in Blue signed by Regine David (female French artist, 1910-2018) pastel painting on artist paper painting: 13 x 10 inches dated 1946 condition: This painting is in excellent...

A beautiful 1930's English impressionist oil on metal board depicting a living room interior with leather club chair, bureau, cigarettes in an ash tray and paintings on the wall. Ex...

Elegant Lady in Interior next to a Bowl of Fruit by Josine Vignon (French 1922-2022) signed and stamped verso oil painting on canvas, unframed canvas: 2...

Michael Frary (1918 - 2005) Austin Artist Image Size: 16 x 20 Frame Size: 17.5 x 21.5 Medium: Oil "Still Life Fruit" Biography Michael Frary (1918 - ...

Artist/ School: French School, signed and dated 1924 Title: Vase de Fleurs Medium: oil on board Size: 6 x 4.5 inches Provenance: private collection Condition: The painting is in...

March 1989. Oil on canvas, 80x90 cm

Interior Scene by Jacob Markiel (Polish 1911-2008) *See notes below oil on canvas, unframed canvas: 34 x 30 inches provenance: the artists estate, south ...

"God Bless Our Home" is an interior and figurative scene of a woman sitting on her couch in serious and proper expression. The Americana style paint...

Antique American school modernist mixed media painting. Oil on board with gold leaf assemblage, circa 1930. Unsigned. Image size, 13L x 17H. Housed in a period wood frame most li...

Artist/ School: French School, mid 20th century, extensively inscribed Title: nature morte. Medium: oil painting on board, framed Size: framed: 15.5 x 19 painting:...

Contemporary Impressionist Still Life by Helen Greenfield (British 20th century) signed initials oil painting on board, framed framed: 25 x 31 inches board: 24 x 30 inches condition:...

Floral Still Life of Anemones indistinctly signed oil on board, unframed board: 15.75 x 15.75 inches provenance: private collection condition: very good and sound condition This vi...

Artist/ School: French School, circa 1970's Title: Orange Flowers and green plant within an interior setting Medium: oil painting on canvas, unframed canvas: 24 x 20 inches Prov...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas board. Work measurements 46x38 cm. Frame size 51x43 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Span...

Artist/ School: French School, mid 20th century, indistinctly signed lower corner. Title: St. Tropez Harbour Medium: oil painting, on board. Size: framed: 22.75 x 28.75 inches ...

Artist/ School: inscribed/ signed on front and back Title: 'Le Noir le va si bien' translates to 'Black suits it so well' Medium: oil on canvas, framed F...

Beautiful floral still life in arts & craft style with a colorful stained glass window background by California artist Peggy Krusee (American, 20th century). Signed "Peggy Krusee" lo...

The Kitchen Table by Helen Greenfield (British 20th century) painting on artist paper, unframed artist paper: 10.5 x 7.5 inches condition: overall very good provenance: all the pain...

Algerian women in an interior. Oil on panel. Signed. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck...

Artist/ School: French School, mid 20th century, signed Title: Still Life of Flowers in a Vase, beautifully thickly painted oil creating a dramatic surface texture. Medium: oil on...

French Impressionist oil on canvas, interior view, plants at a window by June Fortan. The painting is signed bottom right. A colourful and exuberant interior view of a collection of...

Charming turn-of-20th Century interior painting that takes the viewer back to simpler times with grandmother, grandfather, mother sewing and a young girl playing with her greyhound a...

Extra-large dramatic painting from 1985 by Francois Boissiere (1956 - )

"Happy Family", Mid Century Sepia Figurative Interior Scene, Illustration Art by Charles Kinghan A classic and heartwarming mid-century sepia toned figurative interior scene by Charles Ross Kinghan (American, 1895-1984). Circa 1940's. This mid-century piece exemplifies the classic style of illustrations and advertisements from the period, and depicts a family gathered in their living room. Signed "Kinghan" in the lower right corner. Acquired with other works by the artist. Displayed in a period giltwood frame. Linen size: 36"H x 30"W. Framed size: 45"H x 38.5"W x 2"D. Charles Ross Kinghan (American, 1895-1984) was born in Anthony, KS on January 18, 1895. A teacher, he moved to Wichita as a teenager and did sign painting for the Western Sign...

Charming Still Life of Fruit Josine Vignon (French 1922-2022) ...