Landscape Paintings

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

Abstract expression of the Sunflowers in Provence sets the traditional fields ablaze with orange. Painted by Scottish artist Sheila McNab MacMillan, who is known for bold outlines of...

Nature continues to exert an inexhaustible influence on Hervé's work, offering boundless vistas of inspiration. Each day, he embarks on contemplative walks, imprinting the landscapes...

"The Whispers of the Coast" is a contemporary abstract expressive landscape painting created by French artist Natalya Mougenot in 2025. This piece is part of her ongoing series dedic...

This painting is from my series titled "The Untethered Soul." This series delves into the transformative power of nature, capturing the essence of what one feels rather than sees. In...

FLORAL IV 2024 Paris, France This dark complex and layered floral painting of an abstract of flowers presents an energetic and mesmerizing subject. This original painting on cotton ...

"New World City" Abstract Geometric Landscape in Oil on Canvas Bold abstract composition by Veronica "Roni" Bloch (American, 1925-1998). Strong shapes of dark red, blue, grey-blue, ...

Impressive early American impressionist seascape oil painting by Margaret Munro Stratton McLennan (1911 - 1995) . Framed. Oil on board. Signed. Image size, 12H by 16L.

A beautiful 18th century Dutch Old Master oil on panel depicting mountain goats in a landscape at sunset. Excellent quality work in very good original condition. The reverse of the ...

Outstanding English late 18th / early 19th century marine scene by one of Britain's best known and sought after painters. William (or Wiliam) Anderson (1757 – 27 May 1837) was a Scottish artist specializing in maritime and patriotic themes. He was well-regarded for his detailed and accurate portraits of ships under sail, exhibiting his works annually in London between 1787 and 1811 and then occasionally until 1834. Anderson influenced other artists, notably John Ward and others of the Hull school. Anderson's early life is obscure, but he is known to have trained as a shipwright before moving to London to become a maritime painter when he was about 30. His training served him well as a painter, providing "a practical nautical knowledge" of his subjects. He earned a reputation for "accuracy and refinement of detail" and was admired for his bright, clear colours. He worked in both oils and watercolours. He based his style on that of well-known Dutch maritime...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

A very interesting set of five mid-20th-century Italian oils on copper. All five are classical landscape subjects and are signed Roger, though we don't know which artist with the n...

Blue Mountain Landscape by Akos Biro (Hungarian 1911-2002) pastel painting on artist paper, unframed painting: 9 x 12 inches provenance: the artists estate, France Superb...

Swans Startled by Dog Flemish Old Master, 18th century unsigned (as is typical of the period) oil on bevelled wood panel, framed framed: 14.5 x 17 inches panel: 10 x 13 inches proven...

" Sailing in Sunshine ", circa 1970s Oil on Canvas 50" x 40" Housed in a Slat-wood frame Overall Size: 50 1/2" x 40 3/4" Appears to be in very good condition. We are looking f...

Very impressive 1969 work by well listed and important female modernist Rita McCarthy. An expressive oil on canvas. Suggestive of a surreal still life to my eye. Framed. Signed.

Title: Stargazer Powerful Striking Galaxy Contemporary Abstract Blue White Investment Stars Tree of life Stargazing. To let yourself be transported to the expanse of the universe. ...

Lavender Field - Abstracted Landscape in Acrylic on Canvas Vibrant landscape by Ilana Ingber (American, b. 1984). A bold purple field stretches out towards the horizon, where dark t...

Jardin d'Hiver Series is Shizico Yi's latest collection, created in her winter studio while longing for the summer left behind. Reflecting on the vibrant days spent painting en plein...

Margaret Layton. Wellfleet #3, ca. 1950. Watercolor on paper, image measures 5.5 x 16.5 inches in a frame measuring 13 x 24.5 inches. Signed lower left. Beautiful abstract study of...

Impressive early American modernist abstract expressionist large oil painting. Framed. Oil on canvas. Signed. Image size, 31H by 41L.

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed and dated 81' oil painting on canvas, unframed canvas size: 20 x 20 inches condition: overall very ...

An abstract Avante Garde piece with vivid use of paint and complex lines and color placement. A strong modernist oil painting depicted in 1969 during the rise of Avante Garde express...

Pausing for a Rest English School, circa 1800 the painting is very close to the works of Thomas Barker of Bath (English 1769-1847) oil on canvas, framed framed: 29 x 39 inches canvas...

Artist: Guy Harvey (1955-) Title: Marlin Catch Year: Circa 2010 Medium: Acrylic on canvas Size: 40 x 30 inches Condition: Excellent Inscription: Signed by t...

“Summer glow” 48 x 36 inches is a one-of-a-kind original, modern, landscape impressionist painting by Juanita Bellavance. In this highly expressive abstract work, Juanita combined ye...

Style of Francesco Guardi (1712-1793) Venetian Canal Scene -Santa Maria della Salute from the Grand Canal Oil on canvas: 13 X 18 ¼ in. Frame: 18 ½ x 23 ½ in. Late 18th / early 19th century. Francesco Guardi was an Italian painter of veduta, nobleman, and a member of the Venetian School. He was born in Venice in 1712, the son of a minor painter, Domenico Guardi, and went on to become, after Canaletto, the main painter of views of Venice in the mid-18th century. His early figurative paintings were carried out in association with his brother, Gian Antonio, but in about 1760 Guardi turned to view painting, recording both the architecture of the city and the celebrations of its inhabitants in interior and exterior scenes. These works brought him great success. The earliest of these show the influence of Canaletto, but he gradually adopted a looser style characterized by spirited brush-strokes and freely imagined architecture. Gallery notes: This fabulous Venetian scene is a work by a highly talented but unknown artist painting...

In this piece, I meld the raw emotions of expressionism with the fluid ambiguity of abstraction. The cascades of cool blues and greens contrast with warm golden hues, capturing a mom...

Impressive early American modernist abstract oil painting. Framed. Oil on canvas. Signed. Image size, 16H by 20L.

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday ...

Classical Dutch Winter Scene signed, 20th century oil on canvas, framed canvas: 22.5 x 30 inches framed: 24 x 36 inches provenance: private collecti...

AN IMPULSE BUDDING 2024 Paris, France This piece is formed first with a pink dye underpainting on canvas, with white acrylic and green oil painted on top. The notion of the title, "...

Workshop / Circle of Philips Wouwerman (1619-1668) Landscape with Gentleman on Horseback and Peasant Woman Receiving Alms oil on oak panel 12.40 x 14.17 inches (31.5 x 36 cm) wit...

Beautiful sunset waves in a peacefully atmosphere at sunset. The Sunset kissing the waves and bathing them in a warm glow. This contemporary landscape painting is full of vibrant col...

Mid Century Carmel Monastery Beach California Impressionist Oil Painting Beautiful impressionist style painting of iconic Mon...

I'M SORRY TOO 2024 Paris, France This abstract painting portrays two roses seemingly merging in harmonious synchronization, evoking a sense of beauty intertwined with a poignant und...

Pietro Antoniani (Milan circa 1740-1805) A view of Paesteum with Grand Tourists in the foreground Oil on canvas Painting Size 13 x 19 1/2 in Framed Size 17 x 24 in Provenance Sale,...

Very Large Square Painting of New York City Skyscrapers USA - Red Blue & Yellow - by Polish Artist, Katarzyna Szulc. Signed Kasha on the front of the canvas. Art measures 47.2 x 47....

This captivating 1960s abstract painting, titled "Desert Landscape," is a striking original work by acclaimed New Mexico and Colorado artist Ann Sink. The composition beautifully cap...

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday ...

Nicely painted mid century abstract cubist oil painting. Great color and composition. Framed.

Mid Century Bay Area Abstract Expressionist Blue Hydrangeas in Acrylic on Paper Vining Blue Hydrangeas by San Francisco's artist Honora Berg (American, 1897-1985), 1946. The vertica...

Choose the color of the frame: Black or wood Sophie Dumont, a renowned contemporary artist whose works are collected internationally, has once again demonstrated her mastery of subt...

The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention. Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person. Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters. Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice. During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. His style is typical of the Venetian school but also distinct and personal once we look a little closer. There is an absolute certainty in the composition, the choice of which sometimes feels like that of a carefully calculated photograph – yet it is also very painterly, in the best sense of the word: fluid, bold, sensitive and full of character. The brushwork is rapid, intense, seemingly careless and extraordinarily minute at the same time; fresh and planned in a very enjoyable mixture. His interiors often capture the breath-taking spacious glamour of the palaces and all their exquisite decor. He usually constructed the motif through remarkably simple, almost spontaneous yet intuitively precise strokes and shapes. The result was a festive, high-spirited atmospheric quality, far away from the sterile and exact likeness that other painters fell victim to when trying to copy Canaletto. The painting here has nothing of the city of Venice in it. On the contrary, we seem to be transported far away into the solitary ocean, with no architecture, nothing to hold on to – only the roaring sea and the dangerous cliffs upon which the ships are just moments away from being crushed upon. It is a maritime composition evoking both Flemish and Italian precursors, in the proud tradition of maritime painting that for centuries formed a crucial part of our visual culture. This genre of painting is today curiously overlooked, compared to how esteemed and meaningful it was when our relationship to the sea was far more natural than it is today. When both people and goods travelled by water, and many nations and cities – Venice among them – depended entirely on sea fare, the existential connection to the ocean was much more natural and integrated into the imagination. The schools and traditions of maritime art are as manifold as there are countries connected to the sea, and all reflect the need to process the dangers and wonders of the ocean. It could symbolize opportunity, the exciting prospects of a new countries and adventures, prospering trade, beautiful scenery as well as war and tragedy, loss of life, danger and doom. To say that water is ambivalent in nature is an understatement, and these many layers were something that artists explored in the most wondrous ways. Perhaps it takes a bit more time for the modern eye to identify the different nuances and qualities of historic maritime paintings, they may on first impression seem hard to differentiate from each other. But when allowing these motifs to unfold and tell stories of the sea in both fiction and reality – or somewhere in between – we are awarded with an understanding of how the oceans truly built our world. In Guardi’s interpretation, we see an almost theatrically arranged shipwrecking scene. No less than five ships are depicted right in the moment of utter disaster. Caught in a violent storm, the waves have driven them to a shore of sharp cliffs and if not swallowed by the waves, crushing against the cliffs seems to be the only outcome. The large wooden ships are impressively decorated with elaborate sculpture, and in fact relics already during Guardi’s lifetime. They are in fact typical of Dutch and Flemish 17th century ships, giving us a clue to where he got the inspiration from. Guardi must have seen examples of Flemish maritime art, that made him curious about these particular motifs. One is reminded of Flemish painters like Willem van de Velde and Ludolf Backhuysen, and this very painting has indeed been mistakenly attributed to Matthieu van Plattenberg...

The Military Encampment Dutch School, 17th century circle of Philips Wouwermans (Dutch 1619-1668) oil painting on canvas, in 18th century gilt frame canvas measures: 19.5 x 17 inches...

Roman painter (18th century) - Landscape with wayfarers. 43.5 x 34.5 cm without frame, 58.5 x 49.5 cm with frame. Antique oil painting on canvas, in a carved and gilded wooden fram...

Landscape in oil. Signed to the lower right 'J. Young' and dated 1882. On canvas laid to board.

Artist/ School: Italian School, 17th century. Title: A King and Queen before court figures, amidst a classical landscape with Roman columns. Medium: oil painting on canvas, framed ...

Jardin d'Hiver Series is Shizico Yi's latest collection, created in her winter studio while longing for the summer left behind. Reflecting on the vibrant days spent painting en plein...

This fantastic Dutch Old Master marine oil painting is by noted Dutch marine artist Abraham Storck. Painted circa 1670 the composition is a number of ships heading out to sea, their sails billowing and banners and flags blowing in the wind. The sea is also choppy and clouds race over head. It is an ambitious, busy nautical scene and Storck has perfectly captured the energy and movement of the ships and smaller vessels. This is an excellent example of a 17th century Dutch Old Master oil painting. Provenance: Part of a private collection of Flemish & European paintings. Koller Auctions in Switzerland in 2011. Bonhams 2020. Condition. Oil on canvas, 25 inches by 24 inches and in good condition. Frame. Housed in an ornate 23 carat gilt carved Lely period frame with name plate, 32 inches by 31 inches and in excellent condition. Abraham Storck (1644-1708) was a Dutch painter, who enjoyed a reputation for his marine paintings, topographical views and Italianate harbour scenes. Storck was also an outstanding draughtsman. Storck was baptized in the Noorderkerk, a Protestant church in the Jordaan. His father was the painter Jan Jansz Sturck (or Johannes Storck) (1603-1673), from Wesel; his mother was Teuntje (Apolonia) Jacobs. The couple married in 1628. Storck had two brothers, who were also painters using the name Sturckenburch until c. 1688 after which they started calling themselves Storck or Sturck. It is likely they were all trained with their father in the family workshop and joined the local Guild of Saint Luke, otherwise it was impossible to sell any painting. Circa 1666 Storck established his workshop producing naval, harbor scenes as well as landscape paintings and city scapes. In 1670 he traveled with his brother Jacob and worked in Germany. In 1694, at age 49, he married the widow Neeltje Pieters van Meyservelt. At the end of his life he lived on Kattenburg near the harbour. Storck's marine and river scenes were influenced by the two Willem van de Veldes (the elder and the younger), Ludolf Bakhuizen...

Circle of Carlo Labruzzi A view of Lake Nemi Oil on canvas Canvas Size 26 3/8 x 40 1/2 in Framed Size 35 x 49 in Carlo Labruzzi was an Italian painter, draftsman, and engraver, best...

Title: Solitude Minimalism, Art Deco, Abstract, Bold, Invest, Colorful, Joy This series connects to that around as well as that within. Solitude takes the viewer to that place of...

Hope - Floral landscape after the Storm Extra large floral showcase Investment Extra large Floral Showcase Investment Nature Landscape Joy Colorful Authentic Original One-of-a-kind ...

Gold Edition - with real gold leaf, 23,75 carat Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting ...

This expressive abstract artwork "Soft spring" bursts with vibrant, expressive colors, capturing the essence of an abstract landscape. The artist explores the colors by capturing th...

This stunning Neo Classical French 19th century landscape oil painting is by acclaimed French artist Jean Victor Bertin. He was also an early proponent of sketching out doors and dir...

Artist: Adriaen van Stalbemt (Stalbempt) 1580-1662 Title: Abraham and the Sacrifice of His Son Isaac “Das Opfer des Abraham” According to the Old...