20th Century Interior Paintings

Artist/ School: Swedish School, 20th century, indistinctly signed. Title: The cafe table. Medium: oil painting on canvas, framed Size: framed: 35...

Vibrant Floral Still Life with Roses in a Red Vase French School, mid 20th century signed oil on canvas, unframed canvas: 29 x 24 inches Provenance: Private collection Condition: Goo...

Created circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped, verso, with Victor di Gesu estate stamp. Winner of the Prix Othon Friesz, Victor di Gesu first attended the L...

This painting portrays a refined 19th-century interior scene, where a group of elegantly dressed individuals gathers in an opulent drawing room. The richly decorated space, adorned w...

Still Life Interior By Fanch Lel Signed and dated 95' Framed: 12.5 x 10 inches Size: 12 x 9.5 inches (height x width) Oil painting on thin board, framed Condition: Good condition ove...

Large scale mid-century floral still-life of black-eyed susan (Rudbeckia) by listed El Paso, Texas artist Lois Coleman Denton (American, 1897-1980). Signed "Lois Denton...

A beautiful 1930's English impressionist oil on metal board depicting a living room interior with leather club chair, bureau, cigarettes in an ash tray and paintings on the wall. Ex...

#5-3049 French Artist Studio,a 1970's figurative painting , oil on canvas displayed in a wood frame, signed by C.smith lower left.Image size 18.5 H x 23.25 W

EMILIO GRAU SALA Spanish, 1911 - 1975 SCÈNE FAMILLIALLE signed "Grau Sala" (lower right) signed, titled, located and dated "GRAU SALA / SCÈNE FALLIALLE / PARIS 1969" (on the reverse)...

signed by Fanch Lel (French b. 1930) Size: 11 x 9 inches Oil painting on cardboard, unframed Condition: The painting is in good condition, with minor signs of aging. Provenance: All...

Artist/ School: French School, mid 20th century, indistinctly signed lower corner. Title: St. Tropez Harbour Medium: oil painting, on board. Size: framed: 22.75 x 28.75 inches ...

A stunning jewel and pertinent example of Berthelsen's charming Still Life scenes. Here we find a white roses in a blue vase set on top of a glossy table. The artist was truly a mast...

Antique American modernist signed monkey drawing by Aurion M. Proctor (1909 - 1983). Drawing and charcoal on paper. Signed. Framed.

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Still Life with Flowers and Fruit) Year: 1963 Medium: Watercolor on heavy archival paper Size: 11.5 x 15 inches Condition: Go...

Title: St. Grawi French Impressionist Painting of Village Street and Cathedral by Fanch Lel Signed: Yes Size: 8.5 inches (height) x 10.75 inches (width) Medium: Oil on board, unfram...

Vilhelm Hammershoi 1864-1916, was a Danish painter. He predominantly painted interior scenes also a wide range of genre subjects with people in regular poses within the house. This ...

Well painted and very interesting French or Belgium still life of flowers. Signed and inscribed, Jane Herbo, 1906, Ste Louise! / á Marraine. The ...

This charming and exuberant posy of peonies immediately made me think of similar works by Marcel Dyf - but it is actually a work by the ultimate master of art deco...

Classical Still Life of Flowers by the Miguel Canals Studio, Spain oil on canvas, unframed canvas: 23.5 x 18 inches Provenance: Private collection Condition: very good condition Fo...

A charming early 20th Century interior scene in impressionistic oil. The scene shows a woman in Edwardian dress, sitting in a rustic cottage kitchen by...

A Delightful Mid-Century Modern Painting of Mother and Child by Noted Chicago Artist, Francis Chapin (Am. 1899-1965). Artwork size: 5 3/4” x 4” (Framed size: 9 3/4” x 8 1/2”) Estat...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Still Life with Flowers and Fruit) Year: 1963 Medium: Watercolor on heavy archival paper Size: 11.5 x 15 inches Condition: Go...

Yellow chrysanthemums in a black vase with a deep blue backdrop come together in a beautiful midcentury still life oil painting by Central Valley and Los Angeles, California artist A...

Antique American modernist still life oil painting. Oil on canvas. Framed. Signed.

Signed lower right, 'Van Pitterson' for Lloyd H. Van Pitterson (Jamaican, 1926-1997) and created circa 1985. Additionally, inscribed, verso, 'Pink Balcony'. Born in Jamaica in the West Indies, Lloyd van Pitterson worked in the rum industry for twenty-two years while studying and painting in his spare time. In 1965, he decided to fully commit himself to a career as a fine artist and first studied with Edna Manley, the leading West Indian sculptor...

Impressive early American modernist strawberry still life painting. Framed. Oil on canvas. Signed. Image size, 8H by 10L.

Francesc Gironés (1904-1997) - Surrealist scene - Oil canvas Oil measures 38x46 cm. Frame measures 47x55 cm. Francesc Gironés was a painter from Poblenou about whom little is known,...

Vintage French Oil Painting signed by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on board, unframed measures: 13.5 high by 10.5 inch...

The couple is a work of art realized by Giovanna Picciau (1977, Turin) in 1987.  Oil on Canvas. Cm. 90x100.  Very good conditions!

Daisies Still Life by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, unframed canvas size: 29 x 36 inches condition: overall very good, minor surface scuf...

Fruit and Flowers monoprint by Calman Shemi Calman Shemi, sculptor and painter, was born in Argentina in 1939. A graduate of the School of Sculpture and Ceramics in Mendoza, he studied under the Italian-Argentinean sculptor Libero Badii whom he credits with putting him on the right path. “He taught me principals, not only related to sculpture, but human and philosophic principals. Shemi also carefully studied the work of such masters as Pablo Picasso, Caravaggio, Frank Stella and Henri Matisse. “From each one of these great artists I learned something from observing them,” he says. In 1961, at the age of 20, Shemi immigrated to Israel and joined Kibbutz Carmia of which he was a member for twenty years. There he worked in agriculture and also as a sculptor working with wood and clay. Several of his large-scale fiberglass and polyester sculpture projects are situated in public buildings. He was a student of German-Israeli sculptor Rudi Lehmann, a pioneer of the artistic movement known as “Canaanism.” Canaanite art was an effort to create a direct relationship with the land, bypassing historic Jewish connotations—hence the land’s primordial name is used. Canaanite works, with an emphasis on the inter-action of simple shapes, bear a deliberate resemblance to the sculpture and ritual art of early civilizations of the Middle East prior to Judaism, always with an eye to the fusion of man and the land itself. Though sculpture dominated his early years as an artist, in the mid ’70s Shemi developed the idea of the “soft painting” medium. Beginning with a color drawing done to scale, Shemi layers onto the drawing irregularly shaped pieces of variously textured and colored fabrics. Using a threadless 9,000-needle sewing machine, the fabrics are meshed to one another and to the background, resulting in vibrant wool tapestry carpet compositions infused with exuberant color and explosive movement. Over the years, Shemi has continued to challenge himself with new artistic mediums, developing two more techniques of painting: “Lacquer paintings” and “window paintings.” He also works in monotype, lithograph and silkscreen techniques. He creates his Lacquer Painting by applying vibrant colors to wood or metal panel that has been gilded with gold or silver leaf, and sometimes both. After the oil paint has thoroughly dried, many layers of lacquer are applied to the surface giving it a glowing effect. Between each layer of lacquer the piece is hand-polished to give the surface its very shiny look. Shemi’s “lacquer” and “window” paintings are reminiscent of ancient techniques used centuries ago in Japan and China. Shemi concludes, “All of the art that I create is full of optimism and beauty. That’s all. Simple, very simple.” During the past eighteen years Shemi has held more than seventy one-man shows in the U.S., Japan, Germany, Spain, Belgium and Israel. His works can be seen in many public and private collections around the world. He is of a generation of contemporary Israeli artists, somewhat influenced by pop art that include Alex Pauker...

Foster Jewell (American, 1893-1984) Signed: F. Jewell (Lower, Right) " Mission San Juan Capistrano ", circa 1934 Oil on Canvas 21" x 25" Beautifully housed in a 4" Carved Frame ...

Unique still life of a table with geraniums and a lit cigar, with a framed painting of a nude in a forest setting in the background by an unknown artist (American, 20th Century). Pre...

A large scale 1950s French society portrait by Anne-Marie Joly. The painting is signed and dated bottom right. Presented in a magnificent carved wood...

This early 20th-century oil painting by English artist John Falconar Slater (1857-1937) depicts a rustic cottage interior with an elderly lady reading. Slater was an accomplished, Ro...

- Title: *The Model Posing* - Artist: Rosendo González Carbonell - Technique: Oil on canvas - Dimensions: 38.2 x 45.7 in (unframed) - Signed: Yes, in the lower left corner ...

A fantastic MidCentury interior scene painted in 1963 and signed illegibly. This work comes in a contemporary wood frame.

Francois "Fanch" Ledan (Born 1949) French American artist Oil on Canvas. Hand signed and dated 2002 Dimensions: overall Size: 25 1/4 x 25 1/4 in. Sight Size: 15 1/2 x 15 1/2 in. D...

The Jester, Impressionist Portrait, Signed Oil Painting By French artist Claude Benard, (1926 - 2016) Signed by the artist on the lower left hand corner Oil...

Important work by the artist, were exhibited at Kunsthalle Recklinghausen, Radical Innovations, 2024-25. Signed lower right. Natalia Dumitresco (or Dumitrescu) was born in Buchare...

Classical Still Life of Flowers French School, early 20th century oil on board, framed framed: 12 x 8.5 inches board: 11 x 8.5 inches provenance: private collection, France condition...

Charming turn-of-20th Century interior painting that takes the viewer back to simpler times with grandmother, grandfather, mother sewing and a young girl playing with her greyhound a...

Roses by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on artist paper, unframed measures: 14.5 high by 12 inches wide condition: overal...

Artist/ School: Italian School, signed lower left, 20th century Title: Flowers in a Pewter Vase Medium: oil painting on board , framed Size: framed: 15.5 x 13.5 inches painting: ...

Elegant Floral Still Life French School, mid 20th century signed oil on canvas, unframed Canvas : 39.5 x 32 inches Provenance: private collection, France Condition: very good conditi...

Frederic Cabanas (1954) - Pitussi - Oil on canvas Oil measurements 92x65 cm. Without frame. ​ Frederic Cabanas Multifaceted artist, painter, sculptor, musician, photographer, wr...

Rustic Orange Bouquet by Fanch Lel (French b. 1930) Size: 10.5 x 8.75 inches Oil painting on cardboard, unframed Condition: The painting is in good condition, with minor signs of agi...

Signed, titled and dated 1921 figures in interior oil on canvas by Modernist painter Marcel Francois Leprin. This wonderful piece depicts a ball at the Moulin Rouge, a cabaret in Par...

This charming ex Christie's Victorian Orientalist oil painting is by noted French exhibited artist Lucien Laurent Gsell. The painting dates to around 1900 and portrays a beautiful yo...

Mid 20th Century oil on canvas portrait of stylish young woman by the noted Franco Spanish artist Pere Modesto Luis Creixams. The painting is signed bottom left and presented in a ve...

Antique American modernist signed portrait oil painting by Sidney Gross (1921 - 1969). Oil on canvas. Signed.

Still Life of Pink Roses signed by Fanch Lel (French b. 1930) Size: 10.5 x 8.5 inches Oil painting on cardboard, unframed Condition: The painting is in good condition, with minor sig...

Still Life of Flowers in a Vase French School, mid 20th century signed oil on canvas, unframed canvas: 36 x 29 inches provenance: private collection, France condition: very good and ...

Elegant Lady in Interior next to a Bowl of Fruit by Josine Vignon (French 1922-2022) signed and stamped verso oil painting on canvas, unframed canvas: 2...

Oil on board realized by Emile François Rouseau in 1910. Hand signed, dated and dedicated by the author. Includes a coeval gilded wooden frame.

Autumn Gift - Seasonal Harvest Still Life with Flowers by Albin Kern. This still life by Austrian-American painter Albin Kern (b. 1884, d. 1975) depicts a seasonal spread of gourds...

Item is in excellent condition and has only been displayed in a gallery setting. This painting was procured direct from the artist's studio. Cornelis le Mair is truly a renaissance man, encompassing all disciplines of the arts. He enjoys painting, drawing, writing, architecture, sculpture, and interior design. Le Mair was born in Eindhoven, The Netherlands in 1944. He began drawing and painting at the young age of five and while in kindergarten, he was often made to show his paintings in other classes even though he was shy about doing so. “When I could not play outside because of bad weather, I would sit in my bedroom and would draw.” His early art studies were widely influenced by the Rembrandt exhibit in the Rijksmuseum (1956) that he attended with his father. There le Mair was inspired by the Old Masters and “the desire to unravel all the mysteries hidden under the cracked varnish” began. Already having painted a lifesize copy of “The Nightwatch” on the wall of his bedroom, le Mair was continually driven by the Rembrandt exhibit. He began to experiment with resins, pigments and oils in order to hone and perfect the technique of the old masters. He studied drawings and paintings and early on developed the feeling of color and composition. After completing high school, he worked for a short period as a designer of woven fabrics. Although his heart desired to paint, he enjoyed having a pencil and brush in hand and a case full of art books and says, “This treasure of inspiring information took me further on track to the traditional trade.” At this same time, le Mair’s artistic endeavors led him to learn the art of music. First learning to play the guitar from friends, he began performing at youth centers. This love of music expanded into him learning to play the mandolin, turning lye, banjo, and bagpipes. Just after his eighteenth birthday, le Mair was accepted into military service where his lack of conforming led him to a maximum solitary confinement sentence. After a month in training, the army physician and le Mair agreed that he was born to be an artist and released le Mair from military services. Once he returned home, with the encouragement from his parents, le Mair began his art schooling at the Art Academy (Kustacademie) in ‘s-Hertogenbosch, The Netherlands. There he found that the school was geared for modernism and after painting a portrait of a fellow classmate, his teachers advised le Mair to look for a school where the traditional ideas were still taught. Longing to study the classical arts, he applied and was accepted to the Academy of Fine Arts (Koninklijke Kunstacademie) in Antwerp, Belgium in 1965. After studying under Professor Victor Dolphijn, le Mair graduated cum laude in portrait and figure paintings in 1968. He was then promoted to study as a student of the Higher Institute, a structure at a higher university level where he studied under Rik Slabbinck...

Title: Modern French Oil Painting Woman Reading in a Chair Figurative Interior Scene by Bernadette Kelly (French b. 1933) Unsigned Medium: oil p...

The Fruit Bowl by Josine Vignon (French 1922-2022) signed oil painting on canvas, framed framed: 39 x 32 inches canvas: 32 x 36 inches Colors: Green colors, yellow, blue, orange a...

The Guildhall, Worcester English School, mid 20th century indistinctly signed verso oil on canvas canvas: 20 x 24 inches provenance: private collection, UK condition: very good and sound condition The Worcester Guildhall was originally built as a meeting place for Worcester merchants around 1227. As with many other guildhalls, it became the centre for civic administration, a role it maintained after the merchant guild had disappeared. The present Worcester Guildhall is a superb Queen Anne building, begun in 1722 by Thomas White, a pupil of Sir Christopher Wren. White was badly paid for his efforts, and he died in poverty in 1738, bestowing the money he was owed on the Worcester Royal Infirmary. The city finally paid its debt in 1753. The exterior of the Guildhall is brick, dressed with stone. White himself is said to have carved the figure of Queen Anne over the entry, as well as those of Charles I and II, a reminder of the city's long history of royal support. The interior is superb, boasting exceptional period decoration. The Tourist Information Centre is now located in the Guildhall. HISTORY In 1227 Henry III granted the citizens of Worcester a royal charter granting them the right to establish a guild of merchants. The guild was responsible for controlling trade in the city, but their meeting place gradually became the main centre of administration for city government and acted as a courthouse. So, in effect, the Guildhall was the town hall, and though the city guilds have long since vanished, the Guildhall name lives on. The medieval guild merchants would not recognise the building that faces onto High Street now. Their guildhall was a large timber-framed building, occupying the same site, with a piazza for shops fronting the street, courts of justice at each end, and a prison to the north of the building. Part of the prison was a cell called 'the peephole', which gained a notorious reputation. There was a gaoler's house, and attached to it an alehouse from which the gaoler sold ale at extremely high prices to any prisoner who could afford the cost. In 1717 the city administration decided on a new Guildhall, and they knew just who to call; upon to build it. Thomas White was not an architect in the way we think of it today, but a stonemason. In 1705 he had carved a statue of Queen Anne to stand in front of the medieval Guildhall and was made a Freeman of the City. The total cost of the fashionable new red-brick building was £3727. The Corporation only put forward £800, and the rest had to be raised by public subscription. The centre section of the new Guildhall was finished by 1724 and has remained almost unchanged since then. The central facade is a wonderful example of early Georgian style, with three bays flanked by Corinthian pillars. Over the entrance is a huge carving incorporating the Hanoverian royal arms. White's earlier statue of Queen Anne was placed in a niche over the door, and on either side were statues of Charles I, depicted holding a church, and Charles II, with an orb and royal sceptre. On the rooftop are figures of Labour, Peace, Justice, Plenty, and Chastisement. North and south wings were added within a few years of the central block. The south wing was used as a judge's lodging when the assizes were taking place, but throughout the rest of the year it housed a coffee shop. The most striking external feature of the Guildhall is a set of iron gates...