Items Similar to "Road to Provincetown, " Henry MacGinnis, Massachusetts Landscape
Want more images or videos?
Request additional images or videos from the seller
1 of 10
Henry Ryan MacGinnis"Road to Provincetown, " Henry MacGinnis, Massachusetts Landscape1924
1924
$25,000
£19,231.67
€22,322.50
CA$35,255.97
A$39,492.62
CHF 20,742.95
MX$480,217.50
NOK 262,673.46
SEK 249,347.75
DKK 166,601.42
About the Item
Henry Ryan MacGinnis (1875 - 1962)
Road to Provincetown, 1924
Oil on canvas
25 x 30 inches
Signed lower right; titled and dated on the stretcher
Housed in a Stanford White Newcomb-Macklin frame.
Exhibited:
Trenton, New Jersey, School of Industrial Arts Provincetown by Professor MacGinnis, 1924.
Henry Ryan MacGinnis, 1875-1962, was born in Indiana and began his art studies under the eminent Hoosier artists T.C. Steele, J.O. Adams and William Forsyth. One of his earliest exhibitions was in 1896, when he showed his work with other notable Hoosier artists such as T.C. Steele, J. Ottis Adams, R.B. Gruelle, William Forsyth, Otto Stark and Clarence Ball.
In 1900, MacGinnis left Indiana to study in Europe. For five years, he painted and studied in Paris and Munich, where he won Honorable Mention from the Royal Academy of Fine Arts in Munich. He was a member of the Audubon Artists, Hoosier Salon, Salmagundi Club, and Allied Artists.
In 1908, soon after MacGinnis returned to the states, William Merritt Chase, chairman of the Exhibition Committee of the 19th Annual Exhibition of the Art Club in Philadelphia, selected the MacGinnis painting New Hampshire Hills for an important exhibit. The show included paintings from other artists such as Mary Cassatt, Ernest Lawson, Childe Hassam and William Merritt Chase.
A broad look at MacGinnis' work suggests a concern with impressionism; however, for the most part, MacGinnis stayed within the realm of realism often softened by an impressionistic approach. As mentioned, MacGinnis began painting with the Hoosier artists in Indiana, primarily focusing on landscapes from that region.
In 1924, MacGinnis moved to Trenton, New Jersey where he both taught and continued to paint. He focused on painting portraits and landscapes near the Delaware River and New Hope, Pennsylvania region. During this period, he also painted many landscapes and seascapes in Provincetown, Massachusetts, Cape Breton, New Jersey, and in Vermont and New Hampshire.
- Creator:Henry Ryan MacGinnis (1875 - 1962, American)
- Creation Year:1924
- Dimensions:Height: 36 in (91.44 cm)Width: 41 in (104.14 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1841210494942
Henry Ryan MacGinnis
Henry Ryan MacGinnis, 1875-1962, was born in Indiana and began his art studies under the eminent Hoosier artists T.C. Steele, J.O. Adams and William Forsyth. One of his earliest exhibitions was in 1896, when he showed his work with other notable Hoosier artists such as T.C. Steele, J. Ottis Adams, R.B. Gruelle, William Forsyth, Otto Stark and Clarence Ball. In 1900, MacGinnis left Indiana to study in Europe. For five years, he painted and studied in Paris and Munich, where he won Honorable Mention from the Royal Academy of Fine Arts in Munich. He was a member of the Audubon Artists, Hoosier Salon, Salmagundi Club, and Allied Artists. In 1908, soon after MacGinnis returned to the states, William Merritt Chase, chairman of the Exhibition Committee of the 19th Annual Exhibition of the Art Club in Philadelphia, selected the MacGinnis painting New Hampshire Hills for an important exhibit. The show included paintings from other artists such as Mary Cassatt, Ernest Lawson, Childe Hassam and William Merritt Chase. A broad look at MacGinnis' work suggests a concern with impressionism; however, for the most part, MacGinnis stayed within the realm of realism often softened by an impressionistic approach. As mentioned, MacGinnis began painting with the Hoosier artists in Indiana, primarily focusing on landscapes from that region. In 1924, MacGinnis moved to Trenton, New Jersey where he both taught and continued to paint. He focused on painting portraits and landscapes near the Delaware River and New Hope, Pennsylvania region. During this period, he also painted many landscapes and seascapes in Provincetown, Massachusetts, Cape Breton, New Jersey, and in Vermont and New Hampshire.
About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 2022
1stDibs seller since 2022
115 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: New York, NY
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View All"Wellfleet, Cape Cod, " Gerrit Beneker, American Impressionism, Provincetown
By Gerrit Beneker
Located in New York, NY
Gerrit Beneker (1882 - 1934)
Wellfleet, Cape Cod, Massachusetts, New England, 1926
Oil on canvas
20 x 16 inches
Signed, titled, and dated lower left
Provenance:
Louis H. Barnett, Fort Worth, Texas
In 1905, Gerrit Beneker began his art career as an illustrator. He married Flora Judd, his high school sweetheart from Grand Rapids and they moved to Brooklyn, NY. Gerrit's early passion was to create an art that would inspire and provide honor to the workingman. As such, he had no interest in painting portraits of pretty women, which were so often seen on the magazine covers of the day. Rather he wanted to seek out workingmen on the bridges, tunnels and skyscrapers of NYC, and paint them in their environments. He completed over 150 magazine covers, numerous ads including many for Ivory Soap...
Category
1920s American Impressionist Landscape Paintings
Materials
Canvas, Oil
"Pigeon Hill, Rockport" Winthrop Duthie Turney, North Eastern American Landscape
Located in New York, NY
Winthrop Duthie Turney
Pigeon Hill, Rockport
Signed lower left
Oil on canvas
20 x 24 inches
Exhibited
New York, National Academy of Design, Artists of America, Sixth Annual Exhibition, 1949.
Winthrop Duthie Turney was born in New York City and received his education at the Art Students League. He was affiliated with the Fifteen Gallery...
Category
1920s American Impressionist Figurative Paintings
Materials
Canvas, Oil
"Stony Cove and Headland, " Henry Ward Ranger, Coastal Landscape, Seascape
By Henry Ward Ranger
Located in New York, NY
Henry Ward Ranger (1858 - 1915)
Stony Cove and Headland, 1910
Oil on canvas
28 x 36 inches
Signed lower right
Provenance:
McDonough Gallery, New York
William Macbeth Galleries, New York
American Art Association, The Completed Pictures Left by the Late Henry Ward Ranger, 1917, Lot 72
A key person in the establishment of the Old Lyme, Connecticut art colony in 1899, Henry Ward Ranger is regarded as the leader of the Tonalist movement in America and was a leading painter in this country in the late 19th and early 20th-centuries.
He was born in Geneseo and raised in Syracuse, New York, and in 1873, enrolled in the College of Fine Arts at Syracuse University, where his father was a professor of photography and drawing. Two years later, he became a re-toucher of paintings in his father's studio and did not earn a college degree.
He also spent much time in New York City, where he was a writer of music criticism and visited galleries, where he had his first exposure to French Barbizon painting...
Category
1910s American Impressionist Landscape Paintings
Materials
Canvas, Oil
"Coastal Seascape" Charles Herbert Woodbury, New England Boston School Landscape
By Charles Herbert Woodbury
Located in New York, NY
Charles Herbert Woodbury
Coastal Seascape
Signed lower left
Oil on canvas
17 x 20 inches
Charles Herbert Woodbury, born in Lynn, Massachusetts in 1864, is recognized as the founder...
Category
1890s American Impressionist Figurative Paintings
Materials
Canvas, Oil
"Maine Coast, Ogunquit, " Ernest Albert, American Impressionism, Seascape
By Ernest Albert
Located in New York, NY
Ernest Albert (1857 - 1946)
Maine Coast, Ogunquit, 1937
Oil on canvasboard
18 x 20 inches
Signed and dated lower right; titled on a label on the reverse
A distinguished theatrical and scenic designer who also became a landscape painter and muralist, Ernest Albert worked in New York, St. Louis, and Chicago.
He was born in Brooklyn, New York in 1857, and showing early talent, received the Graham Art...
Category
1930s American Impressionist Landscape Paintings
Materials
Oil, Board
"Rockport" William Lester Stevens, North East Coastal American Landscape
By William Lester Stevens
Located in New York, NY
William Lester Stevens
Rockport
Signed lower right
Oil on canvas
20 x 24 inches
Born on June 15, 1888, in Rockport, Massachusetts, Stevens displayed his artistic abilities from a y...
Category
1920s American Impressionist Figurative Paintings
Materials
Canvas, Oil
You May Also Like
Back of Provincetown
By Malcolm Humphreys
Located in Milford, NH
A colorful impressionist Cape Cod landscape by American artist Malcolm Humphreys (1892-1963). Humphreys was born in Morristown, New Jersey, graduated from Princeton University, and p...
Category
Mid-20th Century American Impressionist Landscape Paintings
Materials
Masonite, Oil
On The Dunes Near Provincetown
By Nellie Augusta Knopf
Located in Milford, NH
A fine impressionist landscape oil painting by American artist Nellie Augusta Knopf (1875-1962). Knopf was born in Chicago, IL, and studied art at the Art Institute of Chicago where she studied under John Vanderpoel and Frederick Free...
Category
Early 20th Century American Impressionist Landscape Paintings
Materials
Canvas, Oil
The Valley, York Maine
Located in Sheffield, MA
Alice R. Comins
American, 1861-1943
The Valley, York Maine
Oil on canvas
20 by 26 in. W/frame 27 by 33 in.
Signed lower right and dated 1913 & titled on r...
Category
1910s American Impressionist Landscape Paintings
Materials
Oil
Provincetown
By Max Kuehne
Located in Milford, NH
A colorful impressionist coastal oil painting of Provincetown by German / American artist Max Kuehne (1880-1968). Kuehne was born in Halle, Germany, and emigrated to Flushing, New Y...
Category
Mid-20th Century American Impressionist Landscape Paintings
Materials
Oil, Panel
$5,900
American Impressionist Cape Ann School Art Charles Movalli Landscape Scene
By Charles Movalli
Located in Rockport, MA
This expressive oil painting by renowned American artist Charles Movalli captures a fleeting seasonal moment as snow gives way to golden earth and budding trees. Painted with bold, c...
Category
20th Century American Impressionist Landscape Paintings
Materials
Acrylic
"Fall Landscape", William Lester Stevens: Rockport-born Cape Ann School artist
By William Lester Stevens
Located in Rockport, MA
A wonderfully colorful early piece by William Lester Stevens. Housed in a beautiful period Newcomb-Macklin frame. Great package!
William Lester Stevens was born in Rockport, Massachusetts in 1888. He first studied art under Parker Perkins and, by the age of eighteen, had his paintings accepted by the National Academy of Design and won a scholarship to the Boston Museum of Fine Arts School, training under Edmund Tarbell. After studying in Europe he retuned home and helped establish the Rockport Art Association with Aldro Hibbard and Harry Vincent.
Until the 1940’s, Stevens remained in Rockport and the Cape Ann area, painting, teaching and continuously showing paintings. Later, Stevens moved to Conway, Massachusetts where he made a studio and continued to paint. He taught classes at both Princeton and Boston University. He won more awards and prizes for his work than any other living American artist in New England.
The awards he garnered were impressive, over one hundred national awards and prizes. Among his most outstanding are the 4th William A. Clark Prize from the Corcoran Art Gallery, Washington, DC; the Gedney Bunce Award from the Connecticut Academy of Fine Arts, Hartford, Connecticut; Second Atman Prize at the National Academy of Design, New York City; First Prize in the Springfield Art League, Best Work of Art in Oil Painting in Rockport Art Association shows; and the William Delano Purchase Prize from the American Watercolor Society.
He was a member of the Guild of Boston Artists, New Haven Painting and Clay Club, Springfield Art league, North Shore Arts Association, Philadelphia Watercolor Society, New York Watercolor Club, Boston Society of Watercolor Painters, Washington Watercolor Club, Connecticut Academy of Art, Washington Landscape...
Category
20th Century American Impressionist Landscape Paintings
Materials
Oil