People Interior Paintings

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Emil Ganso (German/American, 1895-1941), Standing Nude Woman in an Interior Scene, Oil on Canvas, signed lower left, silvered wood frame. Image: 24.5" H x 17.25" W; frame: 31.5" H x ...

Woman reading after Henri Matisse by Claire Ragueneau Impressionist seated woman reading a book after Henri Matisse by San Francisco artist Claire Ragueneau (American, 1901-1971). Cl...

In Miles Cleveland Goodwin’s soulful compositions, he narrates the story of his life. Goodwin responds to his environment, the lives of common folk living around him, and the mysteri...

Carole Rabe’s Looking into Dining Room is a beautifully composed 24 x 12 inch oil on canvas that transforms a simple domestic view into a meditative interior landscape. In this intim...

Surreal large-scale figurative abstract depicting two nude female figures in a red interior space juxtaposed by a bearded man seated next to a sculptural bust of a man, with a white skeleton in the foreground by Bay Area artist Michael Pauker (American, b. 1957). Titled "The Red Studio...

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

Jennifer unveils her bare breast, luring her unsuspecting rapist towards her so that she may seek her revenge. Should her morals be questioned? It makes no difference to her animal companion. This dog’s family was murdered and his response is to bite on a pair of dentures. Morality is exclusive to humanity. Nature simply carries forward. Featuring the films "I Spit on Your Grave", 1978, "High Tension", 2003 and "Angst", 1983. Georgia Hinaris I Spit on Your Angst oil on panel 28h x 56w in 71.12h x 142.24w cm GHS012 Horror films are the most profound and visceral of films, garnering the most extreme responses: vehement hatred and cultish admiration. Horror elicits a controlled neurosis while exposing the rejected weaknesses and brutalities of humanity. I embrace the power of cinema and its ability to alter perception, as it is media that is a reflection of our primordial desires. I’m fascinated by concepts involving the limits of human perception, the ambiguity of morality in relation to nature, the paradoxical nature of reality, and the human struggle to reckon with uncertainty. Humans bear the burden of being as we are, all caught in a flux of unbelievable cognitive abilities and animalistic instincts. Every painting is in its own universe and I cater to it. Nothing is precious. Chaos is embraced. Georgia Hinaris, b. 1993, Chicago, Illinois Education 2019 MFA Painting, New York Academy of Art, New York, NY 2015 BFA Painting, Pratt Institute, Brooklyn, NY Exhibitions 2020 Summer Exhibition, Flowers Gallery, New York, NY Summer Juried Exhibition, Prince Street Gallery, New York, NY 2019 Di Donna Gallery, New York, NY AXA Art Prize, San Francisco Art Institute, San Francisco, CA, Richard Gray...

Smoke Bush and Anemone by Diana Forbes [2021] original Acrylic, oil pastel, ink and collage on canvas board Image size: H:21.4 cm x W:30.5 cm Complete ...

Gleb SAVINOV (Kharkiv prov., Ua 1915 – St. Petersburg 2000) Gleb Alexandrovich Savinov was born in Ukraine and spent part of his childhood in Saratov. His father, Alexander Ivanovich Savinov (1881–1942), a talented painter, draftsman and teacher, was a professor at the Academy of Fine Arts. In 1922 they moved from Saratov to Petrograd. In 1928-1930 Savinov started working in the studio of his father while still attending school. In 1934, after graduating from high school he enrolled at the painting department of the Leningrad Institute of Painting, Sculpture and Architecture, where he studied with, among many others, Alexander Osmerkin. In 1940 Savinov graduated and married his classmate and talented artist Olga Bogaevskaya. This happy family and creative union lasted sixty years. Since that year Gleb Savinov participated in art exhibitions with portraits, historical and genre paintings, landscapes, interior scenes, still lives. He served during the Great War and in 1944 he was admitted to the Leningrad Union of Soviet Artists. In 1945-1947 he taught in the Repin Institute, then from 1949 to 1979 in the Vera Mukhina...

Mia Bergeron's (US based) "Arrival" is an original, handmade oil painting that depicts a feminine face, with dark hair, arching back as she looks upwards in the darkness Mia Bergero...

Title: French Abstract Impressionist Oil Painting of a Sleeping Child by Bernadette Kelly (French b. 1933) Unsigned Medium: oil painting on board, unframed Painting size: 4 inches (h...

Mid Century Modern Portrait of Woman in Green Dress Original Oil Painting Evocative mid century modern portrait of woman in green dress by California artist Genevieve Rogers (America...

This oil on canvas is signed and dated in the lower right and measures 32.5" x 37" including the frame. The scene depicts a young lady playing her guitar by the light of the fire. Th...

An acrylic painting by Giancarlo Impiglia from 1990. An art deco style pop art portrait of a waiter serving wine in a lavishly formal upper-class setting. Unframed. Artist: Giancarlo Impiglia, American (1940 - ) Title: Butler with Tray...

We got to know Erik van Elven years ago through Facebook, we were Facebook-friends way before we even wanted to open up a gallery. We shared a passion: modern realism. That sparked a...

John White Alexander Tired, circa 1910 Inscribed on the reverse: Mrs Lee Bauer, _____, Inscribed on the reverse: "Tired" Watercolor on paper 16 1/2 x 13 inches John White Alexander...

Ashit Sarkar - Untitled - 36 x 30 inches (unframed) 44 x 38 inches (framed) Charcoal on Canvas Inclusive of shipment in roll form. Style : Wom...

The author himself calls most of his works symbolic compositions, and sometimes uses the term “abstract expressionism” to describe his method. In fact, the range of meanings and comp...

Wonderful figurative by Patricia Gren Hayes (American, 20th Century). Signed on verso. Unframed. Size: 30"H x 40"W. Bay Area Figurative / Bay Area Feminist Art Movement artist, Patricia Gren-Hayes, studied at Winnipeg Public Art School in 1950. She received early recognition in Museum and Gallery competitions and exhibitions and was awarded a Special Education in Art recognition by the Winnipeg Museum of Fine Art, and was awarded a scholarship to the Banff College of Fine Art. Further studies were at The University of Manitoba. She was a Member of Winnipeg Free Press Sketch Club and was a Cartoonist and paste-up for a French-English bi-weekly, in Eastern Canada; She studied outdoor impressionism in New York in 1960; in 1962, attended The California College of Arts and Crafts, and in 1976 B.A., U.C. Berkeley where she studied under Elmer Bischoff, David Simpson, Joan Brown, Felix Ruvolo, Yolanda Lopez and Vincent Perez...

"Madam Suburbia" (Woman and Baby by the Yellow Window) in Oil on Canvas An auburn-haired woman sits in a chair with her infant child, by American painter, Patricia Gren Hayes (b. 19...

FREDERICK CAYLEY ROBINSON, ARA, RWS (1862-1927) A Summer Evening Signed l.r.: CAYLEY-ROBINSON; inscribed on the reverse: A Summer Evening/Exhibited at Leicester Galleries Oil on paper 16.5 by 18.5 cm., 6 ½ by 7 ¼ in. (frame size 38.5 by 40 cm., 15 ¼ by 15 ¾ in.) Exhibited: London, Leicester Galleries, Small Paintings and Sketches by the Late F. Cayley Robinson, ARA, RWS, December 1929 Born in Brentford-on-Thames, the son of a stockbroker, Robinson began his artistic training at the St John’s Wood...

Ashit Sarkar - Untitled - 36 x 30 inches (unframed) 44 x 38 inches (framed) Charcoal on Canvas Inclusive of shipment in roll form. Style : Wom...

The Market is an original old master artwork realized in the 18th century by an Anonymous Flemish artist. Oil painting on canvas. The artwork depicts a bargaining scene at the marke...

Jordan Wolfson's (US based) "Still Life with Flowers XVIII" is an oil painting that depicts a yellow calla lily in a vase contrasted with a deep burgundy background. Jordan Wolfson ...

Valley House Gallery is honored to present a selection of paintings from the estate of American artist, John Hartell (1902-1995). John Hartell taught two disciplines at Cornell University in Ithaca, New York: freshman architecture and graduate painting. He was a much-loved professor there from 1930 until his retirement in 1967; one of his most illustrious students is the architect Richard Meier. As an artist, Hartell's first solo exhibition was in 1937 at Kleeman Gallery in New York. He exhibited at Kraushaar Galleries in New York for four decades, beginning in 1943. The Hartell Gallery at Cornell University, under the Sibley Dome, is named for him. In describing John Hartell, the artist Michael Boyd...

Oriental Bathroom is an original modern artwork realized by Alexander Sergheev. Mixed colored oil painting on canvas. Includes frame: 34 x 3.5 x 29 cm

Green Red Painting Art Hand Textured Giclee on Canvas 45x45" Desert Mirage 15 State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited edi...

'Figure Seated in Interior' by Millicent Tomkins, 1959. Woman Artist, Berkeley, San Francisco Museum of Art ---- Signed lower left, 'Millicent Tomkins' for Millicent Hanson Tomkins ...

Sensual in it's style and subject matter, Andrew S. Conklin's still life "Duet II" explores the sexuality in both innate objects and the human form. The female figure is off to the ...

Presenting three original set renderings by American artist Franz Bergmann(8198-1970) Franz Bergmann studied at the Academy of Fine Arts in Vienna, before settling in Northern Califo...

Henry Charles Hannig "Mother and Daughter" Original Oil Painting C.1930 Original oil on panel Dimensions 15" wide x 18" high The lightly distressed frame measures 18" wide x 21" h...

Reference number F355 Framed with a ebony color floated frame 41 x 60 cm frame included (27 x 46 cm without frame) This work is painted with oil on a board. Stamp of the signature in...

Lady in the Arboretum, Original Figurative Oil Painting (1980) A beautifully rendered painting of a woman in a blue dress is framed by window panes and archways. The movement of her...

Triumphal arch. 2023. Oil on canvas, 45x70 cm Hyperrealistic atrwork with Triumphal arch 1976 Born: Jurmala, Latvia 1987–1994 Rozental’s Art School, Riga, Latvia 1998 Bachelor of Ar...

Andrew Davis is a contemporary painter living and working in the Uk. Inspired by his home and surrounding area Andrew paints with a fresh energetic style, which gives his paintings a...

Fun and vibrant still-life of a watermelon and blue vase by Sally Minton (American, 20th Century). Unsigned. Gallery tag accredits artist Sally Minton. Presented in a carved giltwood...

Signed figures in interior oil on panel by French impressionist painter Jean-Francois Raffaelli. The piece depicts two old men seated in an interior. One is reading his paper as the other naps and there are several kittens on the floor. Painted in the artist's distinctive style. Signature: Signed lower left Dimensions: Framed: 9.5"x8" Unframed: 5.5"x4" Provenance: Brame & Lorenceau have confirmed the authenticity of this work and it will be included in the digital catalogue raisonne of the painter which is under preparation A certificate of authenticity fromBrame & Lorenceau accompanies this painting Private collection - United States Original artists label verso Jean-François Raffaëlli's father was a failed Italian businessman and Raffaëlli himself was, among other things, a church chorister, actor and theatre singer. He then studied under Gérôme at the École des Beaux-Arts in Paris. He travelled to Italy, Spain and Algeria and on his return to France settled in Asnières. In 1876, on a trip to Brittany, he first saw the potential of realist subject matter, if treated seriously. He became involved in meetings of artists at the Café Guerbois, where the Impressionist painters used to gather. As a result, Degas, contrary to the advice of the group, introduced Raffaëlli to the Impressionist exhibitions - according to one uncertain source as early as the very first exhibition, at the home of Nadar, and certainly to those of 1880 and 1881. In 1904, Raffaëlli founded the Society for Original Colour Engraving. He first exhibited at the Salon de Paris in 1870 and continued to exhibit there until he joined the Salon des Artistes Français in 1881, where he earned a commendation in 1885, was made Chevalier of the Légion d'Honneur in 1889 and in the same year was awarded a gold medal at the Exposition Universelle. In 1906 he was made Officier of the Légion d'Honneur. He was also a member of the Société Nationale des Beaux-Arts. In 1884, a private exhibition of his work cemented his reputation. He contributed to several newspapers such as The Black Cat (Le Chat Noir) in 1885 and The French Mail (Le Courrier Français) in 1886 and 1887. He published a collection entitled Parisian Characters, which captured his favourite themes of the street, the neighbourhood and local people going about their lives. In 1880 he participated, with Forain, on the illustration of Joris Karl Huysmans' Parisian Sketches (Croquis Parisiens). He also illustrated Huysman's Works. As well as working as an illustrator, he also made etchings and coloured dry-points. His early attempts at painting were genre scenes, but once he was settled in Asnières he started to paint picturesque views of Parisian suburbs. From 1879 onwards, his subject matter drew on the lives of local people. These popular themes, which he treated with humanity and a social conscience, brought him to the attention of the social realist writers of the time such as Émile Zola. In addition to his realist style, Raffaëlli's dark palette, which ran contrary to the Impressionist aesthethic, helped to explain the opposition of those painters to his participation in their exhibitions. More concerned with drawing than colour, he used black and white for most of his paintings. Towards the end of his life, he lightened his palette, but without adopting any other principles of the Impressionist technique. After painting several portraits, including Edmond de Goncourt and Georges Clémenceau, he returned to genre painting, particularly scenes of bourgeois life. Later in his career, he painted mainly Breton-inspired sailors and views of Venice. His views of the Paris slums and the fortifications, sites which have almost completely disappeared, went some way towards establishing a genre in themselves and perpetuated the memory of the area: The Slums, Rag-and-Bone Man, Vagabond, Sandpit, In St-Denis, Area of Fortifications. His realistic and witty portrayal of typical Parisian townscapes accounts for his enduring appeal. Born in Paris, he was of Tuscan descent through his paternal grandparents. He showed an interest in music and theatre before becoming a painter in 1870. One of his landscape paintings was accepted for exhibition at the Salon in that same year. In October 1871 he began three months of study under Jean-Léon Gérôme at the École des Beaux-Arts in Paris; he had no other formal training. Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time—particularly peasants, workers, and ragpickers seen in the suburbs of Paris—in a realistic style. His new work was championed by influential critics such as J.-K. Huysmans, as well as by Edgar Degas. The ragpicker became for Raffaëlli a symbol of the alienation of the individual in modern society. Art historian Barbara S. Fields has written of Raffaëlli's interest in the positivist philosophy of Hippolyte-Adolphe Taine, which led him to articulate a theory of realism that he christened caractérisme. He hoped to set himself apart from those unthinking, so-called realist artists whose art provided the viewer with only a literal depiction of nature. His careful observation of man in his milieu paralleled the anti-aesthetic, anti-romantic approach of the literary Naturalists, such as Zola and Huysmans. Degas invited Raffaëlli to participate in the Impressionist exhibitions of 1880 and 1881, an action that bitterly divided the group; not only was Raffaëlli not an Impressionist, but he threatened to dominate the 1880 exhibition with his outsized display of 37 works. Monet, resentful of Degas's insistence on expanding the Impressionist exhibitions by including several realists, chose not to exhibit, complaining, "The little chapel has become a commonplace school which opens its doors to the first dauber to come along."An example of Raffaëlli's work from this period is Les buveurs d'absinthe (1881, in the California Palace of Legion of Honor Art Museum in San Francisco). Originally titled Les déclassés, the painting was widely praised at the 1881 exhibit. After winning the Légion d'honneur in 1889, Raffaëlli shifted his attention from the suburbs of Paris to city itself, and the street scenes that resulted were well received by the public and the critics. He made a number of sculptures, but these are known today only through photographs.[2] His work was also part of the painting event in the art competition at the 1912 Summer Olympics. In the later years of his life, he concentrated on color printmaking. Raffaëlli died in Paris on February 11, 1924 Museum and Gallery Holdings: Béziers: Peasants Going to Town Bordeaux: Bohemians at a Café Boston: Notre-Dame; Return from the Market Brussels: Chevet of Notre-Dame; pastel Bucharest (Muz. National de Arta al României): Market at Antibes; Pied-à-terre Copenhagen: Fishermen on the Beach Douai: Return from the Market; Blacksmiths Liège: Absinthe Drinker...

Interior of a Church is an original painting realized by Hermann Corrodi. Original oil on canvas with a contemporary wooden frame included. Hermann David Salomon Corrodi...

Work on canvas Golden wooden frame 75 x 88.5 x 4 cm

Italian painting from the first half of the 20th century. Oil on canvas, first canvas, depicting a party in a tavern of excellent pictorial quality. Large and impactful painting ador...

This artwork "Woman with Bouquet" c.1985 is an oil on canvas by noted Spanish artist Juan Garces Espinosa, 1935-2014 It is signed at the lower right corner...

Portrait of the Artist Manuel Neri Heavy Impasto on Linen San Francisco Abstract San Francisco Abstract Expressionist School a portrait by Honora Berg (American, 1897 - 1985). Heavy impasto with broad strokes an interior scene with the iconic San Francisco sculptor Manuel Neri. Honora captures Manuel's distinctive features with her expressionist style and layered paints. Manuel is in a dark suit and bright shirt and tie resting his arm on the window and looking out at the trees in the distance. Provenance, Estate of Honora Berg - David Carlson Gallery, Larry Miller...

Tracy Burtz is a figurative painter whose still-lifes and paintings of women explore intimate moments of everyday life and the emotions those moments ...

Oil on plywood signed and dated . Second of several works depicting butchers. Recently exhibited at the Bartow-Pell Museum on the Bronx NYC. ABOUT Stephen Basso Stephen Basso's h...

Andrew Davis is a contemporary painter living and working in the Uk. Inspired by his home and surrounding area Andrew paints with a fresh energetic style, which gives his paintings a...

Glorious and fun small still life celebration where color, in blue, green, pink and gold, reigns. In excellent condition. Signed and titled by artist.. Mimi Jensen uses bold colors to depict theatrically lit objects. Her paintings invite speculation into possible metaphors – California Home+Design magazine Ms. Jensen is a Still Life painter who is inspired by her ideas and observations. Jensen’s education and early work experience were eclectic – Bachelor of Arts in Psychology, Speech Therapist, Technical Editor, and even an Airline Analyst to satisfy her desire to travel. Eventually she returned to graduate school to follow her dream of studying art. While still a graduate student in drawing and painting she was selected for her first commercial gallery show, which led to subsequent exhibitions and launched her professional career as a painter. She has exhibited widely in the U.S., has been featured in numerous publications – American Art Collector, California Home+Design, Fine Art Today, Professional Artist, Southwest Art, The Artist’s Magazine – and for the past 20 years she has been represented by galleries in San Francisco, Boston, Santa Fe, and other cities. The painting is 12 x 12...

Artist: Harry Lane Title: Art Shipping and Receiving Year: Circa 1950 Medium: Oil on Board, signed lower right Size: 30 in. x 24 in. (76.2 cm x 60.96 cm) ...

Jean-Jules-Antoine Lecomte du Nouÿ (1842-1923) An oriental street oil on canvas 11.5 x 14 cm no signature In good condition, canvas without stretcher,...

Alexander Redein (American, 1912 - 1990) At Home, 1975 Oil on board 12 x 15 3/4 in. Framed: 17 1/2 x 21 3/8 in. Signed lower right: Redein Inscribed verso: At Home 1975 Alex Redein was born on January 21, 1912 in Bridgeport, Connecticut. He was a prominent member of the New York art community for many years. He studied at Yale School of Fine Art, The Art Students League, and in Mexico City. Along with Remo Farrugio, Byron Browne, Herbert and Henry Kallem, Joseph DeMartini, Michael Lekakis...

Subrata Gangopadhyay - Ganesha - 32 x 26 inches (unframed size) Acrylic on Canvas Inclusive of shipment in roll form. Style : He is widely considered one of India's leading painter...

This superb British self portrait oil painting is by noted artist Sir Walter Westley Russell CVO, RA, RWS. He had a distinguished career: Russell became a member of the Royal Academy...

Oil on canvas. Signed to the lower left. Well presented in a painted wooden frame.

Wonderful old Hollywood portrait of a middle aged Peter Lorre (1904-1964) by Charles Kingham (American, 1895-1984), circa 1955. Unsigned. Acquired with oth...

Green Painting Art Hand Textured Giclee on Canvas 45x45" Growing State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited edition Giclee...

An original vintage oil painting by Swedish artist Uno Bornemark. This vibrant and fluid work shows a busy restaurant with figures waiting to be seated a...

Seeking Advice from the Buddha - Figurative in Pastel on Paper Brightly colored figurative composition by Michael William Eggleston (American, 20th Century). An abstracted figure is...