Landscape Paintings

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed oil painting on canvas, unframed inscribed verso canvas size: 35 x 46 inches condition: overall very...

Francesca Owen weaves and narrates throughout this canvas. She draws the eye into her painting, beautifully creating the story. The colours in this work are warm and mellow which cre...

Dina Nath Walli (1908–2006) Almond Blossom, Kashmir Watercolour on Board c 1960 Framed size: 42.8cm x 52.8cm Image size: 27.5cm x 38cm Signed and dated 1970 on the verso, gifted fro...

White Lotus Lithograph A limited edition lithograph by listed artist Hoi Lebadang, (Vietnamese/French, 1922 – 2015). This print displays an ethereal lotus flower to center, known to ...

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

"The Order of the World" - Contemporary Abstract Painting "The Order of the World" is a contemporary abstract work by Sophie Dumont, an artist renowned for her mastery of textures a...

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday ...

"Walpi #4" is an original semi-abstract Southwestern landscape by renowned 20th-century artist Bert Van Bork (1928-2014). This captivating watercolor and mixed media painting portrays the dramatic beauty of a Native American Pueblo village nestled on the mesa of First Mesa, Arizona. Van Bork skillfully uses vibrant hues of deep blue, yellow, orange, and pink to convey the cultural richness and natural splendor of the Hopi people. The piece features adobe structures set against the expansive desert sky, merging the artist’s unique style with his deep reverence for Native American heritage. Presented in a custom white frame with archival materials and UV-protectant glass, the framed artwork measures 8 ½ x 10 ½ x ½ inches, with the image size being 4 ¾ x 7 inches. Provenance: Estate of Bert Van Bork, Evanston, Illinois About the Artist: Bert Van Bork (1928-2014) was a German-born artist, filmmaker, photographer, and writer. Trained under Karl Schmidt-Rottluff in Berlin, he played a significant role in the post-war German art scene before immigrating to the U.S. in 1954. Known for his work as a printmaker and photographer, Van Bork's powerful documentary films earned global recognition, including an Academy Award nomination for EYEWITNESS, the Legacy of Death Camp Art...

This contemporary abstract painting inspired by nature is by Pat Service. The allure of the open road has long been a favourite subject for this Canadian artist. And with that artis...

Amy Dixon’s loose, spontaneous canvases are full of life, energy and a glorious palette that warm the soul. Mostly her paintings convey this artist’s infectious joie de vivre and the...

“Finding Home” is a beautiful cloudy landscape painting by contemporary Danish artist Steffen Bue. In this work, Bue's signature collage style is on full d...

Francesco Graziani, known as Ciccio Napoletano (active in Naples and Rome in the second half of the 17th century) Battle with clash of horsemen Oil on canvas 95 x 130 cm In period ...

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed, inscribed verso oil painting on canvas, unframed canvas size: 36 x 29 inches condition: overall ver...

Kathleen Keifer is a California-based internationally collected artist. She is a leading force of the New California Realism. With a high level of technical virtuosity Keifer creates a new sense of reality with textures and colors that seem to add lighting effects and distinct shadows, confronting the viewer with new interpretations of familiar objects. This one-of-a-kind 12 inch square and 1.5-inch deep original artwork is a composition created with acrylic paint on canvas. It is wired and ready to hang. The sides are painted as a continuation of the front and it does not require framing. It signed by the artist on the front of the artwork. Convenient local Los Angeles area shipping. Affordable Continental U.S. and global shipping also available. A certificate of authenticity issued by the art gallery is included. Kathleen’s paintings invite the viewer to consider the complex relationship between time and timelessness. It is the sheer visual interaction between the elements, taken in their bare simplicity that interests her. For her, painting captures the very essence of time and its passage. She believes that actual sites and places have an individual magic. The goal is to take objects from popular culture and paint them in a new narrative context. Her complex approaches to popular board games present the subjects as living, tangible objects. Born and raised in Chicago, Kathleen Keifer is a second-generation artist. Her mother, also a fine artist, exposed Keifer to the world of art and supervised her training from a very early age. This legacy continues today as Keifer closely nurtures the development of the artistic leaning in each of her three daughters, inspiring a third generation of female artists. Her works are represented by Artspace Warehouse Los Angeles and have been exhibited and collected internationally, including Chicago, New York and London. REPRESENTATION Artspace Warehouse, Los Angeles, CA EXHIBITIONS 2023 “Postcards From Nowhere”, Artspace Warehouse, Los Angeles, CA 2022 “The Comforting Familiar”, Artspace Warehouse, Los Angeles, CA 2020 “Midnight Blue”, Artspace Warehouse, Los Angeles, CA 2018 Morris Inn, Notre Dame, IN Malibu Beach House, Malibu, CA Bon Voyage, Coda Gallery, Palm Desert, CA Solo Exhibition, Jeffrey Breslow Gallery, Chicago, IL Art Palm Springs Fine Art Fair, CA Artspace Warehouse, CA 2017 Affordable Art Fair New York, NY Affordable Art Fair London, UK Art Palm Springs, CA “Pop Futurism and Abstraction”, Artspace Warehouse, Los Angeles, CA 2016 Susan Schomburg gallery, Santa Monica, CA Jazz in the Pines, Idyllwild, CA 2015 Official artist of Chitag, Chicago Toy and Game Fair, Chicago, Il Jazz! Dion Gallery, Redondo Beach, CA Art 90266, LA 25, Manhattan Beach, C Political Commentary, Linus gallery, Long Beach and Pasadena, CA 2014 RETROspective, Coast Gallery, Long Beach, CA ArtHampton, Bridgehampton, NY The Pursuit of…, Lurie Gallery, Los Angeles, CA Art 90266, LA 25, Manhattan Beach, CA 2013 Pop meets Painterly, CODA Gallery, Palm Desert, CA University of Notre Dame, Notre Dame, IN Puzzles and Games, Liss Gallery, Toronto, Ontario, Canada 2012 Art, Wine & Roses, Home Gallery, Malibu, CA Pop Meets Painterly, Oh My Godard Gallery, Atlantic City, NJ 2011 Beach Games, Riley Arts Gallery, Manhattan Beach, CA Art of The Game, Oh My Godard Gallery, Atlantic City NJ Art of The Game, Liss Gallery, Toronto, Ontario, Canada 2010 Art of The Game, Gallery 319, Santa Monica, CA One Woman Show, Canfin Gallery...

Nicely painted mid century abstract oil painting. Great color and composition. Framed.

"Visions of the Metropolis #1" Spheres in Downtown Original Oil on Canvas 1996 Original oil painting from Bay Area artist Travis Flack (American, 20th Century) from the series "Visi...

Ronnie Landfield (1947- American) "Untitled" 1982 Acrylic on Paper Dimensions: Sheet 30" X 42" Frame 32 X 44 Hand signed and dated lower right Provenance: Denman Associates, Seattle gallery Ronnie Landfield (American, 1947-) is an abstract painter. During his early career from the mid-1960s through the 1970s his paintings were associated with Lyrical Abstraction (related to Postminimalism, Color Field painting, and Abstract expressionism), and he was represented by the David Whitney Gallery and the André Emmerich Gallery. Landfield is best known for his abstract landscape paintings, and has held more than seventy solo exhibitions and more than two hundred group exhibitions. Born and raised in Pelham Parkway in the Bronx, Landfield first exhibited his paintings in Manhattan in 1962. He continued his study of painting by visiting major museum and gallery exhibitions in New York during the early sixties and by taking painting and drawing classes at the Art Students League of New York and in Woodstock, New York. He graduated from the High School of Art and Design in June 1963. He briefly attending the Kansas City Art Institute before returning to New York in November 1963. At sixteen Landfield rented his first loft at 6 Bleecker Street near The Bowery (sublet with a friend from the figurative painter Leland Bell), during a period when his abstract expressionist oil paintings took on hard-edged and large painterly shapes. In February 1964, Landfield traveled to Los Angeles; and in March he began living in Berkeley where he began painting Hard-edge abstractions primarily painted with acrylic. He briefly attended the University of California, Berkeley and the San Francisco Art Institute before returning to New York in July 1965. From 1964 to 1966 he experimented with minimal art, sculpture, hard-edge geometric painting, found objects, and finally began a series of 15 - 9' x 6' mystical "border paintings". After a serious setback in February 1966 when his loft at 496 Broadway burned down, he returned to painting in April 1966 by sharing a loft with his friend Dan Christensen at 4 Great Jones Street. The Border Painting series was completed in July 1966, and soon after architect Philip Johnson acquired Tan Painting for the permanent collection of The Sheldon Memorial Art Gallery in Lincoln, Nebraska. In late 1966 through 1968 he began exhibiting his paintings and works on paper in leading galleries and museums. Landfield moved into his loft at 94 Bowery in July 1967; there, he continued to experiment with rollers, staining, hard-edge borders, and painted unstretched canvases on the floor for the first time. Briefly in 1967-1968 he worked part-time for Dick Higgins and the Something Else Press. Landfield was part of a large circle of young artists who had come to Manhattan during the 1960s. Peter Young, Dan Christensen, Peter Reginato, Eva Hesse, Carlos Villa, William Pettet, David R. Prentice, Kenneth Showell, David Novros, Joan Jonas, Michael Steiner, Frosty Myers, Tex Wray, Larry Zox, Larry Poons, Robert Povlich, Neil Williams, Carl Gliko, Billy Hoffman, Lee Lozano, Pat Lipsky, John Griefen, Brice Marden, James Monte, John Chamberlain, Donald Judd, Frank Stella, Carl Andre, Dan Graham, Robert Smithson, Robert Rauschenberg, Andy Warhol, Kenneth Noland, Clement Greenberg, Bob Neuwirth, Joseph Kosuth, Mark di Suvero, Brigid Berlin, Lawrence Weiner, Rosemarie Castoro, Marjorie Strider, Dorothea Rockburne, Leo Valledor, Peter Forakis...

Original abstract painting exploring the language of paint and colour. Additional information: #580 Jessie Woodward Original abstract painting Acrylic painting Sold Unframed 70 H x ...

The simple rendering of environmental shapes are distinct and lend a textile quality to the scene, for which Zorach was known. The complimentary colors of purple and yellow accented ...

This painting is a result of my appreciate of Joan Mitchell and her amazing paintings. I have always admired her paintings. Her paintings and her commitment to painting was awe insp...

Norman Carton (1908 – 1980) was an American artist and educator known for abstract expressionist art. He was born in the Ukraine region of Imperial Russia and moved to the United States in 1922 where he spent most of his adult life. A classically trained portrait and landscape artist, Carton also worked as a drafter, newspaper illustrator, muralist, theater set designer, photographer, and fabric designer and spent most of his mature life as an art educator. Carton showed in and continues to be shown in many solo and group exhibitions. His work is included in numerous museums and private collections throughout the world. Norman Carton was born in the Dnieper Ukraine territory of the Russian Empire in 1908. Escaping the turbulence of civil war massacres, he settled in Philadelphia in 1922 after years of constant flight. While attending the Pennsylvania Museum School of Industrial Art, Carton worked as a newspaper artist for the Philadelphia Record from 1928 to 1930 in the company of other illustrator/artists who had founded the Ashcan School, the beginnings of modern American art. From 1930 to 1935, he studied at the Pennsylvania Academy of Fine Arts under Henry McCarter, who was a pupil of Toulouse-Lautrec, Puvis de Chavanne, and Thomas Eakins. Arthur Carles, especially with his sense of color, and the architect John Harbison also provided tutelage and inspiration. Following his time at the Pennsylvania Academy of Fine Arts, Carton studied at the Barnes Foundation from 1935 to 1936 where he was influenced by an intellectual climate led by visiting lecturers John Dewey and Bertrand Russell as well as daily access to Albert C. Barnes and his art collection. Carton was awarded the Cresson Traveling Scholarship in 1934 which allowed him to travel through Europe and study in Paris. There he expanded his artistic horizons with influences stemming from Henri Matisse, Pablo Picasso, Chaim Soutine, and Wassily Kandinsky. While at the Pennsylvania Academy of Fine Arts, Carton was also awarded the Toppan Prize for figure painting as well as the Thouron Composition Prize. He received numerous commissions as a portrait artist, social realist, sculptor, and theatrical stage designer as well as academic scholarships. During this time, Carton worked as a scenery designer at Sparks Scenic Studios, a drafter at the Philadelphia Enameling Works, and a fine art lithographer. From 1939 to 1942, the Works Progress Administration (WPA) Federal Art Project employed Carton as a muralist and easel artist. He collaborated with architect George Howe. The WPA commissioned Carton to paint major murals at the Helen Fleischer Vocational School for Girls in Philadelphia, the Officers’ Club at Camp Meade Army Base in Maryland, and in the city of Hidalgo, Mexico. Throughout the 1940s, Carton exhibited and won prizes for his semi-abstract Expressionist and Surrealist paintings. He socialized with and was inspired by Émile Gauguin and Fernand Leger. During World War II, Carton was a naval structural designer and draftsman at the Cramps Shipbuilding Corporation in Camden, New Jersey. Here, he created non-objective sculpture with metal. After the war, Carton co-founded a fabric design plant in Philadelphia. He produced hand-printed fabrics for interiors and fashion that were featured in Harper’s Bazaar, Vogue and Women’s Wear Daily. Original fabric designs were commissioned by notable clients including Lord & Taylor, Gimbels, and Nina Ricci. Some of these designs are at the Metropolitan Museum of Art. Carton traded his partnership in the fabric design company in 1949 to focus full-time on painting. Carton had his first solo exhibition in 1949 at the Philadelphia Art Alliance. This show was followed closely by solo exhibitions at the Laurel Gallery (New York City) and Dubin Gallery (Philadelphia). At this time, his exhibited work was Abstract impressionism. In addition to painting, he taught classes at the Philadelphia Museum of Art and was the Founder and first President of the Philadelphia chapter of Artist’s Equity Association. The Philadelphia Museum of Art and the organization of the National Museums of France commissioned Carton to travel to Europe, mainly France, in 1950 for a color photography study of continental masterpieces. He was granted access to study the restoration of the Mona Lisa and was one of the very few to be given permission to remove the painting from its frame. During his three year stay in Paris, he had solo exhibits at La Sorbonne and Gallery Rene Breteau and was in 15 group shows in Paris salons including Les Sur Independants, Salon d’Automne, and Realities Nouvelles. He also exhibited at the Musee d’Art Juif where he won the Prix d’Art. The Cercle Paul Valery twice sponsored Carton to present lectures at the Sorbonne. He conducted seminars at the Louvre for the Cercle Esthetique Internationale and taught classes in and directed stage and costume design for the Theatre de Recherche at the Paris Opera. Among his Paris artist colleagues were Chana Orloff, Earl Kerkam, Sam Francis, Claire Falkenstein, Lawrence...

Flourishing florals blowing in the wind encounter a wrinkle in time which adds calm and relaxation into this exquisite contemporary abstract expressionist landscape. Impressionisti...

Antique American impressionist landscape oil painting. Oil on board. Framed Signed.

Abstract Expressionist Painting by Contemporary British Artist, Angela Wakefield. Art measures 20 x 16 inches Frame measures 26 x 22 inches This original abstract acrylic painting...

Oil on canvas, signed, titled, and dated on reverse. Measuring 72" x 84" in good condition and ready to hang. American, b.1956 Scott Duce is an international artist working in New York. Duce’s work is included in many corporate, museum, and private collections. Notable collections include Random House, General Electric, IBM, Pfizer, Inc., Capital Holding Corporation, McGraw-Hill Corporation, Petroplus Holdings, Switzerland, Seagrams-Montreal, Canada, and the U.S. Embassy in Stockholm, Sweden. Among his awards and honors he received a National Endowment for the Arts/SECCA artist grant. Duce’s work has been exhibited throughout the United States, with several solo exhibitions in New York City, Chicago, Boston, Atlanta, and internationally in Paris, France; Florence, Italy; and Lima, Peru. He has had many commissioned works, including Bell South...

"Triple Toast" by Amy Dixon – Veuve Clicquot Champagne Painting, Mixed Media on Canvas, 11x14 in Celebrate in style with Triple Toast, an 11x14 inch mixed media painting by Amy Dixon...

Landscape with nudes and waterfall is an old master artwork realized in the Mid 17th century by Artist belonging to the Roman School. Oil painting on canvas Includes a beautiful an...

Refreshed #1 by Christine Evans [2021] original acrylic and graphite on board Image size: H:15 cm x W:15 cm Complete Size of Unframed Work: H:15 cm x ...

We present this pair of fascinating coastal views, the fruit of the author's imagination, executed with an elegant descriptive taste and conceived with the scenographic sensitivity typical of the Flemish landscape tradition of the late seventeenth century. The canvases, in particular, fully reflect the pictorial style of the Flemish Peter van den Velde the Elder (Antwerp 1634-1707), a famous painter specialized in marine views with port cities and fortresses. Pair of paintings with fancy coastal views Circle of Peter Van de Velde the Elder (Antwerp 1634 -1714) Oil on canvas, cm. 43 x 64 With framens cm. 70 x 89 They respectively represent a port city and a fortress perched overlooking the sea, both animated small characters, which at first sight evoke the coasts of the Mediterranean, even if the mixes with Northern European elements are inevitable, including a small mill...

This charming French Old Master oil painting is by noted French artist Philippe Budelot. Painted circa 1800 the composition is of figures on a woodland path by a lake. In the foreground is a drover on horseback with some cattle and a goat. They are being greeted by the sheep dog of the shepherdess behind them who has sheep scattered amongst the trees. More figures are coming along the path in the distance. The group in the foreground are well illuminated beneath the blue sky above and it is probably early morning. The brushwork on the trees is superb and the whole scene is quite charming. This is an excellent example of a French Old Master landscape...

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

Flemish painter active in Italy in the eighteenth century Coastal landscape of the Mediterranean with architectures and figures Oil painting on canvas (69 x 88 cm., in frame 80 x 100 cm.) The suggestive view proposed depicts a coastal view with a bay and the ruins of an ancient building, probably a monastery or a church, and in the background another building with a garden surrounded by high walls close to the shore. The type of landscape, typical of the southern Italian environment, and the intimate atmosphere that welcomes the scene, attributes the authorship of the work to a landscape painter active in the eighteenth century, presumably in Italy in this period, with immediate references to the Dutch school , and in particular to the production of Jacob de Heusch and above all of Gaspar van Wittel, considered the progenitor of Italian landscape painting. In fact, in the rendering of the architectural details, in the purity with which the buildings have been reconstructed, as well as in the atmosphere that encompasses the entire landscape, a marked correspondence to the so-called "Vanvitellian realism" can be seen: in fact, a comparison with a certain series of views which the Dutchman...

James Floyd Clymer (1893-1982), ca.1930. Watercolor and pencil on paper measures 14 x 20 inches. Signed lower margin. James Floyd Clymer ( 1893-1982 ) known for his Regionalist st...

Claudine Berechel (1925-2011) Parisian Rooftops, ca. 1955-60 Oil on canvas measuring 15 x 24 inches. Framed measurement, 20 x 29 inches. Signed lower center. Janet Fleisher Ga...

Vibrant Shoreline - Abstract Impressionist Landscape in Oil on Canvas Gorgeous, vibrant abstract impressionist shoreline landscape by artist Kristin Cohen (American, b. 1963). The s...

acrylic, oil on canvas one-of-a-kind Full size 108x192cm the painting will be shipped rolled without stretcher bars.

"Ghosts of the Gardens" is a mysterious and captivating abstract painting, evoking the untamed beauty of wild gardens and chaotic floral motifs with its energetic and loose movement....

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed oil painting on canvas, unframed canvas size: 18 x 22 inches condition: overall very good, a few min...

Moonlight Blue Forest by Akos Biro (Hungarian 1911-2002) pastel painting on artist paper, unframed painting: 9 x 12 inches provenance: the artists estate, France Superb ...

Lynton Wells Landscape, 1984 Oil on Canvas (with original Sable Castelli Label back of frame) Hand signed, titled, dated 1984 with artist's copyright symb...

A River Landscape With A Figure On A Donkey 1800's Dutch School oil painting on canvas, framed framed: 21 x 27 inches canvas: 18 x 24 inches provenance: private collection, England ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

This painting includes the impression of mountains, forests, grasses. It evokes a pleasant endorphin release that promotes health and well-being. Powerful in its simplicity.

River landscape with popular life scene Oil painting on canvas 62 x 98 Framed 74 x 110 cm. We present this vast and harmonious composition, where a characteristic river landscape acts as a stage for an exquisite extract of popular life, set in a small village on the edge of a lush stream. The painting, which presents characters unequivocally linked to the Flemish culture of the second half of the 17th century, shows iconographic and stylistic correspondences, in particular, with the successful production of Adrien Frans Boudewijns (1644-1711) and Pieter Bout (1658- 1719). Aside from the figure of duck hunter...

A large contemporary Abstract Expressionist Color-Field acrylic on canvas by French artist, Christian Manoury. Signed to the back of the canvas. Inspired by the wonderful countrysid...

Antique American modernist abstract painting. Watercolor, and pastel on paper. Framed. Signed. Image size, 6.5H by 10L

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

Impressive early American modernist abstract textural painting. Oil on canvas. Framed. Signed. Image size, 42 by 46 inches.

"Sweet Heat" is a watercolor on paper framed on patine gold wooden frame. Unframed size : 40 X 30 cm Framed size : 50 X 40 cm The work thus incites one to reconnect, to take a br...

Nicholas Maravell. House in Snow, 1989. Ink and watercolor on paper, 10.5 x 13.75 inches; 18 x 21.25 inches framed. Signed with artist monogram lower right. Gallery label affixe...

Norman Carton (1908 – 1980) was an American artist and educator known for abstract expressionist art. He was born in the Ukraine region of Imperial Russia and moved to the United States in 1922 where he spent most of his adult life. A classically trained portrait and landscape artist, Carton also worked as a drafter, newspaper illustrator, muralist, theater set designer, photographer, and fabric designer and spent most of his mature life as an art educator. Carton showed in and continues to be shown in many solo and group exhibitions. His work is included in numerous museums and private collections throughout the world. Norman Carton was born in the Dnieper Ukraine territory of the Russian Empire in 1908. Escaping the turbulence of civil war massacres, he settled in Philadelphia in 1922 after years of constant flight. While attending the Pennsylvania Museum School of Industrial Art, Carton worked as a newspaper artist for the Philadelphia Record from 1928 to 1930 in the company of other illustrator/artists who had founded the Ashcan School, the beginnings of modern American art. From 1930 to 1935, he studied at the Pennsylvania Academy of Fine Arts under Henry McCarter, who was a pupil of Toulouse-Lautrec, Puvis de Chavanne, and Thomas Eakins. Arthur Carles, especially with his sense of color, and the architect John Harbison also provided tutelage and inspiration. Following his time at the Pennsylvania Academy of Fine Arts, Carton studied at the Barnes Foundation from 1935 to 1936 where he was influenced by an intellectual climate led by visiting lecturers John Dewey and Bertrand Russell as well as daily access to Albert C. Barnes and his art collection. Carton was awarded the Cresson Traveling Scholarship in 1934 which allowed him to travel through Europe and study in Paris. There he expanded his artistic horizons with influences stemming from Henri Matisse, Pablo Picasso, Chaim Soutine, and Wassily Kandinsky. While at the Pennsylvania Academy of Fine Arts, Carton was also awarded the Toppan Prize for figure painting as well as the Thouron Composition Prize. He received numerous commissions as a portrait artist, social realist, sculptor, and theatrical stage designer as well as academic scholarships. During this time, Carton worked as a scenery designer at Sparks Scenic Studios, a drafter at the Philadelphia Enameling Works, and a fine art lithographer. From 1939 to 1942, the Works Progress Administration (WPA) Federal Art Project employed Carton as a muralist and easel artist. He collaborated with architect George Howe. The WPA commissioned Carton to paint major murals at the Helen Fleischer Vocational School for Girls in Philadelphia, the Officers’ Club at Camp Meade Army Base in Maryland, and in the city of Hidalgo, Mexico. Throughout the 1940s, Carton exhibited and won prizes for his semi-abstract Expressionist and Surrealist paintings. He socialized with and was inspired by Émile Gauguin and Fernand Leger. During World War II, Carton was a naval structural designer and draftsman at the Cramps...

Angela Webb Field of Dreams Contemporary Abstract Landscape Painting Oil Paint on Board Board Size: H 17 cm x W 17cm x D 0.3cm Framed Size: H 25.5cm x W 25.5cm x D 4.5cm Please note ...

Fishing at Dawn English artist after an earlier work (see inscription verso) signed oil painting on canvas, framed inscribed verso framed: 23 x 31 inches canvas: 18 x 26inches proven...

Beautiful mixed media abstracted landscape evoking the elegant beauty of the first snow in winter by Grace Eichholz (American, b. 1927). Warm neutrals with highly abstracted landscap...

Nicely painted mid century abstract cubist oil painting. Great color and composition. Framed. Signed.