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Herman HynemanAmerican Sunset Landscape by Herman Hyneman, 19th Century19th Century
19th Century
$4,200
£3,189.16
€3,647.04
CA$5,868.01
A$6,526.51
CHF 3,407.94
MX$79,420.65
NOK 43,524.58
SEK 40,818.38
DKK 27,219.27
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About the Item
Herman N. Hyneman (American, 1849-1907)
Untitled (Sunset Landscape), 19th Century
Oil on canvas
20 1/4 x 26 in.
Signed lower right: H. N. Hyneman
Herman N. Hyneman was a noted American portrait and figure painter with ties to both Philadelphia and New York. He was born July 27,1849 to Leon and Adeline Hyneman in Philadelphia. ("Who Was Who in American Art" lists his birth date as either 1849 or 1859, but we have confirmed that the birth date is 1849).
Virtually nothing is known about his early years, but given the fact that the family resided in a wealthy section of Philadelphia and the fact that he traveled to Paris to study in the studio of Leon Bonnat when he was but 20 years old, it is presumed that the family was financially comfortable if not well to do. Hyneman exhibited at the Paris Salon in 1879 and 1881, which was quite an accomplishment given his tender age.
He returned to the United States in 1882 and after a year in Philadelphia, he established a studio at 58 West 57th Street, New York, NY, where he painted portraits to support himself and scenes of beautiful fair-skinned women walking in the snow to exhibit at major exhibitions throughout the United States.
Hyneman exhibited at the the Brooklyn Art Association in 1882, 1883 and 1884 and at the Pennsylvania Academy of Fine Arts in 1883 and 1888. Beginning in 1882 and continuing up until 1905, he exhibited regularly at the National Academy of Design. Despite the fact that he exhibited fourteen paintings at the National Academy over a span of three different decades, he was never elected as a member.
In the 1880's his paintings sold for between $100 and $1500, which were substantial sums for that period. Hyneman also exhibited at the Salmagundi Club and the Philadelphia Art Club and was a member of each organization. He won a medal at the American Art Society in 1904 and also exhibited at the Chicago Art Institute. A handwritten label on one of his paintings indicates that he also exhibited in Budapest, Hungary.
In 1892, Hyneman married the noted artist Juliet Jolley (aka Jolly), who had previously modeled for him. Thereafter, they shared a studio and on at least one occasion exhibited together. The February 5, 1896 edition of the "New York Times" reported on a "pleasant studio reception" at 58 West 57th Street where the paintings of both Herman and Juliet were shown to members of New York Society including Mr. And Mrs. Edwin Blashfield.
At least one of Hyneman's Painting " A Sensation on Wall Street" which depicted a lovely young woman in fur coat with Muff in front of the Stock Exchange, was made into a post card and reproductions of his paintings are known to exist, although not plentiful. At least one etching is known, "Desdemona," which was reproduced in a book by Frederic Stokes.
Herman Hyneman passed away in Philadelphia in December 1907 after a long illness. The December 24, 1907 "New York Times" carried his obituary.
The New York Public Library collection has a painting of "Newsboys" in the snow, which has been recently been reproduced into a Christmas Card by the Metropolitan Museum of Art. The DeYoung Art Museum holds Hyneman's etching in its permanent collection.
- Creator:Herman Hyneman (1849 - 1907)
- Creation Year:19th Century
- Dimensions:Height: 20.25 in (51.44 cm)Width: 26 in (66.04 cm)Depth: 0.5 in (1.27 cm)
- More Editions & Sizes:Unique Price: $4,200
- Medium:
- Movement & Style:
- Period:
- Condition:Paint loss around edges, indents to canvas, stretcher bar mark.
- Gallery Location:New York, NY
- Reference Number:Seller: BL11stDibs: LU2211212249822
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Signed lower right: C.H. Miller
Charles Henry Miller was a noted artist and painter of landscapes from Long Island, New York. The American poet Bayard Taylor called him, "The artistic discoverer of the little continent of Long Island."
Miller was educated at Mount Washington Collegiate Institute, and graduated in medicine at the New York Homeopathic Institute in 1864. Before his graduation, he had occasionally painted pictures, and in 1860 he exhibited The Challenge Accepted at the National Academy of Design, in New York City.
He lived in Queens at the summer estate, Queenslawn, originally purchased by his parents. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian Royal Academy at Munich under the instruction of Adolf Lier.
After the 1874 death of his father, Jacob Miller, who was a wealthy architect and builder, Miller received a large inheritance that allowed him to paint as an independent artist for the remainder of his long life. He worked seriously and exhibited regularly, including at international exhibitions.
The majority of his oil paintings depict Long Island subjects, especially those in and around Queens Village. Fed up with the development of the eastern part of Queens (present-day Nassau County), he began to spend part of his summers in East Marion, Long Island, c. 1910. Here he spent his time sketching and painting the surrounding areas.
In 1885 he published The Philosophy of Art in America, using the pseudonym Carl De Muldor (he was descended from the De Muldor family).
His work was recognized: in 1873, he was elected an associate of the National Academy of Design and an academician in 1875. He served as president of the New York Art Club in 1879 and of the American Committee at the Munich International Exposition in 1883.
Legacy and honors
• In 1910 Miller founded the Queens Borough Allied Arts & Crafts Society.
• A New York City public school, Queens P.S. 33, was once named for him.
• 1878, gold medal awarded by the Massachusetts Charitable Association
• 1885, gold medal at the World's Exposition in New Orleans.
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• National Academy of Design, New York, NY, 1860-61, 1865-67, 1870-1921
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• Paris International Exposition, Paris, France, 1878, 1889
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• World's Columbian Exposition, Chicago, IL, 1892
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