Charles Francois Daubigny

Paysage du Berri is an original black and white etching on paper, realized by Charles-François Daubigny. At the bottom left margin the printed inscription: "DAUBIGNY" pinx; bottom c...

Les Vendagnes is an artwork realized by Charles François Daubigny in the 1870s. Etching.

Le Gue is a black and White etching realized by Charles François Daubigny in the 1860s.  Titled in the lower.

Parc a Moutons is a black and White etching realized by Charles-François Daubigny in 1860s  Titled in the lower Image Size:21x38 Very good impression.

19th Century Signed French Landscape Painting Credited Charles François Daubigny This beautiful and significant painting is a fine example of a river landscape from the Barbizon Scho...

Medium: etching. Etched by Alfred Brunet-Debaines after Barbizon artist Charles Daubigny. This impression on cream laid paper was published in Paris by L'Art in 1880. Image size: 5 1...

Signed and titled on plate. Etching and aquatint print. Good condition.

"Le Bateau a Conflans/Le Paysagiste au Bateau" or "The Boat at Conflans/Landscape with Boat" is an original etching by Charles Francois Daubigny. Daubigny is often considered one of ...

Charles Francois Daubigny's etching from around 1865 is an example of the Barbizon painters' preoccupations.

Delpy came from a moderately wealthy family from Joigny, in the Burgundy region of France. He was a student of Charles-François Daubigny. Hippolyte-Camille Delpy studied with Charle...

He painted real objects in a natural setting. A pupil of Charles-François Daubigny, Charpin was a painter of natural landscapes with, typically, a shepherdess and her guardian-dog ta...

Le jardin de Daubigny Style of Vincent Van Gogh by Stephen Goosson The painting depicts the enclosed garden of Charles-François Daubigny, a French landscape painter whom Van Gogh ad...

He traveled to Paris to finish his studies and after he had exhibited a painting and a charcoal drawing in the Paris Salon in 1853 he became friends with Camille Corot and Charles-Fr...

He exhibited a painting and a charcoal drawing in the Paris Salon in 1853 and became friends with Camille Corot and Charles-François Daubigny who greatly influenced his style.

Le Buisson is a photogravure realized in the 19th Century. signed. Good condition.

He traveled to Paris to finish his studies and after he had exhibited a painting and a charcoal drawing in the Paris Salon in 1853 he became friends with Camille Corot and Charles-Fr...

Key figures include Jean-François Millet, Théodore Rousseau, Jean-Baptiste-Camille Corot, and Charles-François Daubigny.

Image dimensions: 17.5 x 28 cm. Signed on plate. Includes passepartout. Very good conditions.

Corot was in close contact with and influenced by painters of the realistic Barbizon school, such as Jean-François Millet, Théodore Rousseau and Charles-François Daubigny.

This painting evokes the spirit of artists such as Charles-François Daubigny and Jean-Baptiste-Camille Corot, while maintaining a refined decorative presence suitable for both tradit...

Delpy was essentially a landscape painter.From 1855 he was occasionally a pupil of Charles-François Daubigny, but three years later his attendance in the latter's atelier became a re...

Corot was in close contact with and influenced by painters of the realistic Barbizon school, such as Jean-François Millet, Théodore Rousseau and Charles-François Daubigny.

In 1858 he moved to the village of Barbizon where he came in contact with Jean Francois Millet (1814- 1875), Theodore Rousseau (1812- 1867), Jean-Baptiste-Camille Corot (1796- 1875),...

In 1858 he moved to the village of Barbizon where he came in contact with Jean Francois Millet (1814- 1875), Theodore Rousseau (1812- 1867), Jean-Baptiste-Camille Corot (1796- 1875),...

In 1858 he moved to the village of Barbizon where he came in contact with Jean Francois Millet (1814- 1875), Theodore Rousseau (1812- 1867), Jean-Baptiste-Camille Corot (1796- 1875),...

His paintings were appreciated by Camille Corot and Charles-François Daubigny, but his work owes more to the atmosphere-conscious 17th-century Dutch landscapists than to his French c...

The leaders of the Barbizon school were: Théodore Rousseau, Charles-François Daubigny, Jules Dupré, Constant Troyon, Charles Jacque, and Narcisse Virgilio Díaz.

She was influenced by the French Barbizon painters, especially Jean-Baptiste Corot and Charles-Francois Daubigny, and her popular works were compared to those of Corot.

From 1874-1875, he worked for the annual album L'Eau forte and the magazine L'Art , which he became director of in the 1890s and in which were reproduced his prints after Théodore Ro...

Rotterdam: 1952. Copperplate engraving on white wove paper, 8 1 /2 x 6 inches (216 x 152 mm); sheet 12 1/8 x 9 3/4 inches (308 x 248 mm), full margins. Edition of 50. In good condit...

Bearing a wry handwritten inscription in the lower margin plate that reads: "un Cochon de propriétaire qui ne fera de bien qu'après sa mort" (A pig of a landlord who will do no good ...

Paris: Chardon, 1861. Etching with engraving on Chine collé mounted to a wove paper matrix with a false platemark and a deckle edge, 4 1/2 x 6 1/2 inches (115 x 165 mm); matrix 12 1...

Paris: 1862. Cliché-verre on lightweight photosensitive wove paper, 8 3/4 x 7 1/8 inches (220 x 180 mm) (sheet), full margins. Signed in the plate, lower right. Because this impressi...

Chalcographie du Musee du Louvre, 1855. Etching on cream wove paper, 17 5/16 x 19 3/16 inches (439 x 488 mm); sheet 17 3/4 x 20 1/8 inches (451 x 519 mm), full margins. Scattered ma...

Medium: original etching. Catalogue reference Delteil 126. This impression on cream laid paper is from the edition printed for "French Etchers", published in New York in 1884. Plate ...

New York: Dodd, Mead, 1884. Etching with aquatint on cream laid paper, 7 3/4 x 10 3/4 inches (196 x 272 mm), full margins. Light age tone, some very minor cockeling and a 1.5 inch v...

Paris: Gazette des Beaux-Arts, 1856. Drypoint etching on cream laid paper, 4 7/8 x 8 3/8 inches (124 x 245 mm), full margins. In good condition with light uniform age tone. Fourth s...

The leaders of the Barbizon school were: Théodore Rousseau, Charles-François Daubigny, Jules Dupré, Constant Troyon, Charles Jacque, and Narcisse Virgilio Díaz.

He settled in Barbizon, a village on the outskirts of the forest, the artist began working alongside Corot, Charles-François Daubigny, Narcisse-Virgile Diaz de La Peña, and Millet.

Biography Hippolyte Camille Delpy comes from a fairly wealthy family in Joigny, Burgundy. He was a pupil of Charles-François Daubigny from 1855 and was his regular student from 1858.

Alongside artists like Théodore Rousseau and Charles-François Daubigny, Millet rejected academic idealism in favor of a closer alignment with nature.

Pierre-Édouard Frère was born on January 10, 1819 in Paris to a father who was a music publisher; Édouard was the younger brother of the Orientalist painter Charles-Théodore Frère. I...

Under the influence of Barbizon School masters like Camille Corot and Charles-François Daubigny, Skånberg developed a keen eye for natural light and a reverence for the truthfulness ...

Étaples had a tradition of en plein air painting established by Charles-François Daubigny (1817–1878), who retreated there from the outbreak of the Paris Commune in 1871 and of the l...

Painters such as Jean-Baptiste-Camille Corot, Charles-François Daubigny, and Théodore Rousseau established a vision of landscape based on direct observation and emotional sincerity r...

Edmond YON (Montmartre 1841 – Paris 1897) Riverbank with birds Oil on canvas H. 79.5 cm; L. 130 cm Signed lower right and dated 1876 Original frame Exhibition: 1876, Salon des Artis...

CHARLES FRANCOIS DAUBIGNY French, 1817-1878 Pont au Double, Notre Dame, and Hôtel Dieu, c. 1840s Pencil with white heightening 10 3/4 x 19 5/8 in. (27.5 x 50 cm) Signed lower l...

ADOLPHE POTTER (1835-1911) ITALIAN RIVER LANDSCAPE C. 1880 OIL ON PANEL The Geneva-born artist Adolphe Potter (1835-1911) was a student of the Barbizon school painters Theodore Ro...

He painted with the Barbizon School painters and frequently visited Auvers sur Oise where his friend Charles-François Daubigny had built a house. This is where Oudinot built his stud...

"Bords de l'Yonne" also referred to as "Le Canal" Oil on canvas, signed in the bottom left corner, 33x41cm, circa 1867 Origin: -Sotheby's sale July 05-06 1961, lot no. 131 -Walter ...

To this rare and complete set, we join 2 original clichés-verre matrices by Charles-François DAUBIGNY (1817-1878) : - La Fenaison. 1862.

Edmond YON (Montmartre 1841 – Paris 1897) Riverbank with birds Oil on canvas H. 79.5 cm; L. 130 cm Signed lower right and dated 1876 Original frame Exhibition: 1876, Salon des Artis...

Theodore Rousseau and Narcisse Diaz de la Pena, Millet , Camille Corot, Charles and Francois Daubigny were all members of the French school.

A remarkable French riverscape by the Impressionist painter Charles-François Daubigny (1817-1878). Boats at quay on the banks of the Seine.

The review closed in 2002. Biography: Charles-François Daubigny, (15 February 1817 – 19 February 1878), Daubigny was born in Paris, into a family of painters and was taught the art ...

A distinctive painting by Charles Francois Daubigny. A very popular artist in his time and admired amongst his peers.

A characteristic and moving 19th century image by Charles Francois Daubigny depicting workers at sunset.