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James Everett Stuart'The Sacramento River, Rio Vista', California, Bohemian Club, White House, SFSD1919
1919
$9,500
£7,212.24
€8,249.26
CA$13,272.88
A$14,762.34
CHF 7,708.43
MX$179,641.94
NOK 98,448.46
SEK 92,327.29
DKK 61,567.40
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About the Item
'The Sacramento River, Rio Vista', California, Bohemian Club, White House, SFSD
Signed lower left, 'J. E. Stuart' for James Everett Stuart (American, 1852-1941) ), dated 'Jan. 31, 1919' and with the artist's chronology number '2596'; additionally signed, verso, titled, 'Sunset' and inscribed, 'The Sacramento River, near Rio Vista, California. Painted Jan. 31, 1919' with artist's chronology number, dimensions and original sale price. ($5,000.)
Born in Bangor, Maine, James Everett Stuart became celebrated for his panoramic American landscapes. He traveled and painted widely from Maine to California and from Alaska to the Panama Canal. He is now particularly known for his landscapes of the American West, particularly for his dramatic views of Northern California and Oregon. Stuart painted over 5000 paintings during his lifetime and he kept meticulous notes concerning weather and atmosphere as well as assigning a unique stock number to each completed work.
James Everett Stuart first studied in San Francisco with Raymond Yelland, Thomas Hill, and William Keith at the San Francisco School of Design. His early work was focused on dramatic California landscapes including views of the Sacramento and San Joaquin rivers. His original style was influenced the French Barbizon School. In 1876, Stuart traveled through the north-western United States and, in 1881, opened his first studio in Portland, Oregon. From here, he traveled throughout the United States and Mexico. His favored subjects included the Yosemite National Park as well as old California missions and adobes.
During much of the 1890s, he lived in Chicago, but returned to San Francisco in 1912. With a new studio near Union Square, he became highly sought after by the public and and popular among his peers. This commercial and critical success was underscored by his election to membership of the Bohemian Club. James Everett Stuart is well-listed in all relevant art reference works including Who Was Who in American Art and Benezit's Dictionary of Artists. His work may be found in many private and public collections nationwide including in the permanent collection of the White House in Washington D.C.
Reference:
Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 3, page 3210; Artists in California 1786-1940, Third Edition, Edan Milton Hughes: Crocker Art Museum, Sheridan Books 2002, Vol. 2, page 1076; E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 13, page 325; Mallett’s Index of Artists, Daniel Trowbridge Mallett, Peter Smith: New York 1948 Edition, R.R. Bowker Company 1935, page 425; Mantle Fielding’s Dictionary of American Painters, Sculptors and Engravers, Glen B. Opitz, Apollo Press 1983, page 908; et al.
- Creator:James Everett Stuart (1852-1941, American)
- Creation Year:1919
- Dimensions:Height: 24 in (60.96 cm)Width: 42 in (106.68 cm)Depth: 0.13 in (3.31 mm)
- Medium:
- Period:
- Condition:painting: canvas laid down on masonite; minor restoration, minor craquelure; unframed; shows well.
- Gallery Location:Santa Cruz, CA
- Reference Number:1stDibs: LU34415953572
James Everett Stuart
Born in Bangor, Maine, James Everett Stuart became known for his panoramic landscapes from Maine to California to Alaska to the Panama Canal, but especially of the American West with focus on Northern California and Oregon. Reportedly he painted more than 5000 paintings during his lifetime and originated a method of painting on aluminum and wood with a special adhering process that he thought made his work quite durable but proved not to be so. He also wrote on the back of most of his paintings His parents took him to California at the age of eight, and the family settled in San Francisco where he attended the public schools and studied art with Virgil Williams, Raymond Yelland, Thomas Hill, and William Keith at the San Francisco School of Design. His early work was dramatic California landscape including the Sacramento and San Joaquin rivers, and in style the works were moody and mysterious and suggestive of the French Barbizon School. He first traveled to the Northwest in 1876, and in 1881, he opened his studio in Portland, Oregon and from there traveled throughout the West and East Coast and into Mexico. Subjects included Yosemite as well as California missions and adobes. He painted landscapes whose sales ultimately were financially remunerative and which established his reputation. in 1885, he first went to Yellowstone where he camped for several weeks, supplied himself with fish for food, climbed steep cliffs including Electric Peak, and filled his sketchbook for studio paintings. The following summer, Stuart returned, having negotiated a free pass from the Northern Pacific Railroad in exchange for paintings. At the end of the summer, he went East to New York City on the return part of his train pass. Settling a studio in New York for four years, he continued to arrange several more summer railroad passes to Yellowstone. He was unable to arrange a formal arrangement for painting sales from the Park's gift shop, so he sold paintings from his tent. Of those years, he expressed that he much preferred being in the park to studio painting, but he stopped visiting in 1889 and instead traveled to Alaska and the Coastal Range. During much of the 1890s, he lived in Chicago, but in 1912 returned to San Francisco until his death in 1941. There, from his studio near Union Square, he was highly successful and popular among his peers, underscored by his membership in the Bohemian Club. Many of the owners of old homes in California have his paintings on the wall, suggestive of a time of grandeur. One of his paintings is in the White House, and his work is in the historical societies of Oregon, Washington, and Montana.
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