Landscape Paintings

This artwork "Seascape, California Coast" is an oil painting on canvas by noted California artist Willam Henry Blackman, b.1930. It is signed at the lower left corner by the artist, also stamped signed in the back. The canvas size is 23.75 x 48 inches. It is in excellent condition. About the artist: William H. Blackman was born February 2, 1930 in San Diego. He spent most of his early years in West Los Angeles. He became interested in art at about the age of 12 when he painted his first oil painting. In high school he majored in art so he could experiment with various mediums to find ways to interpret his ideas. In December of 1948 he joined the Navy and was stationed in Hawaii. After his tour of duty he returned to California and attended Woodbury College to learn about advertising and the graphic arts. While there, he met his wife Shirley, who coincidentally came from the Big Island of Hawaii. They were married on June 11, 1955 in her home town of Honokaa. When they returned he began his career in the graphic arts. In 1960 they began their family and moved to a new home in the San Fernando Valley. Meanwhile, Bill had become interested in the fine arts again. His position as an advertising production manger put him in contact with art directors and they would lunch together and then visit various art galleries in the area. He began oil painting again as a hobby. In 1964 he made an important contact through an associate at his agency. This person was a vice-president at Aaron Brothers Galleries and purchased paintings for them. They had showrooms in various major cities and sold original framed paintings to art galleries and furniture stores. He said they could possibly sell some of his seascapes so Bill began painting in his spare time. Gradually, they sold more than he could produce so Bill made the decision to leave the advertising business and devote his time to painting. In 1965 the Blackman's moved to Thousand Oaks, California. He began his career as a fine artist and to this day resides in Thousand Oaks. He contracted with Aaron Brothers to be his exclusive agents and began specializing in seascapes. After a few years he added landscapes and some other subjects. Bluebonnet landscapes and Padre Island seascapes were popular in the Dallas showroom. He and his family vacationed frequently in Hawaii and that became another source of inspiration. There, he was represented by the Davis Gallery in Honolulu. A good relationship with "Barney" Davis continued after the closing of the Aaron Brothers Wholesale Division in 1980. He painted for the Davis Gallery for about 8 years until they closed due to illness. Afterwards, he was contacted by Kobayashi Art Enterprises and has been represented by them. In 1980 he began teaching in private studios around the country, demonstrating his method of painting various subjects. During the latter part of the 80"s he was approached by Susan Scheewe Publishing to author and illustrate a book showing his way of painting. The first was published in 1990 and he has authored four other books since then. He demontrated six different instructional video tapes that were produced by his artist friend Gary Jenkins. Gary, who was helpful introducing Bill to the teaching business, was also an artist for Aaron Brothers Galleries. William Blackman is a published artist. Twenty subjects have been lithographed, six being limited editions, when he was with Aaron Brothers. One of his Hawaiian paintings...

Guided by her passion for life and her spirit, French Canadian painter Zabel creates vibrant artworks filled with romance and immersive textures. With a belief that art is all about ...

When the crocuses start to bloom we head to our favorite spot along the Delaware where the river sparkles in a multitude of shades of blue as the sun famously blinds us from the craziness left behind! We'll snuggle up in our home awaiting the birds chirping symphony. Maybe we'll take out a boat or bike ride along the river or maybe we'll browse the shops in New Hope. We will definitely feel rested and relaxed, filled with delight from an always too short visit! This original impressionist landscape comes alive with sun washed flowers and trees that heighten the senses with their alluring combinations of yellows, pinks, soft greens, aquas and other pastels. Polish American artist Eugene Maziarz...

“Seashore 2” captures the fleeting moment when a wave bursts into sparkling spray, bringing the ocean’s energy to life. The emerald tones and dynamic textures invite the viewer to fe...

Justin Wheatley's "Two of a Kind" is an original, handmade acrylic painting depicting a white barn with a gray roof. Justin Wheatley was born and raised in Clinton, Utah. He holds ...

Our 19th Century painting of a mountain dwelling, bathed in soft light light is a fresh and relevant as if it had been created yesterday. Painted certainly in plein air on the motif,...

Michael Magrin's ( US based) "Remembering Today" is an original, handmade oil painting of a sunset above Colorado plains. This piece is framed in a "barn wood" frame and is ready to ...

Signed lower left, 'Pauline Palmer' (American, 1867-1938) and painted circa 1915, two years after the artist's first solo exhibition at the Art Institute of Chicago. Exhibited: Chicago Galleries Association and titled, 'Sunny Yards' (attached, partial label from original frame) A staunch proponent of pure Impressionism at the turn of the twentieth century, Pauline Palmer influenced the world of American art far beyond her Midwestern art community. Primarily known for her landscapes and portraits, Palmer rejected the waves of modernism that hit the United States in the teens and twenties, remaining true to the traditions of Impressionism. In 1923, she established the Association of Chicago Painters and Sculptors as an alternative to the increasing number of institutions celebrating Abstraction and Cubism. Pauline Palmer was enrolled at the Art Institute of Chicago from 1893 to 1898, and studied with some of the most prominent artists of the period, including William Merritt Chase and Frank Duveneck. Following her graduation, Palmer moved to Paris and attended the Académie de la Grande Chaumiére and the Académie Colarossi, where she studied under Raphael Collin. While in France, she exhibited with success including at the Paris Salon each year from 1903-06 and, again, in 1911. Her principal teacher and friend in Paris was the American Impressionist, Richard Emil Miller, whose shimmering handling of light made a profound impression upon her. Palmer also traveled extensively throughout Europe, a rite of passage for aspiring artists of her time. Returning to Paris, she studied with Gustave Courtois and Lucien Simon, both exemplars of compositional structure. Upon her return to the United States, Palmer set up her first American studio in the legendary Tree Studios building in Chicago. The artist's husband, Dr. Albert Palmer, whom she had married in 1891, both supported and encouraged his wife's artistic development. The couple kept a summer home in Provincetown, Massachusetts, where she made friends with many of the Portuguese fishermen's families, often using their children and the routines of their daily lives as subject matter for her painting. Pauline Palmer exhibited widely and with success, including in Italy, France, Norway and throughout the United States. Her works were shown at the National Association of Women Painters and Sculptors and, beginning in 1899, she exhibited at the Art Institute of Chicago for twenty-seven consecutive years. Over the course of her long career, she exhibited over 250 paintings at the Art Institute of Chicago, including at two solo exhibitions. She was the recipient of numerous prizes, medals and juried awards including nearly all the AIC's major awards, purchase prizes and honorable mention citations. Palmer also received a gold medal from the Colarossi Academy in Paris. Involved in numerous artist organizations, she was a member of the Chicago Municipal Art League, the Chicago Art Guild, the Chicago Arts Club and a charter member of the Chicago Women's Salon. Elected the first woman president of the Chicago Society of Artists, she went on to serve as president of both the Art Institute Alumni Association and the Chicago Association of Painters and Sculptors. Considered by the Modernists of her day to be a traditionalist, Pauline Palmer remained true to her artistic vision and she continues to be regarded as one of the leading women of American Impressionism. Her light-filled, colorful compositions captured landscapes and scenes of American daily life with unusual freshness and seeming effortlessness. Celebrated during her life as "Chicago's Painter Lady," Palmer was honored twelve years after her death by a posthumous retrospective at the Art Institute of Chicago and the establishment of an annual scholarship awarded in her honor by the Art Institute of Chicago. (with thanks to Hali Thurber) CHRONOLOGY 1867, Born in McHenry, IL 1885, Moves to Chicago to teach art 1891, Marries Dr. Albert Elwood Palmer 1893, Exhibits, World's Columbian Exposition, Chicago 1896, First exhibits at the Art institute of Chicago 1898, Exhibits at Exposition in Omaha, NE 1899, First exhibit, Pennsylvania Academy of Fine Arts 1900-1902, Studies with various artists in Paris 1901, Exhibits at Exposition in Buffalo 1903-1906, Exhibits at Paris Salon 1904, Exhibits at Universal Exposition in St. Louis, 1907, Four prizes at the Art Institute of Chicago 1911, Exhibits at the Paris Salon 1911, Exhibits at the Expositione de Belle Arti, Naples 1913, Solo exhibition, Art Institute of Chicago 1915, First prize, Society of Western Artists 1917, Opens first American studio in Chicago 1918, First woman president, Chicago Society of Artists 1918-1929, holds position of president for 11 years 1918-1921, Silver medals, Society of Chicago Artists 1921, Silver medal at Peoria Society of Allied Artists 1927, President, The Art Institute Alumni Association 1929-1931, President, Chicago Association of Painters and Sculptors 1938, Dies, Trondheim, Norway AWARDS 1904, Universal Exposition in St. Louis, bronze medal 1907, Art Institute 's Chicago Artists' Exhibition 1915, Society of Western Artists exhibition, first prize 1918, Society of Chicago Artists, silver medal 1921, Peoria Society of Allied, silver medal Solo Exhibitions: 1913, Art Institute of Chicago 1939, Art Institute of Chicago, memorial exhibition Union League Club of Chicago, memorial exhibition Group Exhibitions: 1893, World's Columbian Exposition in Chicago 1896, Art institute of Chicago 1898, Exposition in Omaha, NE 1899, Pennsylvania Academy of Fine Arts 1899-1926, Art Institute of Chicago 1901, Exposition in Buffalo 1903-06 Paris Salon 1904, Universal Exposition in St. Louis 1911, Paris Salon 1911, Expositione de Belle Arti, Naples 1915, Exposition in San Francisco 1950, Chicago Galleries Association 1984, Lakeview Museum of Arts and Sciences, Peoria Memberships: 1918-29, First woman President,Chicago Society of Artists 1927, President of The Art Institute Alumni Association 1929-31, President of Chicago Association of Painters and Sculptors Reference: E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. X, page 523; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. XXVI, page 129; Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. III, page 2512; Mantle Fielding’s Dictionary of American Painters, Sculptors and Engravers, Glen B. Opitz, Apollo Press 1983, page 708; Biographical Encyclopedia of American Painters, Sculptors & Engravers of the U.S.: Colonial to 2002, Bob Creps, Dealer’s Choice Books, Inc. 2002, Vol. II, page 1047; Mallett’s Index of Artists, Daniel Trowbridge Mallett, Peter Smith: New York 1948 Edition, R.R. Bowker Company 1935, page 326; Pauline Lennards Palmer...

Circle of Carlo Labruzzi A view of Lake Nemi Oil on canvas Canvas Size 26 3/8 x 40 1/2 in Framed Size 35 x 49 in Carlo Labruzzi was an Italian painter, draftsman, and engraver, best...

Antique American impressionist landscape oil painting. Oil on board. Framed. Signed. In excellent original condition. Handsomely framed in a giltwood molding. Excellent conditio...

Francis Biard (mid 20th century) titled verso signed oil on canvas, framed framed: 22 x 26.5 inches canvas: 21 x 25 inches Provenance: private collection, France Condition: very goo...

Knight is most famous and collected for his riverbank views lined with flowers done during his extensive years in France. his father was Daniel Ridgeway Knight...

An oil painting on panel by award winning contemporary artist Michael Budden that showcases a beautiful moonlit sailing evening created in an impressionistic realism style. The image...

''A Room with a View" by Édouard Righetti (1924-2001) signed on front and back oil painting on canvas, beautifully painted with rich, thick impasto oi...

Adrianus Zwart Rijswijk 1903 – 1981 Zwolle Dutch Painter 'View of Capri' Signature: signed lower left and placed 'Capri Zwart' Medium: oil on canvas Dimensions: image size 50 x 72 ...

In this oil painting, I've captured the essence of a vibrant autumn, blending impressionism with realism to evoke the warmth of the season. The vivid colors dance with energy, symbol...

Turkey. In this painting, I poured my passion for the serene beauty and timeless strength of the coast into every brushstroke. The blend of impressionism and realism brings the fortr...

Spring in Weimer is painted from a plein aire study from a day in Weimar, Texas. This was painted in the spring when the bluebonnets are beginning to bloom. It is common for people t...

Antique American modernist landscape oil painting. Oil on canvas, circa 1940. Signed illegibly lower left. Image size, 36L x 24H. Housed in a period modern frame.

Hiroshi Sato's "Neighbor" (2024) is an original oil on canvas artwork, measuring 38 x 90 inches. "Neighbor" is sold unframed but is ready to hang. This unique artwork is perfect fo...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Artist/ School: by Francis E. Jamieson, British 1895-1950 signed with the artists pseudonym 'Joel Owen', dated 1926. Title: The Highland Glen Medium: oil on canvas, unframed Can...

This painting features hues of pink, purple, blue and green. Scotty Peek sees his work as a visual conflict of interest, creating representational landscape paintings from observati...

Provencal Landscape by Louis Bellon (French 1908-1998) Signed and dated 1947 From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed mea...

Title: Mid-20th Century Pastel of Hilltop Ruins and Forest Path in France by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 11 inches (height) x ...

Adolfs Melnars (till 1940 – Adolfs Maslovskis) (1908.4.III – 1963.31.X) attended studio of K. Miesnieks (1928), studied in Latvia Art academy (1930 – 39) and graduated studio of G. ...

Neuquelman Lucien Paris 1909 – 1988 French Painter 'Old Harbor of Honfleur - Normandy' Signature: Signed bottom right Medium: Oil on board Dimensions: Image size 50 x 65 cm, frame s...

***This artwork is currently on exhibit at the Instituto Cervantes, Chicago until September 2025. If purchased this artwork will be available to ship after September 1, 2025. Contact the gallery with questions. This small scale painting draws the viewer in with its painstaking detail. Each leaf and blade of grass a rendered in tiny brush strokes making the painting feel much larger than it is. Vivid greens and crystal clear water create an almost fish-eye perspective. This oil on panel painting is framed in a rich brown wooden frame measuring 13.25 x 21.25 inches "Pozas" René Monzón...

Yvonne Canu 1921 – 2008 Canvas Size: 18 x 21.5 (46 x 55cm) Outside Frame Size: 25.5 x 29" (65 x 74cm) Yvonne Canu is currently one of the most sought after contemporary pointillis...

Artist/ School: F. E. Jamieson (British 1895-1950), signed Title: Scottish Highlands Loch Scene with warm sunset. Medium: signed oil painting on canvas, framed framed: 20 x 28.5 ...

Mediterranean Harbor Scene French School, signed oil on canvas, unframed Canvas : 20 x 24 inches Inscribed verso, dated 1974 Provenance: private collection, Paris Condition: very goo...

FREE SHIPPING New Images coming Soon Bayou Bend is contemporary oil landscape painting on canvas 30 x 40. Bayou Bend was painted in 2022 by Texan artist Steve Parker . The location is at the back of Bayou Bend in Houston, Texas. It is painted on the banks of the famous Buffalo Bayou. Bayou Bend is the MFAH house museum for American decorative arts and paintings. Displayed in the former home of Houston civic leader and philanthropist Ima Hogg (1882–1975), the collection is one of the finest showcases of American furnishings, silver, ceramics, and paintings in the world. The house is situated on 14 acres of organically maintained gardens in Houston’s historic River Oaks...

Donna McGinnis’ abstract paintings are composed freely, without concrete ideas of what they will ultimately be. As an intuitive painter, McGinnis’s paintings come into being without ...

Nicely painted early American modernist landscape by Rita Rogers (b.1936). Oil on canvas. Signed. Artist Bio: Rita Rogers was born in North Miami Beac...

Golden Sky Sunset in England - Abstract Landscape by Contemporary British Artist, Angela Wakefield. Art measures 12 x 10 inches Frame measure 18 x 16 inches Angela Wakefield has tw...

"Anthuriums and Poppies" is an illustration style painting of exotic flowers bouquet. Red flowers, expressionist gestures, and intricate textures come together in this artwork to cr...

Much about this late 19th-century painting remains a mystery, including the name of the artist who only left their identity in a single-letter monogram. But the work's moody embrace ...

Coastal Cliffs and Rocks - Hurricane Point - Big Sur Seascape in Oil on Canvas Gorgeous seascape of Big Sur coast by California artist Kathleen Murray (American, b. 1958). The brill...

Artist/ School: Leon Hatot (French 1883-1953), signed and dated Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed. Size: pain...

Farm Lane In Spring oil/canvas 12 x 16 unframed, 17.5 x 21.5 framed An plein air oil painting on canvas that showcases the beautiful light of an early spring day with a view of a flo...

Gordon Brown's "Defined Imagination" is an original, handmade oil painting that depicts am atmospheric landscape. "My paintings are all about light and mood," says Colorado native ...

Title: French Coastal Village Oil Painting of Thatched Cottages and Figure Walking By Fanch Lel Signed: Yes Size: 12.75 x 16.25 inches (height x width) Oil painting on board, unframe...

Flemish School, 1600s Landscape With Pan and Syrinx painted around the 1600s oil on copper 19 x 23.5 cm frame 29 x 34 cm Hand-made oak frame by Swedish frame maker Christer Björkma...

Frameless. Carlos Sempere, although born in Valencia, settled in Asturias in 1978, eclipsed by the beauty of its natural landscape. After years of training in his youth and working...

Mid Century Lotus Still Life Floral / Bangkok Landscape on Verso (Double Sided) Mid-century lotus flower composition by Marge Quate Burt (American, 1896-1984). This unique piece, dated 1949-1950, is a two-sided painting on artists cardboard. While on side depicts a botanical lotus flower, the verso features a lush tropical landscape painting...

Very impressive signed 1967 abstract landscape. Appears to be an abstract coastal scene. Framed.

Green Forest View by Gilbert Pelissier (French born 1924) signed and dated 79' on verso oil painting on canvas, unframed canvas size: 24 x 20 inches condition: overall very good, a ...

An abstract Mid-Century piece with a bright color palette, with the use of green, yellow, orange, red, burnt sienna, black, pink, white, and blue, among others. In this abstract comp...

John Hare Gloucester Harbor at Sunset, Massachusetts Signed lower right Watercolor on paper 16 x 12 inches John Cuthbert Hare, 1908-1978, was a watercolorist who painted boats, seascapes and harbor scenes. He was primarily associated New England, especially Cape Cod, Massachusetts where he spent his summers from 1938 to 1965. However, he was in Florida where he was a member of the St. Augustine Art Association, and other locations on the East Coast. It is likely Hare was born in New York City. He first studied commercial art in Brooklyn at the Pratt Institute and also studied at the Art Students League in Manhattan. He worked for Hearst newspapers corporation, and in 1933 married. In the next few years, he and his wife traveled extensively, camping and painting and exhibiting his work in galleries. In 1935, they visited St. Augustine and an exhibition of his watercolors was held there in the old bank...

With a contemporary perspective on landscape painting and inspired by paintings created by old masters, German artist Katharina Husslein paints in a representational manner to captur...

A fine copy of Paul Gauguin's (1848-1903) famous painting 'Arearea'. Presented in a contemporary wood and silver effect frame. Unsigned. On canvas on stretchers.

Vibrating Corals captures the rich diversity and texture of underwater coral life. The artist uses confident lines and bold, layered colors—reds, blues, yellows, purples, and earthy ...

A beautiful oil painting on canvas by the French artist Georges Gerbier, depicting a tremendously vivid and alive street scene from Paris in the 20th Century with a view of "Maxims C...

Francis Edward Jamieson (British, 1890–1930s) View of an English River Landscape at Sunset Oil on canvas, signed lower right Presented in an ornate antique gilt frame, circa 1890 Th...

I use the word landscape in a broad sense that encompasses internal and external perceptions, but not necessarily what is visible. The landscape, in a space-time context, becomes a t...

5-3048 Oversized red floral painting on canvas applied to board Set in a vintage wood frame Neapolitan artist P. Russo

A really charming little oil capturing an idyllic snapshot of farm workers and their family harvesting in the sunshine Attributed to Léon Augustin L'Hermitte (1844-1925) Harvesters ...