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Elaine Kazimierczuk
Tuscany Meadow with Long Evening Shadows, Flowers, Summer Evening, Abstract

2023

About the Item

A meadow in Tuscany on a summer's evening at my friend's house, near Sestina. The heat of the day has left a balmy warmth and the low sun is casting long deep shadows across the wild flower meadow. The earth is red brown and the dry grasses have turned a pretty shade of peach orange, with hints of turquoise in the shade. If you're thinking of using Pantone's colour for 2024 - peach blush - this piece would work in your scheme! ADDITIONAL INFORMATION: Tuscany Meadow with Long Evening Shadows by Elaine Kazimierczuk [2023] Original painting Signed by artist Acrylic paint, Oil Crayon, Oil Paint on Canvas Complete size of framed painting: 73 H x 103 W x 3.71 D cm (28.74 x 40.55 x 1.46 in) Sold framed Please note that insitu images are purely an indication of how a piece may look SIZE: Image size: Height: 70cm (27.56 in) Width: 100cm (39.37 in) Complete size of unframed painting Height: 70cm (27.56 in) Width: 100cm (39.37 in) Depth: 2.5cm (0.98 in) Framed Size: Height: 73cm (28.74 in) Width: 103cm (40.55 in) Depth: 3.71cm (1.46 in) ARTIST BIOGRAPHY: Elaine Kazimierczuk studied chemistry at university and taught for many years before becoming a professional artist. She has written and illustrated a series of books on local history besides a monograph on the religious works of the prominent sculptor Peter Eugene Ball, with whom she collaborated on many major commissions. She is a trustee of Midlands-based Ice-age Archaeological Insights and produces visual interpretations of prehistoric people and their environment. In addition to the demand for her landscapes, there is a growing clientele for her portraiture. She has been shortlisted for the 2016 BP National Portrait Award. Many of Elaine Kazimierczuk’s works are based on interpretations of intimately-known localities, frequently, but not exclusively, in her native Nottinghamshire. In her semi-abstract studies of meadows, trees and hedgerows, she achieves a tension between looseness and control, which enables her to convey that intricate assembly of wild beauty. Frequently working on a red ground, which resonates with the vibrant overpainting, she adopts a bold approach, so that there is an evident freedom, just short of capriciousness, either of hand or eye, in the brushwork. Her works represent the ordered chaos of the natural world with energy and vitality. Elaine Kazimierczuk has recently been awarded the Mary Moser Prize for 2018. This is an Oxfordshire Art Weeks prize awarded to a person who has changed career and taken up art professionally later in life.
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