Dommersen, Pieter Cornelis Art

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo creates dynamic compositions of people and places that communicate a rich commentary on the world around him. Depicting trees from personal encounters, Surdo’s latest body of work entitled “Tree Spirits” takes us on a foray into the forest, where leaves, branches and burls express something deeply personal. Applying his mastery of figurative realism to the natural world, he experiments with form and texture to uncover the intangible spirits of trees. Entitled “Birch,” this small-scale oil painting depicts a young birch sapling against an olive wood board. Restricting the composition to only a portion of the trunk, Surdo focuses on qualities that make the tree memorable - its narrow trunk...

This late 19th-century oil painting by Irish artist William McAlpine (1821/22-after 1891) depicts a sailing vessel consumed by fire upon calm coastal waters. Flames tear through th...

John Atkinson Grimshaw British (1836-1893) Late Autumn on the Esk Medium: Oil on canvas Unframed size: 31.25 x 46.5 inches Framed size: 41 x 56 inches Signature: Signed (Lower Rig...

Born in London to Anne Roberts and the celebrated landscape painter Alfred de Breanski snr, Alfred was destined to life as a painter. Both parents were celebrated painters in their o...

English School Farmyard Scene with Horses and Goat Oil on panel, unsigned The Circle of John Frederick Herring Sr. Circa 1880 Presented in a later gilt and painted frame This finely rendered 19th-century English farmyard scene captures the quiet dignity of rural life, with a group of three horses—white, chestnut, and black—gathered beneath a tree in the warm light of late afternoon. A small goat stands to one side near a rustic stable, adding a note of charming domesticity to the composition. The surrounding landscape, with its distant hills and careful play of shadow and cloud, speaks to the artist’s sensitivity to atmosphere and detail. Though unsigned, the painting is executed in a manner closely aligned with the work of John Frederick Herring Senior, one of Britain’s most celebrated animal painters of the Victorian era. The careful modelling of the horses, their distinctive postures and anatomy, and the tranquil farm setting are all hallmarks of Herring’s influence. Painted in oils on a wooden panel, the surface retains a fine, even gloss and a warm palette typical of the period. The composition is both balanced and lyrical: the interplay of form and gesture among the animals invites the viewer into a moment of repose between work and activity, emblematic of Victorian ideals of harmony between man, beast, and the land. A delightful example of 19th-century English rural painting...

This late 19th-century oil painting by English artist John Horace Hooper (1852-1906) depicts a quiet tree-lined road near Purley in Berkshire. Beneath a dense canopy of mature trees...

Louis Bosworth Hurt British (1856 -1929) Highland Mist Medium: Oil on canvas Framed size: 31 x 47 inches Unframed size: 24 x 40 inches Signed and dated 1900 lower left Born in Ash...

Key Details Artist: British School, 20th century Medium: Oil painting on panel, unframed Size: 8 x 10 inches Provenance: Private collection, England Condition: Excellent Signature / ...

Title British Black Horse Portrait Equestrian Sporting Country House Oil Painting Key Details Artist: British School, 20th century Medium: Oil painting on panel, unframed Size: 8 x 1...

This remarkable mid-19th-century landscape painting by English artist Edward Williams (1781-1855) presents the Thames as he knew it during the final decade of his life - peaceful and...

Portrait of a Horse British School, 20th century oil painting on panel, unframed paintings size: 8 x 10 inches condition: excellent provenance: from a private collection here in England A very fine equestrian portrait of this horse. Painted with tremendous detail and finesse, the horse is accentuated against its clear background - a technique enjoyed many George Stubbs in the 18th century and Francis...

Arthur Sydney Watson British (1881-1931) Near Loch Tay, Perthshire Medium: Oil on canvas Framed size: 18 x 24 Inches Unframed size: 13 x 19 Inches Signed lower right and inscribed...