Pieter Cornelis Dommersen

19th Century seascape oil painting of fishing boats by a Dutch shore

1861

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 18.5 INCHES X 22.5 INCHES** Pieter Cornelis Dommersen Dutch, (1833-1918) Goeser Veerhuis with Goes in the Distance & Elburg on the Zuiderzee Oil on panel, pair, both signed & dated 1904 with wax seals verso Image size: 11.5 inches x 15.5 inches (each) Size including frame: 18.5 inches x 22.5 inches (each) A wonderful pair of seascape paintings by Pieter Cornelis Dommersen. The first painting depicts the Goeser Veerhuis or Goes Ferry House on the left with the Dutch town of Goes in the distance. The ferry house was a popular landing stage for barges and fishing boats. Goes church, with its distinctive spire can be seen in the far distance. The second painting is of Elburg, a fishing port on the east shore of the Zuiderzee in the Dutch province of Gelderland. Dommersen often returned to these areas to paint when he travelled back to the Netherlands and these fine examples were most likely painted on one of these trips. Pieter Cornelis Dommersen was born Pieter Cornelis Dommershuizen or Dommerhershuisen on 6 December, 1833 in Utrecht, Holland. Little is known about his father and he appears to have been brought up solely by his mother Cornelia into an artistic family. His younger brother was the artist Cornelis Christian...

Henry Redmore British, (1820-1887) Trading Schooners & Dutch Luggers on the Humber Estuary Oil on canvas, signed & dated 1873 Image size: 23.5 inches x 37.5 inches Size including frame: 31.25 inches x 45.25 inches An atmospheric seascape of fishing boats and ships on the Humber Estuary at sunset. Fishermen can be seen unloading their catch by the shore as others take down their sails and drop anchor. Henry Redmore was born in Kingston upon Hull, Yorkshire in 1820 to James Redmore and Mary Wilkinson. His father was an engineer and initially Henry followed in his footsteps becoming a marine engineer. His job took him on several voyages as an engineer, which undoubtedly inspired his future career as an artist. He married Martha Markham on 28 November, 1844 at Hull and together they settled in Sculcoates, a suburb of Hull, They went on to have 4 children...

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 16.25 INCHES X 22.25 INCHES** Hubert Thornley British, (exh. 1858 -1898) Rochester on the Medway & Moonset Nr Queenborough ...

George Stainton British, (1838-1900) Fishing Vessels off a Harbour Early Morning Oil on canvas, signed Image size: 23.25 inches x 35.25 inches Size including frame: 31 inches x 43 inches A wonderful coastal marine painting of boats off a busy harbour at dawn by George Stainton. A large ship is depicted having weighed anchor and with sails unfurled as a supply boat arrives port side. In the foreground, a group of fishermen can be seen in a rowing boat waiting for their next catch. In the distance, lies a busy harbour, possibly Chatham Dockyard. George Stainton was a marine and landscape artist who was born in Aston, Birmingham in October 1838 to John Stainton and Ann Horton. By the age of 12, he was working as a paper mache painter and then later as a Japanner before becoming a full-time artist. He specialised in painting seascapes and river scenes in the style of Abraham Hulk and was influenced by the Dutch school. He exhibited at the Royal Society of Birmingham Artists from 1865 and also at the Walker Art Gallery, Liverpool. He married Clara Adelaide Mason (née shears), a widow on 8 November, 1866 and together they lived in Addesley Street, Aston. The couple had 8 children and one of their sons Ernest Stainton became a lithographic artist. During the mid to late 1870’s he lived at Walnut Terrace in Kyrwicks Lane in the Sparkbrook area of Birmingham. However, by 1881, Stainton had moved to nearby Moseley Road where many Birmingham artists of the industrial period lived and also took up photography. Sometime during the late 1880’s early 1890’s, he made his final move to Pembroke Villa, 14 St Pauls Road, Moseley Road. He died at his home on 25 April, 1900. Whilst Stainton lived in Birmingham all his life, he travelled around the country painting coastal views of the Bristol Channel, Portsmouth and the Medway, as well as river scenes of the Thames, Tyne and Mersey. He also visited Scotland and Northern France. His works are beautifully detailed and show a masterful understanding of the moods of the weather and movement of the water. His paintings have always been popular when they appear on the art market. Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished. © Benton Fine Art

Nineteenth Century Victorian Marine Oil Painting on Canvas of Boats and Fisherfolk off the Coast at Rotterdam. "Fishing Boats, Rotterdam" 14 by 20 inches, Oil on Panel, Signed and Framed. JAMES WEBB...

James Hardy (British contemporary, 21st century) signed oil painting on board, framed board: 8 x 10 inches provenance: private collection condition: overall very good

Dutch Vessels Morning Light by C.W. Smith (British, early 20th century) signed oil on canvas, framed framed: 15.5 x 21.5 inches canvas: 12 x 18 inches inscribed verso Provenance: pr...

A very tranquil scene of fishing boats moored in harbour with a sunlit sea beyond. Painted with a most attractive palette of blues and greens and with a pleasing composition that le...