
"Sunny Doorway, New England" Abbott Fuller Graves, Maine, Massachusetts
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Abbott Fuller Graves"Sunny Doorway, New England" Abbott Fuller Graves, Maine, Massachusetts
$19,000List Price
About the Item
- Creator:Abbott Fuller Graves (1859-1936, American)
- Dimensions:Height: 20.5 in (52.07 cm)Width: 16.5 in (41.91 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Excellent.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU115625552371
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Stephen (Istvan) Csoka was born in Gárdony, Hungary on January 2, 1897 and died in New York in 1989. He is best remembered as a painter and etcher of portraits, nudes, landscapes, genre, and horses. Csoka studied at the Budapest Royal Academy of Art and his memberships include Associate of the National Academy of Design in New York City; the Society of American Etchers in Brooklyn, NY; the Society of Brooklyn Artists; and the Hungarian Etchers Association. Csoka's exhibitions and awards include a medal at the Barcelona International Exhibition in 1929; a prize at the City of Budapest Exhibit in 1930; prizes at the Society of American Etchers in 1942 and 1945; prizes at the Library of Congress in 1944 and 1946; a prize at the Society of Brooklyn Artists in 1944; a prize at the Philadelphia Watercolor Club in 1945; the Corcoran Gallery of Art in 1945; the Carnegie Institute in 1943, 1944, and 1945; the Art Institute of Chicago in 1944; the Los Angeles Museum of Art in 1945; the National Academy of Design from 1940 through 1945; one-artist shows at the Contemporary Artists in 1940, 1943, and 1945; and the Minneapolis State Fair in 1943. *Stephen continued to recieve awards and exhibit his work throughout his life. In 1997, Hofstra Museum sponsored a Retrospective/Centennial exhibition in honor of his birth. Collections representing Csoka's work are the Metropolitan Museum of Art, New York, NY; the Brooklyn Museum, Brooklyn, NY; the Museum of Fine Arts, Boston, MA; the British Museum, London, England; the Bezalel National Museum, Jerusalem, Israel; the Butler Institute of American Art, Youngstown, Ohio; Whistler House Museum of Art, Lowell, MA; the Cleveland Museum of Art, Cleveland, OH; Columbus Museum of Art, Columbus, OH; the Sheldon Swope Art Museum, Terre Haute, IN; the Mobile Museum of Art, Mobile, AL; the Frederick R. Weisman Art Museum, Minneapolis, MN; the Museum of New Mexico, Santa Fe, NM; the Budapest Museum of Fine Arts, Budapest, Hungary; Hungarian National Gallery, Budapest, Hungary, the Museum of the City of Budapest, Budapest, Hungary; the Library of Congress, Washington, DC; Carnegie Museums of Pittsburgh, Pittsburgh, PA; the Chrysler Museum of Art, Norfolk, VA; Georgia Museum of Art, Athens, GA; Hofstra Museum, Hofstra University, Hempstead, NY; Holocaust Museum, Glen Cove, NY; National Academy of Art, New York, NY; New Orleans Museum of Art, New Orleans, LA; New York Historical Society, New York, NY;New York Public Library, New York, NY; National Gallery of Art, Washington, DC; Peabody Museum, Cambridge, MA; Pennsylvania Academy of the Fine Arts, Philadelphia, PA; Reading Public Museum, Reading, PA; Livingston Arts Center, Mount Morris, NY; Ball State Teachers College, Muncie, IN; City College, New York, NY; Fashion Institute of Technology, New York, NY; Hungarian Consulate, New York, NY; Hungarian Heritage, New Brunswick, NJ; Hunter College, New York, NY; IBM Collections; Princeton Print Club...
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Located in New York, NY
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Joseph Edward Knowles (1907-1980)
"Study for Industry Mural, Veterans Memorial Building, Santa Barbara, CA"
19 1/2 x 50 1/2 inches
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Estate stamp verso
Framed: 27 x 60 inches
The completed mural is currently hanging on the wall, part of the building actually, at the Veterans Memorial Building in Santa Barbara. A photo of the work insitu is included in the attached photos.
BIO
Joseph Edward Knowles was born in Kendall, Montana, on June 15, 1907. He grew up in San Diego, California. At age twenty, two years before the beginning of the Great Depression, he moved north to another town on the coast of California---Santa Barbara. There he began studying fine art at the Santa Barbara School of the Arts* (1927-1930), under the supervision of Frank Morley Fletcher, previously director of the Edinburgh College of Art. Fletcher, who was trained in portraiture, landscape painting, and woodblock* printing, was a great influence on young Knowles. It was there that Knowles learned the art of color woodblock printmaking, a medium in which he showed great skill.
Not long after completing his studies with Fletcher, Knowles began teaching art. For a period of thirty years, from 1930 to1960, he taught at the Cate School in Carpinteria, California. In 1934-1935, Knowles traveled throughout Europe, further developing his artistic skills in England, France, and Italy. Upon his return, he continued to teach art at various schools and institutions: Cate School, Crane Country School, extension classes at the University of California at Santa Barbara (UCSB), and at the Santa Barbara Museum of Art (SBMA). Knowles also served as an art education consultant for the County of Santa Barbara. In addition, he was founding co-director and president of the Santa Barbara Fine Arts Institute (1969-1972), which later developed a specialization in photography and became the Brooks Institute of Photography. Knowles died at his home in Santa Barbara on September 8, 1980.
Much of Knowles' watercolor work is associated with what has been termed the "California School*," a loose grouping of artists throughout the state that included such figures as Millard Sheets, Phil Dike, Dong Kingman, George Post, and the Santa Barbara painters Dan Lutz and Standish Backus, Jr. The California School artists, including Knowles, were known for their fresh, direct, spontaneous style of watercolor painting. Knowles and other members of the school found inspiration in nature and the built environment alike, emphasizing elements of design in their exuberant, boldly stated, colorful scenes from everyday life. While painting in a representational* manner, Knowles generally avoided photographic realism, preferring subjective interpretation of his subjects. In this, as well as in his experimental approach and vigorous brushwork, he displayed a strongly modern sensibility.
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PROFESSIONAL ORGANIZATIONS
California Watercolor Society (1940 - 1955)
Santa Barbara Art Association (Vice President - 1952)
ONE-MAN EXHIBITIONS
Golden Gate International Exposition (GGIE) - San Francisco, California
San Diego Fine Arts Gallery (SDMA) - San Diego, California
Santa Barbara Museum of Art (SBMA) - Santa Barbara, California
Cowie Galleries - Los Angeles, California
Gallery de Silva - Santa Barbara, California
Bradley Galleries - Santa Barbara, California
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Westmont College - Ellen Porter Hall Mural - Santa Barbara, California
Safeway Grocery (now Vons Grocery on West Victoria Street) - Exterior Tile Mosaic -
Santa Barbara, California
Santa Barbara Bank & Trust - Interior Mosaic Panels, Santa Barbara, California
Santa Barbara Girls Club - Interior Mosaic Mural - Santa Barbara, California
Ernest Righetti High School - Mosaic Mural - Santa Maria, California
Shell Oil Company - Mosaic Panel - California
Beckman Instruments, Corporate Headquarters - Mosaic - Fullerton, California
STAINED GLASS WINDOWS, WALLS and PANELS
Katherine Thayer Cate Memorial Chapel - Cate School, Carpinteria, California
William S. Porter Memorial Chapel - Cottage Hospital, Santa Barbara, California
La Rinconada Building - Santa Barbara, California
ILLUSTRATIONS
"California's Wonderful Corner: True Stories for Children from the History of the Santa Barbara Region," by Walter A. Tompkins (1962 & 1975)
China Designs:
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